La Cappella Giulia 1513 2013
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La Cappella Giulia 1513 2013
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Author : Giancarlo Rostirolla
language : it
Publisher: Bärenreiter-Verlag
Release Date : 2018-04-10
La Cappella Giulia 1513 2013 written by Giancarlo Rostirolla and has been published by Bärenreiter-Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-04-10 with Music categories.
Als eine der wichtigsten Institutionen der geistlichen Musik blickt die Cappella Giulia der Petersbasilika auf eine fünfhundertjährige Geschichte zurück. Giancarlo Rostirolla lässt diese wechselvolle und faszinierende Geschichte anhand von Originaldokumenten aus der Bibliothek der Päpste und aus den Archiven des Kapitels von San Pietro in Vaticano lebendig werden. In der Cappella Giulia, 1513 von Papst Julius II. gegründet, wirkten die bedeutendsten Repräsentanten der römischen Vokalpolyphonie: allen voran Giovanni Animuccia und Giovanni Pierluigi da Palestrina, Francesco Soriano, Virgilio Mazzocchi, Orazio Benevoli, Paolo Lorenzani und Pietro Bencini, aber auch Opernkomponisten wie Domenico Scarlatti, Niccolò Jommelli, Nicola Zingarelli, die Vertreter des italienischen Caecilianismus bis hin zu Armando Renzi und nicht zuletzt namhafte Organisten wie Girolamo Frescobaldi. Giancarlo Rostirolla würdigt in dieser ebenso umfassenden wie spannend zu lesenden Dokumentation die Cappella Giulia als Musikinstitution von außerordentlicher geschichtlicher Bedeutung und als Protagonistin eines halben Jahrtausends der Musica sacra. Der Autor ist ein international ausgewiesener Kenner der römischen Musiktraditionen und seit Jahrzehnten in den Kirchen- und Kapellarchiven, in den Bibliotheken und Musiksammlungen der Ewigen Stadt bewandert wie kaum ein anderer. - Beide Bände erschließen erstmalig die Geschichte der Cappella Giulia mit Informationen zu sämtlichen dort nachweisbaren Musikern, ihren Lebensläufen, Werklisten, sowie Dokumenten zur Kapellgeschichte
The Roman Sacred Music Of Alessandro Scarlatti
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Author : Luca Della Libera
language : en
Publisher: Taylor & Francis
Release Date : 2022-06-06
The Roman Sacred Music Of Alessandro Scarlatti written by Luca Della Libera and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-06-06 with Music categories.
This book offers an account of the sacred music written by Alessandro Scarlatti (1660-1725) in Rome, a city where the composer lived and worked for many years throughout his career. Using archival research, Luca Della Libera provides an overview of Scarlatti’s life and activities in Rome, addresses his connections with the institutions and patrons of the city, and analyses his Roman repertoire in comparison to the sacred music of other contemporary composers, demonstrating its unique characteristics. An appendix includes transcriptions of the archival sources connected with Scarlatti’s activity in Rome. The first major publication in English to address the sacred music repertoire of one of the major composers of the Italian Baroque, this book offers new insights into Scarlatti’s work and a valuable resource for researchers in musicology and early modern studies.
Printing Music In Renaissance Rome
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Author : Jane A. Bernstein
language : en
Publisher: Oxford University Press
Release Date : 2024-02-16
Printing Music In Renaissance Rome written by Jane A. Bernstein and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-02-16 with Music categories.
In sixteenth-century Italy, Rome ranked second only to Venice as an important center for music book production. Throughout the century, printers in the Eternal City experimented more readily and more consistently with the materiality of the book than their Venetian counterparts, who, by standardizing their printing methods, came to dominate the international marketplace. The Romans' ingenuity and willingness to meet individual clients' needs resulted in music editions in a broader array of shapes and sizes, employing a wider range of printing techniques. They became "boutique" printers, eschewing the run-of-the-mill in favor of tailoring production to varied market demands. Accommodating the diverse requirements of their clientele, they supplied customized volumes, which Venetian presses either could not--or would not--produce. In Printing Music in Renaissance Rome, author Jane A. Bernstein offers a panoramic view of the cultures of music and the book in Rome from the beginning of printing in 1476 through the early seventeenth century. Emphasizing the exceptionalism of Roman music publishing, she highlights the innovative printing technologies and book forms devised by Roman bookmen. She also analyzes the Church's predominant influence on the book industry and, in turn, the Roman press's impact on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri. Drawing on innovative publications, Bernstein reveals a synergistic relationship between music repertories and the materiality of the book. In particular, she focuses on the post-Tridentine period, when musical idioms, both new and old, challenged printers to employ alternative printing methods and modes of book presentation in the creation of their music editions. Of interest to musicologists, art historians, and book historians alike, this book builds on Bernstein's previous work as she continues to chart the course of music and the book in Renaissance Italy.
