Laura Mulvey Visual Pleasure And Narrative Cinema 1975
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Laura Mulvey Visual Pleasure And Narrative Cinema 1975
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Author : Laura Mulvey
language : en
Publisher: Koenig Books
Release Date : 2016
Laura Mulvey Visual Pleasure And Narrative Cinema 1975 written by Laura Mulvey and has been published by Koenig Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Feminism and motion pictures categories.
Since it first appeared in Screen in 1975, Laura Mulvey's essay "Visual Pleasure and Narrative Cinema" has been an enduring point of reference for artists, filmmakers, writers and theorists. Mulvey's compelling polemical analysis of visual pleasure has provoked and encouraged others to take positions, challenge preconceived ideas and produce new works that owe their possibility to the generative qualities of this key essay. In this book, the celebrated New York-based video artist Rachel Rose (born 1986) has produced an innovative work that extends and adds to the essay's frame of reference. Drawing on 18th- and 19th-century fairy tales, and observing how their flat narratives matched the flatness of their depictions, Rose created collages that connect these pre-cinematic illustrations to what Mulvey describes in her essay--cinema flattening sexuality into visuality.
Playing With The Gaze In Hitchcock The Experience Of Visual Pleasure In Rear Window Vertigo And Psycho
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Author : Anett Koch
language : en
Publisher: GRIN Verlag
Release Date : 2014-06-18
Playing With The Gaze In Hitchcock The Experience Of Visual Pleasure In Rear Window Vertigo And Psycho written by Anett Koch and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-06-18 with Performing Arts categories.
Bachelor Thesis from the year 2011 in the subject Communications - Movies and Television, grade: 1,0, University of Heidelberg, language: English, abstract: Woman [...] stands in patriarchal culture as a signifier for the male other, bound by a symbolic order in which man can live out his fantasies and obsessions through linguistic command by imposing them on the silent image of woman still tied to her place as bearer, not maker, of meaning (Mulvey, “Visual Pleasure” 15). Ever since Laura Mulvey published her essay “Visual Pleasure and Narrative Cinema” in 1975, feminist film theorists have challenged her assertion that films are directed at an exclusively male spectatorship. Despite the fact that Mulvey herself has revised some of her ideas in “Afterthoughts on ‘Visual Pleasure and Narrative Cinema’ inspired by King Vidor’s Duel in the Sun (1946)” (1981), theorists are still struggling to understand if and how visual pleasure manifests itself for female viewers. In classical Hollywood cinema, this visual pleasure is the result of successful audience manipulation. Cinema is often regarded as a ‘narrative machine’ because “the narrative is delivered so effortlessly and efficiently to the audience that it appears to have no source” (Belton, American Cinema 22). As a rule, the film’s artifice is hidden so well that it remains unnoticed by the audience, conveying the impression that the narrative is “spontaneously creating itself in the presence of the spectators [...] for their immediate consumption and pleasure” (ibid.). Thus, cinema’s visual manipulation techniques enable viewers to experience visual pleasure as they enter the world on screen and become involved in the lives of their screen surrogates. Among the many talented directors in the history of film making, Alfred Hitchcock is known for being one of cinema’s most productive auteurs and a pioneer in the field of visual manipulation. Through his way of directing the camera – and with the camera also the gaze of the spectator – his audience not only appreciates the narrative itself but also, and especially, Hitchcock’s technique of storytelling. By means of simultaneously zooming in and tracking out, combined with point-of-view shots and extreme close-ups, the audience assumes the protagonist’s perspective along with a sense of vertigo, guilt and pleasure. Thus, as a director, Hitchcock is like a criminal who makes the audience his accomplice in a crime that is about to unfold in front of their eyes. [...]
Film Manifestos And Global Cinema Cultures
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Author : Scott MacKenzie
language : en
Publisher: University of California Press
Release Date : 2021-01-21
Film Manifestos And Global Cinema Cultures written by Scott MacKenzie and has been published by University of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-01-21 with Performing Arts categories.
Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture.
Laura Mulvey B 1941 From Visual Pleasure And Narrative Cinema
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Author : Laura Mulvey
language : en
Publisher:
Release Date :
Laura Mulvey B 1941 From Visual Pleasure And Narrative Cinema written by Laura Mulvey and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
Visual And Other Pleasures
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Author :
language : en
Publisher:
Release Date : 1989
Visual And Other Pleasures written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with categories.
Afterimages
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Author : Laura Mulvey
language : en
Publisher: Reaktion Books
Release Date : 2019-11-15
Afterimages written by Laura Mulvey and has been published by Reaktion Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-11-15 with Performing Arts categories.
