La Lettre Du Cinema N 3
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La Lettre Du Cinema N 3
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Author : Collectif,
language : fr
Publisher:
Release Date : 1997-09-22
La Lettre Du Cinema N 3 written by Collectif, and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-09-22 with categories.
Everything Is Cinema
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Author : Richard Brody
language : en
Publisher: Macmillan + ORM
Release Date : 2008-05-13
Everything Is Cinema written by Richard Brody and has been published by Macmillan + ORM this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-05-13 with Performing Arts categories.
From New Yorker film critic Richard Brody, Everything Is Cinema: The Working Life of Jean-Luc Godard presents a "serious-minded and meticulously detailed . . . account of the lifelong artistic journey" of one of the most influential filmmakers of our age (The New York Times). When Jean-Luc Godard wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Unlike any earlier films, Godard's work shifts fluidly from fiction to documentary, from criticism to art. The man himself also projects shifting images—cultural hero, fierce loner, shrewd businessman. Hailed by filmmakers as a—if not the—key influence on cinema, Godard has entered the modern canon, a figure as mysterious as he is indispensable. In Everything Is Cinema, critic Richard Brody has amassed hundreds of interviews to demystify the elusive director and his work. Paying as much attention to Godard's technical inventions as to the political forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless, to the grand vision of his later years. He vividly depicts Godard's wealthy conservative family, his fluid politics, and his tumultuous dealings with women and fellow New Wave filmmakers. Everything Is Cinema confirms Godard's greatness and shows decisively that his films have left their mark on screens everywhere.
Iris
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Author :
language : en
Publisher:
Release Date : 2000
Iris written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Motion picture plays categories.
Alice Guy Blach
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Author : Alison McMahan
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2014-08-22
Alice Guy Blach written by Alison McMahan and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-08-22 with Social Science categories.
Alice Guy BlachT (1873-1968), the world's first woman filmmaker, was one of the key figures in the development of narrative film. From 1896 to 1920 she directed 400 films (including over 100 synchronized sound films), produced hundreds more, and was the first--and so far the only--woman to own and run her own studio plant (The Solax Studio in Fort Lee, NJ, 1910-1914). However, her role in film history was completely forgotten until her own memoirs were published in 1976. This new book tells her life story and fills in many gaps left by the memoirs. Guy BlachT's life and career mirrored momentous changes in the film industry, and the long time-span and sheer volume of her output makes her films a fertile territory for the application of new theories of cinema history, the development of film narrative, and feminist film theory. The book provides a close analysis of the one hundred Guy BlachT films that survive, and in the process rewrites early cinema history.
Chronology Of The Birth Of Cinema 1833 1896
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Author : Deac Rossell
language : en
Publisher: Indiana University Press
Release Date : 2022-10-18
Chronology Of The Birth Of Cinema 1833 1896 written by Deac Rossell and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-10-18 with Performing Arts categories.
Written from an international perspective, this account of the origins of the cinema begins in 1833 with the introduction of optical toys for reproducing movement and ends with a thorough examination of the first full year of projected moving pictures in 1896. Comprehensive and verifiable, with citations that support each individual entry, the book examines the events that culminated in the establishment of the moving picture world that was the dominant visual medium of the last century. Drawing on a range of international sources, this chronology is a readable, vivid account that corrects many longstanding errors in the story of moving pictures while at the same time recording the astounding diversity of ideas, apparatus, personalities, and exhibitions that turned a passing novelty into a major industry. Populated by dreamers, inventors, scientists, and entrepreneurs with widely different skills, interests, and backgrounds, the many origins of the cinema are all recorded here in a rich tapestry that has been woven with attention to the detailed shape and placement of each individual thread. The result is a fully- indexed reference that reflects the state of modern scholarship and should be useful over the long term as both a reference to the period of early cinema and as a starting point for further research.
A Bout De Souffle
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Author : Ramona Fotiade
language : en
Publisher: Bloomsbury Publishing
Release Date : 2013-05-28
A Bout De Souffle written by Ramona Fotiade and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-05-28 with Art categories.
