Perspektiven Einer Kritischen Kunstwissenschaft Perspectives In Critical Art History
DOWNLOAD
Download Perspektiven Einer Kritischen Kunstwissenschaft Perspectives In Critical Art History PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get Perspektiven Einer Kritischen Kunstwissenschaft Perspectives In Critical Art History book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages. If the content not found or just blank you must refresh this page
Perspektiven Einer Kritischen Kunstwissenschaft Perspectives In Critical Art History
DOWNLOAD
Author : Andrew Hemingway
language : de
Publisher: V&R Unipress
Release Date : 2022-07-11
Perspektiven Einer Kritischen Kunstwissenschaft Perspectives In Critical Art History written by Andrew Hemingway and has been published by V&R Unipress this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-07-11 with Art categories.
Der Band ist Jutta Held (1933–2007) und Norbert Schneider (1945–2019), der Gründerin und dem langjährigen Herausgeber von »Kunst und Politik«, gewidmet. Beide gehörten zur Generation der kritischen Kunsthistorikerinnen und Kunsthistoriker, die sich seit den 1970er Jahren für eine neue Kunstgeschichte einsetzten, die die gesellschaftlichen Aspekte der Kunst ins Zentrum rückte. Der Band versammelt Beiträge von Freund:innen, Kolleg:innen und Schüler:innen, die – inspiriert von Jutta Held und Norbert Schneider, von ihren Schriften und dem Andenken an die beiden – nach den Perspektiven einer kritischen Kunstwissenschaft fragen. This volume is dedicated to Jutta Held (1933–2007) and Norbert Schneider (1945–2019), the founders and long-time publishers of the journal "Kunst und Politik". Since the 1970s, both were part of a movement of critical art historians, that advocated for a new art history, that integrated the social aspects of art. This volume includes contributions of both friends and students, who – inspired by Jutta Held and Norbert Schneider – explore perspectives of critical art studies based on their writings and remembrance.
The Art Of Art History
DOWNLOAD
Author : Donald Preziosi
language : en
Publisher: Oxford University Press, USA
Release Date : 1998
The Art Of Art History written by Donald Preziosi and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Art categories.
What is art history? Why, how and where did it originate, and how have its aims and methods changed over time? The history of art has been written and rewritten since classical antiquity. Since the foundation of the modern discipline of art history in Germany in the late eighteenth century,debates about art and its histories have intensified. Historians, philosophers, psychologists and anthropologists among others have changed our notions of what art history has been, is, and might be. This anthology is a guide to understanding art history through a critical reading of the field''s most innovative and influential texts over the past two centuries. Each section focuses on a key issue: aesthetics, style, history as an art, iconography and semiology, gender, modernity and postmodernity, deconstruction and museology. More than thirty readings from writers as diverse as Winckelmann, Kant, Gombrich, Warburg, Panofsky, Heidegger, Lisa Tickner,Meyer Schapiro, Jacques Derrida, Mary Kelly, Michel Foucault, Rosalind Krauss, Louis Marin, Margaret Iversen and Nestor Canclini are brought together, and Donald Preziosi''s introductions to each topic provide background information, bibliographies, and critical elucidations of the issues at stake.His own concluding essay is an important and original contribution to scholarship in the field. From the pre-publication reviews: ''Until now, anthologies about the history of art have tended to be worthy yet inert, plotting a linear evolution from the great precursors (Vasari, Winckelmann) to the founding fathers of the modern discipline (Wolfflin, Riegl, Panofsky) to the achievements and refinements of today''s scholarship.The texts that Donald Preziosi has brought together provide something far more challenging: the juxtapositions and alignments between individual essays point the reader towards unresolved problems, ongoing debates, and paths not takenor not taken yet. In place of the consoling tale of intellectualprogress, the collection defamiliarizes the whole field, and opens up a space for radical reflection on its basic procedures and assumptions. Definitely the best introduction to art history currently available.'' Professor Norman Bryson, Harvard University ''Donald Preziosi has prepared an anthologyfrom the Greek, a collection of flowersof art history. His bouquet contains representatives from the discipline''s two-hundred year history, arranged in standard and innovative methodological categories. Within each, the readings selected providestimulating congruencies and contradictions that will inspire productive debate and contemplation. But what makes this anthology more than an arresting assemblage is the author''s critical stance toward what he has wrought. His introduction and concluding chapter write around and under the subjectspresented, emphasizing the ''art'' of art history, its kinship with modernity''s post-Enlightenment project, and its collaboration