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Loa A El Divino Orfeo


Loa A El Divino Orfeo
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Loa A El Divino Orfeo


Loa A El Divino Orfeo
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Author : Pedro Calderón de la Barca
language : es
Publisher: Linkgua
Release Date : 2019-04-01

Loa A El Divino Orfeo written by Pedro Calderón de la Barca and has been published by Linkgua this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-04-01 with Drama categories.


Loa a el divino Orfeo es una obra alegórica de Pedro Calderón de la Barca de carácter didáctico-catequístico. El autor nos presenta a Orfeo transformado a lo divino, es decir, convertido en Cristo. Calderón revistió teológicamente el mito de acuerdo con el espíritu y las exigencias del siglo XVII y estableció fuertes relaciones alegóricas y simbólicas entre los personajes del mito pagano y el auto cristiano. Señalaremos también los procedimientos de la divinización adoptados por Calderón comparando su versión con los poemas clásicos.



El Divino Orfeo


El Divino Orfeo
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Author : Pedro Calderón de la Barca
language : es
Publisher: Lindhardt og Ringhof
Release Date : 2021-06-25

El Divino Orfeo written by Pedro Calderón de la Barca and has been published by Lindhardt og Ringhof this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-06-25 with Drama categories.


El divino Orfeo es un auto sacramental de Pedro Calderón de la Barca, género en el que llegó a alcanzar la plenitud, al combinar a la perfección con su talento natural, amante de la pintura y de las sutilezas y complejidades teológicas. Pedro Calderón de la Barca es un escritor español nacido en Madrid en 1600. Dramaturgo por excelencia de las letras españolas, se le considera uno de los mayores exponentes del teatro español del Siglo de Oro. Con casi doscientas obras entre autos sacramentales, loas, entremeses y comedias, su producción se centra tanto en la religión como en el amor y el honor, temas estrella de su época y que él elevó a nuevas cotas de calidad y sensibilidad.



El Divino Orfeo 1634


El Divino Orfeo 1634
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Author : Pedro Calderón de la Barca
language : es
Publisher: Lindhardt og Ringhof
Release Date : 2021-02-16

El Divino Orfeo 1634 written by Pedro Calderón de la Barca and has been published by Lindhardt og Ringhof this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-02-16 with Drama categories.


El divino Orfeo (1664) es la segunda versión de la obra homónima de 1663. Es un auto sacramental de Pedro Calderón de la Barca, género en el que llegó a alcanzar la plenitud, al combinar a la perfección con su talento natural, amante de la pintura y de las sutilezas y complejidades teológicas. Pedro Calderón de la Barca es un escritor español nacido en Madrid en 1600. Dramaturgo por excelencia de las letras españolas, se le considera uno de los mayores exponentes del teatro español del Siglo de Oro. Con casi doscientas obras entre autos sacramentales, loas, entremeses y comedias, su producción se centra tanto en la religión como en el amor y el honor, temas estrella de su época y que él elevó a nuevas cotas de calidad y sensibilidad.



Lsa Para El Auto Intit El Diuno Sic Pro Divino Orfeo


Lsa Para El Auto Intit El Diuno Sic Pro Divino Orfeo
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Author :
language : en
Publisher:
Release Date :

Lsa Para El Auto Intit El Diuno Sic Pro Divino Orfeo written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.




A Semi Critical And Annotated Edition Of El Divino Orfeo Segunda Parte


A Semi Critical And Annotated Edition Of El Divino Orfeo Segunda Parte
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Author : Kenneth Dale Buelow
language : en
Publisher:
Release Date : 1976

A Semi Critical And Annotated Edition Of El Divino Orfeo Segunda Parte written by Kenneth Dale Buelow and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1976 with categories.




El Divino Orfeo


El Divino Orfeo
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Author : Pedro Calderón de la Barca
language : es
Publisher: Edition Reichenberger
Release Date : 1999

El Divino Orfeo written by Pedro Calderón de la Barca and has been published by Edition Reichenberger this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Autos sacramentales categories.




A Semi Critical And Annotated Edition Of El Divino Orfeo Segunda Parte


A Semi Critical And Annotated Edition Of El Divino Orfeo Segunda Parte
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Author : Kenneth Buelow
language : en
Publisher:
Release Date : 1976

A Semi Critical And Annotated Edition Of El Divino Orfeo Segunda Parte written by Kenneth Buelow and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1976 with categories.




Lo Que Puede Una Sospecha


Lo Que Puede Una Sospecha
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Author : Antonio Mira de Amescua
language : es
Publisher: Linkgua
Release Date : 2010-08-31

Lo Que Puede Una Sospecha written by Antonio Mira de Amescua and has been published by Linkgua this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-08-31 with Drama categories.


