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On The Laws Of Artistic Copyright And Their Defects


On The Laws Of Artistic Copyright And Their Defects
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On The Laws Of Artistic Copyright And Their Defects


On The Laws Of Artistic Copyright And Their Defects
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Author : D. Roberton Blaine
language : en
Publisher:
Release Date : 1853

On The Laws Of Artistic Copyright And Their Defects written by D. Roberton Blaine and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1853 with Copyright categories.




On The Laws Of Artistic Copyright And Their Defects


On The Laws Of Artistic Copyright And Their Defects
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Author : Delabere Roberton Blaine
language : en
Publisher:
Release Date : 1853

On The Laws Of Artistic Copyright And Their Defects written by Delabere Roberton Blaine and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1853 with Copyright categories.




On The Laws Of Artistic Copyright And Their Defects For The Use Of Artists Sculptors Etc


On The Laws Of Artistic Copyright And Their Defects For The Use Of Artists Sculptors Etc
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Author : Delabere Roberton BLAINE
language : en
Publisher:
Release Date : 1853

On The Laws Of Artistic Copyright And Their Defects For The Use Of Artists Sculptors Etc written by Delabere Roberton BLAINE and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1853 with categories.




Artistic License


Artistic License
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Author : Darren Hudson Hick
language : en
Publisher: University of Chicago Press
Release Date : 2017-04-26

Artistic License written by Darren Hudson Hick and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-04-26 with Law categories.


The art scene today is one of appropriation—of remixing, reusing, and recombining the works of other artists. From the musical mash-ups of Girl Talk to the pop-culture borrowings of Damien Hirst and Jeff Koons, it’s clear that the artistic landscape is shifting—which leads to some tricky legal and philosophical questions. In this up-to-date, thorough, and accessible analysis of the right to copyright, Darren Hudson Hick works to reconcile the growing practice of artistic appropriation with innovative views of artists’ rights, both legal and moral. Engaging with long-standing debates about the nature of originality, authorship, and artists’ rights, Hick examines the philosophical challenges presented by the role of intellectual property in the artworld and vice versa. Using real-life examples of artists who have incorporated copyrighted works into their art, he explores issues of artistic creation and the nature of infringement as they are informed by analytical aesthetics and legal and critical theory. Ultimately, Artistic License provides a critical and systematic analysis of the key philosophical issues that underlie copyright policy, rethinking the relationship between artist, artwork, and the law.



Artistic Copyright Report Prepared At The Request Of The Committee Appointed By The Society Of Arts By D Roberton Blaine


Artistic Copyright Report Prepared At The Request Of The Committee Appointed By The Society Of Arts By D Roberton Blaine
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Author : Royal Society of Arts (Great Britain)
language : en
Publisher:
Release Date : 1858

Artistic Copyright Report Prepared At The Request Of The Committee Appointed By The Society Of Arts By D Roberton Blaine written by Royal Society of Arts (Great Britain) and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1858 with categories.




The Object Of Copyright


The Object Of Copyright
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Author : Stina Teilmann-Lock
language : en
Publisher: Routledge
Release Date : 2015-07-24

The Object Of Copyright written by Stina Teilmann-Lock and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-07-24 with Law categories.


Recent years have seen a number of pressing developments in copyright law: there has been an enormous increase in the range and type of work accorded protection; the concept of the ‘original work’ has entered into national copyright acts; and intangible entities are now entitled to protection by copyright. All these are consequences of legislative and technological developments that can be traced back over two centuries and more. the result. This book presents an interdisciplinary study of the growth of copyright law, largely based on archival research and on archival materials only recently made available online. The new history here articulated helps to explain why print is no longer today the sole or even the chief object of copyright protection. Taking its key examples from British, French and Danish copyright law, the book begins by exploring how the earliest copyright laws emerged out of the technological understanding of a printed ‘copy,’ and out of the philosophical notions of originals and copies, tangibles and intangibles. Dr Teilmann-Lockgoes on to examine the concept of the ‘work’ as it develops both conceptually and legally, as the object of protection, and then explains how, in a curious consequence, 'the work' turns the ‘copy’ into the 'mere' material instantiation of the intangible 'original'. The book concludes by addressing the considerable and complicated problems now emerging in copyright law following the inclusion of design within the scope of its protection. In this field Danish law, striving to protect Danish design, has been setting the trend for over a hundred years. In its examination of terminological exchanges between the diverse legal traditions and philosophical discourse, and in its thorough investigation of particular terms central to copyright legislation, this interdisciplinary book will be of great interest to scholars and students of copyright and intellectual property law; it also makes an important contribution to literary studies, legal history and cultural theory.



Artists Rights


Artists Rights
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Author : Molly Torsen Stech
language : en
Publisher: Institute of Art and Law
Release Date : 2015

Artists Rights written by Molly Torsen Stech and has been published by Institute of Art and Law this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with Copyright categories.


