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L Histoire Du Jazz 1


L Histoire Du Jazz 1
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L Histoire Du Jazz 1


L Histoire Du Jazz 1
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Author :
language : fr
Publisher: Editions Parenthèses
Release Date :

L Histoire Du Jazz 1 written by and has been published by Editions Parenthèses this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.




L Histoire Du Jazz


L Histoire Du Jazz
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Author : Gunther Schuller
language : fr
Publisher:
Release Date : 2010-06-03

L Histoire Du Jazz written by Gunther Schuller and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-06-03 with categories.


L'histoire du jazz reste l'une des références de la bibliographie du jazz. Le volume 1, " Le premier jazz ", s'attache à une étude musicale des origines jusqu'aux années trente.



Analysis Of Jazz


Analysis Of Jazz
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Author : Laurent Cugny
language : en
Publisher: Univ. Press of Mississippi
Release Date : 2019-03-20

Analysis Of Jazz written by Laurent Cugny and has been published by Univ. Press of Mississippi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-03-20 with Music categories.


Analysis of Jazz: A Comprehensive Approach, originally published in French as Analyser le jazz, is available here in English for the first time. In this groundbreaking volume, Laurent Cugny examines and connects the theoretical and methodological processes that underlie all of jazz. Jazz in all its forms has been researched and analyzed by performers, scholars, and critics, and Analysis of Jazz is required reading for any serious study of jazz; but not just musicians and musicologists analyze jazz. All listeners are analysts to some extent. Listening is an active process; it may not involve questioning but it always involves remembering, comparing, and listening again. This book is for anyone who attentively listens to and wants to understand jazz. Divided into three parts, the book focuses on the work of jazz, analytical parameters, and analysis. In part one, Cugny aims at defining what a jazz work is precisely, offering suggestions based on the main features of definition and structure. Part two he dedicates to the analytical parameters of jazz in which a work is performed: harmony, rhythm, form, sound, and melody. Part three takes up the analysis of jazz itself, its history, issues of transcription, and the nature of improvised solos. In conclusion, Cugny addresses the issues of interpretation to reflect on the goals of analysis with regard to understanding the history of jazz and the different cultural backgrounds in which it takes place. Analysis of Jazz presents a detailed inventory of theoretical tools and issues necessary for understanding jazz.



Jazz And Postwar French Identity


Jazz And Postwar French Identity
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Author : Elizabeth Vihlen McGregor
language : en
Publisher: Lexington Books
Release Date : 2016-06-23

Jazz And Postwar French Identity written by Elizabeth Vihlen McGregor and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-06-23 with Music categories.


In the context of a shifting domestic and international status quo that was evolving in the decades following World War II, French audiences used jazz as a means of negotiating a wide range of issues that were pressing to them and to their fellow citizens. Despite the fact that jazz was fundamentally linked to the multicultural through its origins in the hands of African-American musicians, happenings within the French jazz public reflected much about France’s postwar society. In the minds of many, jazz was connected to youth culture, but instead of challenging traditional gender expectations, the music tended to reinforce long-held stereotypes. French critics, musicians, and fans contended with the reality of American superpower strength and often strove to elevate their own country’s stature in relation to the United States by finding fault with American consumer society and foreign policy aims. Jazz audiences used this music to condemn American racism and to support the American civil rights movement, expressing strong reservations about the American way of life. French musicians lobbied to create professional opportunities for themselves, and some went so far as to create a union that endorsed preferential treatment for French nationals. As France became more ethnically and religiously diverse due immigration from Africa, Asia, and the Caribbean, French jazz critics and fans noted the insidious appearance of racism in their own country and had to contend with how their own citizens would address the changing demographics of the nation, even if they continued to insist that racism was more prevalent in the United States. As independence movements brought an end to the French empire, jazz enthusiasts from both former colonies and France had to reenvision their relationship to jazz and to the music’s international audiences. In these postwar decades, the French were working to preserve a distinct national identity in the face of weakened global authority, most forcefully represented by decolonization and American hegemony. Through this originally African American music, French listeners, commentators, and musicians participated in a process that both challenged and reinforced ideas about their own culture and nation.



Jazz


Jazz
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Author : John Fordham
language : fr
Publisher:
Release Date : 1995

Jazz written by John Fordham and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with categories.




Made In France


Made In France
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Author : Gérôme Guibert
language : en
Publisher: Routledge
Release Date : 2017-11-06

Made In France written by Gérôme Guibert and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-11-06 with Music categories.