One of the most charismatic feature films of the New Wave, A Bout de Souffle (1960) has retained much of its appeal not only as the emphatic statement of a generational break with tradition, but also as Godard's earliest rendition of a set of thematic and stylistic motifs that would become his trademark. Sustained critical attention over almost fifty years has made this a cult film, propelled in part by the memorable coupling of its lead actors, Jean-Paul Belmondo and Jean Seberg, whose story on screen seemed to portray the troubled love affair between French cinema and Hollywood. In this original guide to the film, Ramona Fotiade provides an in-depth analysis of its production and reception contexts, as well as of salient aspects mise-en-scene and editing. She situates A Bout de Souffle in relation to Godard's filmography and critical writings up to 1960, focusing on the elaboration of a narrative and visual discourse that has come to be identified with a distinctive strand in postmodern French cinema. She also explores the impact of Godard's early counter-narrative and visual strategies on the independent American filmmakers and the French Cinema du Look during the 1980s and 1990s.
Canadian Film And Video
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Author : Loren R. Lerner
language : en
Publisher: University of Toronto Press
Release Date : 1997-01-01
Canadian Film And Video written by Loren R. Lerner and has been published by University of Toronto Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-01-01 with Reference categories.
This extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original publication. Canadian Film and Video / Film et vidéo canadiens provides an in-depth guide to the work of over 4000 individuals working in film and video and 5000 films and videos. The entries in Volume I cover topics such as film types, the role of government, laws and legislation, censorship, festivals and awards, production and distribution companies, education, cinema buildings, women and film, and video art. A major section covers filmmakers, video artists, cinematographers, actors, producers, and various other film people. Volume II presents an author index, a film and video title index, and a name and subject index. In the tradition of the highly acclaimed publication Art and Architecture in Canada these volumes fill a long-standing need for a comprehensive reference tool for Canadian film and video. This bibliography guides and supports the work of film historians and practitioners, media librarians and visual curators, students and researchers, and members of the general public with an interest in film and video.
Chris Marker
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Author : Chris Marker
language : en
Publisher: U of Minnesota Press
Release Date : 2024-08-13
Chris Marker written by Chris Marker and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-08-13 with Performing Arts categories.
Formative writings by French avant-garde filmmaker Chris Marker It is hard to imagine French cinema without La Jetée (1962), the time-travel short feature by the reclusive French filmmaker Christian François Bouche-Villeneuve, better known as Chris Marker. He not only influenced artists ranging from David Bowie to J. G. Ballard but also inspired the cult film 12 Monkeys. Marker’s influence expanded beyond his own films through his writings for the French monthly Esprit as well as anthologies and newly founded film publications. This first English translation of Marker’s early writings on film brings together reviews and essays, published between 1948 and 1955, that span the topics of film style, adaptation, and ideology, as well as animation and the debates surrounding 3-D and wide-screen technologies, ranging from late silent-era films to postwar Hollywood’s efforts to contend with the rise of television. Readers will find commentary on Laurence Olivier’s 1944 screen adaptation of Henry V, a scathing review of Robert Montgomery’s Lady in the Lake (1947), critiques of Walt Disney productions, a discussion of the pitfalls of prioritizing commercial success over aesthetic values, and more. An indispensable resource for cinephiles and scholars alike, these texts document the emergence of Marker’s critical voice and situate him alongside such contemporaries as André Bazin and Eric Rohmer, as well as the future French New Wave figures Jean-Luc Godard and François Truffaut. They show how his remarks on individual films open onto his engagement with films as social and cultural phenomena.
Bertolt Brecht
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Author : Betty Nance Weber
language : en
Publisher: University of Georgia Press
Release Date : 2010-03-01
Bertolt Brecht written by Betty Nance Weber and has been published by University of Georgia Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-03-01 with Literary Criticism categories.
First published in 1980, this collection of fifteen original essays touches on a variety of topics related to the genesis of Brecht's works and their impact on contemporary literature, theater, and film. Discussed are Brecht's confrontation with Marxism and its political manifestations, the influence of his work on film and theater practitioners, the uses his literary descendants have made of his political commitment, and much more.
Beyond The Screen
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Author : Marta Braun
language : en
Publisher: Indiana University Press
Release Date : 2012-08-22
Beyond The Screen written by Marta Braun and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-08-22 with Performing Arts categories.
This scholarly anthology presents a new framework for understanding early cinema through its usage outside the realm of entertainment. From its earliest origins until the beginning of the twentieth century, cinema provided widespread access to remote parts of the globe and immediate reports on important events. Reaching beyond the nickelodeon theatres, cinema became part of numerous institutions, from churches and schools to department stores and charitable organizations. Then, in 1915, the Supreme Court declared moviemaking a “busines, pure and simple,” entrenching the film industry’s role as a producer of “harmless entertainment.” In Beyond the Screen, contributors shed light on how pre-1915 cinema defined itself through institutional interconnections and publics interested in science, education, religious uplift, labor organizing, and more.