Le Temps De L Image Est Venu
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Le Temps De L Image Est Venu
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Author : Abel Gance
language : fr
Publisher:
Release Date : 1927
Le Temps De L Image Est Venu written by Abel Gance and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1927 with categories.
French Film Theory And Criticism 1907 1929
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Author : Richard Abel
language : en
Publisher: Princeton University Press
Release Date : 1993-09-12
French Film Theory And Criticism 1907 1929 written by Richard Abel and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993-09-12 with Performing Arts categories.
These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
L Art Cin Matographique
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Author :
language : fr
Publisher:
Release Date : 1927
L Art Cin Matographique written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1927 with categories.
L Art Cin Matographie Ii Signification Du Cin Ma Par L Pierre Quint Les Esth Tiques Les Entraves La Cin Graphie Int Grale Par Mme G Dulac Formation De La Sensibilit Par L Landry Le Temps De L Image Est Venu Par A Gance
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Author : Léon Pierre-Quint
language : fr
Publisher:
Release Date : 1927
L Art Cin Matographie Ii Signification Du Cin Ma Par L Pierre Quint Les Esth Tiques Les Entraves La Cin Graphie Int Grale Par Mme G Dulac Formation De La Sensibilit Par L Landry Le Temps De L Image Est Venu Par A Gance written by Léon Pierre-Quint and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1927 with categories.
Selected Writings 1935 1938
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Author : Walter Benjamin
language : en
Publisher: Harvard University Press
Release Date : 1996
Selected Writings 1935 1938 written by Walter Benjamin and has been published by Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996 with Literary Criticism categories.
Comprising more than 65 pieces - journal articles, reviews, extended essays, sketches, aphorisms, and fragments - this volume shows the range of Walter Benjamin's writing. His topics here include poetry, fiction, drama, history, religion, love, violence, morality and mythology.
The Rise Of The Image The Fall Of The Word
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Author : Mitchell Stephens
language : en
Publisher: Oxford University Press
Release Date : 1998-10-08
The Rise Of The Image The Fall Of The Word written by Mitchell Stephens and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998-10-08 with Performing Arts categories.
For decades educators and cultural critics have deplored the corrosive effects of electronic media on the national consciousness. The average American reads less often, writes less well. And, numbed by the frenetic image-bombardment of music videos, commercials and sound bites, we may also, it is argued, think less profoundly. But wait. Is it just possible that some good might arise from the ashes of the printed word? Most emphatically yes, argues Mitchell Stephens, who asserts that the moving image is likely to make our thoughts not more feeble but more robust. Through a fascinating overview of previous communications revolutions, Stephens demonstrates that the charges that have been leveled against television have been faced by most new media, including writing and print. Centuries elapsed before most of these new forms of communication would be used to produce works of art and intellect of sufficient stature to overcome this inevitable mistrust and nostalgia. Using examples taken from the history of photography and film, as well as MTV, experimental films, and Pepsi commercials, the author considers the kinds of work that might unleash, in time, the full power of moving images. And he argues that these works--an emerging computer-edited and -distributed "new video"--have the potential to inspire transformations in thought on a level with those inspired by the products of writing and print. Stephens sees in video's complexities, simultaneities, and juxtapositions, new ways of understanding and perhaps even surmounting the tumult and confusions of contemporary life. Sure to spark lively--even heated--debate, The Rise of the Image, the Fall of the Word belongs in the library of millennium-watchers everywhere.
Eye Of The Century
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Author : Francesco Casetti
language : en
Publisher: Columbia University Press
Release Date : 2008-05-14
Eye Of The Century written by Francesco Casetti and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-05-14 with Performing Arts categories.
