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Music Theory And The Exploration Of The Past


Music Theory And The Exploration Of The Past
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Music Theory And The Exploration Of The Past


Music Theory And The Exploration Of The Past
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Author : Christopher Hatch
language : en
Publisher: University of Chicago Press
Release Date : 1993

Music Theory And The Exploration Of The Past written by Christopher Hatch and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with Music categories.


In recent decades, increased specialization has sharply separated music theory from historical musicology. Music Theory and the Exploration of the Past brings together a group of essays—written by theorists and musicologists—that seek to bridge this gap. This collection shows that music theory can join forces with historical musicology to produce a more humanistic form of musical scholarship. In nineteen essays dealing with musical theories from the twelfth to the twentieth century, two recurring themes emerge. One is the need to understand the historical circumstances of the writing and reception of theory, a humanistic approach that gives theory a place within social and intellectual history. The other is the advantages of applying contemporaneous theory to the music of a given period, thus linking theory to the history of musical styles and structures. The periods given principal attention in these essays are the Renaissance, the years around 1800, and the twentieth century. Abundantly illustrated with musical examples, Music Theory and the Exploration of the Past offers models of new practical applications of theory to the analysis of music. At the same time, it raises the broader question of how historical knowledge can deepen the understanding of an art and of systematic writings about that art.



Cognate Music Theories


Cognate Music Theories
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Author : Ignacio Prats Arolas
language : en
Publisher:
Release Date : 2024

Cognate Music Theories written by Ignacio Prats Arolas and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024 with Music categories.


"This volume explores the possibilities of cognate music theory, a concept introduced by the musicologist John Walter Hill to describe culturally and historically situated music theory. Cognate music theories offer a new way of thinking about music theory, music history, and the relationship between insider and outsider perspectives when researchers mediate between their own historical and cultural position, and that of the originators of the music they are studying. With contributions from noted scholars of musicology, music theory, and ethnomusicology, this volume develops a variety of approaches using the cognate music theory framework, and shows how this concept enables more nuanced and critical analyses of music in historical context. Addressing topics in music from the 17th to 19th centuries, this volume will be relevant to musicologists, music theorists, and all researchers interested in reflecting critically on what it means to construct a theory of music"--



Music Theory In The Age Of Romanticism


Music Theory In The Age Of Romanticism
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Author : Ian Bent
language : en
Publisher: Cambridge University Press
Release Date : 1996-08-28

Music Theory In The Age Of Romanticism written by Ian Bent and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996-08-28 with Music categories.


Twelve brilliant historians of theory probe the mind of the Romantic era in its thinking about music.



Music Theory And Analysis In The Writings Of Arnold Schoenberg 1874 1951


Music Theory And Analysis In The Writings Of Arnold Schoenberg 1874 1951
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Author : Norton Dudeque
language : en
Publisher: Routledge
Release Date : 2017-07-05

Music Theory And Analysis In The Writings Of Arnold Schoenberg 1874 1951 written by Norton Dudeque and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


Arnold Schoenberg's theory of music has been much discussed but his approach to music theory needs a new historical and theoretical assessment in order to provide a clearer understanding of his contributions to music theory and analysis. Norton Dudeque's achievement in this book involves the synthesis of Schoenberg's theoretical ideas from the whole of the composer's working life, including material only published well after his death. The book discusses Schoenberg's rejection of his German music theory heritage and past approaches to music-theory pedagogy, the need for looking at musical structures differently and to avoid aesthetic and stylistic issues. Dudeque provides a unique understanding of the systematization of Schoenberg's tonal-harmonic theory, thematic/motivic-development theory and the links with contemporary and past music theories. The book is complemented by a special section that explores the practical application of the theoretical material already discussed. The focus of this section is on Schoenberg's analytical practice, and the author's response to it. Norton Dudeque therefore provides a comprehensive understanding of Schoenberg's thinking on tonal harmony, motive and form that has hitherto not been attempted.



Musical Theory In The Renaissance


Musical Theory In The Renaissance
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Author : CristleCollins Judd
language : en
Publisher: Routledge
Release Date : 2017-07-05

Musical Theory In The Renaissance written by CristleCollins Judd and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with History categories.


