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Reimagining Cinema


Reimagining Cinema
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Reimagining Cinema


Reimagining Cinema
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Author : Monika Gagnon
language : en
Publisher: McGill Queens Univ
Release Date : 2014

Reimagining Cinema written by Monika Gagnon and has been published by McGill Queens Univ this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Art categories.


An exploration of Expo 67's most ingenious screen experiments.



Beyond Eastern Noir


Beyond Eastern Noir
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Author : Anna Estera Mrozewicz
language : en
Publisher: Edinburgh University Press
Release Date : 2018-03-07

Beyond Eastern Noir written by Anna Estera Mrozewicz and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-03-07 with Performing Arts categories.


Addressing representations of Russia and neighbouring Eastern Europe in post-1989 Nordic cinemas, this ground-breaking book investigates their hitherto overlooked transnational dimension.



Re Imagining Defa


Re Imagining Defa
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Author : Séan Allan
language : en
Publisher: Berghahn Books
Release Date : 2016-09-01

Re Imagining Defa written by Séan Allan and has been published by Berghahn Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-09-01 with Performing Arts categories.


By the time the Berlin Wall collapsed, the cinema of the German Democratic Republic—to the extent it was considered at all—was widely regarded as a footnote to European film history, with little of enduring value. Since then, interest in East German cinema has exploded, inspiring innumerable festivals, books, and exhibits on the GDR’s rich and varied filmic output. In Re-Imagining DEFA, leading international experts take stock of this vibrant landscape and plot an ambitious course for future research, one that considers other cinematic traditions, brings genre and popular works into the fold, and encompasses DEFA’s complex post-unification “afterlife.”



Ecology And Chinese Language Cinema


Ecology And Chinese Language Cinema
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Author : Sheldon H. Lu
language : en
Publisher: Routledge
Release Date : 2019-10-10

Ecology And Chinese Language Cinema written by Sheldon H. Lu and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-10-10 with Performing Arts categories.


This edited collection explores new developments in the burgeoning field of Chinese ecocinema, examining a variety of works from local productions to global market films, spanning the Maoist era to the present. The ten chapters examine films with ecological significance in mainland China, Hong Kong, and Taiwan, including documentaries, feature films, blockbusters and independent productions. Covering not only well-known works, such as Under the Dome, Wolf Totem, Tie Xi Qu: West of the Tracts, and Mermaid, this book also provides analysis of less well-known but critically important works, such as Anchorage Prohibited, Luzon, and Three Flower/Tri-Color. The unique perspectives this book provides, along with the comprehensive engagement with existing Chinese and English scholarship, not only extend the scope of the growing field of ecocinematic studies, but also seeks to reform the means through which Chinese-language eco-films are understood in the years to come. Ecology and Chinese-Language Ecocinema will be of huge interest to students and scholars in the fields of Chinese cinema, environmental studies, media and communication studies.



Reimagining The Promised Land


Reimagining The Promised Land
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Author : Rodney Wallis
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2020-09-17

Reimagining The Promised Land written by Rodney Wallis and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-17 with Performing Arts categories.


While Israel has seemingly been a minor presence in Hollywood cinema, Reimagining the Promised Land argues that there is a long history of Hollywood deploying images of Israel as a means of articulating an idealized notion of American national identity. This argument is developed through readings of The Ten Commandments (Cecil B. DeMille, 1956), Ben-Hur: A Tale of the Christ (William Wyler, 1959), Exodus (Otto Preminger, 1960), Cast a Giant Shadow (Melville Shavelson, 1966), Black Sunday (John Frankenheimer, 1977), The Delta Force (Menahem Golan, 1986), and Munich (Steven Spielberg, 2005). The mobilization of Israel that pervades this eclectic group of films effectively demonstrates one of the more surreptitious ways in which Hollywood has historically constructed and circulated dominant notions of American national identity. Moreover, in examining the most notable Hollywood representations of the Jewish state, the book offers an informed historical overview of the cultural forces that have contributed to popular understandings within the United States of the state of Israel, Israel's Arab neighbours, and also the Arab-Israeli conflict.



The Digital Apparatus


The Digital Apparatus
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Author : Charles Robert Heugh Tutton
language : en
Publisher:
Release Date : 2013

The Digital Apparatus written by Charles Robert Heugh Tutton and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with categories.


