Music Theory And Analysis In The Writings Of Arnold Schoenberg 1874 951
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Music Theory And Analysis In The Writings Of Arnold Schoenberg 1874 951
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Author : Norton Dudeque
language : en
Publisher: Routledge
Release Date : 2017-07-05
Music Theory And Analysis In The Writings Of Arnold Schoenberg 1874 951 written by Norton Dudeque and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
Arnold Schoenberg's theory of music has been much discussed but his approach to music theory needs a new historical and theoretical assessment in order to provide a clearer understanding of his contributions to music theory and analysis. Norton Dudeque's achievement in this book involves the synthesis of Schoenberg's theoretical ideas from the whole of the composer's working life, including material only published well after his death. The book discusses Schoenberg's rejection of his German music theory heritage and past approaches to music-theory pedagogy, the need for looking at musical structures differently and to avoid aesthetic and stylistic issues. Dudeque provides a unique understanding of the systematization of Schoenberg's tonal-harmonic theory, thematic/motivic-development theory and the links with contemporary and past music theories. The book is complemented by a special section that explores the practical application of the theoretical material already discussed. The focus of this section is on Schoenberg's analytical practice, and the author's response to it. Norton Dudeque therefore provides a comprehensive understanding of Schoenberg's thinking on tonal harmony, motive and form that has hitherto not been attempted.
Music Theory And Analysis In The Writings Of Arnold Schoenberg 1874 1951
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Author : Norton Dudeque
language : en
Publisher: Routledge
Release Date : 2017-07-05
Music Theory And Analysis In The Writings Of Arnold Schoenberg 1874 1951 written by Norton Dudeque and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
Arnold Schoenberg's theory of music has been much discussed but his approach to music theory needs a new historical and theoretical assessment in order to provide a clearer understanding of his contributions to music theory and analysis. Norton Dudeque's achievement in this book involves the synthesis of Schoenberg's theoretical ideas from the whole of the composer's working life, including material only published well after his death. The book discusses Schoenberg's rejection of his German music theory heritage and past approaches to music-theory pedagogy, the need for looking at musical structures differently and to avoid aesthetic and stylistic issues. Dudeque provides a unique understanding of the systematization of Schoenberg's tonal-harmonic theory, thematic/motivic-development theory and the links with contemporary and past music theories. The book is complemented by a special section that explores the practical application of the theoretical material already discussed. The focus of this section is on Schoenberg's analytical practice, and the author's response to it. Norton Dudeque therefore provides a comprehensive understanding of Schoenberg's thinking on tonal harmony, motive and form that has hitherto not been attempted.
Music Theory And Analysis In The Writings Of Arnold Schoenberg 1874 1951
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Author : Norton E. Dudeque
language : en
Publisher:
Release Date : 2001
Music Theory And Analysis In The Writings Of Arnold Schoenberg 1874 1951 written by Norton E. Dudeque and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with categories.
Schoenberg S Program Notes And Musical Analyses
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Author : Arnold Schoenberg
language : en
Publisher: Oxford University Press
Release Date : 2016
Schoenberg S Program Notes And Musical Analyses written by Arnold Schoenberg and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Music categories.
Schoenberg's Program Notes and Musical Analyses is a comprehensive study of the composer's writings about his own music. The texts include program notes, letters, sketch materials, pre-concert talks, public lectures, scholarly writings, newspaper articles, interviews, pedagogical materials, publicity fliers, radio broadcasts, and liner notes.
Arnold Schoenberg S Pierrot Lunaire
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Author : Donna Doyle
language : en
Publisher:
Release Date : 1981
Arnold Schoenberg S Pierrot Lunaire written by Donna Doyle and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with categories.
Schoenberg S Error
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Author : William Thomson
language : en
Publisher:
Release Date : 1991
Schoenberg S Error written by William Thomson and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with Music categories.
Selected by Choice magazine as an Outstanding Academic Book
Arnold Schoenberg
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Author : Silvina Milstein
language : en
Publisher: Cambridge University Press
Release Date : 2009-04-02
Arnold Schoenberg written by Silvina Milstein and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-04-02 with Music categories.
