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Post Cinema


Post Cinema
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Post Cinematic Affect


Post Cinematic Affect
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Author : Steven Shaviro
language : en
Publisher: John Hunt Publishing
Release Date : 2010

Post Cinematic Affect written by Steven Shaviro and has been published by John Hunt Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Art categories.


Post-Cinematic Affect is about what it feels like to live in the affluent West in the early 21st century. Specifically, it explores the structure of feeling that is emerging today in tandem with new digital technologies, together with economic globalization and the financialization of more and more human activities. The 20th century was the age of film and television; these dominant media shaped and reflected our cultural sensibilities. In the 21st century, new digital media help to shape and reflect new forms of sensibility. Movies (moving image and sound works) continue to be made, but they have adopted new formal strategies, they are viewed under massively changed conditions, and they address their spectators in different ways than was the case in the 20th century. The book traces these changes, focusing on four recent moving-image works: Nick Hooker's music video for Grace Jones' song Corporate Cannibal; Olivier Assayas' movie Boarding Gate, starring Asia Argento; Richard Kelly's movie Southland Tales, featuring Justin Timberlake, Dwayne Johnson, and other pop culture celebrities; and Mark Neveldine and Brian Taylor's Gamer.



Post Cinema


Post Cinema
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Author : Shane Denson
language : en
Publisher:
Release Date : 2016

Post Cinema written by Shane Denson and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Digital media categories.


This book discusses topics on digital cinema, post-cinema, post-continuity, photographic, cinematic, and electronic presence, post-cinematic affect, the economics, politics and ecologies of post-cinema.



Post Cinema


Post Cinema
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Author : Dominique Chateau
language : en
Publisher: Key Debates - Mutations and Appropriations in European Film Studies
Release Date : 2020-09-24

Post Cinema written by Dominique Chateau and has been published by Key Debates - Mutations and Appropriations in European Film Studies this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-24 with categories.


Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent this novation represents a unitary current or multiple ways. The book proposes to integrate the post-cinema question within the post-art question in order to study the new way of making filmic images in new conditions more or less remote from the dispositif of the theater and in closer relationship with contemporary art. The issue will be considered at three levels: the impression of post-art on "regular" films; the "relocation" (Cassetti) of the same films that can be seen using devices of all kinds, in conditions more or less remote from the dispositif of the theater; parallel to the integration of contemporary art in "regular" cinema, the integration of cinema into contemporary art in all kinds of forms of creation and exhibition.



The State Of Post Cinema


The State Of Post Cinema
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Author : Malte Hagener
language : en
Publisher: Springer
Release Date : 2016-11-30

The State Of Post Cinema written by Malte Hagener and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-11-30 with Performing Arts categories.


This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous - in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has become more than cinema, no longer a medium that is based on the photochemical recording and replay of movement. Most often, the state of post-cinema is conceptualized from the "high end" of the most advanced technology; discussions focus on performance capture and digital 3-D, 4-K projection and industrial light & magic. Here, the authors' approach is focused on the "low-end" circulation of filmic images. This includes informal networks of exchange and transaction, such as p2p-networks, video platforms and so called “piracy” with a special focus on the Middle East and North Africa, where political and social transformations make new forms of circulation and presentation particularly visible.



Italian Post Neorealist Cinema


Italian Post Neorealist Cinema
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Author : Luca Barattoni
language : en
Publisher: Edinburgh University Press
Release Date : 2013-12-16

Italian Post Neorealist Cinema written by Luca Barattoni and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-16 with Performing Arts categories.


This book brings to the surface the lines of experimentation and artistic renewal appearing after the exhaustion of Neorealism, mapping complex areas of interest such as the emergence of ethical concerns, the relationship between ideology and representati



Postsocialist Cinema In Post Mao China


Postsocialist Cinema In Post Mao China
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Author : Chris Berry
language : en
Publisher: Routledge
Release Date : 2004-06-01

Postsocialist Cinema In Post Mao China written by Chris Berry and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-06-01 with History categories.


This book argues that the fundamental shift in Chinese Cinema away from Socialism and towards Post-Socialism can be located earlier than the emergence of the "Fifth Generation" in the mid-eighties when it is usually assumed to have occured. By close analysis of films from the 1949-1976 Maoist era in comparison with 1976-81 films representing the Cultural Revolution, it demonstrates that the latter already breaks away from Socialism.



Post Crisis European Cinema


Post Crisis European Cinema
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Author : György Kalmár
language : en
Publisher: Springer Nature
Release Date : 2020-06-02

Post Crisis European Cinema written by György Kalmár and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-06-02 with Performing Arts categories.


