Ming Qing Chuan Qi Xuan Kan

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Ming Qing Chuan Qi Xuan Kan

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Author :
language : zh-CN
Publisher:
Release Date : 1988

Ming Qing Chuan Qi Xuan Kan written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with categories.

Ming Qing Chuan Qi Xuan

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Author :
language : zh-CN
Publisher:
Release Date : 1981

Ming Qing Chuan Qi Xuan written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with categories.

Ming Qing Chuan Qi Xuan Zhu

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Author : Jintang Luo
language : zh-CN
Publisher:
Release Date : 1982

Ming Qing Chuan Qi Xuan Zhu written by Jintang Luo and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with categories.

Ming Ch Ing Ch Uan Ch I

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Author : Chao Ching-shen
language : zh-CN
Publisher:
Release Date : 1955

Ming Ch Ing Ch Uan Ch I written by Chao Ching-shen and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1955 with categories.

Ming Qing Chuan Qi

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Author :
language : zh-CN
Publisher:
Release Date : 1970

Ming Qing Chuan Qi written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1970 with Chinese drama categories.

Ming Qing Chuan Qi Shi

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Author : Yingde Guo
language : zh-CN
Publisher:
Release Date : 1999

Ming Qing Chuan Qi Shi written by Yingde Guo and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with categories.

Historical Dictionary Of Chinese Theater

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Author : Tan Ye
language : en
Publisher: Rowman & Littlefield
Release Date : 2020-03-04

Historical Dictionary Of Chinese Theater written by Tan Ye and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-03-04 with Performing Arts categories.

There is a sense of timelessness in the Chinese theater: ever since its maturation, its format has not changed in any significant way. Chinese Theater matured into its final format in the 13th century and flourished during the Yuan, Ming, and Qing Dynasties. It is a unique, exclusive, and self-sufficient system, whose evolution has received little influence from the West and whose influence on Western theaters has been minimal and often misinterpreted. It is essentially a performer's theater; the actors attract the audience with splendid performances perfected through many years of rigorous training. This second edition of Historical Dictionary of Chinese Theater contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 1,500 cross-referenced entries on performers, directors, producers, designers, actors, theaters, dynasties, and emperors. This book is an excellent resource for students, researchers, and anyone wanting to know more about Chinese theater.

Ming Qing Wen Ren Chuan Qi Yan Jiu

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Author : Yingde Guo
language : zh-CN
Publisher:
Release Date : 1991

Ming Qing Wen Ren Chuan Qi Yan Jiu written by Yingde Guo and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with categories.

A Glossary Of Words And Phrases In The Oral Performing And Dramatic Literatures Of The Jin Yuan And Ming

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Author : Dale R. Johnson
language : en
Publisher: U OF M CENTER FOR CHINESE STUDIES
Release Date : 2021-01-19

A Glossary Of Words And Phrases In The Oral Performing And Dramatic Literatures Of The Jin Yuan And Ming written by Dale R. Johnson and has been published by U OF M CENTER FOR CHINESE STUDIES this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-01-19 with Language Arts & Disciplines categories.

For many years, the oral performing and dramatic literatures of China from 1200 to 1600 CE were considered some of the most difficult texts in the Chinese corpus. They included ballad medleys, comic farces, Yuan music dramas, Ming music dramas, and the novel Shuihu zhuan. The Japanese scholars who first dedicated themselves to study these works in the mid-twentieth century were considered daring. As late as 1981, no comprehensive dictionary or glossary for this literature existed in any language, Asian or Western. A Glossary of Words and Phrases fills this gap for Western readers, allowing even a relative novice who has resonable command of Chinese to read, translate, and appreciate this great body of literature with an ease undreamed of even two decades ago. The Glossary is organized into approximately 8,000 entries based on the reading notes and glosses found in various dictionaries, thesauruses, glossaries, and editions of works from the period. Main entries are listed alphabetically in the pinyin romanization system. In addition to glosses, entries include symbolic annotations, guides to pronunciation, and text citations. The result is a broadly useful glossary serving the needs of students of this literature as well as scholars researching Jin and Yuan language and its usage.

Women S Poetry And Poetics In Late Imperial China

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Author : Haihong Yang
language : en
Publisher: Lexington Books
Release Date : 2017-05-24

Women S Poetry And Poetics In Late Imperial China written by Haihong Yang and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-05-24 with Literary Criticism categories.

This literary study examines women-authored poetry and poetic criticism in late imperial China. It provides close readings of original texts to explore the poetic forms and devices women poets employed, to place their work into the context of the wider literary history of the period, and to analyze how they asserted their own agency to negotiate their literary, social, and political concerns. The author also investigates the interactions between women’s poetic creations and existing male scholars' discourses and probes how these interactions generated innovative self-identities and renovations in poetic forms and aesthetics.