with the rise of nationalism. Thus the discipline''s past is probed and questioned and made relevant for its present and future. The whole thereby addresses, withouthealing or concealing, the disciplinary ruptures of modernism. The book might also have explored further nature of art history''s history within the emergent discourse of post-colonialism and the globalization of culture Yet the many new perspectives it does offer help to re-present the discipline for its readers, students, teachers, and curators, for other areas of humanistic inquiry, which are being subject to similar critiques, and for artists and the larger art community, for whom history, narrative, and anaccounting of art''s past have once again become vital issues'' Professor Robert S. Nelson, Professor of Art History and Chair, Committee for the History of Culture, University of Chicago ''Rather than focusing on its Vasarian moment or on the later academic institutionalization of art history in the 19th and 20th centuries, Donald Preziosi, in The Art of Art History, constructs a reading of this hegemonic and reductive practice of making ''the visible legible'' as one that isinextricably tied to the museographic paradigm of late 18th and early 19th centuries. This shift, he sees as equivalent in importance to the brought by the ''invention'' of perspective. But the author goes further than to underline the implication of art history with the premises of modernity, hemakes a strong case, in a vivid and inspiring prose, for a tighter equation between art history and modernity: an equation grounded in his insightful considerations (and meteoric formulations) of the epistemological setting, rhetorical operations political (colonialist) aims and schizophrenic yetall-invasive aestheticization of knowledge that, in the last two centuries, have fashioned what we will no longer dare to call the discipline of art history. The result is a flamboyant book that offers anything but a celebratory reading of art history. It does not constitute an articulation of canonical texts or an up-to-date menu of art historical currents, methods, or trends. Yet it manages to avoid none of these dimensions. Art history is notenvisages as the learned discourse of modernity on a specific class of objects nor is it reduced to a genealogy of outstanding artist-subjects and their volatile constellations of contemporary subjects-readers. It becomes a practice wherein objects and subjects relate and relations oftencrystallize, under the unrecognized aegis of the fetish, this Other of art, since Preziosi concisely defines art as ''the anti-fetish fetish''. Far from the fantastic neutrality that is traditionally found in the format of such an historiographic endeavour, Preziosi frames his selection of text andthreads through them with an array of different strategic voices, superimposed (to stress a spatial figure he is keen to discern) in order to elaborate a strong polemic position that situates art history as an enduring and well disguised fictional genre. In the process, the author courageouslytakes on the paradox that is at the core of his project: to introduce students to the coming out o art history... as art, one that is not necessarily meant to be our coming out of it but that certainly well establishes our motives to continue to shake its grounds and its multi-storied apparatus.'' Professor Johanne Lamoureux, University of Montreal.
The Origins Of Baroque Art In Rome
DOWNLOAD
Author : Alois Riegl
language : en
Publisher: Getty Publications
Release Date : 2010
The Origins Of Baroque Art In Rome written by Alois Riegl and has been published by Getty Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Architecture categories.
Delivered at the turn of the twentieth century, Riegl's groundbreaking lectures called for the Baroque period to be judged by its own rules and not merely as a period of decline.
Farbe Macht Koerper Kritische Weissseinsforschung In Der Europaeischen Kunstgeschichte
DOWNLOAD
Author : Greve, Anna
language : de
Publisher: KIT Scientific Publishing
Release Date : 2013-11-26
Farbe Macht Koerper Kritische Weissseinsforschung In Der Europaeischen Kunstgeschichte written by Greve, Anna and has been published by KIT Scientific Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-11-26 with Art categories.
Vom 16. bis 18. Jahrhundert wurden in Europa »Haut-farben« stereotypisiert und als wesentliche »Rassemerk-male« stilisiert. Farbe ist von zentraler Bedeutung für künstlerische Körperkonstruktionen, und so liegt die Frage nahe, inwiefern Kunst rassistische Diskurse visuell vorbereitet hat und damit strukturelle Gewalt ausübt. Die Autorin weist nach, dass die Materialisierung ima-ginärer Bilder in Kunstwerken zur Etablierung von Differenz beitrug. Die europäische Kunstgeschichte nach 1945 nahm diese Differenz als Normalität hin und hat die entsprechenden Konstruktionsprozesse bisher kaum aufgearbeitet.
Bild Geschichte
DOWNLOAD
Author : Philine Helas
language : de
Publisher: Walter de Gruyter
Release Date : 2012-10-31
Bild Geschichte written by Philine Helas and has been published by Walter de Gruyter this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-10-31 with Art categories.