This dissertation examines the notion of digital cinema in relation to its analogue predecessor by relocating debates about ontology into the realm of media theory in order to re-imagine the function of realism. The dissertation is in parts a selective history of practices in realist film, a structuralist theory of medium specificity, and a critique of digital aesthetics in recent mainstream cinema. The introduction orientates the dissertation within the current debates, both popular and scholarly, over the film-to-digital transition taking place in cinema and indicates how this dissertation departs from recent theories of intermediality and digital cinema. These debates converge on contentions around teleology, medium essence, and subjectivity. The first chapter examines the relationship of art to realism and takes the two oeuvres of Dziga Vertov and Jean Rouch as templates for identifying a persistent and developing ideology of camera-reality. This ideology forms the foundation for the thesis's later qualification of cinema in the digital age. The second chapter posits a broadly structuralist account of media that challenges the notion of material medium essence. This chapter offers the neologism of 'alreadiness' to stress the immaterial underpinnings of a 'cinema-image' most purely informed by camera-reality. The third chapter interrogates the notion of film language within classical film theory with a view to laying down a concept of film discourse that is uniquely hermeneutical and specialises cinema without recourse to a material essence that would otherwise qualify realism. This concept of film discourse as purely hermeneutical contracts the separation of roles/subjectivities for the filmmaker and viewer. The fourth chapter investigates the historical development of illusion alongside the technological developments that saw a move from a dominating idealism to a dominating realism in pictorial representation. This chapter draws on a Bazinian notion of realism and, with regard to the changing ontologies of illusion, offers the analogy of the journey from magic to science. The fifth chapter takes the ideology of camera-reality and demonstrates how it comes to bear on percepts of illusion while also using the oeuvre of director Michael Mann to trace a development of camera-reality into the digital realm. Building on this, the sixth and final chapter critically engages digital cinematic examples that fulfill or corrupt the antecedent yet persistent immaterial cinema-image outlined in the first three chapters.



Border Cinema


Border Cinema
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Author : Monica Hanna
language : en
Publisher: Rutgers University Press
Release Date : 2019-04-15

Border Cinema written by Monica Hanna and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-04-15 with Performing Arts categories.


The rise of digital media and globalization’s intensification since the 1990s have significantly refigured global cinema’s form and content. The coincidence of digitalization and globalization has produced what this book helps to define and describe as a flourishing border cinema whose aesthetics reflect, construct, intervene in, denature, and reconfigure geopolitical borders. This collection demonstrates how border cinema resists contemporary border fortification processes, showing how cinematic media have functioned technologically and aesthetically to engender contemporary shifts in national and individual identities while proposing alternative conceptions of these identities to those promulgated by the often restrictive current political rhetoric and ideologies that represent a backlash to globalization.



African Film


African Film
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Author : Josef Gugler
language : en
Publisher:
Release Date : 2003

African Film written by Josef Gugler and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with History categories.


In African Film: Re-imagining a Continent, Josef Gugler provides an introduction to African cinema through an analysis of 15 films made by African filmmakers. These directors set out to re-image Africa; their films offer Western viewers the opportunity to re-imagine the continent and its people. As a point of comparison, two additional films on Africa--one from Hollywood, the other from apartheid South Africa--serve to highlight African directors' altogether different perspectives. Gugler's interpretation considers the financial and technical difficulties of African film production, the intended audiences in Africa and the West, the constraints on distribution, and the critical reception of the films.



Reimagining Kenyan Cinema


Reimagining Kenyan Cinema
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Author : Charles Kebaya
language : en
Publisher: Peter Lang Incorporated, International Academic Publishers
Release Date : 2022

Reimagining Kenyan Cinema written by Charles Kebaya and has been published by Peter Lang Incorporated, International Academic Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022 with Motion picture industry categories.


Reimagining Kenyan Cinema seeks to situate current scholarship on Kenyan Cinema within the ongoing debates in national and contemporary global film studies. It thus advocates for diverse methodologies, critical tools and theoretical perspectives in interrogating Kenyan film.



The Oxford Handbook Of Canadian Cinema


The Oxford Handbook Of Canadian Cinema
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Author : Janine Marchessault
language : en
Publisher: Oxford University Press
Release Date : 2019-03-20

The Oxford Handbook Of Canadian Cinema written by Janine Marchessault and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-03-20 with Performing Arts categories.


The chapters in The Oxford Handbook of Canadian Cinema present a rich, diverse overview of Canadian cinema. Responding to the latest developments in Canadian film studies, this volume takes into account the variety of artistic voices, media technologies, and places which have marked cinema in Canada throughout its history. Drawing on a range of established and emerging scholars from a range of disciplines, this volume will be useful to teachers, scholars, and to a general readership interested in cinema in Canada. Moving beyond the director-focused approach of much previous scholarship, this book is concerned with communities, institutions, and audiences for Canadian cinema at both national and international levels. The choice of subjects covered ranges from popular, genre cinema to the most experimental of artistic interventions. Canadian cinema is seen in its interaction with other forms of art-making and media production in Canada and at the international level. Particular attention has been paid to the work of Indigenous filmmakers, members of diasporic communities and feminist and LGBTQ artists. The result is a book attentive to the complex social and institutional contexts in which Canadian cinema is made and consumed.