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The Expressionist Turn In Art History


The Expressionist Turn In Art History
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The Expressionist Turn In Art History


The Expressionist Turn In Art History
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Author : Kimberly A. Smith
language : en
Publisher:
Release Date : 2016

The Expressionist Turn In Art History written by Kimberly A. Smith and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Art categories.


During the period in which Expressionist artists were active in central Europe, art historians were producing texts which also began to be characterized evocatively as ’expressionist’, yet the notion of an expressionist art history has yet to be fully explored in historiographic studies of the discipline. This anthology offers a cross-section of noteworthy art history texts that have been described as expressionist, along with critical commentaries by an international group of scholars. Written between 1912 and 1933, the primary sources have been selected from the published scholarship of both recognized and less-familiar figures in the field's Germanic tradition: Wilhelm Worringer, Fritz Burger, Ernst Heidrich, Max Dvořák, Heinrich Wölfflin, and Carl Einstein. Translated here for the first time, these examples of an expressionist turn in art history, along with their secondary analyses and the book's introduction, offer a productive lens through which to re-examine the practice and theory of art history in the early twentieth century.



The Expressionist Turn In Art History


The Expressionist Turn In Art History
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Author : KimberlyA. Smith
language : en
Publisher: Routledge
Release Date : 2017-07-05

The Expressionist Turn In Art History written by KimberlyA. Smith and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


During the period in which Expressionist artists were active in central Europe, art historians were producing texts which also began to be characterized evocatively as ?expressionist?, yet the notion of an expressionist art history has yet to be fully explored in historiographic studies of the discipline. This anthology offers a cross-section of noteworthy art history texts that have been described as expressionist, along with critical commentaries by an international group of scholars. Written between 1912 and 1933, the primary sources have been selected from the published scholarship of both recognized and less-familiar figures in the field's Germanic tradition: Wilhelm Worringer, Fritz Burger, Ernst Heidrich, Max Dvor? Heinrich W?lfflin, and Carl Einstein. Translated here for the first time, these examples of an expressionist turn in art history, along with their secondary analyses and the book's introduction, offer a productive lens through which to re-examine the practice and theory of art history in the early twentieth century.



The Expressionist Turn In Art History


The Expressionist Turn In Art History
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Author : KimberlyA. Smith
language : en
Publisher:
Release Date : 2014

The Expressionist Turn In Art History written by KimberlyA. Smith and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Art categories.


"During the period in which Expressionist artists were active in central Europe, art historians were producing texts which also began to be characterized evocatively as ?expressionist?, yet the notion of an expressionist art history has yet to be fully explored in historiographic studies of the discipline. This anthology offers a cross-section of noteworthy art history texts that have been described as expressionist, along with critical commentaries by an international group of scholars. Written between 1912 and 1933, the primary sources have been selected from the published scholarship of both recognized and less-familiar figures in the field's Germanic tradition: Wilhelm Worringer, Fritz Burger, Ernst Heidrich, Max Dvor? Heinrich W?lfflin, and Carl Einstein. Translated here for the first time, these examples of an expressionist turn in art history, along with their secondary analyses and the book's introduction, offer a productive lens through which to re-examine the practice and theory of art history in the early twentieth century."--Provided by publisher.



Expressionism And Poster Design In Germany 1905 1922


Expressionism And Poster Design In Germany 1905 1922
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Author : Kathleen G. Chapman
language : en
Publisher: BRILL
Release Date : 2019-01-21

Expressionism And Poster Design In Germany 1905 1922 written by Kathleen G. Chapman and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-01-21 with Art categories.


In Expressionism and Poster Design in Germany 1905–1925, Kathleen Chapman re-defines Expressionism by situating it in relation to the most common type of picture in public space during the Wilhelmine twentieth century, the commercial poster. Focusing equally on visual material and contemporaneous debates surrounding art, posters, and the image in general, this study reveals that conceptions of a “modern” image were characterized not so much by style or mode of production and distribution, but by a visual rhetoric designed to communicate more directly than words. As instances of such rhetoric, Expressionist art and posters emerge as equally significant examples of this modern image, demonstrating the interconnectedness of the aesthetic, the utilitarian, and the commercial in European modernism.



