[PDF] Microbionic Radical Electronic Music And Sound Art In The 21st Century - eBooks Review

Microbionic Radical Electronic Music And Sound Art In The 21st Century


Microbionic Radical Electronic Music And Sound Art In The 21st Century
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Micro Bionic


Micro Bionic
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Author : Thomas Bey William Bailey
language : en
Publisher:
Release Date : 2009

Micro Bionic written by Thomas Bey William Bailey and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Art categories.


As mainstream music consumers wait with baited breath for the next musical upheaval, a small core of tech-savvy individuals are re-shaping the aural landscape without the assurance of being part of any larger movement. Their ideologies and creative approaches differ wildly, but they share a desire to take sound beyond the realm of mere entertainment. Drawing on extensive research into the world of audio extremity, Micro-Bionic includes interviews with William Bennett (Whitehouse), Peter Rehberg (Mego) and Peter Christopherson (Throbbing Gristle/Coil).



Microbionic Radical Electronic Music And Sound Art In The 21st Century


Microbionic Radical Electronic Music And Sound Art In The 21st Century
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Author : Thomas Bey William Bailey
language : en
Publisher: Belsona Books Ltd.
Release Date : 2012-12-10

Microbionic Radical Electronic Music And Sound Art In The 21st Century written by Thomas Bey William Bailey and has been published by Belsona Books Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-12-10 with Music categories.


Micro Bionic is an exciting survey of electronic music and sound art from cultural critic and mixed-media artist Thomas Bey William Bailey. This superior revised edition includes all of the original supplements neglected by the publishers of the first edition, including a full index, bibliography, additional notes / commentary and an updated discography. As the title suggests, the unifying theme of the book is that of musicians and sound artists taking bold leaps forward in spite of (or sometimes because of) their financial, technological, and social restrictions. Some symptoms of this condition include the gigantic discography amassed by the one-man project Merzbow, the drama of silence enacted by onkyo and New Berlin Minimalism, the annihilating noise transmitted from the humble laptop computers of Russell Haswell and Peter Rehberg and much more besides. Although the journey begins in the Industrial 1980s, in order to trace how the innovations of that period have gained greater currency in the present, it surveys a wide array of artists breaking ground in the 21st century with radical attitudes and techniques. A healthy amount of global travel and concentrated listening have combined to make this a sophisticated yet accessible document, unafraid to explore both the transgressive extremes of this culture and the more deftly concealed interstices thereof. Part historical document, part survival manual for the marginalized electronic musician, part sociological investigation, Micro Bionic is a number of different things, and as such will likely generate a variety of reactions from inspiration to offense. Numerous exclusive interviews with leading lights of the field were also conducted for this book: William Bennett (Whitehouse), Peter Christopherson (r.i.p., Throbbing Gristle / Coil), Peter Rehberg, John Duncan, Francisco López, Carl Michael von Hausswolff, Bob Ostertag, Zbigniew Karkowski and many others weigh in with a diversity of thoughts and opinions that underscore the incredible diversity to be found within new electronic music itself.



Electronic Music


Electronic Music
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Author : Nicholas Collins
language : en
Publisher: Cambridge University Press
Release Date : 2013-05-09

Electronic Music written by Nicholas Collins and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-05-09 with Music categories.


This accessible Introduction explores both mainstream and experimental electronic music and includes many suggestions for further reading and listening.



Sound In The Ecstatic Materialist Perspective On Experimental Music


Sound In The Ecstatic Materialist Perspective On Experimental Music
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Author : Riccardo D. Wanke
language : en
Publisher: Routledge
Release Date : 2021-08-10

Sound In The Ecstatic Materialist Perspective On Experimental Music written by Riccardo D. Wanke and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-08-10 with Music categories.


What does a one hour contemporary orchestral piece by Georg Friedrich Haas have in common with a series of glitch-noise electronic tracks by Pan Sonic? This book proposes that, despite their differences, they share a particular understanding of sound that is found across several quite distinct genres of contemporary art music: the ecstatic-materialist perspective. Sound in the ecstatic-materialist perspective is considered as a material mass or element, unfolding in time, encountered by a listener, for whom the experience of that sound exceeds the purely sonic without becoming entirely divorced from its materiality. It is "material" by virtue of the focus on the texture, consistency, and density of sound; it is "ecstatic" in the etymological sense, that is to say that the experience of this sound involves an instability; an inclination to depart from material appearance, an ephemeral and transitory impulse in the very perception of sound to something beyond – but still related to – it. By examining musical pieces from spectralism to electroacoustic domains, from minimalism to glitch electronica and dubstep, this book identifies the key intrinsic characteristics of this musical perspective. To fully account for this perspective on sonic experience, listener feedback and interviews with composers and performers are also incorporated. Sound in the ecstatic-materialist perspective is the common territory where composers, sound artists, performers, and listeners converge.



Sonic Phantoms


Sonic Phantoms
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Author : Barbara Ellison
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2020-05-14

Sonic Phantoms written by Barbara Ellison and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-05-14 with Music categories.


In this book, Barbara Ellison and Thomas B. W. Bailey lay out and explore the mystifying and evanescent musical territory of 'sonic phantoms': auditory illusions within the musical material that convey a 'phantasmatic' presence. Structured around a large body of compositional work developed by Ellison over the past decade, sonic phantoms are revealed and illustrated as they arise through a diverse array of musical sources, materials, techniques, and compositional tools: voices (real and synthetic), field recordings, instrument manipulation, object amplification, improvisation, and recording studio techniques. Somehow inherent in all music--and perhaps in all sound--sonic phantoms lurk and stalk with the promise of mystery and elevation. We just need to conjure them.



