Jazz Poems
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Jazz Poems
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Author : Kevin Young
language : en
Publisher: Everyman's Library
Release Date : 2006
Jazz Poems written by Kevin Young and has been published by Everyman's Library this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Literary Collections categories.
A vital and surprising hardcover collection of poems about, and inspired by, jazz music. AN EVERYMAN'S LIBRARY POCKET POET. Selected and Edited by Kevin Young. Ever since its first flowering, jazz has had a powerful influence on American poetry; this scintillating anthology offers a treasury of poems that are as varied and as vital as the music that inspired them. From the Harlem Renaissance to the beat movement, from the poets of the New York school to the contemporary poetry scene, the jazz aesthetic has been a compelling literary force—one that Jazz Poems makes palpable. We hear it in the poems of Langston Hughes, E. E. Cummings, William Carlos Williams, Frank O’Hara, and Gwendolyn Brooks, and in those of Yusef Komunyakaa, Charles Simic, Rita Dove, Ntozake Shange, Mark Doty, William Matthews, and C. D. Wright. Here are poems that pay tribute to jazz’s great voices, and poems that throb with the vivid rhythm and energy of the jazz tradition, ranging in tone from mournful elegy to sheer celebration. Includes: • “Jazz Band in a Parisian Cabaret” by Langston Hughes • “God Bless the Child” by Billie Holiday and Arthur Herzog, Jr. • “Jazz Fantasia” by Carl Sandburg • “Ol’ Bunk’s Band” by William Carlos Williams • “We Real Cool” by Gwendolyn Brooks • “Chasing the Bird” by Robert Creeley • “Victrola” by Robert Pinsky • “Pres Spoke in a Language” by Amiri Baraka • “The Day Lady Died” by Frank O’Hara • “Art Pepper” by Edward Hirsch • “Snow” by Billy Collins Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.
Major Features Of Langston Hughes Jazz Poetry An Analyis Of His Poem Railroad Avenue
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Author : Roswitha Mayer
language : en
Publisher: GRIN Verlag
Release Date : 2016-07-12
Major Features Of Langston Hughes Jazz Poetry An Analyis Of His Poem Railroad Avenue written by Roswitha Mayer and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-07-12 with Literary Collections categories.
Seminar paper from the year 1998 in the subject American Studies - Miscellaneous, grade: 1,7, Johannes Gutenberg University Mainz (American Studies Department), course: American Modernism, language: English, abstract: How did Langston Hughes shape music into poetry, what were the items of his jazz poetry and what message did he want to mediate? Concerning the items and message of jazz poetry, secondary literature offers no help. Reading Hughes' jazz poems and combining it with the status of jazz music and Hughes' view of art, the following assumptions are plausible: Hughes’ jazz poetry tries with literary devices to imitate jazz music. This poetry reflects to reflect modern, urban black poplar culture. His poems transmit a new black self- confidence. The aim of this paper is to give reasons for those assumptions by analyzing a jazz poem closely. The poem that is to be analyzed is called „Railroad Avenue“ and was published first in 1926.
Jazz Poetry
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Author : Sascha Feinstein
language : en
Publisher: Praeger
Release Date : 1997-03-18
Jazz Poetry written by Sascha Feinstein and has been published by Praeger this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-03-18 with Language Arts & Disciplines categories.
Embracing the entire history of jazz poetry, the work defines this inspired literary genre as poetry necessarily informed by jazz music. It discusses the major figures and various movements from the racist poems of the 1920s to contemporary times when the tone of jazz poetry experienced a dramatic change from elegy to celebration. The jazz music of Charlie Parker and John Coltrane transliterated into poetry by the likes of Langston Hughes and Sterling Brown is but a part of this vital work. This unusual volume will be of interest to scholars and students of literature, music, American and African Studies, and popular culture as well as anyone who enjoys jazz and poetry. Emphasis is given to a call and response between white and African American writers. The earliest jazz poems by white writers from the 1920s, for example, reflected the general anxieties evoked by jazz, particularly regarding race and sexuality, and jazz did not fully become embraced in American verse until Langston Hughes and Sterling Brown published their first books in 1926 and 1932, respectively. By the 1950s, jazz poetry had become a fad, featuring jazz and poetry in performance, and this book spends considerable time addressing the energetic but often wildly unsuccessful work by dominantly white, West coast writers who turned to Charlie Parker as their hero. African American poets from the 1960s, however, focused more on John Coltrane and interpreted his music as a representation of the Black Civil Rights movement. Jazz poetry from the 1970s to the present has had less to do with this call and response between races, and the final two chapters discuss contemporary jazz poetry in terms of its dramatic change in tone from elegy to joy.
