New Media In Art History
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New Media In Art History
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Author : Régine Bonnefoit
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2023-09-18
New Media In Art History written by Régine Bonnefoit and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-09-18 with Art categories.
New media in art history The history of art and new media are inextricably linked – both historically and in the present day. This publication can be described as an interdisciplinary reflection: it examines the confrontation and interaction between art history and new media, highlighting key developments, opportunities, and tensions. In eight studies, eleven researchers present new findings and explore the techniques and methods of new media – from electronic to digital and post-digital media – and the challenges these pose for art history. The book covers a wide range of topics, from the history and historiography of new media to their practical application, use, and reception, as well as creative processes, material conservation, and mediation. With new research findings, this book bridges the gap between art history and media studies With contributions by Keyvane Alinaghi, Sarah Amsler, Katharina Brandl, Fleur Chevalier, Aline Guillermet, Thomas Hänsli, Dominik Lengyel, Catherine Toulouse, Caroline Tron-Carroz, Zsofi Valyi-Nagy, and Nina Zschocke Cooperative project between the Swiss Association of Art Historians (VKKS) and the University of Neuchâtel
Mediaarthistories
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Author : Oliver Grau
language : en
Publisher: MIT Press
Release Date : 2010-08-13
Mediaarthistories written by Oliver Grau and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-08-13 with Art categories.
Leading scholars take a wider view of new media, placing it in the context of art history and acknowledging the necessity of an interdisciplinary approach in new media art studies and practice. Digital art has become a major contemporary art form, but it has yet to achieve acceptance from mainstream cultural institutions; it is rarely collected, and seldom included in the study of art history or other academic disciplines. In MediaArtHistories, leading scholars seek to change this. They take a wider view of media art, placing it against the backdrop of art history. Their essays demonstrate that today's media art cannot be understood by technological details alone; it cannot be understood without its history, and it must be understood in proximity to other disciplines—film, cultural and media studies, computer science, philosophy, and sciences dealing with images. Contributors trace the evolution of digital art, from thirteenth-century Islamic mechanical devices and eighteenth-century phantasmagoria, magic lanterns, and other multimedia illusions, to Marcel Duchamp's inventions and 1960s kinetic and op art. They reexamine and redefine key media art theory terms—machine, media, exhibition—and consider the blurred dividing lines between art products and consumer products and between art images and science images. Finally, MediaArtHistories offers an approach for an interdisciplinary, expanded image science, which needs the "trained eye" of art history. Contributors Rudlof Arnheim, Andreas Broeckmann, Ron Burnett, Edmond Couchot, Sean Cubitt, Dieter Daniels, Felice Frankel, Oliver Grau, Erkki Huhtamo, Douglas Kahn, Ryszard W. Kluszczynski, Machiko Kusahara, Timothy Lenoir, Lev Manovich, W.J.T. Mitchell, Gunalan Nadarajan, Christiane Paul, Louise Poissant, Edward A. Shanken, Barbara Maria Stafford, and Peter Weibel
Relive
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Author : Sean Cubitt
language : en
Publisher: MIT Press
Release Date : 2013-11-08
Relive written by Sean Cubitt and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-11-08 with Art categories.
Leading historians of the media arts define a new materialist media art history, discussing temporality, geography, ephemerality, and the future. In Relive, leading historians of the media arts grapple with this dilemma: how can we speak of “new media” and at the same time write the histories of these arts? These scholars and practitioners redefine the nature of the field, focusing on the materials of history—the materials through which the past is mediated. Drawing on the tools of media archaeology and the history and philosophy of media, they propose a new materialist media art history. The contributors consider the idea of history and the artwork's moment in time; the intersection of geography and history in regional practice, illustrated by examples from eastern Europe, Australia, and New Zealand; the contradictory scales of evolution, life cycles, and bodily rhythms in bio art; and the history of the future—how the future has been imagined, planned for, and established as a vector throughout the history of new media arts. These essays, written from widely diverse critical perspectives, capture a dynamic field at a moment of productive ferment. Contributors Susan Ballard, Brogan Bunt, Andrés Burbano, Jon Cates, John Conomos, Martin Constable, Sean Cubitt, Francesca Franco, Darko Fritz, Zhang Ga, Monika Gorska-Olesinska, Ross Harley, Jens Hauser, Stephen Jones, Douglas Kahn, Ryszard W. Kluszczynski, Caroline Seck Langill, Leon Marvell, Rudy Rucker, Edward A. Shanken, Stelarc, Adele Tan, Paul Thomas, Darren Tofts, Joanna Walewska
Beyond New Media Art
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Author : Domenico Quaranta
language : en
Publisher:
Release Date : 2013-05
Beyond New Media Art written by Domenico Quaranta and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-05 with Art categories.