This book provides an overview of various ways in which the spheres of art and copyright law come into contact with one another. While copyright laws are domestic in nature, the arts are increasingly international in scope, inspiration, and dissemination. The book highlights some of the challenges inherent in this overlap, ranging from definitional discrepancies between disciplines to circumstances that would benefit from more legal clarity - domestic or otherwise - to provide appropriate guidance to creators and to the organizations that display, sell, or otherwise use their artworks. The book confronts the challenges that are raised today, not only by digitization, but by new media of expression. As international art fairs proliferate, and as artists of all disciplines inspire and build from each other's works and ideas, the role of copyright in an artist's life can only become more important. Artists' Rights introduces artists to legal concepts in the intellectual property space that could become important tools in managing their artworks, now and into the future. [Subject: Art Law, Copyright Law, Intellectual Property Law]



Copyright And The Challenge Of The New


Copyright And The Challenge Of The New
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Author : Brad Sherman
language : en
Publisher: Kluwer Law International B.V.
Release Date : 2012-08-01

Copyright And The Challenge Of The New written by Brad Sherman and has been published by Kluwer Law International B.V. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-08-01 with Law categories.


Copyright is not, as is often thought, something that is periodically ‘extended’ to cover a new field or medium; rather, copyright redefines itself whenever its efficacy is challenged. While many factors have contributed to this process, the most consistent has been the challenges created by new technologies. The contributing authors build upon this insight to show that copyright law is, and has always been, a creature of technology. Each chapter focuses on a specific technology or group of technologies – photography, telegraphy, the phonogram, radio, film, the photocopier, the tape player, television, and computer programs – emphasizing the changes that each technology instigated and the challenges and opportunities it created. Perhaps the most profound insight of this extraordinary book is the authors’ claim – ably supported in a series of intriguing chapters – that the way the law responds and reacts to new technologies is always mediated by the political, social, economic, and cultural environment in which the interaction occurs. For example, these chapters describe and explain how: statutory schemes of remuneration arose from failures to effectively police new forms of piracy; persistent litigation and lobbying by copyright owners forces legislatures and courts to devise new laws; content (e.g., sporting events) generates new rules of access to broadcasts; and ‘fair copying’ (e.g., by libraries) is the necessary exception that proves the rule. As well as providing insight into the ways that copyright law interacted with old technologies when they were new, the book also offers important insights into problems and issues currently confronting copyright law and policy such as the appropriate scope of copyright and the relation between copyright and the public interest. With the broad perspectives opened by these essays, academics, practitioners and policymakers in the field will find themselves well equipped to deal with the problems that will inevitably be created by technologies in the future.



Copyright Exceptions


Copyright Exceptions
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Author : Robert Burrell
language : en
Publisher: Cambridge University Press
Release Date : 2005-02-24

Copyright Exceptions written by Robert Burrell and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-02-24 with Law categories.


This book was first published in 2005. Copyright 'exceptions' or 'users' rights' have become a highly controversial aspect of copyright law. Most recently, Member States of the European Union have been forced to amend their systems of exceptions so as to comply with the Information Society Directive. Taking the newly amended UK legislation as a case study, this book examines why copyright exceptions are necessary and the forces that have shaped the present legislative regime in the UK. It seeks to further our understanding of the exceptions by combining detailed doctrinal analysis with insights gained from a range of other sources. The principal argument of the book is that the UK's current system of 'permitted acts' is much too restrictive and hence is in urgent need of reform, but that paradoxically the Information Society Directive points the way towards a much more satisfactory approach.



Radically Rethinking Copyright In The Arts


Radically Rethinking Copyright In The Arts
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Author : James O. Young
language : en
Publisher: Routledge
Release Date : 2020-06-11

Radically Rethinking Copyright In The Arts written by James O. Young and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-06-11 with Philosophy categories.


This book radically rethinks the philosophical basis of copyright in the arts. The author reflects on the ontology of art to argue that current copyright laws cannot be justified. The book begins by identifying two problems that result from current copyright laws: (1) creativity is restricted and (2) they primarily serve the interests of large corporations over those of the artists and general public. Against this background, the author presents an account of the ontology of artworks and explains what metaphysics can tell us about ownership in the arts. Next, he makes a moral argument that copyright terms should be shorter and that corporations should not own copyrights. The remaining chapters tackle questions regarding the appropriation of tokens of artworks, pattern types, and artistic elements. The result is a sweeping reinterpretation of copyright in the arts that rests on sound ontological and moral foundations. Radically Rethinking Copyright in the Arts will be of interest to scholars and advanced students working in aesthetics and philosophy of art, metaphysics, philosophy of law, and intellectual property law.