Marianne Werefkin And The Women Artists In Her Circle


Marianne Werefkin And The Women Artists In Her Circle
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Author :
language : en
Publisher: BRILL
Release Date : 2016-11-21

Marianne Werefkin And The Women Artists In Her Circle written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-11-21 with Literary Criticism categories.


Marianne Werefkin and the Women Artists in Her Circle traces the relationships between the modernist artists in Werefkin’s circle, including Erma Bossi, Elisabeth Epstein, Natalia Goncharova, Elizaveta Kruglikova, Else Lasker-Schüler, Marta Liepiņa-Skulme, Elena Luksch-Makowsky, and Maria Marc. The book demonstrates that their interactions were dominated not primarily by national ties, but rather by their artistic ideas, intellectual convictions, and gender roles; it offers an analysis of the various artistic scenes, the places of exchange, and the artists’ sources of inspiration. Specifically focusing on issues of cosmopolitan culture, transcultural dialogue, gender roles, and the building of new artistic networks, the collection of essays re-evaluates the contributions of these artists to the development of modern art. Contributors: Shulamith Behr, Marina Dmitrieva, Simone Ewald, Bernd Fäthke, Olga Furman, Petra Lanfermann, Tanja Malycheva, Galina Mardilovich, Antonia Napp, Carla Pellegrini Rocca, Dorothy Price, Hildegard Reinhardt, Kornelia Röder, Kimberly A. Smith, Laima Laučkaitė-Surgailienė, Baiba Vanaga, and Isabel Wünsche



Architecture And The Late Ottoman Historical Imaginary


Architecture And The Late Ottoman Historical Imaginary
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Author : AhmetA. Ersoy
language : en
Publisher: Routledge
Release Date : 2017-07-05

Architecture And The Late Ottoman Historical Imaginary written by AhmetA. Ersoy and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


While European eclecticism is examined as a critical and experimental moment in western art history, little research has been conducted to provide an intellectual depth of field to the historicist pursuits of late Ottoman architects as they maneuvered through the nineteenth century?s vast inventory of available styles and embarked on a revivalist/Orientalist program they identified as the ?Ottoman Renaissance.? Ahmet A. Ersoy?s book examines the complex historicist discourse underlying this belated ?renaissance? through a close reading of a text conceived as the movement?s canonizing manifesto: the Usul-i Mi?mari-i ?Osmani [The Fundamentals of Ottoman Architecture] (Istanbul, 1873). In its translocal, cross-disciplinary scope, Ersoy?s work explores the creative ways in which the Ottoman authors straddled the art-historical mainstream and their new, self-orientalizing aesthetics of locality. The study reveals how Orientalism was embraced by its very objects, the self-styled ?Orientals? of the modern world, as a marker of authenticity, and a strategically located aesthetic tool to project universally recognizable images of cultural difference. Rejecting the lesser, subsidiary status ascribed to non-western Orientalisms, Ersoy?s work contributes to recent, post-Saidian directions in the study of cultural representation that resituate the field of Orientalism beyond its polaristic core, recognizing its cross-cultural potential as a polyvalent discourse.



Constructing The Viennese Modern Body


Constructing The Viennese Modern Body
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Author : Nathan Timpano
language : en
Publisher: Taylor & Francis
Release Date : 2017-05-25

Constructing The Viennese Modern Body written by Nathan Timpano and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-05-25 with Art categories.


This book takes a new, interdisciplinary approach to analyzing modern Viennese visual culture, one informed by Austro-German theater, contemporary medical treatises centered on hysteria, and an original examination of dramatic gestures in expressionist artworks. It centers on the following question: How and to what end was the human body discussed, portrayed, and utilized as an aesthetic metaphor in turn-of-the-century Vienna? By scrutinizing theatrically “hysterical” performances, avant-garde puppet plays, and images created by Oskar Kokoschka, Koloman Moser, Egon Schiele and others, Nathan J. Timpano discusses how Viennese artists favored the pathological or puppet-like body as their contribution to European modernism.



