Li Hou Zhu He Ta De Ci
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Li Hou Zhu He Ta De Ci
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Author : Mu Xun Long
language : zh-CN
Publisher:
Release Date : 1971
Li Hou Zhu He Ta De Ci written by Mu Xun Long and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1971 with categories.
Li Houzhu He Ta Di Ci
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Author : Yusheng Long
language : zh-CN
Publisher:
Release Date : 1971
Li Houzhu He Ta Di Ci written by Yusheng Long and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1971 with categories.
Yi Wu Zheng Wei
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Author : Zhaolin Yang
language : zh-CN
Publisher:
Release Date : 1981
Yi Wu Zheng Wei written by Zhaolin Yang and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with categories.
Jin xian gong lin si qian de shi hou, zhu tuo da chen xun xi, jiang lai yong li li ji suo sheng de er zi xi qi wei jun. Xian gong si hou, da chen li ke he pi zheng fu, yin si qu de tai zi shen sheng shi bei li ji sha hai de, wei le bao fu qi jian, xian hou she ji ci sha le xi qi he ta de di di zhuo zi, da chen xun xi, da suan ying dai zhu zai di guo de gong zi zhong er hui guo ji wei. Ke shi zhong er bu yuan yi zai bian luan zhong hui qu. Li ke wu fa, zhi de jie shou bie ren de yi jian, pai ren ying hui zhu zai liang guo de gong zi yi wu ji wei, jiu shi jin hui gong. Yi wu shi ge tan bi de ren, ji wei zhi qian, ceng zi dong biao shi yao song gei qin guo wu zuo cheng chi, shang ci li ke, pi zheng fu da pian tu di. Ji wei yi hou, que bu shou xin yong, chong ren qin xin lü sheng, que rui, sha hai le li, pi deng da chen. Yi wu sui ran zan shi gong gu le ta de tong zhi di wei, dan zai guo nei wai de wei xin que yi sang shi gan jing le.
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Author : 郭启宏
language : zh-CN
Publisher:
Release Date : 2014
written by 郭启宏 and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with China categories.
Li yu,Zhong guo wu dai shi guo shi nan tang mo dai guo jun,Shi cheng li hou zhu,Ye shi zhong guo wen xue shi shang zui jie chu de ci ren,Ta chuang zuo de xu duo ci ju liu chuan zhi jin.Er qi zhong yi ju"gu guo bu kan hui shou yue ming zhong",Si hu chan shu le li yu yi dai hou zhu de xing shuai rong ru.Ta yi xin qian mei yu shi ci wen xue de shen hai,Que bu xi guan xin chao zheng he guo jia da shi,Dui yu shen wei yi ge huang jia de ta,Cong wu he li qun xiong dang huang di de xin si.Li yu ben ren de zhei zhong jia zhi qu xiang ji xing ge te zheng,Jue ding le ta ren sheng de bei ju.Ben shu zai jin ke neng zhan you shi liao de ji chu shang,Ren zhen xi na qian ren de yan jiu cheng guo,Yi bian nian wei jing,Yi shi shi wei wei,Fu yi wen xue shou fa,Ba bi li ji zhong zai li yu ren xing jiu jie chu de zhen xing qing shang.
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Author : 李溪亭
language : zh-CN
Publisher:
Release Date : 2018
written by 李溪亭 and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with categories.
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Author : 李清照 (女)
language : zh-CN
Publisher:
Release Date : 2018
written by 李清照 (女) and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with categories.
The Authorship Of Place
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Author : Dennis Lo
language : en
Publisher: Hong Kong University Press
Release Date : 2020-09-14
The Authorship Of Place written by Dennis Lo and has been published by Hong Kong University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-14 with Performing Arts categories.
