Musical Representations Subjects And Objects
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Musical Representations Subjects And Objects
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language : en
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Musical Representations Subjects And Objects
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Author : Jairo Moreno
language : en
Publisher: Indiana University Press
Release Date : 2004-12-21
Musical Representations Subjects And Objects written by Jairo Moreno and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-12-21 with Music categories.
Jairo Moreno adapts the methodologies and nomenclature of Foucault's "archaeology of knowledge" and applies it through individual case studies to the theoretical writings of Zarlino, Descartes, Rameau, and Weber. His conclusion summarizes the conditions -- musical, philosophical, and historical -- that "make a certain form of thought about music necessary and possible at the time it emerges." Musical Meaning and Interpretation -- Robert S. Hatten, editor
Music In German Philosophy
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Author : Stefan Lorenz Sorgner
language : en
Publisher: University of Chicago Press
Release Date : 2011-01-15
Music In German Philosophy written by Stefan Lorenz Sorgner and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-01-15 with Philosophy categories.
Though many well-known German philosophers have devoted considerable attention to music and its aesthetics, surprisingly few of their writings on the subject have been translated into English. Stefan Lorenz Sorgner, a philosopher, and Oliver Fürbeth, a musicologist, here fill this important gap for musical scholars and students alike with this compelling guide to the musical discourse of ten of the most important German philosophers, from Kant to Adorno. Music in German Philosophy includes contributions from a renowned group of ten scholars, including some of today’s most prominent German thinkers, all of whom are specialists in the writers they treat. Each chapter consists of a short biographical sketch of the philosopher concerned, a summary of his writings on aesthetics, and finally a detailed exploration of his thoughts on music. The book is prefaced by the editors’ original introduction, presenting music philosophy in Germany before and after Kant, as well as a new introduction and foreword to this English-language addition, which places contemplations on music by these German philosophers within a broader intellectual climate.
Music And Belonging Between Revolution And Restoration
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Author : Naomi Waltham-Smith
language : en
Publisher: Oxford University Press
Release Date : 2017
Music And Belonging Between Revolution And Restoration written by Naomi Waltham-Smith and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with Music categories.
How is music implicated in the politics of belonging? Provocatively fusing recent European philosophy with music theory, Music and Belonging explores the instrumental music of Haydn, Mozart, and Beethoven, reveals connections between listening and constructions of community, and testifies to Classical music's enduring political significance in an age of neoliberal exclusion.
Allusion As Narrative Premise In Brahms S Instrumental Music
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Author : Jacquelyn E. C. Sholes
language : en
Publisher: Indiana University Press
Release Date : 2018-05-24
Allusion As Narrative Premise In Brahms S Instrumental Music written by Jacquelyn E. C. Sholes and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-05-24 with Music categories.
Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history.
The Oxford Handbook Of Timbre
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Author : Emily I. Dolan
language : en
Publisher: Oxford University Press
Release Date : 2021
The Oxford Handbook Of Timbre written by Emily I. Dolan and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with Music categories.
"With essays covering an array of topics including ancient Homeric texts, contemporary sound installations, violin mutes, birdsong, and cochlear implants, this volume reveals the richness of what it means to think and talk about timbre and the materiality of the experience of sound"--
Musical Forces
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Author : Steve Larson
language : en
Publisher: Indiana University Press
Release Date : 2012-01-31
Musical Forces written by Steve Larson and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-01-31 with Music categories.
Steve Larson drew on his 20 years of research in music theory, cognitive linguistics, experimental psychology, and artificial intelligence—as well as his skill as a jazz pianist—to show how the experience of physical motion can shape one's musical experience. Clarifying the roles of analogy, metaphor, grouping, pattern, hierarchy, and emergence in the explanation of musical meaning, Larson explained how listeners hear tonal music through the analogues of physical gravity, magnetism, and inertia. His theory of melodic expectation goes beyond prior theories in predicting complete melodic patterns. Larson elegantly demonstrated how rhythm and meter arise from, and are given meaning by, these same musical forces.
A Theory Of Virtual Agency For Western Art Music
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Author : Robert S. Hatten
language : en
Publisher: Indiana University Press
Release Date : 2018-09-06
A Theory Of Virtual Agency For Western Art Music written by Robert S. Hatten and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-09-06 with Music categories.
In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional actions either create music as notated or manifest music as significant sound, virtual agency is inferred from the implied actions of those sounds, as they move and reveal tendencies within music-stylistic contexts. From our most basic attributions of sources for perceived energies in music, to the highest realm of our engagement with musical subjectivity, Hatten explains how virtual agents arose as distinct from actual ones, how unspecified actants can take on characteristics of (virtual) human agents, and how virtual agents assume various actorial roles. Along the way, Hatten demonstrates some of the musical means by which composers and performers from different historical eras have staged and projected various levels of virtual agency, engaging listeners imaginatively and interactively within the expressive realms of their virtual and fictional musical worlds.
Meaning And Interpretation Of Music In Cinema
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Author : David P. Neumeyer
language : en
Publisher: Indiana University Press
Release Date : 2015-08-17
Meaning And Interpretation Of Music In Cinema written by David P. Neumeyer and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-17 with Music categories.
By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in which the image has traditionally trumped sound, Neumeyer turns our attention to the voice as the mechanism through which narrative (dialog, speech) and sound (sound effects, music) come together. Complemented by music examples, illustrations, and contributions by James Buhler, Meaning and Interpretation of Music in Cinema is the capstone of Neumeyer's 25-year project in the analysis and interpretation of music in film.
Psychedelic Popular Music
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Author : William Echard
language : en
Publisher: Indiana University Press
Release Date : 2017-05-22
Psychedelic Popular Music written by William Echard and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-05-22 with Music categories.
Recognized for its distinctive musical features and its connection to periods of social innovation and ferment, the genre of psychedelia has exerted long-term influence in many areas of cultural production, including music, visual art, graphic design, film, and literature. William Echard explores the historical development of psychedelic music and its various stylistic incarnations as a genre unique for its fusion of rock, soul, funk, folk, and electronic music. Through the theory of musical topics—highly conventional musical figures that signify broad cultural concepts—and musical meaning, Echard traces the stylistic evolution of psychedelia from its inception in the early 1960s, with the Beatles' Rubber Soul and Revolver and the Kinks and Pink Floyd, to the German experimental bands and psychedelic funk of the 1970s, with a special emphasis on Parliament/Funkadelic. He concludes with a look at the 1980s and early 1990s, touching on the free festival scene, rave culture, and neo–jam bands. Set against the cultural backdrop of these decades, Echard's study of psychedelia lays the groundwork and offers lessons for analyzing the topic of popular music in the twentieth and twenty-first centuries.