Lo que puede una sospecha. Antonio Mira de Amescua Fragmento de la obra Jornada primera (Salen doña Inés, Fenisa, y doña Isabel con mantos.) Inés: La dicha de conoceros hace mi suerte mayor. Isabel: Fianzas os da mi amor de saber corresponderos. Inés: Estoy tan aficionada a vuestro ingenio y belleza que de la naturaleza. Con razón vivo enojada de que me hiciera mujer cuando os crió tan hermosa; que es victoria poco [dichosa], no peligrar al vencer. Pues no importa que el agrado y brío me haya rendido si mi ser está impedido de poderos dar cuidado. Isabel: Ved que vuestras perfecciones piden alabanza igual y que me hacéis mucho mal con tantas ponderaciones; pues cuando restituíros quiero el favor que me dais, como todos los gastáis, no me dejáis qué deciros. Y os suplico, mi señora, me hagáis merced de decirme casa y nombre. Inés; Prevenirme quise a ese cuidado agora. Doña Inés de Portugal soy, de don Carlos hermana, cuya estirpe soberana debo a la casa real. Isabel: ¡Qué sois hermana de Carlos! Inés: Y muy vuestra servidora. Isabel: Vuestros favores agora de nuevo vuelvo a estimarlos. Pues en mí vuestro decoro, por quien sois, aplausos gana. (Aparte.) (Y porque os llamáis hermana del dueño que firme adoro.) ¡Fenisa! Fenisa: ¿Señora mía? Isabel: Desde luego me agradó como el alma adivinó que algo de Carlos tenía. Fenisa: Pues, advierte, si te agrada por si tu estado mejoras, que buenas son pocas horas las que tiene una cuñada. Inés Las ferias del nombre espero.



A Companion To Early Modern Hispanic Theater


A Companion To Early Modern Hispanic Theater
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Author : Hilaire Kallendorf
language : en
Publisher: BRILL
Release Date : 2014-02-20

A Companion To Early Modern Hispanic Theater written by Hilaire Kallendorf and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-02-20 with Literary Criticism categories.


A panoramic, state-of-the-art handbook destined to chart a course for future work in the field of early modern Hispanic theater studies. It begins in the closet with an essay on Celestina as closet drama and moves out into the court to explore intersections with courtly love. An essay on the comedia and the classics demonstrates this genre’s firm grounding in the classical tradition, despite Lope de Vega’s famous protestations to the contrary. Distinct but related genres such as the autos sacramentales and the entremeses also make an appearance. The traditional themes of honor and wife-murder share the stage with less familiar topics like the incorporation of animals into performance. This volume covers the urban space of the city in Spain and Portugal as well as uncharted territories in the New World and Japan. Essays on emblems and the picaresque round out this anthology, along with studies of theatrical representations of early modern innovations in science and technology. The book concludes with two different psychoanalytical approaches, focused on melancholy and Lacanian tragedy, respectively. This collection incorporates the work of younger scholars along with established names in the field to synthesize the most exciting recent work on the comedia and related forms of early modern Hispanic theatrical production. Contributors include: Ignacio Arellano, Frederick de Armas, Henry Sullivan, Edward Friedman, A. Robert Lauer, Manuel Delgado, Adrienne Martín, Enrique García Santo Tomás, Matthew Stroud, Teresa Scott Soufas, Enrique Fernández, María Mercedes Carrión, Robert Bayliss, Ted Bergman, Cory Reed, Maryrica Lottman, Christina Lee, and Enrique Duarte.



The Calderonian Stage


The Calderonian Stage
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Author : Manuel Delgado
language : en
Publisher: Bucknell University Press
Release Date : 1997

The Calderonian Stage written by Manuel Delgado and has been published by Bucknell University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Literary Criticism categories.


"This collection of essays invites the contemporary reader to consider the works of Pedro Calderon de la Barca (1600-81), who became the most important and influential dramatist of the second period of the Spanish Golden Age, just as Lope de Vega (1562-1635) was for the preceding generation. A follower of Lope in his youth, Calderon, as a mature playwright, developed a drama all of his own, a drama that was highly conceptual, tightly knit, symbolic, and, in many cases, spectacular. Calderon's artistry in verbal and visual symbolism made the performance of his works a feast for both the senses and the intellect." "Until now, many of Calderon's critics have focused their attention on how the poetic devices, particularly metaphors and symbols, appearing in his plays represent his philosophy or his ideas. But as some scholars of Spanish Golden Age drama have argued, the study of Calderon's theater must take into account not only the literary text, but also the physical conditions of the stage, the elements used in the representation - decor, costumes, lighting, music - and the house dynamics at each performance. In other words, each play must be considered as a composition of the soul and body, of poetry and spectacle, in which both elements support, complement, and explain one another in performance." "This is the task that has been undertaken by the contributors to this volume. By focusing on the relationship between text and performance, they have highlighted several areas that are often overlooked in traditional text-based approaches. From different perspectives, they show how Calderon gives concrete shape to the concepts and tales from the Bible, theology, mythology, the Corpus Hermeticum, emblematic literature, philosophy, and realities of civic and domestic origin."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved