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Music Mind And Embodiment


Music Mind And Embodiment
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Music Mind And Embodiment


Music Mind And Embodiment
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Author : Richard Kronland-Martinet
language : en
Publisher: Springer
Release Date : 2016-09-22

Music Mind And Embodiment written by Richard Kronland-Martinet and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-09-22 with Computers categories.


This book constitutes the thoroughly refereed post-conference of the 11th International Symposium on Computer Music Modeling and Retrieval, CMMR 2015, held in Plymouth, UK, in June 2015. The 30 full papers presented were carefully reviewed and selected from 126 submissions. This year’s post symposium edition contains peer-reviewed and revised articles centered around the conference theme “Music, Mind, and Embodiment”. It is divided into 6 sections devoted to various sound and technology issues with a particular emphasis on performance, music generation, composition, analysis and information retrieval, as well as relations between sound, motion and gestures and human perception and culture.



Embodied Music Cognition And Mediation Technology


Embodied Music Cognition And Mediation Technology
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Author : Marc Leman
language : en
Publisher: MIT Press
Release Date : 2007-08-03

Embodied Music Cognition And Mediation Technology written by Marc Leman and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-08-03 with Music categories.


A proposal that an embodied cognition approach to music research—drawing on work in computer science, psychology, brain science, and musicology—offers a promising framework for thinking about music mediation technology. Digital media handles music as encoded physical energy, but humans consider music in terms of beliefs, intentions, interpretations, experiences, evaluations, and significations. In this book, drawing on work in computer science, psychology, brain science, and musicology, Marc Leman proposes an embodied cognition approach to music research that will help bridge this gap. Assuming that the body plays a central role in all musical activities, and basing his approach on a hypothesis about the relationship between musical experience (mind) and sound energy (matter), Leman argues that the human body is a biologically designed mediator that transfers physical energy to a mental level—engaging experiences, values, and intentions—and, reversing the process, transfers mental representation into material form. He suggests that this idea of the body as mediator offers a promising framework for thinking about music mediation technology. Leman proposes that, under certain conditions, the natural mediator (the body) can be extended with artificial technology-based mediators. He explores the necessary conditions and analyzes ways in which they can be studied. Leman outlines his theory of embodied music cognition, introducing a model that describes the relationship between a human subject and its environment, analyzing the coupling of action and perception, and exploring different degrees of the body's engagement with music. He then examines possible applications in two core areas: interaction with music instruments and music search and retrieval in a database or digital library. The embodied music cognition approach, Leman argues, can help us develop tools that integrate artistic expression and contemporary technology.



Embodiment Of Musical Creativity


Embodiment Of Musical Creativity
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Author : Zvonimir Nagy
language : en
Publisher: Taylor & Francis
Release Date : 2016-11-03

Embodiment Of Musical Creativity written by Zvonimir Nagy and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-11-03 with Music categories.


Embodiment of Musical Creativity offers an innovative look at the interdisciplinary nature of creativity in musical composition. Using examples from empirical and theoretical research in creativity studies, music theory and cognition, psychology and philosophy, performance and education studies, and the author’s own creative practice, the book examines how the reciprocity of cognition and performativity contributes to our understanding of musical creativity in composition. From the composer’s perspective the book investigates the psychological attributes of creative cognition whose associations become the foundation for an understanding of embodied creativity in musical composition. The book defines the embodiment of musical creativity as a cognitive and performative causality: a relationship between the cause and effect of our experience when composing music. Considering the theoretical, practical, contextual, and pedagogical implications of embodied creative experience, the book redefines aspects of musical composition to reflect the changing ways that musical creativity is understood and evaluated. Embodiment of Musical Creativity provides a comparative study of musical composition, in turn articulating a new perspective on musical creativity.



Music And Embodied Cognition


Music And Embodied Cognition
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Author : Arnie Cox
language : en
Publisher: Indiana University Press
Release Date : 2016-09-06

Music And Embodied Cognition written by Arnie Cox and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-09-06 with Music categories.


Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox's work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.



Musical Meaning And Cognitive Operations Of The Embodied Mind


Musical Meaning And Cognitive Operations Of The Embodied Mind
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Author : Gavin Chuck
language : en
Publisher:
Release Date : 2004

Musical Meaning And Cognitive Operations Of The Embodied Mind written by Gavin Chuck and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Cognitive psychology categories.




The Routledge Companion To Embodied Music Interaction


The Routledge Companion To Embodied Music Interaction
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Author : Micheline Lesaffre
language : en
Publisher: Routledge
Release Date : 2017-09-19

The Routledge Companion To Embodied Music Interaction written by Micheline Lesaffre and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-09-19 with Music categories.


The Routledge Companion to Embodied Music Interaction captures a new paradigm in the study of music interaction, as a wave of recent research focuses on the role of the human body in musical experiences. This volume brings together a broad collection of work that explores all aspects of this new approach to understanding how we interact with music, addressing the issues that have roused the curiosities of scientists for ages: to understand the complex and multi-faceted way in which music manifests itself not just as sound but also as a variety of cultural styles, not just as experience but also as awareness of that experience. With contributions from an interdisciplinary and international array of scholars, including both empirical and theoretical perspectives, the Companion explores an equally impressive array of topics, including: Dynamical music interaction theories and concepts Expressive gestural interaction Social music interaction Sociological and anthropological approaches Empowering health and well-being Modeling music interaction Music-based interaction technologies and applications This book is a vital resource for anyone seeking to understand human interaction with music from an embodied perspective.



Student As Theorist


Student As Theorist
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Author : James Gutierrez
language : en
Publisher:
Release Date : 2019

Student As Theorist written by James Gutierrez and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with categories.


Music education at the college level conventionally requires studies in music theory. Given the accelerating shifts in modes of music production and consumption, diversification of teaching and learning technologies, and an increasingly globalized musical landscape, the value of this core study in its present form has been called into question. This dissertation contemplates the potential of theory study in tertiary music education through surveying contemporary curricular reform trajectories, critically examining dualist commitments that underlie theory's pedagogical traditions, and exploring the interdisciplinary lens of embodiment as a paradigm for vitalizing teaching and learning. The result is both a defense of music theory study, in principal, and a detailed proposal for its restoration and renewal. This study adopts an integrative approach toward the current uncertainty in theory teaching, constructing a linear argument across multiple disciplines--including music theory, sociology, education studies, philosophy of mind, and embodied cognition--and utilizing several research methods--including quantitative and qualitative surveys, ethnographic/contextual interviews, historiographical analysis, and informal experimentation in classroom contexts. It first investigates the perspectives of undergraduate music students and the forces driving curricular reform at the institutional level. Placing these trajectories within a larger sociohistorical context, a historicist reading of three music theoretical traditions--the speculative, regulative, and analytic--is interpolated with a sociology of embodiment and with embodied cognition, illuminating an interdisciplinary framework for conceptualizing theory pedagogy in terms of agency and body-world relations. Butch Morris' Conduction® method--adapted specifically for the theory classroom--is offered as a proof-of-concept application of the embodied approach, as defined. Students, in this paradigm, are not merely theory learners, but en-actively participate in the production of theory. The proposed pedagogical framework is not a fixed curriculum or methodology, but rather an indeterminate methodological field through which educators, institutions, and curriculum reformers might evaluate and reimagine the potential of theory study. In this way, this dissertation intends to be a resource for all who are invested in twenty-first century music education.



Reflections On The Musical Mind


Reflections On The Musical Mind
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Author : Jay Schulkin
language : en
Publisher: Princeton University Press
Release Date : 2013-07-28

Reflections On The Musical Mind written by Jay Schulkin and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-07-28 with Science categories.


What's so special about music? We experience it internally, yet at the same time it is highly social. Music engages our cognitive/affective and sensory systems. We use music to communicate with one another--and even with other species--the things that we cannot express through language. Music is both ancient and ever evolving. Without music, our world is missing something essential. In Reflections on the Musical Mind, Jay Schulkin offers a social and behavioral neuroscientific explanation of why music matters. His aim is not to provide a grand, unifying theory. Instead, the book guides the reader through the relevant scientific evidence that links neuroscience, music, and meaning. Schulkin considers how music evolved in humans and birds, how music is experienced in relation to aesthetics and mathematics, the role of memory in musical expression, the role of music in child and social development, and the embodied experience of music through dance. He concludes with reflections on music and well-being. Reflections on the Musical Mind is a unique and valuable tour through the current research on the neuroscience of music.



Exploring The Musical Mind


Exploring The Musical Mind
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Author : John Sloboda
language : en
Publisher: Oxford University Press
Release Date : 2005

Exploring The Musical Mind written by John Sloboda and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Music categories.


Brings together in one volume important material from various hard-to-locate sources, giving the reader access to a body of work from one of the founders of music psychology Complements and updates Sloboda's 'The musical mind'



Music And The Mind


Music And The Mind
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Author : Irène Deliège
language : en
Publisher: Oxford University Press, USA
Release Date : 2011-02-17

Music And The Mind written by Irène Deliège and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-02-17 with Music categories.


Music and the Mind brings together an outstanding, international team of authorities from the fields of music and psychology, to celebrate the life and work of John Sloboda. In addition the book reviews and takes stock of where the field of music psychology stands 25 years after Sloboda's classic work 'The Musical Mind' first appeared.