The Authorship of Place is the first monograph dedicated to the study of the politics, history, aesthetics, and practices of location shooting for Taiwanese, Mainland Chinese, and coproduced art cinemas shot in rural communities since the late 1970s. Dennis Lo argues that rural location shooting, beyond serving aesthetic and technical needs, constitutes practices of cultural survival in a region beset with disruptive and disorienting social changes, including rapid urbanization, geopolitical shifts, and ecological crises. In response to these social changes, auteurs like Hou Xiaoxian, Jia Zhangke, Chen Kaige, and Li Xing engaged in location shooting to transform sites of film production into symbolically meaningful places of collective memories and aspirations. These production practices ultimately enabled auteurs to experiment with imagining Taiwanese, Mainland Chinese, and cross-strait communities in novel and contentious ways. Deftly guiding readers on a cross-strait tour of prominent shooting locations for the New Chinese Cinemas, this book shows how auteurs sought out their disappearing cultural heritage by reenacting lived experiences of nation building, homecoming, and cultural salvage while shooting on-location. This was an especially daunting task when auteurs encountered the shooting locations as spaces of unresolved historical, social, and geopolitical contestations, tensions which were only intensified by the impact of filmmaking on rural communities. This book demonstrates how these complex circumstances surrounding location shooting were pivotal in shaping both representations of the rural on-screen, as well as the production communities, institutions, and industries off-screen. Informed by cutting-edge perspectives in cultural geography and media anthropology, The Authorship of Place both revises Chinese-language film history and theorizes groundbreaking approaches for investigating the cultural politics of film authorship and production. “This extraordinary book discusses the uses of location shooting in films by contemporary Taiwanese and Mainland Chinese directors ranging from Li Xing to Jia Zhangke. It highlights the ways in which place, memory, and identity stances respond to social changes and geopolitical disparities. In a world full of uncertainty, the argument about the imaginary homeland as an experienced cinematic reality only renders it more urgent and universally relatable.” —Ping-hui Liao, University of California, San Diego “The Authorship of Place is certainly a welcome intervention into the study of Chinese cinemas and their auteurs that further contributes to the wider study of location shooting as well as cultural geographies and place-based imaginaries of film. It is rare to find a book dealing with space/place in and around cinema that is this inventive and nuanced in its methodologies.” —Stephanie DeBoer, Indiana University
The Cultural Revolution
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Author : Eugene Wu
language : en
Publisher: Cambridge, Mass. : Harvard-Yenching Library, Harvard University
Release Date : 1998
The Cultural Revolution written by Eugene Wu and has been published by Cambridge, Mass. : Harvard-Yenching Library, Harvard University this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with History categories.
Index Medicus
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Author :
language : en
Publisher:
Release Date : 2004
Index Medicus written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Medicine categories.
Vols. for 1963- include as pt. 2 of the Jan. issue: Medical subject headings.
An Annotated Bibliography For Taiwan Film Studies
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Author : Jim Cheng
language : en
Publisher: Columbia University Press
Release Date : 2016-04-19
An Annotated Bibliography For Taiwan Film Studies written by Jim Cheng and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-19 with Performing Arts categories.
Compiled by two skilled librarians and a Taiwanese film and culture specialist, this volume is the first multilingual and most comprehensive bibliography of Taiwanese film scholarship, designed to satisfy the broad interests of the modern researcher. The second book in a remarkable three-volume research project, An Annotated Bibliography for Taiwan Film Studies catalogues the published and unpublished monographs, theses, manuscripts, and conference proceedings of Taiwanese film scholars from the 1950s to 2013. Paired with An Annotated Bibliography for Chinese Film Studies (2004), which accounts for texts dating back to the 1920s, this series brings together like no other reference the disparate voices of Chinese film scholarship, charting its unique intellectual arc. Organized intuitively, the volume begins with reference materials (bibliographies, cinematographies, directories, indexes, dictionaries, and handbooks) and then moves through film history (the colonial period, Taiwan dialect film, new Taiwan cinema, the 2/28 incident); film genres (animated, anticommunist, documentary, ethnographic, martial arts, teen); film reviews; film theory and technique; interdisciplinary studies (Taiwan and mainland China, Taiwan and Japan, film and aboriginal peoples, film and literature, film and nationality); biographical materials; film stories, screenplays, and scripts; film technology; and miscellaneous aspects of Taiwanese film scholarship (artifacts, acts of censorship, copyright law, distribution channels, film festivals, and industry practice). Works written in multiple languages include transliteration/romanized and original script entries, which follow universal AACR-2 and American cataloguing standards, and professional notations by the editors to aid in the use of sources.