Jazz Poetry Beginnings And Its Contemporary Developments
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Author : Herbert Reichl
language : en
Publisher: GRIN Verlag
Release Date : 2003-04-08
Jazz Poetry Beginnings And Its Contemporary Developments written by Herbert Reichl and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-04-08 with Foreign Language Study categories.
Seminar paper from the year 2001 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: very good, University of Salzburg (Anglistics/American Studies), course: Jazz and American Popular Music, language: English, abstract: To many people, the relationship between the terms “jazz” on the one hand and “poetry” on the other hand might be anything else but obvious. On the one hand, jazz, one may argue, is a type of music, most of the time associated with black musicians, used for relaxation purposes or which is suitable for a nice evening out listening to a concert. The term poetry, on the other hand, is mainly associated with well-known poets like W.Shakespeare, W.Wordsworth, or W.B.Yeats. Everybody had to sit in school, learn poems by heart and had to recite them. Furthermore in poetry, concepts of rhymes, stanzas, rhythm, or metre have a major importance. Most of the time, poems have to be interpreted to fully get their meaning, which as well might be an obstacle to many readers to enjoy them, for inexplicable reasons. As mentioned above, poetry is closely linked to terms like rhythm and rhyme, and so is music. Almost any pop-song which has been composed in the last decades has a certain structure, a meaning when it has been interpreted, their lines rhyme and they are sung in a certain rhythm by the artists. We can observe the same phenomenon in jazz, where the artists sing or play on stage, they want to make their message clear to the audience that dances according to the rhythm and listens to the lyrics of the song. Thus, one might argue, there is a more than close and obvious link between jazz and poetry. Brian Dorsey, for example, states that “poetry and music are two expressive idioms that naturally complement each other”(ii)1. Many jazz-poets have set their lines to jazz, or even performed their po-ems with musical accompaniment. In this seminar-paper, I will deal with the link between jazz and poetry. At the beginning of this piece, I will define the concept of jazz-poetry, which has been a term in English Literary Criticism for many decades now. Furthermore, the paper will also deal with contemporary jazz-poetry. Starting from dialect poetry (Dunbar), moving on to one of its main and most important representatives, Langston Hughes, this paper then will compare jazz-poetry at the turn of the last century to contemporary jazz-poetry, interestingly enough at the turn of a new millennium. The comparison will not only focus on sociocultural backgrounds influencing music and poetry at specific times, but will also deal with the poems’ topics, how poems are structured, and their, if there are any, peculiarities, differences or similarities.
The Second Set Vol 2
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Author : Sascha Feinstein
language : en
Publisher: Indiana University Press
Release Date : 1996-10-22
The Second Set Vol 2 written by Sascha Feinstein and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996-10-22 with Music categories.
Embracing a wide variety of poems informed by jazz, The Second Set includes statements of poetics by many of the poets anthologized.
Translating Jazz Into Poetry
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Author : Erik Redling
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2017-02-20
Translating Jazz Into Poetry written by Erik Redling and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-02-20 with Literary Criticism categories.
The study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality (e.g., the notion that jazz poetry imitates jazz music) still dominates the field of criticism. This book challenges that interpretive approach. It demonstrates that a mimetic view of jazz poetry hinders readers from perceiving the metaphoric ways poets rendered music in writing. Drawing on and extending recent cognitive metaphor theories (Lakoff, Johnson, Turner, Fauconnier), it promotes a conceptual metaphor model that allows readers to discover the innovative ways poets translate “melody,” “dynamics,” “tempo,” “mood,” and other musical elements into literal and figurative expressions that invite readers to imagine the music in their mind’s eye (i.e., their mind’s ear).
Notes To Make The Sound Come Right
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Author : T. J. Anderson
language : en
Publisher: University of Arkansas Press
Release Date : 2004-07-01
Notes To Make The Sound Come Right written by T. J. Anderson and has been published by University of Arkansas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-07-01 with Poetry categories.
