Le Cin Ma Amazigh Berb Re
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Le Cin Ma Amazigh Berb Re
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Author : Daniela Merolla
language : fr
Publisher: Editions L'Harmattan
Release Date : 2023-07-20
Le Cin Ma Amazigh Berb Re written by Daniela Merolla and has been published by Editions L'Harmattan this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-07-20 with Art categories.
Pour comprendre le langage cinématographique des films amazighs contemporains et savoir s'il est possible de parler de cinéma amazigh, il est essentiel d'étudier leur mise en scène. Ce volume présente ainsi des analyses portant sur les images et les couleurs, le cadrage et le son des films berbères, tout en explorant leur interaction avec la narration cinématographique. En outre, les articles élargissent le champ d'investigation des productions artistiques en amazigh à celles dans d'autres langues du Maghreb et de sa diaspora. Ces travaux sont pour la plupart issus d'une « recherche participante », leurs auteurs étant souvent membres de jury des festivals de cinéma amazigh, ce qui enrichit leurs analyses et leurs interprétations grâce à leur expérience et leur contact avec le monde du cinéma amazigh et ses publics. Ce volume montre également que les films amazighs tendent à se libérer des représentations et des discours de la période coloniale.
Le Cin Ma Amazigh Berb Re Et Les Autres M Dias
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Author : Amar Ameziane
language : fr
Publisher: Editions L'Harmattan
Release Date : 2024-01-11
Le Cin Ma Amazigh Berb Re Et Les Autres M Dias written by Amar Ameziane and has been published by Editions L'Harmattan this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-01-11 with Art categories.
Des échanges intertextuels entre films, oralité et écriture ont caractérisé la production cinématographique des années 1990 et un certain nombre d’études leur ont été dédiées. Moins traitées par la recherche sont les relations entretenues par le cinéma avec la télévision et l’Internet, alors que ces articulations sont omniprésentes dans le domaine de la production et de la réalisation de films en amazigh/berbère. Les articles réunis ici sont donc consacrés à l’imbrication du cinéma amazigh/berbère avec l’ensemble des autres médias et visent à répondre aux questions suivantes : quelle est l’influence des autres médias sur la technique et le sujet des films en amazigh ? L’intertextualité médiatique joue-t-elle un rôle dans l’émergence de nouveaux thèmes ? Quelle est la réception des nouveaux thèmes et films ?
Les Cin Mas Berb Res
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Author : Daniela Merolla
language : fr
Publisher: KARTHALA Editions
Release Date : 2019-11-04
Les Cin Mas Berb Res written by Daniela Merolla and has been published by KARTHALA Editions this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-11-04 with Social Science categories.
Cet ouvrage est le premier à traiter l’ensemble de la production cinématographique berbère. Des histoires qui nous viennent des mythes, des récits de l’histoire contemporaine, des personnages dramatiques ou comiques, qui participent à la représentation et à l’auto-perception d’être « Imazighen/Berbères », sont présentés et analysés sous la plume de spécialistes et de jeunes chercheurs en études berbères. L’apparition des premiers films amazighs (berbères) a été tardive du fait de la méconnaissance du berbère par les États nationaux au Maghreb jusqu’aux années 1990. Cependant, des réalisateurs ont eu le courage de persévérer et, depuis quelques années, des films en langue amazighe (berbère) jouissent d’une reconnaissance internationale, comme pour La Maison jaune / Axxam awragh (2007) d’Amor Hakkar et Adiós Carmen (2013) de Mohamed Amin Benamraoui, tous deux primés respectivement au Festival international du film de Locarno (2007) et au Festival international du cinéma méditerranéen de Montpellier (2014). Les films primés participent de l’une des deux formes d’expression filmique en amazigh : les longs-métrages « grand écran ». La seconde modalité est celle des « films vidéo » en format VHS et VCD qui, bien que représentant une production très vivace de culture populaire, sont souvent maltraités par la critique journalistique. Les contributions de cet ouvrage explorent les films amazighs dans une perspective interdisciplinaire en fournissant au public des clés de lecture sur les recherches esthétiques et la construction identitaire qui sont au centre de la narration filmique, ainsi que sur les aspects sociologiques et économiques de la production. La question centrale posée est la suivante : « Peut-on parler de cinéma amazigh ? ». Cet ouvrage ouvre le débat.
What Moroccan Cinema
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Author : Sandra Gayle Carter
language : en
Publisher: Lexington Books
Release Date : 2009-08-16
What Moroccan Cinema written by Sandra Gayle Carter and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-08-16 with Performing Arts categories.
From its early focus on documentary film and nation building to its more recent spotlight on contemporary culture and feature filmmaking, Moroccan cinema has undergone tremendous change since the country's independence in 1956. In What Moroccan Cinema? A Historical and Critical Study, 1956-2006, Sandra Gayle Carter chronicles the changes in Moroccan laws, institutions, ancillary influences, individuals active in the field, representative films, and film culture during this fifty-year span. Focusing on Moroccan history and institutions relative to the cinema industry such as television, newspaper criticism, and Berber videomaking, What Moroccan Cinema? is an intriguing study of the ways in which three historical periods shaped the Moroccan cinema industry. Carter provides an insightful and thorough treatment of the cinema institution, discussing exhibition and distribution, censorship, and cinema clubs and caravans. Carter grounds her analysis by exploring representative films of each respective era. The groundbreaking analysis offered in What Moroccan Cinema? will prove especially valuable to those in film and Middle Eastern studies.
