Residenzstadt Und Metropole
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Residenzstadt Und Metropole
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Author : Marion Linhardt
language : de
Publisher: de Gruyter
Release Date : 2006
Residenzstadt Und Metropole written by Marion Linhardt and has been published by de Gruyter this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with History categories.
Um 1900 formierte sich in Wien als Parallelerscheinung zur 'Moderne' jenes Stadtimage des Gem tlichen und Weichen, das mit seiner programmatischen Bezugnahme auf die Vergangenheit, auf 'Alt-Wien', als idealer Gegenentwurf zu den bedngstigenden sozialen und kulturellen Umbr chen der Millionenstadt wirkte. Das musikalische Unterhaltungstheater und insbesondere dessen wichtigstes Genre, die Operette, trugen zur Ausdifferenzierung und Verbreitung dieses Images maßgeblich bei. Der Entwurf einer Theatertopographie stellt die entsprechenden Verschrdnkungen zwischen Unterhaltungstheater und Stadt her.
Residenzstadt Und Metropole
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Author : Marion Linhardt
language : de
Publisher:
Release Date : 2004
Residenzstadt Und Metropole written by Marion Linhardt and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with categories.
The Strauss Dynasty And Habsburg Vienna
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Author : David Wyn Jones
language : en
Publisher: Cambridge University Press
Release Date : 2023-06-29
The Strauss Dynasty And Habsburg Vienna written by David Wyn Jones and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-06-29 with Music categories.
A zesty biography reassessing the Strauss family's musical achievements within wider Habsburg society and its cultural life as a whole.
The Operetta Empire
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Author : Micaela Baranello
language : en
Publisher: Univ of California Press
Release Date : 2024-04-30
The Operetta Empire written by Micaela Baranello and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-04-30 with History categories.
CHOICE Outstanding Academic Title, 2022 "When the world comes to an end," Viennese writer Karl Kraus lamented in 1908, "all the big city orchestras will still be playing The Merry Widow." Viennese operettas like Franz Lehár's The Merry Widow were preeminent cultural texts during the Austro-Hungarian Empire's final years. Alternately hopeful and nihilistic, operetta staged contemporary debates about gender, nationality, and labor. The Operetta Empire delves into this vibrant theatrical culture, whose creators simultaneously sought the respectability of high art and the popularity of low entertainment. Case studies examine works by Lehár, Emmerich Kálmán, Oscar Straus, and Leo Fall in light of current musicological conversations about hybridity and middlebrow culture. Demonstrating a thorough mastery of the complex early twentieth-century Viennese cultural scene, and a sympathetic and redemptive critique of a neglected popular genre, Micaela Baranello establishes operetta as an important element of Viennese cultural life—one whose transgressions helped define the musical hierarchies of its day.
Marion Linhardt Residenzstadt Und Metropole Zu Einer Kulturellen Topographiedes Wiener Unterhaltungstheaters 1858 1918
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Author : Daniel Jütte
language : de
Publisher:
Release Date : 2008
Marion Linhardt Residenzstadt Und Metropole Zu Einer Kulturellen Topographiedes Wiener Unterhaltungstheaters 1858 1918 written by Daniel Jütte and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with categories.
Music In Vienna 1700 1800 1900
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Author : David Wyn Jones
language : en
Publisher: Boydell & Brewer
Release Date : 2016
Music In Vienna 1700 1800 1900 written by David Wyn Jones and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with History categories.
Focussing on three different epochs (1700, 1800 and 1900), this book explores the history of music in Vienna, allowing the very different relationships between music and society that existed in each of these periods to be distinguished
The Cambridge Companion To Operetta
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Author : Anastasia Belina
language : en
Publisher: Cambridge University Press
Release Date : 2019-12-05
The Cambridge Companion To Operetta written by Anastasia Belina and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-12-05 with Music categories.
A collection of essays revealing how operetta spread across borders and became popular on the musical stages of the world.
Operetta
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Author : Robert Ignatius Letellier
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2015-10-05
Operetta written by Robert Ignatius Letellier and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-10-05 with Music categories.
Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between opéra-comique and vaudeville that necessitated a new type of stage work. Jacques Offenbach, son of a Cologne synagogue cantor, established himself in Paris with his series of opéras-bouffes. The popular success of this individual new form of entertainment light, humorous, satirical and also sentimental led to the emergence of operetta as a separate genre, an art form with its own special flavour and concerns, and no longer simply a "little opera". Attempts to emulate Offenbach's success in France and abroad generated other national schools of operetta and helped to establish the genre internationally, in Spain, in England, and especially in Austria Hungary. Here it inspired works by Franz von Suppé and Johann Strauss II (the Golden Age), and later Franz Lehár and Emmerich Kálmán (the Silver Age). Viennese operetta flourished conterminously with the Habsburg Empire and the mystique of Vienna, but, after the First World War, an artistically vibrant Berlin assumed this leading position (with Paul Lincke, Leon Jessel and Edouard Künnecke). As popular musical tastes diverged more and more during the interwar years, with the advent of new influences—like those of cabaret, the revue, jazz, modern dance music and the cinema, as well as changing social mores—the operetta genre took on new guises. This was especially manifested in the musical comedy of London's West End and New York's Broadway, with their imitators generating a success that opened a new golden age for the reinvented genre, especially after the Second World War. This source book presents an overview of the operetta genre in all its forms. The first volume provides an introduction, a representative chronology of the genre from 1840 to 2013, and a survey of the national schools of France and Austria-Hungary. The principal composers are considered in chronological sequence, with biographical material and a list of stage works, selected synopses and some commentary.
Antioch Ii
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Author : Silke-Petra Bergjan
language : en
Publisher: Mohr Siebeck
Release Date : 2018-09-04
Antioch Ii written by Silke-Petra Bergjan and has been published by Mohr Siebeck this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-09-04 with Religion categories.
During the fourth century, Antioch on the Orontes was the most important imperial residence in the Roman Empire and a "hot-bed" of intellectual and religious activity. The writings of men such as Libanius, the emperor Julian, Ammianus Marcellinus, John Chrysostom, Theodoret, and many others, provide a density of written sources that is nearly unmatched in antiquity, while the archaeological evidence of the city's evolution is much harder to reconstruct. This volume assembles state-of-the-art scholarship on these ancient authors within the context of recent archaeological work to offer a rare comprehensive view of this late Roman city. Contributors: Rudolf Brandle, Gunnar Brands, Silke-Petra Bergjan, Susanna Elm, Johannes Hahn, Gavin Kelly, Blake Leyerle, Jaclyn Maxwell, Wendy Mayer, Yannis Papadogiannakis, Catherine Saliou, Adam M. Schor, Christine Shepardson, Jan R. Stenger, Claudia Tiersch, Edward Watts, Jorit Wintjes
The Oxford Handbook Of The Operatic Canon
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Author : Cormac Newark
language : en
Publisher: Oxford University Press
Release Date : 2020-08-20
The Oxford Handbook Of The Operatic Canon written by Cormac Newark and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-08-20 with Music categories.
Opera has always been a vital and complex mixture of commercial and aesthetic concerns, of bourgeois politics and elite privilege. In its long heyday in the eighteenth and nineteenth centuries, it came to occupy a special place not only among the arts but in urban planning, too this is, perhaps surprisingly, often still the case. The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by tracing its evolution from a market entirely driven by novelty to one of the most canonic art forms still in existence. Throughout the book, a lively assembly of musicologists, historians, and industry professionals tackle key questions of opera's past, present, and future. Why did its canon evolve so differently from that of concert music? Why do its top ten titles, all more than a century old, now account for nearly a quarter of all performances worldwide? Why is this system of production becoming still more top-heavy, even while the repertory seemingly expands, notably to include early music? Topics range from the seventeenth century to the present day, from Russia to England and continental Europe to the Americas. To reflect the contested nature of many of them, each is addressed in paired chapters. These complement each other in different ways: by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions in music and cultural history, and reinvigorates the dialogue with an industry that is, despite everything, still growing.