Old Time Stories 1921
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Old Time Stories 1921
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Author : Charles Perrault
language : en
Publisher:
Release Date : 2008-06
Old Time Stories 1921 written by Charles Perrault and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-06 with categories.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
The Best Short Stories Of 1921 And The Yearbook Of The American Short Story
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Author : Various
language : en
Publisher: BEYOND BOOKS HUB
Release Date : 2023-07-27
The Best Short Stories Of 1921 And The Yearbook Of The American Short Story written by Various and has been published by BEYOND BOOKS HUB this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-07-27 with Art categories.
I was talking the other day to Alfred Coppard, who has steered more successfully than most English story writers away from the Scylla and Charybdis of the modern artist. He told me that he had been reading several new novels and volumes of short stories by contemporary American writers with that awakened interest in the civilization we are framing which is so noticeable among English writers during the past three years. He asked me a remarkable question, and the answer which I gave him suggested certain contrasts which seemed to me of basic importance for us all. He said: “I have been reading books by Sherwood Anderson, Waldo Frank and Ben Hecht and Konrad Bercovici and Joseph Hergesheimer, and I can see that they are important books, but I feel that the essential point to which all this newly awakened literary consciousness is tending has somehow subtly eluded me. American and English writers both use the same language, and so do Scotch and Irish writers, but I am not puzzled when I read Scotch and Irish books as I am when I read these new American books. Why is it?” I had to think for a moment, and then the obvious answer occurred to me. I told him that I thought the reason for his moderate bewilderment was due to the fact that the Englishman or the Scotchman or the Irishman living at home was writing out of a background of racial memory and established tradition which was very much all of one piece, and that all such an artist's unspoken implications and subtleties could be easily taken for granted by his readers, and more or less thoroughly understood, because they were elements in harmony with a tolerably fixed and ordered world. I added that this was more or less true of the American writer up to a date roughly coinciding with that of the Chicago World's Fair in 1892. During the thirty years more or less which have elapsed since that date, there has been an ever widening seething maelstrom of cross currents thrusting into more and more powerful conflict from year to year the contributory elements brought to a new potential American culture by the dynamic creative energies, physical and spiritual, of many races. My suggestion to Mr. Coppard was that gradually the Anglo-Saxon, to take the most readily understandable instance, was beginning to absorb large tracts of many other racial fields of memory, and to share the experience of Scandinavian and Russian and German and Italian, of Polish and Irish and African and Asian members of the body politic, and that all these widening tracts of remembered racial experience interacting upon one another under the tremendous pressure of our nervous, keen, and eager industrial civilization had set up a new chaos in many creative minds. I said that Mr. Anderson and the others, half consciously and half unconsciously, were trying to create worlds out of each separate chaos, living dangerously, as Nietzsche advised, and fusing their conceptions at a certain calculated temperature in artistic crucibles of their own devising. Mr. Coppard said that he quite saw that, but added that the particular meaning in each case more or less escaped him. And then I ventured to suggest that these meanings were more important for Americans at the present stage than for Europeans, because American minds would grasp readily at suggestions that harmonized with their own spiritual pasts, and seize instinctive relations and congruities which had previously escaped them in their experience, and so begin to formulate from these books new intuitive laws. I suggested, moreover, that from the point of view of the great artist these books were all more or less magnificent failures which were creating, little by little, out of the shock of conflict an ultimate harmony, out of which the great book for which we are all waiting in America might come ten years from now, or five years, or even tomorrow. To this he replied that he felt I had supplied the clue which had baffled him, and asked me if I did not discover a chaos of a different sort in English life and literature since the armistice. I agreed that I did discover such a chaos, but that it seemed to me a chaos which was an end rather than a beginning, a chaos in which the Tower of Babel had fallen, and men had come to babble with more and more complete dissociation of ideas, or else, on the other hand, were clinging desperately to such literary and social traditions as had been left, while their work froze into a new Augustanism comparable to that of the early years of the eighteenth century. Next year, in conjunction with John Cournos, I shall begin in a parallel series of volumes with the present series, to present my annual study of the English case. Meanwhile, for the present, I deal once more with that American chaos in which I have unbounded and ultimate faith. From now on I should like to take as my motto almost the last paragraph written by Walt Whitman before he died: “The Highest said: Don't let us begin so low—isn't our range too coarse—too gross?