Gregorio Ballabene S Forty Eight Part Mass For Twelve Choirs 1772
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Author : Florian Bassani
language : en
Publisher: Routledge
Release Date : 2021-12-24
Gregorio Ballabene S Forty Eight Part Mass For Twelve Choirs 1772 written by Florian Bassani and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-12-24 with Music categories.
Neither Spem in alium, the widely acclaimed ‘songe of fortie partes’ by Thomas Tallis, nor Alessandro Striggio’s forty-part Mass is the largest-scale counterpoint work in Western music. The actual winner is Gregorio Ballabene, a relatively unknown Roman maestro di cappella, a contemporary of Giovanni Paisiello, Joseph Haydn and Luigi Boccherini, who composed in forty-eight parts for twelve choirs. His Mass saw only a public rehearsal and was never performed liturgically despite all of Ballabene’s efforts to promote it. On closer inspection, however, the work deserves special consideration as a piece of outstanding combinatory creativity – the product of a talent able to conceive, structure and realise a project of colossal dimensions. It might even be claimed that if Charles Burney had gained knowledge of it, all derogatory comments by nineteenth-century music historians would not have succeeded in extinguishing the interest of later generations. Ballabene’s Mass has remained completely unstudied until today, even though the score survives in prominent collections. This study offers, for the first time, a historical and analytical perspective on this overlooked manifestation of a very individual musical intelligence.
Europ Ische Musiker In Venedig Rom Und Neapel 1650 1750
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Author : Anne-Madeleine Goulet
language : en
Publisher: Bärenreiter-Verlag
Release Date : 2018-11-07
Europ Ische Musiker In Venedig Rom Und Neapel 1650 1750 written by Anne-Madeleine Goulet and has been published by Bärenreiter-Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-11-07 with Music categories.
Der Abschlussband des deutsch-französischen ANR-DFG-Projekts MUSICI widmet sich der Musikermigration im Europa der Frühen Neuzeit mit einem kultur- und musikgeschichtlichen Blick auf Venedig, Rom und Neapel als Reiseziele und Wirkungsorte von Instrumentalisten, Sängern, Komponisten und Instrumentenbauern, die nicht von der italienischen Halbinsel stammten. Im Sinne einer "histoire croisée" werden Netzwerke, Integrations- und Austauschprozesse aufgedeckt, mit denen fremde Musiker zwischen musikalischem Alltag und herausragenden Festlichkeiten konfrontiert waren. Auf dieser Grundlage wird eine systematische Betrachtung der frühneuzeitlichen Musikermigration sowie eine Untersuchung musikalischer Stile jenseits nationaler Forschungstraditionen möglich.
City Of Echoes
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Author : Jessica Wärnberg
language : en
Publisher: Simon and Schuster
Release Date : 2023-09-05
City Of Echoes written by Jessica Wärnberg and has been published by Simon and Schuster this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-09-05 with History categories.
From a bold new historian comes a vibrant history of Rome as seen through its most influential persona throughout the centuries: the pope. Rome is a city of echoes, where the voice of the people has chimed and clashed with the words of princes, emperors, and insurgents across the centuries. In this authoritative new history, Jessica Wärnberg tells the story of Rome’s longest standing figurehead and interlocutor—the pope—revealing how his presence over the centuries has transformed the fate of the city of Rome. Emerging as the anonymous leader of a marginal cult in the humblest quarters of the city, the pope began as the pastor of a maligned and largely foreign flock. Less than 300 years later, he sat enthroned in a lofty, heavily gilt basilica, a religious leader endorsed (and financed) by the emperor himself. Eventually, the Roman pontiff would supplant even the emperors as de facto ruler of Rome and pre-eminent leader of the Christian world. By the nineteenth century, it would take an army to wrest the city from the pontiff’s grip. As the first-ever account of how the popes’ presence has shaped the history of Rome, City of Echoes not only illuminates the lives of the remarkable (and unremarkable) men who have sat on the throne of Saint Peter, but also reveals the bold and curious actions of the men, women, and children who have shaped the city with them, from antiquity to today. In doing so, the book tells the history of Rome as it has never been told before. During the course of this fascinating story, City of Echoes also answers a compelling question: how did a man—and institution—whose authority rested on the blood and bones of martyrs defeat emperors, revolutionaries, and fascists to give Rome its most enduring identity?
L Esperienza Del Teatro
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Author : Marzia Pieri
language : it
Publisher: Mimesis
Release Date : 2023-04-07T00:00:00+02:00
L Esperienza Del Teatro written by Marzia Pieri and has been published by Mimesis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-04-07T00:00:00+02:00 with Performing Arts categories.