Made in France: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music, and covers the major figures, styles, and social contexts of pop music in France. The book first presents a general description of the history and background of popular music in France, followed by essays that are organized into thematic sections: The Mutations of French Popular Music During the "Trente Glorieuses"; Politicising Popular Music; Assimilation, Appropriation, French Specificity; and From Digital Stakes to Cultural Heritage: French Contemporary Topics. Contributors: Christian Béthune Juliette Dalbavie Gérôme Guibert Fabien Hein Olivier Julien Marc Kaiser Barbara Lebrun David Looseley Stéphanie Molinero Anne Petiau Cécile Prévost-Thomas Vincent Rouzé Catherine Rudent Matthieu Saladin Jedediah Sklower Raphaël Suire Florence Tamagne



Jazz Story


Jazz Story
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Author : Noël Balen
language : fr
Publisher:
Release Date : 2007

Jazz Story written by Noël Balen and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with categories.


L'histoire du jazz à travers cinquante histoires, notamment les bars clandestins de la Louisiane, la naissance de l'orchestre de Duke Ellington, Charlie Parker, Chet Baker ou Miles Davis.



Le Jazz


Le Jazz
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Author : Matthew F. Jordan
language : en
Publisher: University of Illinois Press
Release Date : 2022-08-15

Le Jazz written by Matthew F. Jordan and has been published by University of Illinois Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-08-15 with Music categories.


In Le Jazz, Matthew F. Jordan deftly blends textual analysis, critical theory, and cultural history in a wide-ranging and highly readable account of how jazz progressed from a foreign cultural innovation met with resistance by French traditionalists to a naturalized component of the country's identity. Jordan draws on sources including ephemeral critical writing in the press and twentieth-century French literature to trace the country's reception of jazz, from the Cakewalk dance craze and the music's significance as a harbinger of cultural recovery after World War II to its place within French ethnography and cultural hybridity. Countering the histories of jazz's celebratory reception in France, Jordan delves in to the reluctance of many French citizens to accept jazz with the same enthusiasm as the liberal humanists and cosmopolitan crowds of the 1930s. Jordan argues that some listeners and critics perceived jazz as a threat to traditional French culture, and only as France modernized its identity did jazz become compatible with notions of Frenchness. Le Jazz speaks to the power of enlivened debate about popular culture, art, and expression as the means for constructing a vibrant cultural identity, revealing crucial keys to understanding how the French have come to see themselves in the postwar world.



The Dial Recordings Of Charlie Parker


The Dial Recordings Of Charlie Parker
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Author : Edward Komara
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 1998-06-10

The Dial Recordings Of Charlie Parker written by Edward Komara and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998-06-10 with Music categories.


Dial Records catered to jazz musicians and record collectors. Charlie Parker was one of the major jazz artists to record with Dial. His Dial sessions occurred at the personal depths and artistic peaks of his career during which he introduced a number of such jazz staples as Ornithology and Scrapple from the Apple. His ten sessions associated with Dial are presented in detail and include the repertory, original issues and reissues, titles and notated transcriptions, and analyses of performances. Commentary explains many of the titles to Parker's pieces and collates the various recordings in which he performed his Dial repertory outside the confines of the Dial studios; these celebrated performances helped to shape modern jazz. In addition to the catalogue of Parker's Dial recordings, jazz historians and scholars alike will appreciate the historical narrative detailing the evolution of Dial Records, its owner Ross Russell, and its business relations with Charlie Parker. This examination of the 1940's jazz record business sheds light on the dissemination of jazz via records. Five appendices complete this well organized and thorough study of Charlie Parker and his legendary Dial recordings.



Stereo Comparative Perspectives On The Sociological Study Of Popular Music In France And Britain


Stereo Comparative Perspectives On The Sociological Study Of Popular Music In France And Britain
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Author : Philippe Le Guern
language : en
Publisher: Routledge
Release Date : 2016-04-01

Stereo Comparative Perspectives On The Sociological Study Of Popular Music In France And Britain written by Philippe Le Guern and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-01 with Music categories.


The term 'Popular Music' has traditionally denoted different things in France and Britain. In France, the very concept of 'popular' music has been fiercely debated and contested, whereas in Britain and more largely throughout what the French describe as the 'Anglo-saxon' world 'popular music' has been more readily accepted as a description of what people do as leisure or consume as part of the music industry, and as something that academics are legitimately entitled to study. French researchers have for some decades been keenly interested in reading British and American studies of popular culture and popular music and have often imported key concepts and methodologies into their own work on French music, but apart from the widespread use of elements of 'French theory' in British and American research, the 'Anglo-saxon' world has remained largely ignorant of particular traditions of the study of popular music in France and specific theoretical debates or organizational principles of the making and consuming of French musics. French, British and American research into popular music has thus coexisted - with considerable cross-fertilization - for many years, but the barriers of language and different academic traditions have made it hard for French and anglophone researchers to fully appreciate the ways in which popular music has developed in their respective countries and the perspectives on its study adopted by their colleagues. This volume provides a comparative and contrastive perspective on popular music and its study in France and the UK.