L Image Par Le Film
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The Image
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Author : Jacques Aumont
language : en
Publisher:
Release Date : 1997
The Image written by Jacques Aumont and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Juvenile Nonfiction categories.
Images have become a source of knowledge and persuasion as well as pleasure every bit as powerful as the written word. Yet the image, as it manifests itself in painting, cinema, journalism, television, and multi-media remains an enigmatic device
Latent Images
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Author : Jan Uhde
language : en
Publisher: NUS Press
Release Date : 2010
Latent Images written by Jan Uhde and has been published by NUS Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Art categories.
The authors catalogue the country's film landscape from the early days of local film production through the end of 2007, and present new discoveries on the city's film history that throw fresh light on its earliest feature productions. The book's discussion of Singapore film production between 2000 and 2007 covers more than 50 new feature films, and also looks at Singapore cinema in its regional and wider contexts. The book also provides discussions of short film production and its impact on the development of filmmaking in the country, on censorship and film classification, and interviews with industry professionals and filmmakers. Expanded appendices provide quick reference to bio-filmographies of important Singapore filmmakers, statistics from the Singapore International Film Festival, and a full list of films produced in Singapore between 1927 and 2007.
Cinema Ii
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Author : Gilles Deleuze
language : en
Publisher: A&C Black
Release Date : 2013-12-19
Cinema Ii written by Gilles Deleuze and has been published by A&C Black this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-19 with Philosophy categories.
"The second volume of Gilles Deleuze's landmark reassessment of the art of film, now available in the Bloomsbury Revelations series"--
The Material Image
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Author : Brigitte Peucker
language : en
Publisher: Stanford University Press
Release Date : 2007
The Material Image written by Brigitte Peucker and has been published by Stanford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Literary Criticism categories.
Focusing on intermediality, The Material Image situates film within questions of representation familiar from the other arts: What is meant by figuring the real? How is the real suggested by visual metaphors, and what is its relation to illusion? How is the spectator figured as entering the text, and how does the image enter our world? The film's spectator is integral to these concerns. Cognitive and phenomenological approaches to perception alike claim that spectatorial affect is "real" even when it is film that produces it. Central to the staging of intermediality in film, tableaux moments in film also figure prominently in the book. Films by Scorsese, Greenaway, Wenders, and Kubrick are seen to address painterly, photographic, and digital images in relation to effects of the real. Hitchcock's films are examined with regard to modernist and realist effects in painting. Chapters on Fassbinder and Haneke analyze the significance of tableau for the body in pain, while a final chapter on horror film explores the literalism of psychopathic tableau. Here, too, art and the bodyimages and the realare juxtaposed and entwined in a set of relations.
Cinema The Time Image
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Author : Gilles Deleuze
language : en
Publisher: U of Minnesota Press
Release Date : 1986
Cinema The Time Image written by Gilles Deleuze and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986 with Performing Arts categories.
Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories
Ideology And The Image
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Author : Bill Nichols
language : en
Publisher: Bloomington : Indiana University Press
Release Date : 1981
Ideology And The Image written by Bill Nichols and has been published by Bloomington : Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with Performing Arts categories.
To what degree, Nichols asks, does ideology inform images in films, advertising, and other media? Does the cinema or any other sign system liberate or manipulate us? How can we as spectators know when the media are subtly perpetuating a specific set of values? To address these issues, the author draws from a variety of approaches -- Marxism, psycholanalysis, communication theory, semiotics, structuralism, the psychology of perception. Working with two interrelated theories -- ideology and image-systems, and ideology and principles of textual criticism -- Nichols shows how and why we make emotional investments in sign sytsems with an ideological context.
Image And Mind
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Author : Gregory Currie
language : en
Publisher: Cambridge University Press
Release Date : 1995-09-29
Image And Mind written by Gregory Currie and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995-09-29 with Performing Arts categories.
This book develops a theory of the nature of the cinematic medium, of the psychology of film viewing, and of film narrative.
The Image In Early Cinema
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Author : Scott Curtis
language : en
Publisher: Indiana University Press
Release Date : 2018-03-22
The Image In Early Cinema written by Scott Curtis and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-03-22 with Performing Arts categories.
In The Image in Early Cinema, the contributors examine intersections between early cinematic form, technology, theory, practice, and broader modes of visual culture. They argue that early cinema emerged within a visual culture composed of a variety of traditions in art, science, education, and image making. Even as methods of motion picture production and distribution materialized, they drew from and challenged practices and conventions in other mediums. This rich visual culture produced a complicated, overlapping network of image-making traditions, innovations, and borrowing among painting, tableaux vivants, photography, and other pictorial and projection practices. Using a variety of concepts and theories, the contributors explore these crisscrossing traditions and work against an essentialist notion of media to conceptualize the dynamic interrelationship between images and their context.
Raymond Bellour
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Author : Raymond Bellour
language : en
Publisher: Jrp Ringier
Release Date : 2012
Raymond Bellour written by Raymond Bellour and has been published by Jrp Ringier this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Cinematography categories.
This volume brings together 20 illustrated essays written between 1981 and 1989 by Raymond Bellour, one of the world's most prominent film theorists.
The Flesh Of Images
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Author : Mauro Carbone
language : en
Publisher: State University of New York Press
Release Date : 2015-09-23
The Flesh Of Images written by Mauro Carbone and has been published by State University of New York Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-09-23 with Philosophy categories.
In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty's often misunderstood notion of "flesh" was another way to signify what he also called "Visibility." Considering vision as creative voyance, in the visionary sense of creating as a particular presence something which, as such, had not been present before, Carbone proposes original connections between Merleau-Ponty and Paul Gauguin, and articulates his own further development of the "new idea of light" that the French philosopher was beginning to elaborate at the time of his sudden death. Carbone connects these ideas to Merleau-Ponty's continuous interest in cinema—an interest that has been traditionally neglected or circumscribed. Focusing on Merleau-Ponty's later writings, including unpublished course notes and documents not yet available in English, Carbone demonstrates both that Merleau-Ponty's interest in film was sustained and philosophically crucial, and also that his thinking provides an important resource for illuminating our contemporary relationship to images, with profound implications for the future of philosophy and aesthetics. Building on his earlier work on Marcel Proust and considering ongoing developments in optical and media technologies, Carbone adds his own philosophical insight into understanding the visual today.