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Monteverdi S Musical Theatre


Monteverdi S Musical Theatre
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Monteverdi S Musical Theatre


Monteverdi S Musical Theatre
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Author : Lecturer in Music Royal Holloway and Bedford New College Tim Carter
language : en
Publisher: Yale University Press
Release Date : 2002-01-01

Monteverdi S Musical Theatre written by Lecturer in Music Royal Holloway and Bedford New College Tim Carter and has been published by Yale University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-01-01 with Music categories.


Claudio Monteverdi (1567-1643) is well known as the composer of the earliest operas still performed today. His Orfeo, Il Ritorno d'Ulisse in Patria, and L'incoronazione di Poppea are internationally popular nearly four centuries after their creation. These seminal works represent only a part of Monteverdi's music for the stage, however. He also wrote numerous works that, while not operas, are no less theatrical in their fusion of music, drama and dance. This is a survey of Monteverdi's entire output of music for the theatre - his surviving operas, other dramatic musical compositions, and lost works.



Opera S First Master


Opera S First Master
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Author : Mark Ringer
language : en
Publisher: Hal Leonard Corporation
Release Date : 2006

Opera S First Master written by Mark Ringer and has been published by Hal Leonard Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Music categories.


"Includes full-length Harmonia Mundi CD"--Cover, p. 1.



Music And Theatre From Poliziano To Monteverdi


Music And Theatre From Poliziano To Monteverdi
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Author : Nino Pirrotta
language : en
Publisher: Cambridge University Press
Release Date : 1982-02-04

Music And Theatre From Poliziano To Monteverdi written by Nino Pirrotta and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982-02-04 with Music categories.


This book describes the many ways in which music was used in Italian theatrical performances between the late fifteenth and early seventeenth centuries. In particular, it concentrates on Polizano's Orfeo, Machiavelli's commedies, the Florentine intermedi and early operas, and the first operas in Venice.



Monteverdi S Voices


Monteverdi S Voices
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Author : Tim Carter
language : en
Publisher: Oxford University Press
Release Date : 2024-05-24

Monteverdi S Voices written by Tim Carter and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-05-24 with Music categories.


"Ah, alas!" The "faithful shepherd" Mirtillo's woeful sigh of unrequited love, delivered with outrageous musical dissonances, has rung through the ages since the first publication of Claudio Monteverdi's madrigal "Cruda Amarilli" in 1605. But there is far more to the composer's nine books of madrigals than dissonant progressions--they are an integral part of the intellectual, artistic, and practical worlds of creation and performance in Italian musical and literary culture of the late sixteenth and early seventeenth centuries. While Monteverdi is also recognized for his operas and sacred works, it is no surprise that the madrigal dominated his output through his long career in Cremona, Mantua, and Venice. Author Tim Carter illustrates how the composer's wonderfully witty settings of Italian verse ran the gamut from compositions in the traditional polyphonic style for five unaccompanied voices to those in more modern idioms for one or more singers and instruments. Their poets included the major figures of the day--Torquato Tasso, Battista Guarini, and Giambattista Marino--as well as the classics, not least of all Petrarch, with texts that embraced all the current literary genres from lyric through epic to dramatic. Monteverdi also repeatedly asked and answered the fundamental question of any musical setting of poetry concerning the relationship between poetic and musical voice(s). Carter offers a more holistic perspective than has been adopted in the partial studies of Monteverdi's madrigals to date and moves far beyond conventional views of the composer and his work. He considers how Monteverdi engaged with poetry, with sound, and with the performers for whom he was writing. As Carter shows, Monteverdi was irascible, exasperating, and prone to error. Yet his astonishing musical mind was also inventive, playful, and capable of the most extraordinary wit--producing madrigals that continue to invite new approaches both to their study and to their performance.



Operas Of Monteverdi


Operas Of Monteverdi
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Author : Claudio Monteverdi
language : en
Publisher: Alma Books
Release Date : 2018-01-01

Operas Of Monteverdi written by Claudio Monteverdi and has been published by Alma Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-01-01 with Music categories.


