Ming Qing Ren Qing Xiao Shuo Yan Jiu
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Ming Qing Ren Qing Xiao Shuo Yan Jiu
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Author : Zhengyao Fang
language : zh-CN
Publisher:
Release Date : 1986
Ming Qing Ren Qing Xiao Shuo Yan Jiu written by Zhengyao Fang and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986 with Chinese fiction categories.
Ming Qing Xiao Shuo Yan Jiu Lun Wen Ji
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Author : Ren min wen xue chu ban she, Beijing
language : zh-CN
Publisher:
Release Date : 1959
Ming Qing Xiao Shuo Yan Jiu Lun Wen Ji written by Ren min wen xue chu ban she, Beijing and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1959 with Chinese fiction categories.
Ming Qing Xiao Shuo Yan Jiu Lun Wen Ji
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Author : Ren min wen xue chu ban she, Peking
language : zh-CN
Publisher:
Release Date : 1959
Ming Qing Xiao Shuo Yan Jiu Lun Wen Ji written by Ren min wen xue chu ban she, Peking and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1959 with Chinese fiction categories.
Ming Qing Yanjiu
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Author :
language : en
Publisher:
Release Date : 1996
Ming Qing Yanjiu written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996 with China categories.
Stories Old And New
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Author :
language : en
Publisher: University of Washington Press
Release Date : 2011-10-15
Stories Old And New written by and has been published by University of Washington Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-10-15 with Social Science categories.
Stories Old and New is the first complete translation of Feng Menglong’s Gujin xiaoshuo (also known as Yushi mingyan, Illustrious Words to Instruct the World), a collection of 40 short stories first published in 1620 in China. This is considered the best of Feng’s three such collections and was a pivotal work in the development of vernacular fiction. The stories are valuable as examples of early fiction and for their detailed depiction of daily life among a broad range of social classes. The stories are populated by scholars and courtesans, spirits and ghosts, Buddhist monks and nuns, pirates and emperors, and officials both virtuous and corrupt. The streets and abodes of late-Ming China come alive in Shuhui Yang and Yunqin Yang’s smooth and colorful translation of these entertaining tales. Stories Old and New has long been popular in China and has been published there in numerous editions. Although some of the stories have appeared in English translations in journals and anthologies, they have not previously been presented sequentially in thematic pairs as arranged by Feng Menglong. This unabridged translation, illustrated with a selection of woodcuts from the original Ming dynasty edition and including Feng’s interlinear notes and marginal comments, as well as all of the verse woven throughout the text, allows the modern reader to experience the text as did its first audience nearly four centuries ago. For other titles in the collection go to http://www.washington.edu/uwpress/books/ming.html
Snakes Legs
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Author : Martin W. Huang
language : en
Publisher: University of Hawaii Press
Release Date : 2004-09-30
Snakes Legs written by Martin W. Huang and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-09-30 with Literary Criticism categories.
Snakes' Legs examines sequels (xushu), a common but long-neglected literary phenomenon in traditional China. What prompted writers to produce sequels despite their poor reputation as a genre? What motivated readers to read them? How should we characterize the nature of the relationship between sequels and rewritings? Contributors to this volume illuminate these and other questions, and the collection as a whole offers a comprehensive consideration of this vigorous genre while suggesting fascinating new directions for research. Xushu as a discursive practice reinforces the paradox that innovation is impossible without imitation. It presents us with fertile ground for studying the intricate ties that bind the writer and reader of traditional Chinese fiction: the writer of xushu is always self-consciously assuming the dual role of author and reader and in the writing process must consider both the work in progress as well as its precursor(s). Snakes' Legs contains detailed discussions of some representative xushu works from the late Ming and Qing periods, many of which have received little scholarly attention. It will shed light on the development of Chinese fiction and the various textual practices in traditional China as well as account for the genre’s continuing vitality in modern times. Contributors: Robert E. Hegel, Siao-chen Hu, Martin W. Huang, Keith McMahon, Qiancheng Li, Ying Wang, Ellen Widmer, Laura H. Wu, Shuhui Yang.
Ming Qing Ming Ren Jia Shou Zha
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Author :
language : zh-CN
Publisher:
Release Date : 1949
Ming Qing Ming Ren Jia Shou Zha written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1949 with categories.
Androgyny In Late Ming And Early Qing Literature
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Author : Zuyan Zhou
language : en
Publisher: University of Hawaii Press
Release Date : 2003-02-28
Androgyny In Late Ming And Early Qing Literature written by Zuyan Zhou and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-02-28 with Literary Criticism categories.
