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Kunst Wissenschaft


Kunst Wissenschaft
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Kunst Und Forschung Art And Research


Kunst Und Forschung Art And Research
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Author : Janet Rittermann
language : de
Publisher: Springer
Release Date : 2011-06-20

Kunst Und Forschung Art And Research written by Janet Rittermann and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-06-20 with Reference categories.


Kunst und Wissenschaft haben sich einander angenähert: Wissenschaft betont ihre Nähe zur Kunst, diese wiederum versteht sich in wesentlichen Teilen als forschendes Produzieren. In den Beiträgen setzen sich international renommierte Fachleute mit dem Forschungsbegriff in der Kunst auseinander, und zwar insbesondere hinsichtlich der Forschung über Kunst, der Forschung durch Kunst und der Forschung in der Kunst. Damit wird auch das erfasst, was Kunstuniversitäten unter dem Stichwort Entwicklung und Erschließung der Künste als Aufgabe aufgetragen wird.



Pevsner


Pevsner
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Author : Stephen Games
language : en
Publisher: Bloomsbury Publishing
Release Date : 2010-03-31

Pevsner written by Stephen Games and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-03-31 with Biography & Autobiography categories.


The first biography of Nikolaus Pevsner, the best known and most important architectural historian of the 20th-century.



Panofsky And The Foundations Of Art History


Panofsky And The Foundations Of Art History
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Author : Michael Ann Holly
language : en
Publisher: Cornell University Press
Release Date : 1984

Panofsky And The Foundations Of Art History written by Michael Ann Holly and has been published by Cornell University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with Art categories.


No one has been more influential in the contemporary practice of art history than Erwin Panofsky, yet many of his early seminal papers remain virtually unknown to art historians. As a result, Michael Ann Holly maintains, art historians today do not have access to the full range of methodological considerations and possibilities that Panofsky's thought offers, and they often remain unaware of the significant role art history played in the development of modern humanistic thought. Placing Panofsky's theoretical work first in the context of the major historical paradigms generated by Hegel, Burckhardt, and Dilthey, Holly shows how these paradigms themselves became the grounds for creative controversy among Panofsky's predecessors--Riegl, Wölfflin, Warburg, and Dvorák, among others. She also discusses how Panofsky's struggle with the terms and concepts of neo-Kantianism produced in his work remarkable parallels with the philosophy of Ernst Cassirer. Finally, she evaluates Panofsky's better known and later "iconological" studies by reading them against the earlier essays and by comparing his earlier ideas with the vision that has inspired recent work in the philosophy of history, semiotics, and the philosophy of science.



Chaos And Cosmos


Chaos And Cosmos
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Author : Karen Ann Lang
language : en
Publisher: Cornell University Press
Release Date : 2006

Chaos And Cosmos written by Karen Ann Lang and has been published by Cornell University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Art categories.


Writing in 1940, the prominent German art historian Erwin Panofsky asked, "How, then, is it possible to build up art history as a respectable scholarly discipline, if its objects come into being by an irrational and subjective process?" In Chaos and Cosmos, Karen Lang addresses the power of art to resist the pressures of the transcendental vantage point-history. Uncovering the intellectual and cultural richness of the early years of academic art history in Germany--the period from the 1880s to 1940--she explores various attempts within art history to transform aesthetic phenomena--chaos--into the cosmos of a systematic, unified field of inquiry.Lang starts by examining Panofsky's approach to aesthetic phenomena in his early theoretical essays alongside Ernst Cassirer's contemporaneous publications on the substance and function of scientific concepts (and on Einstein's theory of relativity). She then turns to the subject of aesthetic judgment through a rereading of Kantian subjectivity and Kant's uneasy legacy in art history. From here, Lang considers the different organizing theories of symbolic form proposed by Aby Warburg and Cassirer, as well as Goethe's inspiration for both; Alois Riegl's notion of age value and Walter Benjamin's conceptions of the aura; concluding with an extended examination of objectivity and the figure of the art connoisseur.Extensively illustrated with works of art from the Enlightenment to the present day, this venturesome book illuminates an intellectual legacy that has profoundly shaped the study of the history of art in ways that have, until now, been largely unacknowledged. Addressing the interplay of chaos and cosmos in terms of history, art history, philosophy, and epistemology, Lang traces shifts in point of view in art history and the way these shifts change aesthetic objects into historical objects, and even objects of knowledge.



The Critical Historians Of Art


The Critical Historians Of Art
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Author : Michael Podro
language : en
Publisher: Yale University Press
Release Date : 1982-01-01

The Critical Historians Of Art written by Michael Podro and has been published by Yale University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982-01-01 with Art categories.


Reviews the work of nineteenth-century German art critics and connects their writings with the basic philosophical problems of aesthetics considered by Kant, Schiller, and Hegel



Diutiska


Diutiska
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Author : Gustav Solling
language : en
Publisher:
Release Date : 1863

Diutiska written by Gustav Solling and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1863 with German literature categories.