Monteverdi's 1607 version of the legend of Orpheus is arguably the first masterpiece of opera. Composed for the court of Mantua, where Monteverdi was employed, it is very different from his two other surviving operas, which he wrote more than thirty years later to entertain Venetian audiences in the first public opera houses. Orfeo was long considered untranslatable, because the text is so closely tied to the music, and the Venetian librettos owe some of their brilliance to Spanish Golden Age theatre. This opera guide is an opportunity to read all three of Monteverdi's stage works together, in Anne Ridler's graceful translations.Contents: Operas contained in this volume: Orfeo, Il ritorno di Ulisse in patria, L'incoronazione di Poppea; Monteverdi, Opera and History, lain Fenlon; On Translating Opera, Anne Ridler; PART ONE: Mantua; A masterpiece for a Court, John Whenham; Music Examples; 'Orfeo': Favola in musica by Alessandro Striggio the Younger; Orfeo: English singing version by Anne Ridler; PART TWO: Venice; Musical Theatre in Venice, Paolo Fabbri; The Spanish Contribution to the Birth of Opera, Jack Sage; Monteverdi Returns to his Homeland, Tim Carter; Musical Examples; ll ritorno d'Ulisse in patria: Dramma in musica by Giacomo Badoaro; The Return of Ulysses: English singing version by Anne Ridler; Public Vice, Private Virtue, lain Fenlon and Peter Miller; Musical Examples; L'incoronazione di Poppea: Opera musicale by Giovanni Francesco Busenello; The Coronation of Poppea: English singing version by Anne Ridler



Orpheus In The Academy


Orpheus In The Academy
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Author : Joel Schwindt
language : en
Publisher: Routledge
Release Date : 2021-08-09

Orpheus In The Academy written by Joel Schwindt and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-08-09 with Music categories.


This book introduces a new perspective on Claudio Monteverdi's Orfeo (1607), a work widely regarded as the 'first great opera', by exploring the influence of the Mantuan Accademia deglia Invaghiti, the group which hosted the opera’s performance, and to which the libretto author, Alessandro Striggio the Younger, belonged. Arguing that the Invaghiti played a key role in shaping the development of Orfeo, the author explores the philosophical underpinnings of the Invaghiti and Italian academies of the era. Drawing on new primary sources, he shows how the Invaghiti’s ideas about literature, dramaturgy, music, gender, and aesthetics were engaged and contested in the creation and staging of Orfeo. Relevant to researchers of music history, performance, and Renaissance and Baroque Italy, this study sheds new light on Monteverdi’s opera as an intellectual and philosophical work.



The Operas Of Monteverdi


The Operas Of Monteverdi
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Author : Claudio Monteverdi
language : en
Publisher: Oneworld Classics
Release Date : 2011-02

The Operas Of Monteverdi written by Claudio Monteverdi and has been published by Oneworld Classics this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-02 with Operas categories.


English National Opera Guides are ideal companions to the opera. They provide stimulating introductory articles together with the complete text of each opera in English and the original. Monteverdi s 1607 version of the legend of Orpheus is arguably the first masterpiece of opera. Composed for the court of Mantua, where Monteverdi was employed, it is very different from his two other surviving operas, which he wrote more than30 years later to entertain Venetian audiences in the first public opera houses. Orfeo was long considered untranslatable, because the text is so closely tied to the music, and the Venetian librettos owe some of their brilliance to Spanish Golden Age theatre. This opera guide is an opportunity to read all three of Monteverdi s stage works together, in Anne Ridler s graceful translations."



Monteverdi S Last Operas A Venetian Trilogy


Monteverdi S Last Operas A Venetian Trilogy
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Author : Ellen Rosand
language : en
Publisher: Univ of California Press
Release Date : 2007-12-03

Monteverdi S Last Operas A Venetian Trilogy written by Ellen Rosand and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-12-03 with Music categories.


Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works—Il ritorno d'Ulisse (1640) and L'incoronazione di Poppea (1642)—from a new perspective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, Le nozze d'Enea (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century. Le nozze d'Enea also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.



Music And The Theatre From Poliziano To Monteverdi


Music And The Theatre From Poliziano To Monteverdi
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Author : Nino Pirrota
language : en
Publisher:
Release Date : 2000

Music And The Theatre From Poliziano To Monteverdi written by Nino Pirrota and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with categories.




Monteverdi


Monteverdi
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Author : Richard Wistreich
language : en
Publisher: Routledge
Release Date : 2017-07-05

Monteverdi written by Richard Wistreich and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


Claudio Monteverdi is now recognized as the towering figure of a critical transitional moment of Western music history: relentless innovator in every genre within chamber, church and theatre music; self-proclaimed leader of a 'new dispensation' between words and their musical expression; perhaps even 'Creator of Modern Music'. During recent years, as his arrestingly attractive music has been brought back to life in performance, so too have some of the most outstanding musicologists focussed intensely on Monteverdi as they worked through the 'big' questions in the historiography and hermeneutics of early Baroque music, including musical representation of language; compositional theory; social, institutional, cultural and gender history; performance practices and more. The 17 articles in this volume have been selected by Richard Wistreich to exemplify the best scholarship in English and because each, in retrospect, turns out to have been a ground-breaking contribution to one or more significant strands in Monteverdi studies.