The frequent appearance of androgyny in Ming and Qing literature has long interested scholars of late imperial Chinese culture. A flourishing economy, widespread education, rising individualism, a prevailing hedonism--all of these had contributed to the gradual disintegration of traditional gender roles in late Ming and early Qing China (1550-1750) and given rise to the phenomenon of androgyny. Now, Zuyan Zhou sheds new light on this important period, offering a highly original and astute look at the concept of androgyny in key works of Chinese fiction and drama from the sixteenth to the eighteenth centuries. The work begins with an exploration of androgyny in Chinese philosophy and Ming-Qing culture. Zhou proceeds to examine chronologically the appearance of androgyny in major literary writing of the time, yielding novel interpretations of canonical works from The Plum in the Golden Vase, through the scholar-beauty romances, to The Dream of the Red Chamber. He traces the ascendance of the androgyny craze in the late Ming, its culmination in the Ming-Qing transition, and its gradual phasing out after the mid-Qing. The study probes deviations from engendered codes of behavior both in culture and literature, then focuses on two parallel areas: androgyny in literary characterization and androgyny in literati identity. The author concludes that androgyny in late Ming and early Qing literature is essentially the dissident literati's stance against tyrannical politics, a psychological strategy to relieve anxiety over growing political inferiority.
The Ming Prince And Daoism
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Author : Richard G. Wang
language : en
Publisher: Oxford University Press
Release Date : 2012-07-16
The Ming Prince And Daoism written by Richard G. Wang and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-07-16 with Religion categories.
Scholars of Daoism in the Ming dynasty (1368-1644) have paid particular attention to the interaction between the court and certain Daoist priests and to the political results of such interaction; the focus has been on either emperors or Daoist masters. Yet in the Ming era, a special group of people patronized Daoism and Daoist establishments: these were the members of the imperial clan, who were enfeoffed as princes. By illuminating the role the Ming princes played in local religion, Richard G. Wang demonstrates in The Ming Prince and Daoism that the princedom served to mediate between official religious policy and the commoners' interests. In addition to personal belief and self-cultivation, a prince had other reasons to patronize Daoism. As the regional overlords, the Ming princes, like other local elites, saw financing and organizing temple affairs and rituals, patronizing Daoist priests, or collecting and producing Daoist books as a chance to maintain their influence and show off their power. The prosperity of Daoist institutions, which attracted many worshippers, also demonstrated the princes' political success. Locally, the Ming princes played an important cultural role as well by promoting the development of local religions. This book is the first to explore the interaction between Ming princes as religious patrons and local Daoism. Barred by imperial law from any serious political or military engagement, the Ming princes were ex officio managers of state rituals at the local level, with Daoist priests as key performers. Moreover, institutionally, most regular ceremonies related to a prince's life were mandated to be conducted by Daoist musician-dancers, and that as a result the princely courtly rites were characterized by a Daoist flavor. For this reason the princes became very closely involved in Daoist clerical and liturgical life.
Popular Magazines And Fiction In Shanghai 1914 1925
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Author : Peijie Mao
language : en
Publisher: Rowman & Littlefield
Release Date : 2021-12-02
Popular Magazines And Fiction In Shanghai 1914 1925 written by Peijie Mao and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-12-02 with History categories.
This book explores the rise of Shanghai-based popular magazines produced by the “Mandarin Ducks and Butterflies School” in early twentieth-century China. It examines the national, gender, family, and social imaginaries constructed and negotiated through a complex network of relationships between popular writers, magazine editors, and their intended readers, which were represented in various forms of popular narratives, including patriotic stories, war/military stories, family narratives, domestic fiction, utopian writings, and industrial-business stories. The author argues that the national imagination, social ideals, and the notions of ideal womanhood and the new family, were intrinsically linked and integral to the search for cultural identity of the emerging Chinese “middle society” and an expression of their collective sensibilities, experiences, and aspirations. This book suggests that the cultural imaginaries configurated in these magazine stories articulated a shared quest for modernity, one that emphasized sentiment, quotidian experience, the pursuit of the modern family and individual success, strengthening of the nation, and the reinvention of cultural tradition. Popular magazines and fiction, therefore, became uniquely instrumental in catalyzing the process of Chinese modernity, which emerged and developed along the symbiotic interrelations between the private and the public, the traditional and the modern, and the real and the imaginary.