This book explores the cinematic representations of the pervasive socio-cultural change that the 21st century brought to Europe and the world. Discussing films such as I, Daniel Blake, Cold War and Jupiter’s Moon, it puts distinctively “post-crisis”, gendered representations in a complex, theoretically informed and socially committed interdisciplinary perspective that maps the newly emerging formations of masculinity at a time of rapid socio-economic transition. Kalmar argues that the series of crises that started with the 9/11 terrorist attacks changed some of our fundamental expectations about history, debunked many of our grand narratives, and thus changed the cultural logic of our (thoroughly globalized) civilization. The book focuses on the ways cinema reflects, interprets and shapes a rapidly changing world: the hot issues of the times, the new formations of identity, and the shifts in cinematic representation. This is an interdisciplinary research that is equally interested in what new the 21st century brought about, most specifically to Europe and to its white men, as in film and its responses to these socio-cultural changes.



Discorrelated Images


Discorrelated Images
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Author : Shane Denson
language : en
Publisher: Duke University Press
Release Date : 2020-09-18

Discorrelated Images written by Shane Denson and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-18 with Performing Arts categories.


In Discorrelated Images Shane Denson examines how computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema. Denson analyzes works ranging from the Transformers series and Blade Runner 2049 to videogames and multimedia installations to show how what he calls discorrelated images—images that do not correlate with the abilities and limits of human perception—produce new subjectivities, affects, and potentials for perception and action. Denson's theorization suggests that new media theory and its focus on technological development must now be inseparable from film and cinema theory. There's more at stake in understanding discorrelated images, Denson contends, than just a reshaping of cinema, the development of new technical imaging processes, and the evolution of film and media studies: discorrelated images herald a transformation of subjectivity itself and are essential to our ability to comprehend nonhuman agency.



Landscape And Memory In Post Fascist Italian Film


Landscape And Memory In Post Fascist Italian Film
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Author : Giuliana Minghelli
language : en
Publisher: Routledge
Release Date : 2014-06-11

Landscape And Memory In Post Fascist Italian Film written by Giuliana Minghelli and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-06-11 with Performing Arts categories.


This study argues that neorealism’s visual genius is inseparable from its almost invisible relation to the Fascist past: a connection inscribed in cinematic landscapes. While largely a silent narrative, neorealism’s complex visual processing of two decades of Fascism remains the greatest cultural production in the service of memorialization and comprehension for a nation that had neither a Nuremberg nor a formal process of reconciliation. Through her readings of canonical neorealist films, Minghelli unearths the memorial strata of the neorealist image and investigates the complex historical charge that invests this cinema. This book is both a formal analysis of the new conception of the cinematic image born from a crisis of memory, and a reflection on the relation between cinema and memory. Films discussed include Ossessione (1943) Paisà (1946), Ladri di biciclette (1948), and Cronaca di un amore (1950).



Post Beur Cinema North African Emigre And Maghrebi French Filmmaking In France Since 2000


Post Beur Cinema North African Emigre And Maghrebi French Filmmaking In France Since 2000
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Author : Will Higbee
language : en
Publisher: Edinburgh University Press
Release Date : 2013-07-31

Post Beur Cinema North African Emigre And Maghrebi French Filmmaking In France Since 2000 written by Will Higbee and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-07-31 with Performing Arts categories.


Since the early 1980s, filmmakers of Maghrebi origin have made a key contribution to the representation of issues such as immigration, integration and national identity in French cinema. However, they have done so mostly from a position on the margins of the industry. In contrast, since the early 2000s, Maghrebi-French and North African emigre filmmakers have occupied an increasingly prominent position in on both sides of the camera, announcing their presence on French screens in a wider range of genres and styles than ever before. This greater prominence and move to the mainstream has not automatically meant that these films have lost any of the social or political relevance of Beur cinema of the 1980s or the banlieue film of the 1990s. Indeed in the 2000s these films have increasingly questioned the boundaries between national, transnational and diasporic cinema, whilst simultaneously demanding, either implicitly or explicitly, a reconsideration of the very difference that has traditionally been seen as a barrier to the successful integration of North African immigrants and their descendants into French society. Through a detailed study of this transformative decade for Maghrebi-French and North African emigre filmmaking in France, this book argues for the emergence of a Post-Beur cinema in the 2000s that is simultaneously global and local in its outlook. An absorbing introduction to this key development in contemporary French cinema, Post-Beur Cinema is essential reading for students and scholars in Film Studies, French Studies and Diaspora Studies.