In this thought provoking study, Silvina Milstein proposes a reconstruction of Schoenberg's conception of compositional process in his twelve-tone works, which challenges the prevalent view that this music is to be appropriately understood exclusively in terms of the new method. Her claim that in Scoenberg we encounter hierarchical pitch relations operating in a twelve-tone context is supported by in-depth musical analysis and the commentary on the sketch material, which shows tonal considerations to be a primary concern and even an important criterion in the composition of the set itself. The core of the book consists of detailed analytical studies; yet its heavy reliance on factors outside the score places this work beyond the boundaries of textual analysis into the field of this history of musical ideas.
An Analysis Of Arnold Schoenberg S Quartet In D Major 1897 And Verkl Rte Nacht 1899 With Respect To Traditional Tonality Form And Style
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Author : Cynthia A. Prior
language : en
Publisher:
Release Date : 2000
An Analysis Of Arnold Schoenberg S Quartet In D Major 1897 And Verkl Rte Nacht 1899 With Respect To Traditional Tonality Form And Style written by Cynthia A. Prior and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with categories.
"The purpose of this paper is to explore the transition from a Romantic, Brahmsian style to chromaticism in Schoenberg's chamber music writing style with emphasis on tonal relationships. The String Quartet in D Major (1897) was selected as a starting point because it was his first important work to be performed in public and is not at all characteristic of his later writing. It will be contrasted with his sextet, Verklarte Nacht (1899), Op. 4, a pivotal composition that shows a great deal of chromaticism. An analysis of the form and tonal relationships of both pieces and a comparison to common practices as outlined in textbooks and established examples of the genre realizes the expected result. The String Quartet in D Major conforms to standard key relationships and to sonata form compositional practices for both structural and chordal analyses. The forms are easily recognizable and well emphasized by the profuse use of dynamic markings and the texture of the part writing. Throughout the work, Schoenberg appropriates devices used by romantic composers such as Brahms and Dvorak. Brahms' influence on this composition are evident in structure, melodic and rhythmic devices and instrumental color. Verklarte Nacht presents a more interesting analysis. It is an amalgamation of chamber music and program music and is based on the poem of the same name by Richard Dehmel (1863-1925). Verklarte Nacht provides one with a view of Schoenberg's development as a composer and the direction his subsequent work was to take. He is no longer bound by sonata form and rules of thematic development as he seemed to be when he wrote his String Quartet in D Major. Themes are not developed strictly according to sonata form with clear transitions and modulations. Thematic development is more chromatic and themes are closely related to each other and to the form of the poem. Schoenberg's writing now begins to show the influence of Richard Wagner's in his thematic development, instrumental usage, and in the way the music expresses the action and emotion of the poem. This paper concludes that Schoenberg developed his compositional style in terms of both style and tonality from Romantic form and tonality typical of Brahms to a more chromatically saturated style with less adherence to strict forms. He moves away from 18th-century conventions of tonality toward free tonality. These works show the composer's progression from Romantic German formal part writing with conventional tonal relationships to a looser form more dependent on thematic material and programmatic agenda using increasingly chromatic harmonies and melodies"--Document.
Forthcoming Books
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Author : Rose Arny
language : en
Publisher:
Release Date : 1989-09
Forthcoming Books written by Rose Arny and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989-09 with American literature categories.
Music In The Third Reich
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Author : Erik Levi
language : en
Publisher: Springer
Release Date : 1996-04-15
Music In The Third Reich written by Erik Levi and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996-04-15 with History categories.
In this authoritative study, one of the first to appear in English, Erik Levi explores the ambiguous relationship between music and politics during one of the darkest periods of recent cultural history. Utilising material drawn from contemporary documents, journals and newspapers, he traces the evolution of reactionary musical attitudes which were exploited by the Nazis in the final years of the Weimar Republic, chronicles the mechanisms that were established after 1933 to regiment musical life throughout Germany and the occupied territories, and examines the degree to which the climate of xenophobia, racism and anti-modernism affected the dissemination of music either in the opera house and concert hall, or on the radio and in the media.