Marking a return for Laura Mulvey to questions of film theory and feminism, as well as a reconsideration of new and old film technologies, this urgent and compelling collection of essays is essential reading for anyone interested in the power and pleasures of moving images. Its title, Afterimages, alludes to the dislocation of time that runs through many of the films and works it discusses as well as to the way we view them. Beginning with a section on the theme of woman as spectacle, a shift in focus leads to films from across the globe, directed by women and about women, all adopting radical cinematic strategies. Mulvey goes on to consider moving image works made for art galleries, arguing that the aesthetics of cinema have persisted into this environment. Structured in three main parts, Afterimages also features an appendix of ten frequently asked questions on her classic feminist essay “Visual Pleasure and Narrative Cinema,” in which Mulvey addresses questions of spectatorship, autonomy, and identity that are crucial to our era today.
Laura Mulvey An Interview
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Author :
language : en
Publisher:
Release Date : 2015
Laura Mulvey An Interview written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with categories.
Laura Mulvey published her seminal essay "Visual Pleasure and Narrative Cinema" in 1975; it has subsequently become one of the most influential work in film theory. Using a psychoanalytic methodology to discuss spectatorship, it was groundbreaking in its feminist critique of the sadistic, misogynistic mode of classical Hollywood cinema in which women were objects of fetishistic display for male viewers' pleasure. She has also written extensively on melodrama, published three books, and co-directed six films, including Riddles of the Sphinx with Peter Wollen (1974). In this interview, the well-known film theorist describes the melange of cinephilia and Freudian criticism that led to her best-known work. After being exposed to Hollywood cinema through the passionate work of the Cahiers du cinema crowd, Laura Mulvey's intellectual autobiography takes a distinctive turn through her immersion in the collaborative milieu of London's women's movement, where she had formative intellectual encounters and re-gained the pleasure of cinema through her methodological adventures. Mulvey weighs in on the legacy of her "Visual Pleasure" essay and updates her thinking on popular culture, psychoanalysis and semiotics. Mulvey provides context and commentary for other ventures such as her 16mm film ed-theory, her current influences and preoccupations, and talks about how the questions and goals have changed for image theorists of the contemporary age. To think popular culture clearly, not as a "romantic collective unconscious, but as a pool of raw material of images, fantasies, mythologies, personifications that organize individual fantasy, transmute individual fantasy like as it were a kind of shortcut into the social." --Laura Mulvey A historical interview originally recorded in 1992 and re-edited in 2006.
Feminist Film Theory
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Author : Sue Thornham
language : en
Publisher: NYU Press
Release Date : 1999-04
Feminist Film Theory written by Sue Thornham and has been published by NYU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-04 with Performing Arts categories.
For the past twenty-five years, cinema has been a vital terrain on which feminist debates about culture, representation, and identity have been fought. This anthology charts the history of those debates, bringing together the key, classic essays in feminist film theory. Feminist Film Theory maps the impact of major theoretical developments on this growing field-from structuralism and psychoanalysis in the 1970s, to post-colonial theory, queer theory, and postmodernism in the 1990s. Covering a wide range of topics, including oppressive images, "woman" as fetishized object of desire, female spectatorship, and the cinematic pleasures of black women and lesbian women, Feminist Film Theory is an indispensable reference for scholars and students in the field. Contributors include Judith Butler, Carol J. Clover, Barbara Creed, Michelle Citron, Mary Ann Doane, Teresa De Lauretis, Jane Gaines, Christine Gledhill, Molly Haskell, bell hooks, Claire Johnston, Annette Kuhn, Julia Lesage, Judith Mayne, Tania Modleski, Laura Mulvey, B. Ruby Rich, Kaja Silverman, Sharon Smith, Jackie Stacey, Janet Staiger, Anna Marie Taylor, Valerie Walkerdine, and Linda Williams.
Visual And Other Pleasures
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Author : Laura Mulvey
language : en
Publisher: Palgrave MacMillan
Release Date : 2009-02-27
Visual And Other Pleasures written by Laura Mulvey and has been published by Palgrave MacMillan this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-02-27 with Art categories.
This new edition of Laura Mulvey's first collection of essays contains a new introduction in which she re-assesses her essay "Visual Pleasure and Narrative Cinema."
Cinema Pain And Pleasure
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Author : Steven Allen
language : en
Publisher: Springer
Release Date : 2013-03-28
Cinema Pain And Pleasure written by Steven Allen and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-03-28 with Performing Arts categories.
From Tattoo to Saw, this book considers mainstream cinema's representation of the viscerally dominated and marked body. Examining a shift in the late twentieth century to narratives that highlight subjection, endurance and willed-acquiescence, it probes the confluence of pain, pleasure and consent to analyse the implications of the change.
