Ret Ricas Espa Olas Del Siglo Xvi


Ret Ricas Espa Olas Del Siglo Xvi
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Francisco De Osuna Cws


Francisco De Osuna Cws
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Author : Francisco de Osuna
language : en
Publisher: Paulist Press
Release Date : 1981

Francisco De Osuna Cws written by Francisco de Osuna and has been published by Paulist Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with Religion categories.


Francisco de Osuna (c. 1492-c. 1540) Spanish Franciscan and mystic, wrote a series of maxims as a practical guide for recollection. These were arranged into a series of Spiritual Alphabets, this being the third.



Host Bibliographic Record For Boundwith Item Barcode 30112044669122 And Others


Host Bibliographic Record For Boundwith Item Barcode 30112044669122 And Others
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Author :
language : en
Publisher:
Release Date : 2013

Host Bibliographic Record For Boundwith Item Barcode 30112044669122 And Others written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with categories.




Musica Poetica Musical Rhetorical Figures In German Baroque Music


Musica Poetica Musical Rhetorical Figures In German Baroque Music
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Author : Dietrich Bartel
language : en
Publisher: U of Nebraska Press
Release Date : 1997-07-01

Musica Poetica Musical Rhetorical Figures In German Baroque Music written by Dietrich Bartel and has been published by U of Nebraska Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-07-01 with Music categories.


Musica Poetica provides an unprecedented examination of the development of Baroque musical thought. The initial chapters, which serve as an introduction to the concept and teachings of musical-rhetorical figures, explore Martin Luther’s theology of music, the development of the Baroque concept of musica poetica, the idea of the affections in German Baroque music, and that music’s use of the principles and devices of rhetoric. Dietrich Bartel then turns to more detailed considerations of the musical-rhetorical figures that were developed in Baroque treatises and publications. After brief biographical sketches of the major theorists, Bartel examines those theorists’ interpretation and classification of the figures. The book concludes with a detailed presentation of the musical-rhetorical figures, in which each theorist’s definitions are presented in the original language and in parallel English translations. Bartel’s clear, detailed analysis of German Baroque musical-rhetorical figures, combined with his careful translations of interpretations of those figures from a wide range of sources, make this book an indispensable introduction and resource for all students of Baroque music.



Interfaces Of The Word


Interfaces Of The Word
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Author : Walter J. Ong
language : en
Publisher: Cornell University Press
Release Date : 2013-02-14

Interfaces Of The Word written by Walter J. Ong and has been published by Cornell University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-02-14 with Literary Criticism categories.


Drawing on a wide range of disciplines—linguistics, phenomenological analysis, cultural anthropology, media studies, and intellectual history—Walter J. Ong offers a reasoned and sophisticated view of human consciousness different in many respects from that of structuralism. The essays in Interfaces of the Word are grouped around the dialectically related themes of change or alienation and growth or integration. Among the subjects Ong covers are the origins of speech in mother tongues; the rise and final erosion of nonvernacular learned languages; and the fictionalizing of audiences that is enforced by writing. Other essays treat the idiom of African talking drums, the ways new media interface with the old, and the various connections between specific literary forms and shifts in media that register in the work of Shakespeare and Milton and in movements such as the New Criticism. Ong also discusses the paradoxically nonliterary character of the Bible and the concerted blurring of fiction and actuality that marked much drama and narrative toward the close of the twentieth century.



Studies On Child Language And Aphasia


Studies On Child Language And Aphasia
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Author : Roman Jakobson
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2018-02-19

Studies On Child Language And Aphasia written by Roman Jakobson and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-02-19 with Language Arts & Disciplines categories.




Books Of The Brave


Books Of The Brave
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Author : Irving Albert Leonard
language : en
Publisher: Univ of California Press
Release Date : 1992-01-01

Books Of The Brave written by Irving Albert Leonard and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992-01-01 with Literary Criticism categories.