Der Titel BILD/GESCHICHTE lässt eine Vielzahl von Verbindungen assoziieren – von der Geschichtlichkeit der Bilder bis zur Rolle der Bilder als ‚Akteure’ in der Geschichte. Die beiden Begriffe bezeichnen die Pole, um die Horst Bredekamps Forschungen kreisen. Ihm zu Ehren entstand dieser Band, der vor allem wissenschaftliche, aber auch künstlerische Beiträge versammelt. Ausgehend von der These, dass eine kritische Wissenschaft des Bildes notwendig Bildgeschichte ist und eine Entkoppelung von Bild und Geschichte prinzipiell ein kritisches Verständnis von Bildern verhindert, gliedert sich der Band in sechs Sektionen: Disziplinäre Perspektiven, Vernetztes Wissen, Bild und Erkenntnis, Transformationen, Bild-Politik und Selbstbilder in Kunst und Wissenschaft. Er enthält interdisziplinäre Beiträge u.a. von Hans Belting, Gottfried Boehm, Friedrich Kittler, Dieter Grimm und Barbara M. Stafford, die wie auch Horst Bredekamp zu den wichtigsten, international renommierten Vertretern ihres Faches gehören.
Queere K Nstler Innen Of Color
DOWNLOAD
Author : Rena Onat
language : de
Publisher: transcript Verlag
Release Date : 2023-07-31
Queere K Nstler Innen Of Color written by Rena Onat and has been published by transcript Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-07-31 with Art categories.
Queers of Color kommen in der Kunstgeschichte und in der zeitgenössischen visuellen Kultur entweder gar nicht vor oder aber sie werden als hypersichtbare Andere repräsentiert. Was passiert aber, wenn ihre Perspektiven zum Ausgangspunkt für kritische Auseinandersetzungen mit Rassismus und Heteronormativität in Kunst und visueller Kultur werden? Rena Onat diskutiert die Bedeutung von Queer of Color-Kritik für die Kunst- und Medienwissenschaften. Sie analysiert zeitgenössische Arbeiten von u.a. Hasan Aksaygin, Aykan Safoglu, Sunanda Mesquita und Raju Rage im translokalen deutschsprachigen Kontext. Diese Queers of Color verhandeln dabei mit je spezifischen ästhetischen Praxen Visionen von Disidentifikation, Strategien des Überlebens und Verfahren der Nicht-/Archivierung eigener Geschichten.
Renaissance Love
DOWNLOAD
Author : Jeanette Kohl
language : en
Publisher: Deutscher Kunstverlag (Dkv)
Release Date : 2014
Renaissance Love written by Jeanette Kohl and has been published by Deutscher Kunstverlag (Dkv) this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Art categories.
Love is anything but blind, it is visually highly perceptive, which is why visual art can spark love - an insight that goes back to Leonardo da Vinci. This collection of essays by internationally acclaimed specialists explores new and surprising aspects of art and passion during the Italian Renaissance.
Homo Pictor
DOWNLOAD
Author : Jacobus Bracker
language : en
Publisher:
Release Date : 2020
Homo Pictor written by Jacobus Bracker and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with categories.
The Quest For An Appropriate Past In Literature Art And Architecture
DOWNLOAD
Author :
language : en
Publisher: BRILL
Release Date : 2018-10-16
The Quest For An Appropriate Past In Literature Art And Architecture written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-10-16 with Art categories.
This volume explores the various strategies by which appropriate pasts were construed in scholarship, literature, art, and architecture in order to create “national”, regional, or local identities in late medieval and early modern Europe. Because authority was based on lineage, political and territorial claims were underpinned by historical arguments, either true or otherwise. Literature, scholarship, art, and architecture were pivotal media that were used to give evidence of the impressive old lineage of states, regions, or families. These claims were related not only to classical antiquity but also to other periods that were regarded as antiquities, such as the Middle Ages, especially the chivalric age. The authors of this volume analyse these intriguing early modern constructions of “antiquity” and investigate the ways in which they were applied in political, intellectual and artistic contexts in the period of 1400–1700. Contributors include: Barbara Arciszewska, Bianca De Divitiis, Karl Enenkel, Hubertus Günther, Thomas Haye, Harald Hendrix, Stephan Hoppe, Marc Laureys, Frédérique Lemerle, Coen Maas, Anne-Françoise Morel, Kristoffer Neville, Konrad Ottenheym, Yves Pauwels, Christian Peters, Christoph Pieper, David Rijser, Bernd Roling, Nuno Senos, Paul Smith, Pieter Vlaardingerbroek, and Matthew Walker.
In What Style Should We Build
DOWNLOAD
Author : Heinrich Hubsch
language : en
Publisher: Getty Publications
Release Date : 1996-07-11
In What Style Should We Build written by Heinrich Hubsch and has been published by Getty Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996-07-11 with Architecture categories.
Hubsch's argument that the technical progress and changed living habits of the nineteenth century rendered neoclassical principles antiquated is presented here along with responses to his essay by architects, historians, and critics over two decades.