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Music And The Politics Of Negation


Music And The Politics Of Negation
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Music And The Politics Of Negation


Music And The Politics Of Negation
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Author : James R. Currie
language : en
Publisher: Indiana University Press
Release Date : 2012-08-23

Music And The Politics Of Negation written by James R. Currie and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-08-23 with Music categories.


Over the past quarter century, music studies in the academy have their postmodern credentials by insisting that our scholarly engagements start and end by placing music firmly within its various historical and social contexts. In Music and the Politics of Negation, James R. Currie sets out to disturb the validity of this now quite orthodox claim. Alternating dialectically between analytic and historical investigations into the late 18th century and the present, he poses a set of uncomfortable questions regarding the limits and complicities of the values that the academy keeps in circulation by means of its musical encounters. His overriding thesis is that the forces that have formed us are not our fate.



Music And Politics


Music And Politics
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Author : James Garratt
language : en
Publisher: Cambridge University Press
Release Date : 2019

Music And Politics written by James Garratt and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with Music categories.


Changes our picture of how music and politics interact through a rigorous and wide-ranging reappraisal of the field.



Noise


Noise
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Author : Jacques Attali
language : en
Publisher: Manchester University Press
Release Date : 1985

Noise written by Jacques Attali and has been published by Manchester University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985 with Music categories.


Listening - Sacrificing - Representing - Repeating - Composing - The politics of silence and sound, by Susan McClary.



Music National Identity And The Politics Of Location


Music National Identity And The Politics Of Location
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Author : Vanessa Knights
language : en
Publisher: Routledge
Release Date : 2016-04-29

Music National Identity And The Politics Of Location written by Vanessa Knights and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-29 with Music categories.


How are national identities constructed and articulated through music? Popular music has long been associated with political dissent, and the nation state has consistently demonstrated a determination to seek out and procure for itself a stake in the management of 'its' popular musics. Similarly, popular musics have been used 'from the ground up' as sites for both populist and popular critiques of nationalist sentiment, from the position of both a globalizing and a 'local' vernacular culture. The contributions in this book arrive at a critical moment in the development of the study of national cultures and musicology. The book ranges from considerations of the ideological focus of cultural nationalism through to analyses of musical hybridity and musical articulations of other kinds of identities at odds with national identity. The processes of global homogenization are thereby shown to have brought about a transitional crisis for national cultural identities: the evolution of these identities, particularly with reference to the concept of 'authenticity' in music, is situated within broader debates on power, political economy and constructions of the self. Theorizations of practice are employed after the manner of Bourdieu, Gramsci, Goffman, Gadamer, Habermas, Bhabha, Lacan and Zizek. Each contribution acts as a case study to characterize the strategies through which differing modes of musical discourse engage, critique or obscure discourses on national identity. The studies include discussions of: musical representations of Irishness; the relationship between Afropop and World Music; Norwegian club music; the revival of traditional music in Serbia; resistance to cultural homogeneity in Brazil; contemporary Uyghur song in Northwest China; rap and race in French society; technobanda from the barrios of Los Angeles, and Spanish/Moroccan raï. In this way, the book seeks to characterize the ideological configurations that help to activate and sustain hegemonic, amb



Music And The Politics Of Culture


Music And The Politics Of Culture
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Author : Christopher Norris
language : en
Publisher:
Release Date : 1989

Music And The Politics Of Culture written by Christopher Norris and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with History and criticism categories.




Music And Politics


Music And Politics
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Author : John Street
language : en
Publisher: John Wiley & Sons
Release Date : 2013-04-16

Music And Politics written by John Street and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04-16 with Music categories.


It is common to hear talk of how music can inspire crowds, move individuals and mobilise movements. We know too of how governments can live in fear of its effects, censor its sounds and imprison its creators. At the same time, there are other governments that use music for propaganda or for torture. All of these examples speak to the idea of music's political importance. But while we may share these assumptions about music's power, we rarely stop to analyse what it is about organised sound - about notes and rhythms - that has the effects attributed to it. This is the first book to examine systematically music's political power. It shows how music has been at the heart of accounts of political order, at how musicians from Bono to Lily Allen have claimed to speak for peoples and political causes. It looks too at the emergence of music as an object of public policy, whether in the classroom or in the copyright courts, whether as focus of national pride or employment opportunities. The book brings together a vast array of ideas about music's political significance (from Aristotle to Rousseau, from Adorno to Deleuze) and new empirical data to tell a story of the extraordinary potency of music across time and space. At the heart of the book lies the argument that music and politics are inseparably linked, and that each animates the other.



The Quest For Voice


The Quest For Voice
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Author : Lydia Goehr
language : en
Publisher:
Release Date : 2002

The Quest For Voice written by Lydia Goehr and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Music categories.