Sculptural Materiality In The Age Of Conceptualism


Sculptural Materiality In The Age Of Conceptualism
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Author : MarinR. Sullivan
language : en
Publisher: Routledge
Release Date : 2017-07-05

Sculptural Materiality In The Age Of Conceptualism written by MarinR. Sullivan and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


Sculptural Materiality in the Age of Conceptualism is structured around four distinct but interrelated projects initially realized in Italy between 1966 and 1972: Yayoi Kusama?s Narcissus Garden, Michelangelo Pistoletto?s Newspaper Sphere (Sfera di giornali), Robert Smithson?s Asphalt Rundown, and Joseph Beuys?s Arena. These works all utilized non-traditional materials, collaborative patronage models, and alternative modes of display to create a spatially and temporally dispersed arena of matter and action, with photography serving as a connective, material thread within the sculpture it reflects. While created by major artists of the postwar period, these particular projects have yet to receive substantive art historical analysis, especially from a sculptural perspective. Here, they anchor a transnational narrative in which sculpture emerged as a node, a center of transaction comprising multiple material phenomenon, including objects, images, and actors. When seen as entangled, polymorphous entities, these works suggest that the charge of sculpture in the late postwar period came from its concurrent existence as both three-dimensional phenomena and photographic image, in the interchanges among the materials that continue to activate and alter the constitution of sculpture within the contemporary sphere.



Vladimir Markov And Russian Primitivism


Vladimir Markov And Russian Primitivism
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Author : Jeremy Howard
language : en
Publisher: Routledge
Release Date : 2016-02-11

Vladimir Markov And Russian Primitivism written by Jeremy Howard and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-02-11 with Art categories.


Hailed as a brilliant theoretician, Voldemārs Matvejs (best known by his pen name Vladimir Markov) was a Latvian artist who spearheaded the Union of Youth, a dynamic group championing artistic change in Russia, 1910-14. His work had a formative impact on Malevich, Tatlin, and the Constructivists before it was censored during the era of Soviet realism. This volume introduces Markov as an innovative and pioneering art photographer and assembles, for the first time, five of his most important essays. The translations of these hard-to-find texts are fresh, unabridged, and authentically poetic. Critical essays by Jeremy Howard and Irena Buzinska situate his work in the larger phenomenon of Russian ’primitivism’, i.e. the search for the primal. This book challenges hardening narratives of primitivism by reexamining the enthusiasm for world art in the early modern period from the perspective of Russia rather than Western Europe. Markov composed what may be the first book on African art and Z.S. Strother analyzes both the text and its photographs for their unique interpretation of West African sculpture as a Kantian ’play of masses and weights’. The book will appeal to students of modernism, orientalism, ’primitivism’, historiography, African art, and the history of the photography of sculpture.



Michael Baxandall Vision And The Work Of Words


 Michael Baxandall Vision And The Work Of Words
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Author : Robert Williams
language : en
Publisher: Routledge
Release Date : 2017-07-05

Michael Baxandall Vision And The Work Of Words written by Robert Williams and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


'The most important art historian of his generation? is how some scholars have described the late Michael Baxandall (1933-2007), Professor of the Classical Tradition at the Warburg Institute, University of London, and of the History of Art at the University of California, Berkeley. Baxandall?s work had a transformative effect on the study of European Renaissance and eighteenth-century art, and contributed to a complex transition in the aims and methods of art history in general during the 1970s, ?80s and ?90s. While influential, he was also an especially subtle and independent thinker - occasionally a controversial one - and many of the implications of his work have yet to be fully understood and assimilated. This collection of 10 essays endeavors to assess the nature of Baxandall?s achievement, and in particular to address the issue of the challenges it offers to the practice of art history today. This volume provides the most comprehensive assessment of Baxandall?s work to date, while drawing upon the archive of Baxandall papers recently deposited at the Cambridge University Library and the Warburg Institute.