In “When Malindy Sings” the great African American poet Paul Laurence Dunbar writes about the power of African American music, the “notes to make the sound come right.” In this book T. J. Anderson III, son of the brilliant composer, Thomas Anderson Jr., asserts that jazz became in the twentieth century not only a way of revising old musical forms, such as the spiritual and work song, but also a way of examining the African American social and cultural experience. He traces the growing history of jazz poetry and examines the work of four innovative and critically acclaimed African American poets whose work is informed by a jazz aesthetic: Stephen Jonas (1925?–1970) and the unjustly overlooked Bob Kaufman (1925–1986), who have affinities with Beat poetry; Jayne Cortez (1936– ), whose work is rooted in surrealism; and the difficult and demanding Nathaniel Mackey (1947– ), who has links to the language writers. Each fashioned a significant and vibrant body of work that employs several of the key elements of jazz. Anderson shows that through their use of complex musical and narrative weaves these poets incorporate both the tonal and performative structures of jazz and create work that articulates the African journey. From improvisation to polyrhythm, they crafted a unique poetics that expresses a profound debt to African American culture, one that highlights the crucial connection between music and literary production and links them to such contemporary writers as Michael Harper, Amiri Baraka, and Yusef Komunyakaa, as well as young recording artists—United Future Organization, Us3, and Groove Collection—who have successfully merged hip-hop poetry and jazz.
Playing The Word
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Author : Dan Jaffe
language : en
Publisher: BkMk Press of the University of Missouri-Kansas City
Release Date : 2001
Playing The Word written by Dan Jaffe and has been published by BkMk Press of the University of Missouri-Kansas City this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Poetry categories.
Poetry. "Dan Jaffe's celebration of jazz is so vivid and passionate I could hear the tunes and see the smoke. It was 3 a.m. and I had no thought of going home until the last note was played. This book is a great work of love" --James Tate.
Testimony A Tribute To Charlie Parker
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Author : Yusef Komunyakaa
language : en
Publisher: Wesleyan University Press
Release Date : 2013-09-18
Testimony A Tribute To Charlie Parker written by Yusef Komunyakaa and has been published by Wesleyan University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09-18 with Poetry categories.
Pulitzer Prize–winning poet Yusef Komunyakaa is well known for his jazz poetry, and this book is the first to bring together the verve and vitality of his oeuvre. The centerpiece of this volume is the libretto “Testimony.” Paying homage to Charlie Parker, “Testimony” was commissioned for a radio drama with original music by eminent Australian composer and saxophonist Sandy Evans. Remarkably rich and evocative, encompassing a wide range of musical energy and performers, this moving affirmation of Parker’s genius became a milestone in contemporary radio theater. Twenty-eight additional poems spanning the breadth of Komunyakaa’s career are included, including two never previously published. Accompanying the poems are interviews and essays featuring Komunyakaa, Evans, radio producer Christopher Williams, jazz critic Miriam Zolin, jazz writer and editor Sascha Feinstein, and musical director, Paul Grabowsky. Sascha Feinstein writes the foreword. The print edition includes two CDs with the entire Australian Broadcast Company recording of Testimony, ebook contains imbedded audio. Check for the online reader’s companion at testimony.site.wesleyan.edu.
A Bibliographic Guide To Jazz Poetry
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Author : Sascha Feinstein
language : en
Publisher: Greenwood
Release Date : 1998-04-08
A Bibliographic Guide To Jazz Poetry written by Sascha Feinstein and has been published by Greenwood this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998-04-08 with Music categories.
Containing over 500 annotated entries for individual poets and several anthologies, this work presents a substantial collection of poems that have been inspired by blues and jazz. Thousands of poems written between 1916 and the present are included. References to individual jazz figures addressed in the poetry are cross-referenced. The range of poems includes homages to jazz musicians and work written primarily to be read with jazz accompaniment. This wide selection of poetry offers a unique guide to the poetry inspired by jazz musicians and their music. Of interest to scholars and jazz enthusiasts alike, this substantial bibliography, annotated by author and cross-referenced by musician, presents a wealth of information previously unavailable in a single source. The jazz-related poetry identified will attract a range of writers and musicians. Furthermore, the broad variety of poets and anthologies presented crosses many boundaries and will also interest scholars of 20th century poetry, African American literature, and American literature.