Music And Patronage In Sixteenth Century Mantua Volume 1
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Music And Patronage In Sixteenth Century Mantua Volume 1
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Author : Iain Fenlon
language : en
Publisher: Cambridge University Press
Release Date : 2008-10-30
Music And Patronage In Sixteenth Century Mantua Volume 1 written by Iain Fenlon and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-10-30 with Art categories.
Viewed traditionally, the history of sixteenth-century Mantuan music is almost a catalogue of some of the most distinguished composers of the age, from Tromboncino and Cara, via Jacquet of Mantua, to Wert, Palestrina, Marenzio, Pallavicino, Gastoldi, Rossi and Monteverdi. The remarkable achievements of composers under Gonzaga patronage, practically synonymous with Mantuan patronage during this period, are treated here in their social context. The arguments proceed not just from the music itself, but from detailed examination of archival sources, from which Dr Fenlon reconstructs employment patterns and describes the social structure and institutional life of the city. The aim of the book is to show how the patterns of patronage, and music and musicians, reflect and illuminate the temperaments and prime preoccupations of successive rulers. The book contains a substantial appendix of unpublished archival documents, a small proportion only of the scholarly and comparative sources on which the study is based.
Music And Patronage In Sixteenth Century Mantua Volume 2
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Author : Iain Fenlon
language : en
Publisher: CUP Archive
Release Date : 1980
Music And Patronage In Sixteenth Century Mantua Volume 2 written by Iain Fenlon and has been published by CUP Archive this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980 with Music categories.
Viewed traditionally, the history of sixteenth-century Mantuan music is almost a catalogue of some of the most distinguished composers of the age, from Tromboncino and Cara, via Jacquet of Mantua, to Wert, Palestrina, Marenzio, Pallavicino, Gastoldi, Rossi and Monteverdi. The remarkable achievements of composers under Gonzaga patronage, practically synonymous with Mantuan patronage during this period, are treated here in their social context. The arguments proceed not just from the music itself, but from detailed examination of archival sources, from which Dr Fenlon reconstructus employment patterns and describes the social structure and institutional life of the city. The aim of the book is to show how the patterns of patronage, and music and musicians, reflect and illuminate the temperaments and prime preoccupations of successive rulers. The book contains a substantial appendix of unpublished archival documents, a small proportion only of the scholarly and comparative sources on which the study is based. This study will appeal to musicologists, as well as to students and teachers interested in the cultures of early modern Italy. A selection of music, illustrating in various ways the system of patronage which brought it into being and enabled its survival, will be published in a companion volume.
Music And Patronage In Sixteenth Century Mantua
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Author : Iain Fenlon
language : en
Publisher:
Release Date : 1980
Music And Patronage In Sixteenth Century Mantua written by Iain Fenlon and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980 with categories.
Music And Patronage In Sixteenth Century Mantua Text
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Author : Iain Fenlon
language : en
Publisher:
Release Date : 1980
Music And Patronage In Sixteenth Century Mantua Text written by Iain Fenlon and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980 with Art patronage categories.
Viewed traditionally, the history of sixteenth-century Mantuan music is almost a catalogue of some of the most distinguished composers of the age, from Tromboncino and Cara, via Jacquet of Mantua, to Wert, Palestrina, Marenzio, Pallavicino, Gastoldi, Rossi and Monteverdi. The remarkable achievements of composers under Gonzaga patronage, practically synonymous with Mantuan patronage during this period, are treated here in their social context. The arguments proceed not just from the music itself, but from detailed examination of archival sources, from which Dr Fenlon reconstructus employment patterns and describes the social structure and institutional life of the city. The aim of the book is to show how the patterns of patronage, and music and musicians, reflect and illuminate the temperaments and prime preoccupations of successive rulers. The book contains a substantial appendix of unpublished archival documents, a small proportion only of the scholarly and comparative sources on which the study is based. This study will appeal to musicologists, as well as to students and teachers interested in the cultures of early modern Italy. A selection of music, illustrating in various ways the system of patronage which brought it into being and enabled its survival, will be published in a companion volume.
Music And Patronage In Sixteenth Century Mantua O Domine Jesu Christe
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Author : Iain Fenlon
language : en
Publisher:
Release Date : 1980
Music And Patronage In Sixteenth Century Mantua O Domine Jesu Christe written by Iain Fenlon and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980 with Art patronage categories.
Viewed traditionally, the history of sixteenth-century Mantuan music is almost a catalogue of some of the most distinguished composers of the age, from Tromboncino and Cara, via Jacquet of Mantua, to Wert, Palestrina, Marenzio, Pallavicino, Gastoldi, Rossi and Monteverdi. The remarkable achievements of composers under Gonzaga patronage, practically synonymous with Mantuan patronage during this period, are treated here in their social context. The arguments proceed not just from the music itself, but from detailed examination of archival sources, from which Dr Fenlon reconstructus employment patterns and describes the social structure and institutional life of the city. The aim of the book is to show how the patterns of patronage, and music and musicians, reflect and illuminate the temperaments and prime preoccupations of successive rulers. The book contains a substantial appendix of unpublished archival documents, a small proportion only of the scholarly and comparative sources on which the study is based. This study will appeal to musicologists, as well as to students and teachers interested in the cultures of early modern Italy. A selection of music, illustrating in various ways the system of patronage which brought it into being and enabled its survival, will be published in a companion volume.