Since its original publication in 1949, Irving A. Leonard's pioneering Books of the Brave has endured as the classic account of the introduction of literary culture to Spain's New World. Leonard's study documents the works of fiction that accompanied and followed the conquistadores to the Americas and goes on to argue that popular texts influenced these men and shaped the way they thought and wrote about their New World experiences. For the first time in English, this edition combines Leonard's text with a selection of the documents that were his most valuable sources--nine lists of books destined for the Indies. Containing a wealth of information that is sure to spark future study, these lists provide the documentary evidence for what is perhaps Leonard's greatest contribution: his demonstration that royal and inquisitorial prohibitions failed to control the circulation of books and ideas in colonial Spanish America. Rolena Adorno's introduction signals the lasting value of Books of the Brave and brings the reader up to date on developments in cultural-historical studies that have shed light on the role of books in Spanish American colonial culture. Adorno situates Leonard's work at the threshold between older, triumphalist views of Spanish conquest history and more recent perspectives engendered by studies of native American peoples. With its rich descriptions of the book trade in both Spain and America, Books of the Brave has much to offer historians as well as literary critics. Indeed, it is a highly readable and engaging book for anyone interested in the cultural life of the New World. Since its original publication in 1949, Irving A. Leonard's pioneering Books of the Brave has endured as the classic account of the introduction of literary culture to Spain's New World. Leonard's study documents the works of fiction that accompanied and followed the conquistadores to the Americas and goes on to argue that popular texts influenced these men and shaped the way they thought and wrote about their New World experiences. For the first time in English, this edition combines Leonard's text with a selection of the documents that were his most valuable sources--nine lists of books destined for the Indies. Containing a wealth of information that is sure to spark future study, these lists provide the documentary evidence for what is perhaps Leonard's greatest contribution: his demonstration that royal and inquisitorial prohibitions failed to control the circulation of books and ideas in colonial Spanish America. Rolena Adorno's introduction signals the lasting value of Books of the Brave and brings the reader up to date on developments in cultural-historical studies that have shed light on the role of books in Spanish American colonial culture. Adorno situates Leonard's work at the threshold between older, triumphalist views of Spanish conquest history and more recent perspectives engendered by studies of native American peoples. With its rich descriptions of the book trade in both Spain and America, Books of the Brave has much to offer historians as well as literary critics. Indeed, it is a highly readable and engaging book for anyone interested in the cultural life of the New World.



The Optical Unconscious


The Optical Unconscious
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Author : Rosalind E. Krauss
language : en
Publisher: MIT Press
Release Date : 1994-07-25

The Optical Unconscious written by Rosalind E. Krauss and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994-07-25 with Design categories.


The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the vaunted principle of "vision itself." And it is a very different story than we have ever read, not only because its insurgent plot and characters rise from below the calm surface of the known and law-like field of modernist painting, but because the voice is unlike anything we have heard before. Just as the artists of the optical unconscious assaulted the idea of autonomy and visual mastery, Rosalind Krauss abandons the historian's voice of objective detachment and forges a new style of writing in this book: art history that insinuates diary and art theory, and that has the gait and tone of fiction. The Optical Unconscious will be deeply vexing to modernism's standard-bearers, and to readers who have accepted the foundational principles on which their aesthetic is based. Krauss also gives us the story that Alfred Barr, Meyer Shapiro, and Clement Greenberg repressed, the story of a small, disparate group of artists who defied modernism's most cherished self-descriptions, giving rise to an unruly, disruptive force that persistently haunted the field of modernism from the 1920s to the 1950s and continues to disrupt it today. In order to understand why modernism had to repress the optical unconscious, Krauss eavesdrops on Roger Fry in the salons of Bloomsbury, and spies on the toddler John Ruskin as he amuses himself with the patterns of a rug; we find her in the living room of Clement Greenberg as he complains about "smart Jewish girls with their typewriters" in the 1960s, and in colloquy with Michael Fried about Frank Stella's love of baseball. Along the way, there are also narrative encounters with Freud, Jacques Lacan, Georges Bataille, Roger Caillois, Gilles Deleuze, and Jean-François Lyotard. To embody this optical unconscious, Krauss turns to the pages of Max Ernst's collage novels, to Marcel Duchamp's hypnotic Rotoreliefs, to Eva Hesse's luminous sculptures, and to Cy Twombly's, Andy Warhol's, and Robert Morris's scandalous decoding of Jackson Pollock's drip pictures as "Anti-Form." These artists introduced a new set of values into the field of twentieth-century art, offering ready-made images of obsessional fantasy in place of modernism's intentionality and unexamined compulsions.



