[PDF] Reconsidering The Object Of Art - eBooks Review

Reconsidering The Object Of Art


Reconsidering The Object Of Art
DOWNLOAD

Download Reconsidering The Object Of Art PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get Reconsidering The Object Of Art book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages. If the content not found or just blank you must refresh this page



Reconsidering The Object Of Art


Reconsidering The Object Of Art
DOWNLOAD
Author : Ann Goldstein
language : en
Publisher: MIT Press (MA)
Release Date : 1995

Reconsidering The Object Of Art written by Ann Goldstein and has been published by MIT Press (MA) this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Art categories.


Reconsidering the Object of Artexamines a generally underexposed (and therefore often misunderstood) period in contemporary art and highlights artists whose practices have inspired much of the most significant art being produced today. It illustrates and discusses many crucial, ground-breaking works that have not been seen within their proper historical context, if they have been individually seen at all. By 1969 such artists as Michael Asher, John Baldessari, Marcel Broodthaers, Dan Graham, Douglas Huebler, Joseph Kosuth, Lawrence Weiner and others had begun to create works using a variety of media that sought to reevaluate certain fundamental premises about the formal, material, and contextual definitions of art. This first comprehensive overview of Conceptual art in English documents the work of fifty-five artists, work that marked a significant rupture with traditional forms and concepts of painting, sculpture, photography, and film. Also included are essays that elucidate the significant aesthetic issues that gave rise, in both America and Europe, to the highly individual, but related, modes of Conceptual art. Lucy Lippard (art historian) writes on the broader sociopolitical milieu in which this work was made; Stephen Melville (Professor of Art History, Ohio State University) probes the theoretical and philosophical underpinnings of Conceptual art; and Jeff Wall (artist) discusses the relationship between Conceptual art and photography. Anne Rorimer and Ann Goldstein (curators of the exhibition the book accompanies) respectively take up the role of language in this work, and discuss each of the artists. Copublished with the Museum of Contemporary Art, Los Angeles



1965 1975


1965 1975
DOWNLOAD
Author :
language : en
Publisher:
Release Date : 1995

1965 1975 written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Art, Modern categories.


"The exhibition presents works by fifty-five artists from the United States, Canada, and Europe whose work, although created in many different media and with widely varying intentions, has in common a challenge to the Western tradition of modernism and to fundamental premises about the object - and objective - of art." -- Page [3]



Reconsidering The Object Of Art 1965 1975


Reconsidering The Object Of Art 1965 1975
DOWNLOAD
Author : Ann Goldstein
language : en
Publisher:
Release Date : 1995

Reconsidering The Object Of Art 1965 1975 written by Ann Goldstein and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with categories.




Rewriting Conceptual Art


Rewriting Conceptual Art
DOWNLOAD
Author : Michael Newman
language : en
Publisher: Reaktion Books
Release Date : 1999-12

Rewriting Conceptual Art written by Michael Newman and has been published by Reaktion Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-12 with Art categories.


"An international movement that developed along separate but parallel lines in Europe and America during the 1970s, Conceptual Art grew out of the legacy of Marcel Duchamp. Aiming to completely redefine the relationships between the production, definition and ownership of artworks and their various audiences, Conceptual artists rejected traditional formats, media and definitions. Instead they chose to address some of the key issues underlying modern life and art. Thse included the gulf between initial idea and finished work, the value assigned works of art in modern economies, the role of women and of feminine creativity in general, the politics of exhibition organization - in short, the ways art and the art world have been defined for centuries. Among the notable figures whose work is discussed in essays ranging from the evaluative to the theoretical are Judy Chicago, Robert Morris, Sol LeWitt, Marcel Broodthaers and Mary Kelly. The influence of Conceptual Art continues to be felt today in the work of such controversial young artists as Rachel Whiteread and Damien Hirst." - back cover.



Reconsidering The Object Of Photography German Artists Curators And Critics In Light Of Documenta 5 A Dissertation Submitted To The Graduate Faculty In Art History New York


Reconsidering The Object Of Photography German Artists Curators And Critics In Light Of Documenta 5 A Dissertation Submitted To The Graduate Faculty In Art History New York
DOWNLOAD
Author : Catharina Manchanda
language : en
Publisher:
Release Date : 2005

Reconsidering The Object Of Photography German Artists Curators And Critics In Light Of Documenta 5 A Dissertation Submitted To The Graduate Faculty In Art History New York written by Catharina Manchanda and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with categories.




Six Years


Six Years
DOWNLOAD
Author : Lucy R. Lippard
language : en
Publisher: Univ of California Press
Release Date : 1997-04-30

Six Years written by Lucy R. Lippard and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-04-30 with Art categories.


"Many artists, curators, and cultural critics will be interested in the republication of this anthology since the movement it gives contour to has had a tremendous influence on the contemporary art of the last 25 years, and on the critical discussion surrounding the concept of postmodernism."—Alexander Alberro, coauthor of Tracing Cultures



The Contingent Object Of Contemporary Art


The Contingent Object Of Contemporary Art
DOWNLOAD
Author : Martha Buskirk
language : en
Publisher: MIT Press
Release Date : 2005-02-18

The Contingent Object Of Contemporary Art written by Martha Buskirk and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-02-18 with Art categories.