—The Soul answer'd: No, not when we consider what it is all for—the end involved in Time and Space.” Or, as the old Dutch flour-miller put it more briefly: “I never bother myself what road the folks come—I only want good wheat and rye.” To repeat what I have said in these pages in previous years, for the benefit of the reader as yet unacquainted with my standards and principles of selection, I shall point out that I have set myself the task of disengaging the essential human qualities in our contemporary fiction which, when chronicled conscientiously by our literary artists, may fairly be called a criticism of life. I am not at all interested in formulæ, and organized criticism at its best would be nothing more than dead criticism, as all dogmatic interpretation of life is always dead. What has interested me, to the exclusion of other things, is the fresh, living current which flows through the best American work, and the psychological and imaginative reality which American writers have conferred upon it. No substance is of importance in fiction, unless it is organic substance, that is to say, substance in which the pulse of life is beating. Inorganic fiction has been our curse in the past, and bids fair to remain so, unless we exercise much greater artistic discrimination than we display at present. The present record covers the period from October 1920, to September 1921, inclusive. During this period, I have sought to select from the stories published in American magazines those which have rendered life imaginatively in organic substance and artistic form. Substance is something achieved by the artist in every act of creation, rather than something already present, and accordingly a fact or group of facts in a story only attain substantial embodiment when the artist's power of compelling imaginative persuasion transforms them into a living truth. The first test of a short story, therefore, in any qualitative analysis is to report upon how vitally compelling the writer makes his selected facts or incidents. This test may be conveniently called the test of substance. But a second test is necessary if the story is to take rank above other stories. The true artist will seek to shape this living substance into the most beautiful and satisfying form, by skilful selection and arrangement of his materials, and by the most direct and appealing presentation of it in portrayal and characterization. The short stories which I have examined in this study, as in previous years, have fallen naturally into four groups. The first consists of those stories which fail, in my opinion, to survive either the test of substance or the test of form. These stories are listed in the year book without comment or a qualifying asterisk. The second group consists of those stories which may fairly claim that they survive either the test of substance or the test of form. Each of these stories may claim to possess either distinction of technique alone, or more frequently, I am glad to say, a persuasive sense of life in them to which a reader responds with some part of his own experience. Stories included in this group are indicated in the yearbook index by a single asterisk prefixed to the title. The third group, which is composed of stories of still greater distinction, includes such narratives as may lay convincing claim to a second reading, because each of them has survived both tests, the test of substance and the test of form. Stories included in this group are indicated in the yearbook index by two asterisks prefixed to the title. Finally, I have recorded the names of a small group of stories which possess, I believe, the even finer distinction of uniting genuine substance and artistic form in a closely woven pattern with such sincerity that these stories may fairly claim a position in American literature. If all of these stories by American authors were republished, they would not occupy more space than five novels of average length. My selection of them does not imply the critical belief that they are great stories. A year which produced one great story would be an exceptional one. It is simply to be taken as meaning that I have found the equivalent of five volumes worthy of republication among all the stories published during the period under consideration. These stories are indicated in the yearbook index by three asterisks prefixed to the title, and are listed in the special “Roll of Honor.” In compiling these lists I have permitted no personal preference or prejudice to consciously influence my judgment. To the titles of certain stories, however, in the “Rolls of Honor,” an asterisk is prefixed, and this asterisk, I must confess, reveals in some measure a personal preference, for which, perhaps, I may be indulged. It is from this final short list that the stories reprinted in this volume have been selected. It has been a point of honor with me not to republish a story by an English author or by any foreign author. I have also made it a rule not to include more than one story by an individual author in the volume. The general and particular results of my study will be found explained and carefully detailed in the supplementary part of the volume. In past years it has been my pleasure and honor to dedicate the best that I have found in the American magazines as the fruit of my labors to the American artist who, in my opinion, has made the finest imaginative contribution to the short story during the period considered. I take pleasure in recalling the names of Benjamin Rosenblatt, Richard Matthews Hallet, Wilbur Daniel Steele, Arthur Johnson, Anzia Yezierska, and Sherwood Anderson. In my opinion Sherwood Anderson has made this year once more the most permanent contribution to the American short story, but as last year's book is associated with his name, I am happy to dedicate this year's offering to a new and distinguished English artist, A.E. Coppard, to whom the future offers in my opinion a rich harvest of achievement..FROM THE BOOKS.
Bluebeard And Other Mysterious Men With Even Stranger Facial Hair Origins Of Fairy Tales From Around The World
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Author : Amelia Carruthers
language : en
Publisher: Read Books Ltd
Release Date : 2015-09-24
Bluebeard And Other Mysterious Men With Even Stranger Facial Hair Origins Of Fairy Tales From Around The World written by Amelia Carruthers and has been published by Read Books Ltd this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-09-24 with Fiction categories.