"'Beyond New Media Art' is an attempt to analyze the current positioning of so-called New Media Art in the wider field of contemporary arts, and to explore the historical, sociological and conceptual reasons for its marginal position and under-recognition in recent art history. On the other hand, this book is also an attempt to suggest new critical and curatorial strategies to turn this marginalization into a thing of the past, and to stress the topicality of art addressing the media and the issues of the information age"--Publisher.
A Brief History Of Working With New Media Art
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Author : Sarah Cook
language : en
Publisher:
Release Date : 2010
A Brief History Of Working With New Media Art written by Sarah Cook and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Art, Modern categories.
New Media Art
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Author : Mark Tribe
language : en
Publisher:
Release Date : 2009
New Media Art written by Mark Tribe and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Art, Modern categories.
A collection of digital artworks from the 20th century and early 21st century.
The Museum In The Digital Age
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Author : Régine Bonnefoit
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2018-04-18
The Museum In The Digital Age written by Régine Bonnefoit and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-04-18 with Art categories.
The current “digital revolution” or “digital era” has affected most of the realms of today’s world, particularly the domains of communication and the creation, safeguarding and transmission of knowledge. Museums, whose mission is to be open to the public and to acquire, conserve, research, communicate and exhibit the heritage of humanity, are thus directly concerned by this revolution. This collection highlights the manner in which museums and curators tackle the challenges of digital technology. The contributions are divided into four groups that illustrate the extent of the impact of digital technologies on museums: namely, exhibitions devoted to new media or mounted with the use of new media; the hidden face of the museum and the conservation of digital works of art; cultural mediation and the communication and promotion of museums using digital tools; and the legal aspects of the digitalisation of content, whether for creative purposes or preservation.
New Collecting Exhibiting And Audiences After New Media Art
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Author : Beryl Graham
language : en
Publisher: Routledge
Release Date : 2016-04-29
New Collecting Exhibiting And Audiences After New Media Art written by Beryl Graham and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-29 with Art categories.
The collections of museums, galleries and online art organisations are increasingly broadening to include more new media art. Because new media is used as a means of documenting, archiving and distributing art, and because new media art might be interactive with its audiences, this highlights the new kinds of relationships that might occur between audiences as viewers, participants, selectors, taggers or taxonomisers. New media art presents many challenges to the curator and collector, but there is very little published analytical material available to help meet those challenges. This book fills that gap. Drawing from the editor's extensive research and the authors' expertise in the field, the book provides clear navigation through a disparate arena. The authors offer examples from a wide geographical reach, including the UK, North America and Asia and integrate the consideration of audience response into all aspects of their work. The book will be essential reading for those studying or practicing in new media, curating or museums and galleries.
Retracing Political Dimensions
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Author : Oliver Grau
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2020-11-23
Retracing Political Dimensions written by Oliver Grau and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-23 with Art categories.
At the beginning of the 21st century, new forms and dynamics of interplay are constituted at the interfaces of media, art and politics. Current challenges in society and ecology, like climate, surveillance, virtualization of the global financial markets, are characterized by hybrid and subtle technologies. They are ubiquitous, turn out to be increasingly complex and act invasively. New media art utilizes its broad range of expression in order to tackle the most urgent topics through multi-sensorial, participatory, and activist approaches. This volume shows how media artists address, with a political lens, the core of these developments critically and productively. With contributions by Elisa Arca, Andrés Burbano, Derek Curry, Yael Eylat Van Essen, Mathias Fuchs, Jennifer Gradecki, Sabine Himmelsbach, Ingrid Hoelzl, Katja Kwastek, José-Carlos Mariátegui, Gerald Nestler, Randall Packer, Viola Rühse, Chris Salter.
Old Masters Of New Media
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Author : Duncan Bass
language : en
Publisher:
Release Date : 2019
Old Masters Of New Media written by Duncan Bass and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with Art categories.
The first computer-generated artworks were created in the 1950s, yet at the close of the twentieth century most of the academic literature on the subject was written by artists and scientists rather than critics and historians. Initiated in 2005, the Media Art Histories (MAH) conference series represents a concerted effort by a group of art historians dedicated to shed light on art historical figures that have been overlooked or dismissed by the mainstream contemporary art world for decades. With institutional support for media art on the rise, each new publication and exhibition offers a new historical narrative for the field. No historiography exists of media arts writing, an expanding field whose established voices have been essential in framing the critical conversation around art and emerging technologies. This historiographic research attempts to address three primary concerns. First, to understand the history of media art from the perspective of mainstream art history, including a brief account of the critical positions that undergird this division. Second, to establish consensus amongst historians of media art (as represented by MAH) on the artists, artworks, and movements that constitute a canon of media arts or a supplement to the larger art historical canon. Finally, to understand how these art historical narratives influence one another and whether it is possible to bridge the digital divide.