Music And Patronage In Sixteenth Century Mantua Volume 1
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Author : Iain Fenlon
language : en
Publisher: Cambridge University Press
Release Date : 1981-01-29
Music And Patronage In Sixteenth Century Mantua Volume 1 written by Iain Fenlon and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981-01-29 with Music categories.
Viewed traditionally, the history of sixteenth-century Mantuan music is almost a catalogue of some of the most distinguished composers of the age, from Tromboncino and Cara, via Jacquet of Mantua, to Wert, Palestrina, Marenzio, Pallavicino, Gastoldi, Rossi and Monteverdi. The remarkable achievements of composers under Gonzaga patronage, practically synonymous with Mantuan patronage during this period, are treated here in their social context. The arguments proceed not just from the music itself, but from detailed examination of archival sources, from which Dr Fenlon reconstructs employment patterns and describes the social structure and institutional life of the city. The aim of the book is to show how the patterns of patronage, and music and musicians, reflect and illuminate the temperaments and prime preoccupations of successive rulers. The book contains a substantial appendix of unpublished archival documents, a small proportion only of the scholarly and comparative sources on which the study is based.
A Companion To Music In Sixteenth Century Venice
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Author :
language : en
Publisher: BRILL
Release Date : 2017-12-18
A Companion To Music In Sixteenth Century Venice written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-12-18 with History categories.
Covering all facets of musical life in sixteenth-century Venice, the Companion addresses the city’s institutions (churches, confraternities, and academies), public and private occasions of music making, musicians and instrument makers, and the rich variety of musical genres.
A History Of The Trombone
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Author : David M. Guion
language : en
Publisher: Rowman & Littlefield
Release Date : 2010
A History Of The Trombone written by David M. Guion and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Music categories.
A History of the Trombone, the first title in the new series American Wind Band, is a comprehensive account of the development of the trombone from its initial form as a 14th-century Medieval trumpet to its alterations in the 15th century; from its marginalized use in a particular Renaissance ensemble to its acceptance in various kinds of artistic and popular music in the 19th and 20th centuries. David M. Guion accesses new and important primary source materials to present the full sweep of the instrument's history, placing particular emphasis on the people who played the instrument, the music they performed, and the relevant cultural contexts. After a general overview, the material is presented in two main sections: the first traces the development of the trombone itself and examines the literature written about it, and the second investigates the history of performance on the instrument--the ensembles it participated in, the occasions in which it took part, the people who played it, and the social, intellectual, political, economic, and technological forces that impinged on that history. Guion analyzes the trombone's place in countries all over the world and in many styles of music, such as art, opera, popular, and world music. An appendix of transcriptions of selected primary source documents, including translations, and a comprehensive bibliography round out this important reference. Fully illustrated with more than 80 images, A History of the Trombone appeals not just to trombonists but to students, scholars, and fans of all musical instruments.
The Madrigal
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Author : Susan Lewis Hammond
language : en
Publisher: Routledge
Release Date : 2012-08-06
The Madrigal written by Susan Lewis Hammond and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-08-06 with Music categories.
The Madrigal: A Research and Information Guide is the first comprehensive annotated bibliography of scholarship on virtually all aspects of madrigal composition, production, and consumption. It contains 1,237 entries for items in English, French, German, and Italian. Scholars, students, teachers, librarians, and performers now have access to this rich literature in a single volume.
Warrior Courtier Singer
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Author : Richard Wistreich
language : en
Publisher: Routledge
Release Date : 2016-02-17
Warrior Courtier Singer written by Richard Wistreich and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-02-17 with Music categories.
Giulio Cesare Brancaccio was a Neapolitan nobleman with long practical experience of military life, first in the service of Charles V and later as both soldier and courtier in France and then at the court of Alfonso II d'Este at Ferrara. He was also a virtuoso bass singer whose performances were praised by both Tasso and Guarini - he was even for a while the only male member of the famous Ferrarese court Concerto delle dame, who established a legendary reputation during the 1580s. Richard Wistreich examines Brancaccio's life in detail and from this it becomes possible to consider the mental and social world of a warrior and courtier with musical skills in a broader context. A wide-ranging study of bass singing in sixteenth- and early seventeenth-century Italy provides a contextual basis from which to consider Brancaccio's reputation as a performer. Wistreich illustrates the use of music in the process of 'self-fashioning' and the role of performance of all kinds in the construction of male noble identity within court culture, including the nature and currency of honour, chivalric virtù and sixteenth-century notions of gender and virility in relation to musical performance. This fascinating examination of Brancaccio's social world significantly expands our understanding of noble culture in both France and Italy during the sixteenth century, and the place of music-making within it.
