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Kuo Shih Lun Heng


Kuo Shih Lun Heng
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Kuo Shih Lun Heng


Kuo Shih Lun Heng
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Author : Li-an Kʻuang
language : zh-CN
Publisher:
Release Date : 1979

Kuo Shih Lun Heng written by Li-an Kʻuang and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1979 with China categories.




Lun Heng Chu Shih


Lun Heng Chu Shih
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Author : Pei-ching ta hoüch. Li shih hoi. Lun heng chu shih hsiao tsu
language : en
Publisher:
Release Date : 1979

Lun Heng Chu Shih written by Pei-ching ta hoüch. Li shih hoi. Lun heng chu shih hsiao tsu and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1979 with categories.




Lun Heng Chiao Shih


Lun Heng Chiao Shih
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Author : Ch'eng-shih Wu
language : zh-CN
Publisher:
Release Date : 1986

Lun Heng Chiao Shih written by Ch'eng-shih Wu and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986 with categories.




Chung Kuo Shih Hsueh Tsung Heng Lun


Chung Kuo Shih Hsueh Tsung Heng Lun
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Author : Wei-liang Huang
language : zh-CN
Publisher:
Release Date : 1977

Chung Kuo Shih Hsueh Tsung Heng Lun written by Wei-liang Huang and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1977 with Chinese poetry categories.




Lun Chan Kuo Shih Tai Ti Ho Tsung Yu Lien Heng


Lun Chan Kuo Shih Tai Ti Ho Tsung Yu Lien Heng
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Author : Huang-hsiung Huang
language : zh-CN
Publisher:
Release Date : 1975

Lun Chan Kuo Shih Tai Ti Ho Tsung Yu Lien Heng written by Huang-hsiung Huang and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1975 with China categories.




Remnants Of Ch In Law


Remnants Of Ch In Law
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Author : A.F.P. Hulsewé
language : en
Publisher: BRILL
Release Date : 2021-09-13

Remnants Of Ch In Law written by A.F.P. Hulsewé and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-09-13 with History categories.




Fu Ssu Nien


Fu Ssu Nien
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Author : Fansen Wang
language : en
Publisher: Cambridge University Press
Release Date : 2000-11-06

Fu Ssu Nien written by Fansen Wang and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-11-06 with Biography & Autobiography categories.


Wang's biography of Fu Ssu-nien examines Fu's important role in modern China's intellectual development.



Cheng Pa Shih Ts E Hua Mei Kuo


Cheng Pa Shih Ts E Hua Mei Kuo
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Author : Yün-chia Lo
language : zh-CN
Publisher:
Release Date : 1980

Cheng Pa Shih Ts E Hua Mei Kuo written by Yün-chia Lo and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980 with United States categories.




Wei Chi Shih Tai Kuo Chi Huo Pi Ch Ih Yung Lun Heng


Wei Chi Shih Tai Kuo Chi Huo Pi Ch Ih Yung Lun Heng
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Author : Yiqun Gu
language : zh-CN
Publisher:
Release Date : 1971

Wei Chi Shih Tai Kuo Chi Huo Pi Ch Ih Yung Lun Heng written by Yiqun Gu and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1971 with categories.




Fictionality And Reality In Narrative Discourse


Fictionality And Reality In Narrative Discourse
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Author : Li-fen Chen
language : en
Publisher: Universal-Publishers
Release Date : 2000-01-20

Fictionality And Reality In Narrative Discourse written by Li-fen Chen and has been published by Universal-Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-01-20 with Biography & Autobiography categories.


This dissertation is an attempt to define a Chinese "modernism," exemplified by the narrative practices of four major writers in Taiwan today, from the perspective of comparative literature and recent development of literary theory. I propose that modernity of Taiwanese fiction is not so much a result of Western influences as an evolution of Chinese narrative tradition itself. To argue my point I delineate a poetics of Chinese narrative, from which I devise a method of reading and a criterion of evaluation for contemporary Taiwanese fiction in defining its achievement and historical significance. This study of Taiwanese fiction also aims at providing a better understanding of fundamental aesthetic assumptions of Western "modernism" in the context of its own literary tradition. Chapter One, "Introduction," investigates the theoretical foundation and its line of development in Western and Chinese poetics respectively. It first examines the Platonic view of mimesis and Aristotelian aesthetic view of fictionality and their influence on the critical tradition, the continuity of the ancient battle between philosophy and poetry as seen in the structuralist and deconstructionist theories, then the relationship between subjective fictionality and ironic objectivity in Chinese poetics, the continuity of the dilemma in the Chinese novelists in their dual allegiance to the ideal and the real. A final section gives a critical overview of the literary scene in Taiwan. The following four chapters provide examples of the internal tension between fictionality and ironic awareness in the Taiwanese modernist texts. I suggest that instead of stretching the metaphorical potential of fiction to a highly intellectualized abstraction or playing down the interpretive claims of fiction by dramatizing its vulnerability like their Western counterpart, the Taiwanese modernists create their texts on the borderline between the high and the low. Self-assertive as well as self-denying, each of them confronts his own intellectual vision with paradox and ambivalence. In Ch'en Ying-chen, this is expressed as a battle between a lyrical vision of ideological values and an instinctive self-clowning, in Ch'i-teng Sheng, as a form of competition between pattern and contingency, in Wang Chen-ho, as a celebration and abuse of the fictionality of fiction, and in Wang Wen-hsing, an intense self-parody. I conclude that the sensitivity to the irrational and contradiction, inherent with a resistance to didacticism, constitutes the best part of the Chinese humanistic tradition, which is continuously enriched with new dimensions by the contemporary Taiwanese writers.