Monteverdi S Tonal Language


Monteverdi S Tonal Language
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Author : Eric Thomas Chafe
language : en
Publisher: MacMillan Publishing Company
Release Date : 1992

Monteverdi S Tonal Language written by Eric Thomas Chafe and has been published by MacMillan Publishing Company this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Music categories.


"Claudio Monteverdi's sixty-year compositional career spans one of the most crucial junctures in Western music. Laying the groundwork for harmonic tonality - the pervasive musical language of Western culture until the twentieth century - Monteverdi's break with the self-contained harmonic world of the Renaissance and his confident assertion of human rationality and order through music was a crucial contribution to the emergence of the Baroque style." "Monteverdi's Tonal Language is a provocative new examination of the theoretical issues surrounding the emergence of early seventeenth-century tonality combined with systematic analysis of a wide range of Monteverdi's secular works. Eric Chafe argues that the composer's music was rooted in a strong sense of musical logic and a secure grasp of tonality combined with Monteverdi's assertion that music should be dominated by allegory Chafe offers a new framework for understanding the complex historical style and systematic features of the tonal language of Monteverdi's time and the composer's particular version of it." "Building on Carl Dahlhaus's analysis of emerging tonality in Monteverdi's madrigals, Chafe expands the scope of the "modal-hexachordal" system rooted in the composer's work at the time of his fourth and fifth madrigal books. In addition to covering text-music relationships of a large and representative amount of Monteverdi's music, Chafe discusses several unexplored areas crucial to any understanding of the composer's tonal language. The two madrigals "Cor mio, mentre vi miro" (from Book Four) and "O Mirtillo" (from Book Five) illustrate the theoretical features of early seventeenth-century tonality. Chafe examines the pronounced sense of tonal clarity that distinguishes the Fourth Book of Madrigals, and he articulates the tonal styles Monteverdi used as organizing criteria in the Fifth Book. In subsequent chapters he demonstrates how the characteristic devices of Orfeo emerge as basic properties of the "modal-hexachordal" system, and discusses Monteverdi's creation of ordered reality in Il Ballo delle in grate and the "Lamento d'Arianna." He further argues that the Sixth Book symbolized the interaction of polyphonic madrigal and monody, and demonstrates convincingly that the Seventh Book was a milestone in Monteverdi's creative development, assuming the characteristics that marked his later tonal style. In the Eighth Book the composer set forth a manifesto for the allegorical nature of Baroque music; Il ritorno d'Ulisse un patria is a mature working out of the potential of tonal allegory. Finally in the last three chapters, Chafe discusses the tonal-allegorical framework, aspects of musical characterization, and questions of authenticity in Monteverdi's last opera, L'incoronazione di Poppea."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved



Rhetoric In The Middle Ages


Rhetoric In The Middle Ages
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Author : James Jerome Murphy
language : en
Publisher: Univ of California Press
Release Date : 1981-01-01

Rhetoric In The Middle Ages written by James Jerome Murphy and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981-01-01 with Language Arts & Disciplines categories.


Follows the threads of ancient rhetorical theory into the Middle Ages and examines the distinctly Medieval rhetorical genres of perceptive grammar, letter-writing, and preaching. These various forms are compared with one another and placed in the context of Medieval society. Covering the period 426 A.D. to 14.



Enciclopedia Ilustrada Segui


Enciclopedia Ilustrada Segui
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Author :
language : es
Publisher:
Release Date : 1907

Enciclopedia Ilustrada Segui written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1907 with Encyclopedias, Spanish categories.