Michael Boder
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Michael Boder
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Author : Jürg Stenzl
language : de
Publisher: edition text + kritik
Release Date : 2022-04-20
Michael Boder written by Jürg Stenzl and has been published by edition text + kritik this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-04-20 with Music categories.
Seine Karriere begann Michael Boder (*1958) in den 1980er Jahren als Assistent von Michael Gielen an der Oper Frankfurt. Heute gilt er als einer der international hervorragenden Dirigenten, für den bereits vor Beginn seiner Laufbahn die Musik der Gegenwart so selbstverständlich war wie das klassische Repertoire in Oper und Konzert. "Für mich persönlich ist Alban Berg der Komponist, durch den ich am meisten über das Hören, Spielen, ja über das Denken gelernt habe. Damit fühle ich mich zwar manchmal recht einsam, aber das macht mir nichts aus." Da ein wesentlicher künstlerischer Schwerpunkt des Musikers Michael Boder im Bereich der Oper, ganz besonders des 20. und 21. Jahrhunderts liegt, ist er es gewohnt, die Werke mit Künstlern unterschiedlicher Herkunft und mit teils sehr verschiedenen Arbeitsweisen gemeinsam zu erarbeiten: mit Sängerinnen und Sängern, Regisseuren und Bühnenbildnern, vor allem aber mit den so unterschiedlich besetzten Orchestern. Ob im Theater oder im Konzertsaal: Michael Boder ist mit Sicherheit kein "Musikdarsteller", was sich genauso auch angesichts der Werke seiner Konzertprogramme zeigt. Die Reihe "SOLO - Porträts und Profile" lädt dazu ein, die Künstlerinnen und Künstler der "klassischen" Musik kennenzulernen. Erstmals auf dem deutschsprachigen Buchmarkt stehen hier internationale Interpretinnen und Interpreten des 20. und 21. Jahrhunderts im Mittelpunkt. Jedes Buch porträtiert in gut zugänglicher und kompakter Form eine Musiker-Persönlichkeit: Dirigentinnen und Dirigenten, Solistinnen und Solisten, Sängerinnen und Sänger. Biografie und Karriere werden ebenso vorgestellt wie wesentliche Merkmale des individuellen Musizierens. Eine Einordnung des künstlerischen Profils rundet die fundierten Darstellungen ab. Die Autorinnen und Autoren der Reihe sind auf ihrem jeweiligen Gebiet ausgewiesene Fachleute und kommen aus Forschung und Praxis.
Lists And Indexes
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Author : Great Britain. Public Record Office
language : en
Publisher:
Release Date : 1963
Lists And Indexes written by Great Britain. Public Record Office and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1963 with Great Britain categories.
Annual Register Of The United States Naval Academy
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Author : United States Naval Academy
language : en
Publisher:
Release Date : 1960
Annual Register Of The United States Naval Academy written by United States Naval Academy and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1960 with categories.
Annual Register Of The United States Naval Academy Annapolis Md
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Author : United States Naval Academy
language : en
Publisher:
Release Date : 1956
Annual Register Of The United States Naval Academy Annapolis Md written by United States Naval Academy and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1956 with categories.
Operas In German
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Author : Margaret Ross Griffel
language : en
Publisher: Rowman & Littlefield
Release Date : 2018-01-23
Operas In German written by Margaret Ross Griffel and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-01-23 with Music categories.
With nearly three thousand new entries, the revised edition of Operas in German: A Dictionary is the most current encyclopedic treatment of operas written specifically to a German text from the seventeenth century through 2016. Musicologist Margaret Ross Griffel details the operas’ composers, scores, librettos, first performances, and bibliographic sources. Four appendixes then list composers, librettists, authors whose works inspired or were adapted for the opera librettos, and a chronological listing of the entries in the A–Z section. The bibliography details other dictionaries and encyclopedias, performance studies, collections of plot summaries, general studies on operas, sources on locales where opera premieres took place, works on the history of operas in German, and selective volumes on individual opera composers, librettists, producers, directors, and designers. Finally, two indexes list the main characters in each opera and the names of singers, conductors, producers, composers, directors, choreographers, and arrangers. The revised edition of Operas in German provides opera historians, musicologists, performers, and opera lovers with an invaluable resource for continued study and enjoyment. As the most current encyclopedic collection of German opera from the seventeenth century through the twenty-first, Operas in German is an invaluable resource for opera historians, musicologists, performers, and opera lovers.
Performing Opera
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Author : Michael Ewans
language : en
Publisher: Bloomsbury Publishing
Release Date : 2016-02-25
Performing Opera written by Michael Ewans and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-02-25 with Drama categories.