Agli esordi del sedicesimo secolo la galassia della socialità cova in grembo il teatro: un oggetto “ritrovato” filologicamente sulla scorta dell’ antico ma anche definito e riconosciuto in progress attraverso le difformi reazioni dei soggetti che imparano a goderne l’esperienza, separando il piano della finzione da quello della realtà e accettando di disporsi all’attitudine “passiva” di visione e di ascolto richiesta da una rappresentazione, che è cosa diversa dalla condivisione agita della festa laica o religiosa. Fra il teatro pensato e sperimentato dagli intellettuali seguendo l’auctoritas dei classici e il bacino ludico della tradizione si intreccia così un dialogo niente affatto lineare né progressivo, e sono i committenti e i destinatari a orientare in modo decisivo l’ avventura collettiva che, nel giro di pochi decenni, produce la cosiddetta “invenzione” rinascimentale del teatro moderno attraverso un itinerario ricettivo idealmente disposto dal protagonismo della brigata partecipe di un evento comunitario alla visione silenziosa del pubblico in sala.
Roma
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Author : Jessica Wärnberg
language : it
Publisher: Edizioni Mondadori
Release Date : 2024-05-28
Roma written by Jessica Wärnberg and has been published by Edizioni Mondadori this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-05-28 with History categories.
«Mentre monarchie, dittature e imperi sbiadivano negli annali del passato, il ruolo dei papi ha saputo conservarsi nel tempo e le loro gesta si sono riverberate oltre le mura di Roma.» La storica britannica Jessica Wärnberg ripercorre per la prima volta la storia della Roma papale, da san Pietro ai giorni nostri, raccontando la nascita di un'istituzione che non solo ha saputo resistere ai tumulti della Storia, ma che ha anche trasformato la città eterna nel più importante centro spirituale al mondo. Quando i primi cristiani giunsero nella Roma pagana, a metà del I secolo d.C., la città era già il cuore pulsante di una delle maggiori civiltà dell'Occidente, aveva dato origine a una repubblica che aveva dominato e influenzato l'intero bacino del Mediterraneo ed era la capitale di quello che sarebbe diventato uno dei più vasti imperi mai esistiti. A segnarne però il destino, cambiandolo per sempre, fu l'arrivo dalle coste della Galilea di Pietro, un umile pescatore intenzionato a diffondere una fede appena nata. Dopo la sua morte, i fedeli del nuovo culto cominciarono a recarsi in pellegrinaggio alla sua tomba, sul colle Vaticano, un luogo spoglio su cui secoli più tardi l'imperatore Costantino avrebbe eretto una grandiosa basilica. Lentamente, Roma si trasformò dalla città dei Cesari in quella dei papi. E fu proprio la nuova religione a consentirle di mantenere la sua rilevanza ben oltre il crollo del grande impero romano d'Occidente. In un racconto che attraversa due millenni e ricostruisce tutte le tappe della Roma cristiana, Jessica Wärnberg mostra come gli uomini succedutisi sul trono di Pietro ne abbiano plasmato la storia e come una città abbia finito per identificarsi con una religione, diventandone un simbolo che ancora oggi risuona con forza. Passando con eleganza dal sacro al profano, Roma offre la visione inedita e spesso sorprendente di una città e del suo popolo, e di un'istituzione che è allo stesso tempo familiare e sfuggente. Perché la storia di Roma e dei suoi papi è composta da molteplici narrazioni che si intrecciano non solo l'una con l'altra, ma anche con la storia della Chiesa cristiana e del mondo nel suo complesso.
H Ndel Jahrbuch H Ndel Jahrbuch 2024 70 Jahrgang
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Author : Georg-Friedrich-Händel-Gesellschaft e. V.
language : de
Publisher: Bärenreiter-Verlag
Release Date : 2024-06-10
H Ndel Jahrbuch H Ndel Jahrbuch 2024 70 Jahrgang written by Georg-Friedrich-Händel-Gesellschaft e. V. and has been published by Bärenreiter-Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-06-10 with Music categories.
Das Händel-Jahrbuch 2024 enthält Beiträge von Forscherinnen und Forschern aus Deutschland, Frankreich, Großbritannien und den USA zur Internationalen wissenschaftlichen Konferenz 2023 in Halle (Saale). Präsentiert wird ein breites Spektrum neuer Forschungsergebnisse zum Thema "Politik der Oper. Händels Opernakademien 1719–1737". Darüber hinaus umfasst das Händel-Jahrbuch den Festvortrag von Arnold Jacobshagen (Köln), "Streit um die Oper – von Händel bis heute", die Laudatio von Wolfgang Hirschmann auf den Preisträger des Internationalen Händel-Forschungspreises der Georg-Friedrich-Händel-Gesellschaft sowie freie Beiträge, kleine Berichte und Literaturempfehlungen.
Music Authorship And The Book In The First Century Of Print
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Author : Kate van Orden
language : en
Publisher: Univ of California Press
Release Date : 2013-10-19
Music Authorship And The Book In The First Century Of Print written by Kate van Orden and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-19 with Music categories.
What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western musicÕs adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.