An exploration of transformations in the nature of the art object and artistic authorship in the last four decades. In this book, Martha Buskirk addresses the interesting fact that since the early 1960s, almost anything can and has been called art. Among other practices, contemporary artists have employed mass-produced elements, impermanent materials, and appropriated imagery, have incorporated performance and video, and have created works through instructions carried out by others. Furthermore, works of art that lack traditional signs of authenticity or permanence have been embraced by institutions long devoted to the original and the permanent. Buskirk begins with questions of authorship raised by minimalists' use of industrial materials and methods, including competing claims of ownership and artistic authorship evident in conflicts over the right to fabricate artists' works. Examining recent examples of appropriation, she finds precedents in pop art and the early twentieth-century readymade and explores the intersection of contemporary artistic copying and the system of copyrights, trademarks, and brand names characteristic of other forms of commodity production. She also investigates the ways that connections between work and context have transformed art and institutional conventions, the impact of new materials on definitions of medium, the role of the document as both primary and secondary object, and the significance of conceptually oriented performance work for the intersection of photography and the human body in contemporary art. Buskirk explores how artists active in the 1980s and 1990s have recombined strategies of the art of the 1960s and 1970s. She also shows how the mechanisms through which art is presented shape not only readings of the work but the work itself. She uses her discussion of the readymade and conceptual art to explore broader issues of authorship, reproduction, context, and temporality.



Conceptual Art And The Politics Of Publicity


Conceptual Art And The Politics Of Publicity
DOWNLOAD
Author : Alexander Alberro
language : en
Publisher: MIT Press
Release Date : 2003

Conceptual Art And The Politics Of Publicity written by Alexander Alberro and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Art categories.


An examination of the origins and legacy of the conceptual art movement.



Bookwork


Bookwork
DOWNLOAD
Author : Garrett Stewart
language : en
Publisher: University of Chicago Press
Release Date : 2011-05-01

Bookwork written by Garrett Stewart and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-05-01 with Art categories.


“There they rest, inert, impertinent, in gallery space—those book forms either imitated or mutilated, replicas of reading matter or its vestiges. Strange, after its long and robust career, for the book to take early retirement in a museum, not as rare manuscript but as functionless sculpture. Readymade or constructed, such book shapes are canceled as text when deposited as gallery objects, shut off from their normal reading when not, in some yet more drastic way, dismembered or reassembled.” So begins Bookwork, which follows our passion for books to its logical extreme in artists who employ found or simulated books as a sculptural medium. Investigating the conceptual labor behind this proliferating international art practice, Garrett Stewart looks at hundreds of book-like objects, alone or as part of gallery installations, in this original account of works that force attention upon a book’s material identity and cultural resonance. Less an inquiry into the artist’s book than an exploration of the book form’s contemporary objecthood, Stewart’s interdisciplinary approach traces the lineage of these aggressive artifacts from the 1919 Unhappy Readymade of Marcel Duchamp down to the current crisis of paper-based media in the digital era. Bookwork surveys and illustrates a stunning variety of appropriated and fabricated books alike, ranging from hacksawed discards to the giant lead folios of Anselm Kiefer. The unreadable books Stewart engages with in this timely study are found, again and again, to generate graphic metaphors for the textual experience they preclude, becoming in this sense legible after all.



The Object


The Object
DOWNLOAD
Author : Antony Hudek
language : en
Publisher: MIT Press
Release Date : 2014

The Object written by Antony Hudek and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Art categories.


Discussions of the object as a key to understanding central aspects of modern and contemporary art. Artists increasingly refer to "post-object-based" work while theorists engage with material artifacts in culture. A focus on "object-based" learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such reappraisals of what constitutes the "objectness" of production, with art as its focus. Among the topics it examines are the relation of the object to subjectivity; distinctions between objects and things; the significance of the object's transition from inert mass to tool or artifact; and the meanings of the everyday in the found object, repetition in the replicated or multiple object, loss in the absent object, and abjection in the formless or degraded object. It also explores artistic positions that are anti-object; theories of the experimental, liminal or mental object; and the role of objects in performance. The object becomes a prism through which to reread contemporary art and better understand its recent past. Artists surveyed include Georges Adéagbo, Art in Ruins, Iain Baxter, Louise Bourgeois, Pavel Büchler, Lygia Clark, Claude Closky, Brian Collier, Jimmie Durham, Fischli & Weiss, Luca Frei, Meschac Gaba, Isa Genzken, Gruppe Geflecht, Eva Hesse, Mike Kelley, John Latham, Antje Majewski, Gustav Metzger, Cady Noland, Gabriel Orozco, Adrian Piper, Falke Pisano, Eva Rothschild, Aura Satz, Kenneth Snelson, Hito Steyerl, Josef Strau, Alina Szapocznikow, Joëlle Tuerlinckx, Erwin Wurm Writers include Homi K. Bhabha, Jack Burnham, Ewa Lajer-Burcharth, Lynne Cooke, Gillo Dorfles, Jean Fisher, Ferreira Gullar, Charles Harrison, Paulo Herkenhoff, Julia Kristeva, Bruno Latour, Bracha Lichtenberg-Ettinger, Jean-François Lyotard, Lev Manovich, Ursula Meyer, Bruno Munari, Georges Perec, Hans-Jörg Rheinberger, Dieter Roelstraete, Howard Singerman, Nancy Spector, Marcus Steinweg, Anne Wagner, Gérard Wajcman, Slavoj Zizek