Bluebeard – Origins of the Fairy Tales from around the World' contains seven different versions of the story of bluebeard. It includes an in-depth introduction to the fairy tale genre itself, as well as the folkloric provenance of the 'Bluebeard' story. It encompasses folk tales such as 'La Barbe Bleue' by Charles Perrault, 'Fitcher's Bird' by the Brothers Grimm, Joseph Jacob's 'Mr. Fox', the Indian legend of 'The Brahman Girl who Married a Tiger' and the tale of Prince Agib from 'Arabian Nights'. What is a fairy tale? The 'Origins of Fairy Tales from around the World' series helps to answer this question, by showcasing the amazing breath and diversity involved in classic fairy tales. It focuses on the unusual phenomenon that the same tales, with only minor variations, appear again and again in different cultures – across time and geographical space. Traditionally told as short stories for children, and for adults too, these popular fairy tales will be sure to delight both young and old. Beautifully illustrated, these story books combine the best story-telling, with the best art-work, in order that the two may be fully appreciated.
The Fairy Tale Art Of W Heath Robinson
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Author :
language : en
Publisher: Read Books Ltd
Release Date : 2022-05-18
The Fairy Tale Art Of W Heath Robinson written by and has been published by Read Books Ltd this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-05-18 with Art categories.
This enchanting volume is a new collection of W. Heath Robinson’s fantastical fairy tale art and children’s book illustrations, produced across a 50-year career during the Golden Age of Illustration. “Your absurd, beautiful drawings . . . give me a particular pleasure of the mind like nothing else in the world” —H. G. Wells, 1914 In honour of W. Heath Robinson’s 150th birthday, this brand new collection features the pioneering artist’s classic fairy tale illustrations. This carefully curated volume presents 100 black and white illustrations and 54 full-colour fairy tale artworks. Each image is presented as a full-page plate and is accompanied by its original caption and publication details. The artist is much-loved for his innovative cartoons of bizarre machinery, and his fairy tale work also displays elements of the fantastical. Robinson’s children’s drawings juxtapose his machinery cartoons. His fairy tale illustrations veer away from the absurd and explore themes of magic and romanticism. The contents of this fairy tale treasury include illustrations from some of the most-adored children's storybooks such as: The Giant Crab (1897), Arabian Nights (1899), The Adventures of Uncle Lubin (1902), Hans Andersen's Fairy Tales (1913), A Midsummer Night's Dream (1914) and many more. Proudly published in a new collection by Pook Press, these wonderful Golden Age illustrations have been collated in a celebration of Robinson’s timeless work. This beautiful volume is not to be missed by fans of W. Heath Robinson and is the perfect gift for fairy tale lovers.
Beauty And The Beast And Other Tales Of Love In Unexpected Places Origins Of Fairy Tales From Around The World Origins Of Fairy Tales From Around The World
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Author : Amelia Carruthers
language : en
Publisher: Read Books Ltd
Release Date : 2015-09-24
Beauty And The Beast And Other Tales Of Love In Unexpected Places Origins Of Fairy Tales From Around The World Origins Of Fairy Tales From Around The World written by Amelia Carruthers and has been published by Read Books Ltd this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-09-24 with Fiction categories.
Discover an enchanting collection of seven adaptations of the classic romantic fairy tale, Beauty and the Beast, collated from around the world. A tale as old as time, Beauty and the Beast, is the perfect example of the magic of boundless love. Adored for centuries, it is known worldwide for its timeless message that true love goes beyond appearance. Encapsulating seven wonderful versions of the classic fairy tale, Beauty and the Beast - And Other Tales of Love in Unexpected Places, presents an illustrated volume of stories full of spellbinding love, as well as those with a darker twist. Accompanying these enchanting tales are many delightful illustrations by artists of the Golden Age of Illustration, such as Jennie Harbour, W. Heath Robinson, Charles Robinson, Edmund Dulac, and H. J. Ford. As part of the Origins of Fairy Tales from Around the World series, this volume, complete with captivating full colour and black-and-white illustrations, would make the perfect gift for lovers of the timeless Beauty and the Beast story, or those interested in the origins of one of the world’s most adored fairy tales.
Catalog Of Copyright Entries
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Author :
language : en
Publisher:
Release Date : 1922
Catalog Of Copyright Entries written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1922 with American literature categories.
The Way Through The Woods One Hundred Classic Fairy Tales
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Author : Rudolph Amsel
language : en
Publisher: Elsinore Books
Release Date : 2020-04-13
The Way Through The Woods One Hundred Classic Fairy Tales written by Rudolph Amsel and has been published by Elsinore Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-04-13 with Fiction categories.