Concentrating on the music, politics, and philosophy of Richard Wagner, Lydia Goehr addresses some fundamental questions of German Romanticism: Is all music musical? Is music made less musical by the presence of words? What is musical autonomy? How do composers avoid censorship? How are composers affected by exile? Can music articulate a 'politics for the future'? What is the relation between music and philosophy?



A Nihilistic Dreamboat To Negation


A Nihilistic Dreamboat To Negation
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Author : Michelle Phillipov
language : en
Publisher:
Release Date : 2008

A Nihilistic Dreamboat To Negation written by Michelle Phillipov and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Death metal (Music) categories.


Cultural studies analyses have consistently viewed heavy and extreme metal as less culturally significant, less empowering for fans and less worthy of study than other major genres of popular music. Metal has been viewed as a reactionary and unproductive encounter with anger, aggression and alienation: a "nihilistic dreamboat to negation". Underlying critics' objections to metal is a discomfort about the genre's apparent lack of commitment to progressive political values. In the cultural study of popular music, pleasures not easily understood in terms of 'politics' have been viewed with suspicion by a discipline seeking wider political agendas in all musical and subcultural practices. This thesis explores cultural studies' marginalisation of metal by examining the critical literature on death metal, an 'extreme' variant of the genre that is particularly resistant to the kinds of political readings conventionally performed by progressive critics. Death metal bands frequently transgress social taboos, presenting as pleasurable or comedic material that is conventionally considered to be ethically and/or politically problematic. The kinds of listening pleasures that this material may offer independently of conventional 'political' concerns remain largely unexplored in the critical literature in the field. Via an examination and critique of the major critical approaches to heavy and extreme metal, as well as interpretation and analysis of the musical and lyrical conventions of two key death metal bands, this thesis will explore ways of reading death metal that are, in a sense, 'beyond' political criticism. In particular, I suggest that death metal's apparent disengagement from politics need not be seen as a deficiency but as something which invites particular kinds of listening pleasure; in fact, one of the pleasures that death metal offers its listeners is the opportunity to disengage the literal content of musical texts from their 'real' social values, practices and beliefs. As a result, any reluctance to use this music as a platform for political engagement need not be seen as a deficiency or oversight to be changed in the interests of a more politically engaged practice, but an important dimension of the pleasures of death metal to be thought with. Analysis of the musical and lyrical specificities of death metal song texts is a productive starting point for expanding the critical vocabulary of death metal scholarship for a more effective theorisation of death metal music.



Music Politics And Violence


Music Politics And Violence
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Author : Susan Fast
language : en
Publisher: Wesleyan University Press
Release Date : 2012-10-30

Music Politics And Violence written by Susan Fast and has been published by Wesleyan University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-10-30 with Music categories.


Music and violence have been linked since antiquity in ritual, myth, and art. Considered together they raise fundamental questions about creativity, discourse, and music’s role in society. The essays in this collection investigate a wealth of issues surrounding music and violence—issues that cross political boundaries, time periods, and media—and provide cross-cultural case studies of musical practices ranging from large-scale events to regionally specific histories. Following the editors’ substantive introduction, which lays the groundwork for conceptualizing new ways of thinking about music as it relates to violence, three broad themes are followed: the first set of essays examines how music participates in both overt and covert forms of violence; the second section explores violence and reconciliation; and the third addresses healing, post-memorials, and memory. Music, Politics, and Violence affords space to look at music as an active agent rather than as a passive art, and to explore how music and violence are closely—and often uncomfortably—entwined. CONTRIBUTORS include Nicholas Attfield, Catherine Baker, Christina Baade, J. Martin Daughtry, James Deaville, David A. McDonald, Kevin C. Miller, Jonathan Ritter, Victor A. Vicente, and Amy Lynn Wlodarski.



Music Politics And The Academy


Music Politics And The Academy
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Author : Pieter C. van den Toorn
language : en
Publisher: Univ of California Press
Release Date : 1996-01-01

Music Politics And The Academy written by Pieter C. van den Toorn and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996-01-01 with Biography & Autobiography categories.


Advocates of "new musicology" claim that technical methods of music analysis are conservative, elitist, positivist, and emotionally arid. Pieter C. van den Toorn challenges those claims, asking why cultural, sociopolitical, or gender-studies approaches to music should be deemed more democratic or expressive of music's content or impact. Why should music analysis be thought incapable of serving larger aesthetic ends? Van den Toorn confronts Susan McClary, Leo Treitler, and Joseph Kerman in particular, arguing that hands-on music analysis can penetrate the complexity of music and speak to our experience of it. He criticizes new musicologists for retreating from issues of musical immediacy by focusing on cultural issues. In later chapters van den Toorn defends Schenkerian methods and demonstrates the usefulness of technical analysis in the appreciation of Beethoven, Debussy, Schoenberg, and Stravinsky.