Keywords In Sound


Keywords In Sound
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Author : David Novak
language : en
Publisher: Duke University Press
Release Date : 2015-05-09

Keywords In Sound written by David Novak and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-05-09 with Music categories.


In twenty essays on subjects such as noise, acoustics, music, and silence, Keywords in Sound presents a definitive resource for sound studies, and a compelling argument for why studying sound matters. Each contributor details their keyword's intellectual history, outlines its role in cultural, social and political discourses, and suggests possibilities for further research. Keywords in Sound charts the philosophical debates and core problems in defining, classifying and conceptualizing sound, and sets new challenges for the development of sound studies. Contributors. Andrew Eisenberg, Veit Erlmann, Patrick Feaster, Steven Feld, Daniel Fisher, Stefan Helmreich, Charles Hirschkind, Deborah Kapchan, Mara Mills, John Mowitt, David Novak, Ana Maria Ochoa Gautier, Thomas Porcello, Tom Rice, Tara Rodgers, Matt Sakakeeny, David Samuels, Mark M. Smith, Benjamin Steege, Jonathan Sterne, Amanda Weidman



Noise Matters


Noise Matters
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Author : Greg Hainge
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2013-03-14

Noise Matters written by Greg Hainge and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-03-14 with Music categories.


Everyone knows what noise is. Or do they? Can we in fact say that one man's noise is another teenager's music? Is noise in fact only an auditory phenomenon or does it extend far beyond this realm? If our common definitions of noise are necessarily subjective and noise is not just unpleasant sound, then it merits a closer look (or listen). Greg Hainge sets out to define noise in this way, to find within it a series of operations common across its multiple manifestations that allow us to apprehend it as something other than a highly subjective term that tells us very little. Examining a wide range of texts, including Sartre's novel Nausea and David Lynch's iconic films Eraserhead and Inland Empire, Hainge investigates some of the Twentieth Century's most infamous noisemongers to suggest that they're not that noisy after all; and it finds true noise in some surprising places. The result is a thrilling and illuminating study of sound and culture.



The Extravagance Of Music


The Extravagance Of Music
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Author : David Brown
language : en
Publisher: Springer
Release Date : 2018-07-13

The Extravagance Of Music written by David Brown and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-07-13 with Philosophy categories.


This book explores the ways in which music can engender religious experience, by virtue of its ability to evoke the ineffable and affect how the world is open to us. Arguing against approaches that limit the religious significance of music to an illustrative function, The Extravagance of Music sets out a more expansive and optimistic vision, which suggests that there is an ‘excess’ or ‘extravagance’ in both music and the divine that can open up revelatory and transformative possibilities. In Part I, David Brown argues that even in the absence of words, classical instrumental music can disclose something of the divine nature that allows us to speak of an experience analogous to contemplative prayer. In Part II, Gavin Hopps contends that, far from being a wasteland of mind-closing triviality, popular music frequently aspires to elicit the imaginative engagement of the listener and is capable of evoking intimations of transcendence. Filled with fresh and accessible discussions of diverse examples and forms of music, this ground-breaking book affirms the disclosive and affective capacities of music, and shows how it can help to awaken, vivify, and sustain a sense of the divine in everyday life.



Scansion In Psychoanalysis And Art


Scansion In Psychoanalysis And Art
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Author : Vanessa Sinclair
language : en
Publisher: Routledge
Release Date : 2020-11-16

Scansion In Psychoanalysis And Art written by Vanessa Sinclair and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-16 with Psychology categories.


Scansion in Psychoanalysis and Art examines a strain of artists spanning more than a century, beginning at the dawn of photography and culminating in the discussion of contemporary artists, to illustrate various psychoanalytic concepts by examining artists working in a multitude of media. Drawing on the theories of Sigmund Freud, who applied psychoanalytic methods to art and literature to decipher the meaning and intention of the creator, as well as Jacques Lacan’s dissemination of scansion as a powerful disruption of narrative, the book explores examples of the long and rich relationship between psychoanalysis and the fine arts. Whilst guiding readers through the different artists and their artforms – from painting and music to poetry, collage, photography, film, performance art, technology and body modification – Sinclair interrogates scansion as a generative process often inherent of the act of creation itself. This is an intriguing book for psychoanalysts, psychologists and creative arts therapists who wish to explore the generative potential of scansion and the relationship between psychoanalysis and the arts, as well as for artists and art historians interested in a psychoanalytic view of these processes.



Fight Your Own War


Fight Your Own War
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Author : Jennifer Wallis
language : en
Publisher: SCB Distributors
Release Date : 2016-09-14

Fight Your Own War written by Jennifer Wallis and has been published by SCB Distributors this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-09-14 with Music categories.


Power electronics is a genre of industrial or ‘noise’ music that utilises feedback and synthesizers to produce an intense, loud, challenging sound. To match this sonic excess, power electronics also relies heavily upon extreme thematic and visual content — whether in lyrics, album art, or live performance. The result is a violent, ecstatic, and potentially consciousness-altering spectacle, and a genre that often invites strong reactions from both listeners and critics. FIGHT YOUR OWN WAR is the first English-language book primarily devoted to power electronics. Written by artists, fans, and critics from around the world, its essays and reviews explore the current state of the genre, from early development through to live performance, listener experience, artist motivation, gender and subcultures such as ‘Japanoise’. In considering this ‘spectacle’ of noise, how far can we simply label power electronics as a genre of shock tactics or of transgression for transgression’s sake?