The greatest fairy tales of all time. The 100 tales collected here throw open wide the gates to the realm of fairyland. Inside are princes and princesses, giants and dwarfs, heroes, heroines, simpletons, rogues, wizards, witches, ogres, trolls, elves, magical artefacts, and all manner of talking birds and beasts. As G. K. Chesterton has observed, fairyland is a place where happiness hangs upon a single thread: “Cinderella may have a dress woven on supernatural looms and blazing with unearthly brilliance; but she must be back when the clock strikes twelve. The king may invite fairies to the christening, but he must invite all the fairies or frightful results will follow. Bluebeard's wife may open all doors but one. A promise is broken to a cat, and the whole world goes wrong… A promise is broken to a yellow dwarf, and the whole world goes wrong.” This is also a world of contradiction and disproportion; where honesty may be a virtue, but so is the ability to tell the most outrageous lies conceivable. Here, the prize for treading on a cat’s tail, is a princess; and the penalty for expressing gratitude to a goblin, is a lifelong curse. In compiling this anthology, we have tried to include as many “tale types” as possible, and as much of the varied landscape of the fairy world—deserts, icefields, enchanted forests, underwater kingdoms—as we could fit in. Our principal sources are the great European collections of fairy tales and folk tales as compiled by Jacob and Wilhelm Grimm, Peter Asbjørnsen and Jørgen Moe, Hans Christian Andersen, Charles Perrault, Joseph Jacobs, and Alexander Afanasyev. But there are tales from further afield as well; from Asia, Africa and the Middle East. We have classified the tales thematically, and spread them evenly across ten chapters: 1) The Classic Characters: Heroes, Heroines, and their Foes 2) Birds and Beasts 3) Little; Big 4) The Ship of Fools 5) Quick Minds and Sharp Wits 6) The Royal Court 7) Into the World: Journeys, Quests, and Adventures 8) Magic and Witchcraft 9) Extraordinary Tales of Extraordinary Things 10) Tales for Winter We hope this structure will aid readers somewhat in their explorations. At the same time, we concur with W. H. Auden, who writes, “the way to read a fairy tale is to throw yourself in.”
Golden Age Illustrations Of W Heath Robinson
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Author : William Heath Robinson
language : en
Publisher: Courier Corporation
Release Date : 2013-01-01
Golden Age Illustrations Of W Heath Robinson written by William Heath Robinson and has been published by Courier Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-01-01 with Art categories.
The first full-scale treatment of Robinson's early output, this anthology features more than 100 images from fairy tales, children's literature, and works by Shakespeare, Kipling, and Poe, many in full glorious color.
Manager Of Giants
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Author : Lou Hernández
language : en
Publisher: McFarland
Release Date : 2018-10-22
Manager Of Giants written by Lou Hernández and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-10-22 with Sports & Recreation categories.
For decades prior to the rise of Babe Ruth, the most recognized name in baseball was John McGraw. An outstanding player in the 1890s, McGraw--nicknamed "Mugsy"--was molded in the rough and tumble pre-20th century game where sportsmanship and fair play took a back seat to competition. Later, he became the successful manager of the New York Giants, dominating the National League in New York City for more than 30 years. McGraw led the Giants with authoritarian swagger--earning another moniker, "Little Napoleon"--from 1902 through 1932, before illness forced his retirement. In his 31 seasons in New York, his teams won three world championships and 10 pennants and rarely finished out of the first division. He was a trailblazer in the use of bullpen and position player substitutions, and pushed hit-and-run strategies over the then prevalent dictums of sacrifice bunting. An unconventional leader, McGraw missed considerable bench time during his reign on account of injury, illness and fiery temperament.
Puss In Boots And Other Very Clever Cats Origins Of Fairy Tale From Around The World
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Author : Amelia Carruthers
language : en
Publisher: Read Books Ltd
Release Date : 2015-09-24
Puss In Boots And Other Very Clever Cats Origins Of Fairy Tale From Around The World written by Amelia Carruthers and has been published by Read Books Ltd this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-09-24 with Fiction categories.
Puss in Boots' – Origins of the Fairy Tale from around the World' contains seven different versions of the 'Puss in Boots' story. It includes an in-depth introduction to the fairy tale genre itself, as well as the folkloric provenance of the 'Puss in Boots' story. It encompasses 'Le Maître Chat' by Charles Perrault, Straparola's 'Constantino Fortunato', 'The Poor Miller's Boy and the Cat' by the Brothers Grimm, the Indian narrative of 'The Match-Making Jackal', the Scandinavian tale of 'Lord Peter' and Joseph Jacob's 'The Earl of Cattenborough'. What is a fairy tale? The 'Origins of Fairy Tales from around the World' series helps to answer this question, by showcasing the amazing breath and diversity involved in classic fairy tales. It focuses on the unusual phenomenon that the same tales, with only minor variations, appear again and again in different cultures – across time and geographical space. Traditionally told as short stories for children, and for adults too, these popular fairy tales will be sure to delight both young and old. Beautifully illustrated, these story books combine the best story-telling, with the best art-work, in order that the two may be fully appreciated. .