Die Technik Und Die Musen Technology And The Muses


Die Technik Und Die Musen Technology And The Muses
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Author : Juliane Mikoletzky
language : en
Publisher: Böhlau Verlag Wien
Release Date : 2016-01-20

Die Technik Und Die Musen Technology And The Muses written by Juliane Mikoletzky and has been published by Böhlau Verlag Wien this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-01-20 with Education categories.


The articles compiled in this volume address the manifold relationships between technology, art, culture, and science that have emerged throughout the 200 years of the history of the TU Wien. After reflecting in general on the interaction of art and technology, and their convergence at the “Vienna Chamber of Wonders 2015” exhibition, the connections between the members and graduates of the TU Wien and its predecessor institutions to the artistic, literary, and especially musical life of the time will be examined. Further articles are dedicated to the role of the Polytechnic Institute and the TH/TU Wien in the early development of photography and film, as well as to the efforts of the TH in spreading technical knowledge to the people during the first decades of the 20th century as part of "University Extension".



Chaos And Cosmos


Chaos And Cosmos
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Author : Karen Lang
language : en
Publisher: Cornell University Press
Release Date : 2018-08-06

Chaos And Cosmos written by Karen Lang and has been published by Cornell University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-08-06 with Art categories.


Writing in 1940, the prominent German art historian Erwin Panofsky asked, "How, then, is it possible to build up art history as a respectable scholarly discipline, if its objects come into being by an irrational and subjective process?" In Chaos and Cosmos, Karen Lang addresses the power of art to resist the pressures of the transcendental vantage point-history. Uncovering the intellectual and cultural richness of the early years of academic art history in Germany—the period from the 1880s to 1940—she explores various attempts within art history to transform aesthetic phenomena—chaos—into the cosmos of a systematic, unified field of inquiry.Lang starts by examining Panofsky's approach to aesthetic phenomena in his early theoretical essays alongside Ernst Cassirer's contemporaneous publications on the substance and function of scientific concepts (and on Einstein's theory of relativity). She then turns to the subject of aesthetic judgment through a rereading of Kantian subjectivity and Kant's uneasy legacy in art history. From here, Lang considers the different organizing theories of symbolic form proposed by Aby Warburg and Cassirer, as well as Goethe's inspiration for both; Alois Riegl's notion of age value and Walter Benjamin's conceptions of the aura; concluding with an extended examination of objectivity and the figure of the art connoisseur.Extensively illustrated with works of art from the Enlightenment to the present day, this venturesome book illuminates an intellectual legacy that has profoundly shaped the study of the history of art in ways that have, until now, been largely unacknowledged. Addressing the interplay of chaos and cosmos in terms of history, art history, philosophy, and epistemology, Lang traces shifts in point of view in art history and the way these shifts change aesthetic objects into historical objects, and even objects of knowledge.



The Expressionist Turn In Art History


The Expressionist Turn In Art History
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Author : KimberlyA. Smith
language : en
Publisher: Routledge
Release Date : 2017-07-05

The Expressionist Turn In Art History written by KimberlyA. Smith and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


During the period in which Expressionist artists were active in central Europe, art historians were producing texts which also began to be characterized evocatively as ?expressionist?, yet the notion of an expressionist art history has yet to be fully explored in historiographic studies of the discipline. This anthology offers a cross-section of noteworthy art history texts that have been described as expressionist, along with critical commentaries by an international group of scholars. Written between 1912 and 1933, the primary sources have been selected from the published scholarship of both recognized and less-familiar figures in the field's Germanic tradition: Wilhelm Worringer, Fritz Burger, Ernst Heidrich, Max Dvor? Heinrich W?lfflin, and Carl Einstein. Translated here for the first time, these examples of an expressionist turn in art history, along with their secondary analyses and the book's introduction, offer a productive lens through which to re-examine the practice and theory of art history in the early twentieth century.



German Art History And Scientific Thought


German Art History And Scientific Thought
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Author : MitchellB. Frank
language : en
Publisher: Routledge
Release Date : 2017-07-05

German Art History And Scientific Thought written by MitchellB. Frank and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


A fresh contribution to the ongoing debate between Kunstwissenschaft (scientific study of art) and Kunstgeschichte (art history), this essay collection explores how German-speaking art historians of the late nineteenth and early twentieth century self-consciously generated a field of study. Prominent North American and European scholars provide new insights into how a mixing of diverse methodologies took place, in order to gain a more subtle and comprehensive understanding of how art history became institutionalized and legitimized in Germany. One common assumption about early art-historical writing in Germany is that it depended upon a simplistic and narrowly-defined formalism. This book helps to correct this stereotype by demonstrating the complexity of discussion surrounding formalist concerns, and by examining how German-speaking art historians borrowed, incorporated, stole, and made analogies with concepts from the sciences in formulating their methods. In focusing on the work of some of the well-known 'fathers' of the discipline - such as Alois Riegl and Heinrich W?lfflin - as well as on lesser-known figures, the essays in this volume provide illuminating, and sometimes surprising, treatments of art history's prior and understudied interactions with a wide range of scientific orientations, from psychology, sociology, and physiognomics to evolutionism and comparative anatomy.