Les Cin Mas Berb Res
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Author : Daniela Merolla
language : fr
Publisher:
Release Date : 2019-11-04
Les Cin Mas Berb Res written by Daniela Merolla and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-11-04 with Africa, North categories.
We Are Imazighen
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Author : Fazia Aïtel
language : en
Publisher: University Press of Florida
Release Date : 2014-11-04
We Are Imazighen written by Fazia Aïtel and has been published by University Press of Florida this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-11-04 with Literary Criticism categories.
To the world they are known as Berbers, but they prefer to call themselves Imazighen, or “free people.” The claim to this unique cultural identity has been felt most acutely in Algeria in the Kabylia region, where an Amazigh consciousness gradually emerged after WWII. This is a valuable model for other Amazigh movements in North Africa, where the existence of an Amazigh language and culture is denied or dismissed in countries such as Morocco, Algeria, Tunisia, and Libya. By tracing the cultural production of the Kabyle people—their songs, oral traditions, and literature—from the early 1930s to the end of the twentieth century, Fazia Aïtel shows how they have defined their own culture over time, both within Algeria and in its diaspora. She analyzes the role of Amazigh identity in the works of novelists such as Mouloud Feraoun, Tahar Djaout, and Assia Djebar, and she investigates the intersection of Amazigh consciousness and the Beur movement in France. She also addresses the political and social role of the Kabyles in Algeria and in France, where after independence it was easier for the Berber community to express and organize itself. Ultimately, Aïtel argues that the Amazigh literary tradition is founded on dual priorities: the desire to foster a genuine dialogue while retaining a unique culture.
Routledge Handbook On Arab Cinema
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Author : Noha Mellor
language : en
Publisher: Taylor & Francis
Release Date : 2024-06-28
Routledge Handbook On Arab Cinema written by Noha Mellor and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-06-28 with Performing Arts categories.
Building on a growing body of literature, this Handbook provides an up-to-date and authoritative survey of Arab cinema. The collection includes contributions from academics and filmmakers from across the Arab region, Europe, and North America, and fills a gap in media studies by examining the entire Arab region, rather than focusing on one country or theme. The Handbook also sheds light on the heterogeneity of Arab filmmaking not only within the Arab region, but also globally, within diasporic communities. It is split into six parts: Part 1 provides an overview of each sub-region in the Arab world, including a chapter on Arab animation films. Parts 2, 3, and 4 address topical themes, encompassing the representation of gender, religion, and identity politics in Arab cinema. Part 5 discusses the theme of diaspora and Part 6 concludes the volume with reflective essays penned by selected diasporic filmmakers. This book is an essential reference for Arab media and cinema scholars, students, and professional filmmakers. With case studies from across the Arab region, it's also a valuable resource for anyone interested in film and media, global cinema, and the Middle East generally.
Historical Dictionary Of The Berbers Imazighen
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Author : Hsain Ilahiane
language : en
Publisher: Rowman & Littlefield
Release Date : 2017-03-27
Historical Dictionary Of The Berbers Imazighen written by Hsain Ilahiane and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-03-27 with History categories.
Berbers, also known as Imazighen, are the ancient inhabitants of North Africa, but rarely have they formed an actual kingdom or separate nation state. Ranging anywhere between 15-50 million, depending on how they are classified, the Berbers have influenced the culture and religion of Roman North Africa and played key roles in the spread of Islam and its culture in North Africa, Spain, and Sub-Saharan Africa. Taken together, these dynamics have over time converted to redefine the field of Berber identity and its socio-political representations and symbols, making it an even more important issue in the 21st century. This second edition of Historical Dictionary of the Berbers contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on important personalities, places, events, institutions, and aspects of culture, society, economy, and politics. This book is an excellent resource for students, researchers, and anyone wanting to know more about the Berbers.
Film In The Middle East And North Africa
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Author : Josef Gugler
language : en
Publisher: University of Texas Press
Release Date : 2011-01-15
Film In The Middle East And North Africa written by Josef Gugler and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-01-15 with Performing Arts categories.
*A timely window on the world of Middle Eastern cinema, this remarkable overview includes many essays that provide the first scholarly analysis of significant works by key filmmakers in the region.
Screens And Veils
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Author : Florence Martin
language : en
Publisher: Indiana University Press
Release Date : 2011-10-13
Screens And Veils written by Florence Martin and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-10-13 with History categories.
Examined within their economic, cultural, and political context, the work of women Maghrebi filmmakers forms a cohesive body of work. Florence Martin examines the intersections of nation and gender in seven films, showing how directors turn around the politics of the gaze as they play with the various meanings of the Arabic term hijab (veil, curtain, screen). Martin analyzes these films on their own theoretical terms, developing the notion of "transvergence" to examine how Maghrebi women's cinema is flexible, playful, and transgressive in its themes, aesthetics, narratives, and modes of address. These are distinctive films that traverse multiple cultures, both borrowing from and resisting the discourses these cultures propose.