This volume of essays draws together recent work on historical music theory of the Renaissance. The collection spans the major themes addressed by Renaissance writers on music and highlights the differing approaches to this body of work by modern scholars, including: historical and theoretical perspectives; consideration of the broader cultural context for writing about music in the Renaissance; and the dissemination of such work. Selected from a variety of sources ranging from journals, monographs and specialist edited volumes, to critical editions, translations and facsimiles, these previously published articles reflect a broad chronological and geographical span, and consider Renaissance sources that range from the overtly pedagogical to the highly speculative. Taken together, this collection enables consideration of key essays side by side aided by the editor‘s introductory essay which highlights ongoing debates and offers a general framework for interpreting past and future directions in the study of historical music theory from the Renaissance.



Music Theory And Natural Order From The Renaissance To The Early Twentieth Century


Music Theory And Natural Order From The Renaissance To The Early Twentieth Century
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Author : Suzannah Clark
language : en
Publisher: Cambridge University Press
Release Date : 2001

Music Theory And Natural Order From The Renaissance To The Early Twentieth Century written by Suzannah Clark and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Music categories.


Music theory of almost all ages has relied on nature in its attempts to explain music. The understanding of what 'nature' is, however, is subject to cultural and historical differences. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. In an array of different approaches, ranging from physical acoustics to theology and Lacanian psychoanalysis, these essays examine how the multifarious conceptions of nature, located variously between scientific reason and divine power, are brought to bear on music theory. They probe the changing representations and functions of nature in the service of music theory and highlight the ever-changing configurations of nature and music, as mediated by the music-theoretical discourse.



Visualizing Music


Visualizing Music
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Author : Eric Isaacson
language : en
Publisher: Indiana University Press
Release Date : 2023

Visualizing Music written by Eric Isaacson and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023 with Computers categories.


To feel the emotional force of music, we experience it aurally. But how can we convey musical understanding visually? Visualizing Music explores the art of communicating about music through images. Drawing on principles from the fields of vision science and information visualization, Eric Isaacson describes how graphical images can help us understand music. By explaining the history of music visualizations through the lens of human perception and cognition, Isaacson offers a guide to understanding what makes musical images effective or ineffective and provides readers with extensive principles and strategies to create excellent images of their own. Illustrated with over 300 diagrams from both historical and modern sources, including examples and theories from Western art music, world music, and jazz, folk, and popular music, Visualizing Music explores the decisions made around image creation. Together with an extensive online supplement and dozens of redrawings that show the impact of effective techniques, Visualizing Music is a captivating guide to thinking differently about design that will help music scholars better understand the power of musical images, thereby shifting the ephemeral to material.



Analytical Strategies And Musical Interpretation


Analytical Strategies And Musical Interpretation
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Author : Craig Ayrey
language : en
Publisher: Cambridge University Press
Release Date : 2004-01-29

Analytical Strategies And Musical Interpretation written by Craig Ayrey and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-01-29 with Music categories.


Interpretation is often considered only in theory, or as a philosophical problem, but this book demonstrates and reflects on the interpretive results of analysis.



The Oxford Handbook Of Neo Riemannian Music Theories


The Oxford Handbook Of Neo Riemannian Music Theories
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Author : Edward Gollin
language : en
Publisher: OUP USA
Release Date : 2011-12-22

The Oxford Handbook Of Neo Riemannian Music Theories written by Edward Gollin and has been published by OUP USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-12-22 with Music categories.


In recent years neo-Riemannian theory has established itself as the leading approach of our time, and has proven particularly adept at explaining features of chromatic music. The Oxford Handbook of Neo-Riemannian Music Theories assembles an international group of leading music theory scholars in an exploration of the music-analytical, theoretical, and historical aspects of this new field.



A Theory Of Virtual Agency For Western Art Music


A Theory Of Virtual Agency For Western Art Music
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Author : Robert S. Hatten
language : en
Publisher: Indiana University Press
Release Date : 2018-09-06

A Theory Of Virtual Agency For Western Art Music written by Robert S. Hatten and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-09-06 with Music categories.


In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional actions either create music as notated or manifest music as significant sound, virtual agency is inferred from the implied actions of those sounds, as they move and reveal tendencies within music-stylistic contexts. From our most basic attributions of sources for perceived energies in music, to the highest realm of our engagement with musical subjectivity, Hatten explains how virtual agents arose as distinct from actual ones, how unspecified actants can take on characteristics of (virtual) human agents, and how virtual agents assume various actorial roles. Along the way, Hatten demonstrates some of the musical means by which composers and performers from different historical eras have staged and projected various levels of virtual agency, engaging listeners imaginatively and interactively within the expressive realms of their virtual and fictional musical worlds.