Music And Conceptualization
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Music And Conceptualization
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Author : Mark DeBellis
language : en
Publisher: Cambridge University Press
Release Date : 1995-10-27
Music And Conceptualization written by Mark DeBellis and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995-10-27 with Music categories.
This book is a philosophical study of the relations between hearing and thinking about music. The central problem it addresses is as follows: how is it possible to talk about what a listener perceives in terms that the listener does not recognize? By applying the concepts and techniques of analytic philosophy the author explores the ways in which musical hearing may be described as nonconceptual, and how such mental representation contrasts with conceptual thought.
Music And Conceptualization
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Author : Mark Andrew DeBellis
language : en
Publisher:
Release Date : 1995
Music And Conceptualization written by Mark Andrew DeBellis and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Music categories.
Conceptualizing Music
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Author : Lawrence M. Zbikowski
language : en
Publisher: Oxford University Press
Release Date : 2002-11-14
Conceptualizing Music written by Lawrence M. Zbikowski and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-11-14 with Music categories.
This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.
On Conceptualization Of Music
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Author : Yrjö Mikkonen
language : en
Publisher:
Release Date : 2004
On Conceptualization Of Music written by Yrjö Mikkonen and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with categories.
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Issues In The Conceptualization Of Music
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Author :
language : en
Publisher:
Release Date : 1988
Issues In The Conceptualization Of Music written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with categories.
Issues In The Conceptualization Of Music
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Author : James Porter
language : en
Publisher:
Release Date : 1988
Issues In The Conceptualization Of Music written by James Porter and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with Ethnomusicology categories.
The Process Of Listening To Music
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Author : Alison Fay Tucker
language : en
Publisher:
Release Date : 1999
The Process Of Listening To Music written by Alison Fay Tucker and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Listening categories.
Conceptualizing Music
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Author :
language : en
Publisher:
Release Date : 2002
Conceptualizing Music written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Cognition categories.
Conceptualizing Music
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Author : Lawrence M. Zbikowski
language : en
Publisher: Oxford University Press
Release Date : 2002-11-14
Conceptualizing Music written by Lawrence M. Zbikowski and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-11-14 with Music categories.
This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.
Body And Force In Music
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Author : Youn Kim
language : en
Publisher: Taylor & Francis
Release Date : 2022-09-01
Body And Force In Music written by Youn Kim and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-09-01 with Music categories.
Our understanding of music is inherently metaphorical, and metaphoricity pervades all sorts of musical discourses, be they theoretical, analytical, philosophical, pedagogical, or even scientific. The notions of "body" and "force" are the two most pervasive and comprehensive scientific metaphors in musical discourse. Throughout various intertwined contexts in history, the body–force pair manifests multiple layers of ideological frameworks and permits the conceptualization of music in a variety of ways. Youn Kim investigates these concepts of body and force in the emerging field of music psychology in the late nineteenth and early twentieth centuries. The field’s discursive space spans diverse contexts, including psychological theories of auditory perception and cognition, pedagogical theories on the performer’s bodily mechanism, speculative and practical theories of musical rhythm, and aesthetical discussion of the power of music. This investigation of body and force aims to illuminate not just the past scene of music psychology but also the notions of music that are being constructed at present.