Is it true that film in the twentieth century experimented with vision more than any other art form? And what visions did it privilege? In this brilliant book, acclaimed film scholar Francesco Casetti situates the cinematic experience within discourses of twentieth-century modernity. He suggests that film defined a unique gaze, not only because it recorded many of the century's most important events, but also because it determined the manner in which they were received. Casetti begins by examining film's nature as a medium in an age obsessed with immediacy, nearness, and accessibility. He considers the myths and rituals cinema constructed on the screen and in the theater and how they provided new images and behaviors that responded to emerging concerns, ideas, and social orders. Film also succeeded in negotiating the different needs of modernity, comparing and uniting conflicting stimuli, providing answers in a world torn apart by conflict, and satisfying a desire for everydayness, as well as lightness, in people's lives. The ability to communicate, the power to inform, and the capacity to negotiate-these are the three factors that defined film's function and outlook and made the medium a relevant and vital art form of its time. So what kind of gaze did film create? Film cultivated a personal gaze, intimately tied to the emergence of point of view, but also able to restore the immediacy of the real; a complex gaze, in which reality and imagination were combined; a piercing gaze, achieved by machine, and yet deeply anthropomorphic; an excited gaze, rich in perceptive stimuli, but also attentive to the spectator's orientation; and an immersive gaze, which gave the impression of being inside the seen world while also maintaining a sense of distance. Each of these gazes combined two different qualities and balanced them. The result was an ever inventive synthesis that strived to bring about true compromises without ever sacrificing the complexity of contradiction. As Casetti demonstrates, film proposed a vision that, in making opposites permeable, modeled itself on an oxymoronic principle. In this sense, film is the key to reading and understanding the modern experience.
Aesthetics
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Author : David Goldblatt
language : en
Publisher: Routledge
Release Date : 2017-09-01
Aesthetics written by David Goldblatt and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-09-01 with Philosophy categories.
Aesthetics: A Reader in Philosophy of the Arts, fourth edition, contains a selection of ninety-six readings organized by individual art forms as well as a final section of readings in philosophical aesthetics that cover multiple art forms. Sections include topics that are familiar to students such as painting, photography and movies, architecture, music, literature, and performance, as well as contemporary subjects such as mass art, popular arts, the aesthetics of the everyday, and the natural environment. Essays are drawn from both the analytic and continental traditions, and multiple others that bridge this divide between these traditions. Throughout, readings are brief, accessible for undergraduates, and conceptually focused, allowing instructors many different syllabi possibilities using only this single volume. Key Additions to the Fourth Edition The fourth edition is expanded to include a total of ninety-six essays with nineteen new essays (nine of them written exclusively for this volume), updated organization into new sections, revised introductions to each section, an increased emphasis on contemporary topics, such as stand-up comedy, the architecture of museums, interactivity and video games, the ethics of sexiness, trans/gendered beauty, the aesthetics of junkyards and street art, pornography, and the inclusion of more diverse philosophical voices. Nevertheless, this edition does not neglect classic writers in the traditional aesthetics: Plato, Aristotle, Hume, Kant, Hegel, Heidegger, Collingwood, Bell, and writers of similar status in aesthetics. The philosophers writing new chapters exclusively for this fourth edition are: • Sondra Bacharach on street art • Aili Bresnahan on appreciating dance • Hina Jamelle on digital architecture • Jason Leddington on magic • Sheila Lintott on stand-up comedy • Yuriko Saito on everyday aesthetics • Larry Shiner on art spectacle museums in the twenty-first century • Peg Brand Weiser on how beauty matters • Edward Winters on the feeling of being at home in vernacular architecture, as in such urban places as bars.
Cinema And Classical Texts
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Author : Martin M. Winkler
language : en
Publisher: Cambridge University Press
Release Date : 2009-02-12
Cinema And Classical Texts written by Martin M. Winkler and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-02-12 with Fiction categories.
This book interprets films as visual texts and demonstrates the affinities between Greco-Roman literature and the cinema.
Social Theory Power And Identity In The Global Era
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Author : Roberta Garner
language : en
Publisher: University of Toronto Press
Release Date : 2010-01-01
Social Theory Power And Identity In The Global Era written by Roberta Garner and has been published by University of Toronto Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-01-01 with Social Science categories.
First edition published by Broadview Press 2004.