In Performing Opera: A Practical Guide for Singers and Directors Michael Ewans provides a detailed and practical workbook to performing many of the most commonly produced operas. Drawing on examples from twenty-four operas ranging in period from Gluck and Mozart to Britten and Tippett, it illustrates exactly how opera functions as dramatic form. Grounded in close analyses of performances of thirty scenes and five whole operas by first-rate singers and celebrated directors, Performing Opera provides readers with an appreciation of the unique challenges and skills required by performers and directors. It will assist them in their own performance and equip them with detailed knowledge of works most commonly featured in the repertoire. In the first part of the book the analysis progresses from scenes in which the singers are silent, via arias and monologues, duets and confrontations, up to ensembles. Wider issues are subsequently addressed: encounters with offstage events, encounters with the numinous, characterization, and the sense of inevitability in tragic opera.
Believing In Opera
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Author : Tom Sutcliffe
language : en
Publisher: Princeton University Press
Release Date : 2014-07-14
Believing In Opera written by Tom Sutcliffe and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-14 with Music categories.
The staging of opera has become immensely controversial over the last twenty years. Tom Sutcliffe here offers an engaging and far-reaching book about opera performance and interpretation. This work is a unique tribute to the most distinctive and adventurous achievements in the theatrical interpretation of opera as it has developed in recent decades. Readers will find descriptions of the most original and successful avant-garde opera productions in Britain, Europe, and America. Sutcliffe beautifully illustrates how updating, transposition, or relocation, and a variety of unexpected imagery in opera, have qualified and adjusted our perception of the content and intention of established masterpieces. Believing in Opera describes in detail the seminal opera productions of the last fifty years, starting with Peter Brook in London after the war, and continuing with the work of such directors and producers as Patrice Chéreau in Bayreuth, Peter Sellars and David Alden in America, Ruth Berghaus in Frankfurt, and such British directors as Richard Jones, Graham Vick, Peter Hall, and David Pountney. Through his descriptions of these works, Sutcliffe states that theatrical opera has been enormously influenced by the editing style, imagery, and metaphor commonplace in the cinema and pop videos. The evolution of the performing arts depends upon revitalization and defamiliarization, he asserts. The issue is no longer naturalism, but the liberation of the audience's imagination powered by the music. Sutcliffe, an opera critic for many years, argues that opera is theater plus music of the highest expressive quality, and as a result he has often sided with unconventional and novel theatrical interpretations. He believes that there is more to opera than meets the ear, and his aim is to further the process of understanding and interpretation of these important opera productions. No other book has attempted this kind of monumental survey. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Minutes Of The Session Of The North Indiana Annual Conference Of The Methodist Episcopal Church
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Author : Methodist Episcopal Church. North Indiana Conference
language : en
Publisher:
Release Date : 1867
Minutes Of The Session Of The North Indiana Annual Conference Of The Methodist Episcopal Church written by Methodist Episcopal Church. North Indiana Conference and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1867 with Indiana categories.
The Management Of Opera
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Author : P. Agid
language : en
Publisher: Springer
Release Date : 2010-10-13
The Management Of Opera written by P. Agid and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-10-13 with Business & Economics categories.
This book presents the current and future issues facing opera houses and opera companies. Problems in different environments need different solutions. In particular, it opposes the American method of managing cultural institutions, preferring a European one where public support and funds plays a major role.
The Planetary Clock
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Author : Paul Giles
language : en
Publisher: Oxford University Press
Release Date : 2021-02-11
The Planetary Clock written by Paul Giles and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-02-11 with Literary Criticism categories.
The theme of The Planetary Clock is the representation of time in postmodern culture and the way temporality as a global phenomenon manifests itself differently across an antipodean axis. To trace postmodernism in an expansive spatial and temporal arc, from its formal experimentation in the 1960s to environmental concerns in the twenty-first century, is to describe a richer and more complex version of this cultural phenomenon. Exploring different scales of time from a Southern Hemisphere perspective, with a special emphasis on issues of Indigeneity and the Anthropocene, The Planetary Clock offers a wide-ranging, revisionist account of postmodernism, reinterpreting literature, film, music, and visual art of the post-1960 period within a planetary framework. By bringing the culture of Australia and New Zealand into dialogue with other Western narratives, it suggests how an antipodean impulse, involving the transposition of the world into different spatial and temporal dimensions, has long been an integral (if generally occluded) aspect of postmodernism. Taking its title from a Florentine clock designed in 1510 to measure worldly time alongside the rotation of the planets, The Planetary Clock ranges across well-known American postmodernists (John Barth, Toni Morrison) to more recent science fiction writers (Octavia Butler, Richard Powers), while bringing the US tradition into juxtaposition with both its English (Philip Larkin, Ian McEwan) and Australian (Les Murray, Alexis Wright) counterparts. By aligning cultural postmodernism with music (Messiaen, Ligeti, Birtwistle), the visual arts (Hockney, Blackman, Fiona Hall), and cinema (Rohmer, Haneke, Tarantino), this volume enlarges our understanding of global postmodernism for the twenty-first century.