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Rhytm Musical Time And Society


Rhytm Musical Time And Society
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Rhytm Musical Time And Society


Rhytm Musical Time And Society
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Author : Michael William Morse
language : en
Publisher:
Release Date : 2003

Rhytm Musical Time And Society written by Michael William Morse and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Games categories.


Presents new ways of discussing and comprehending the meanings of music in social situations which can clarify all other approaches to the study of music, culture, and society.



The Oxford Handbook Of Time In Music


The Oxford Handbook Of Time In Music
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Author : Mark Doffman
language : en
Publisher: Oxford University Press
Release Date : 2020-11-01

The Oxford Handbook Of Time In Music written by Mark Doffman and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-01 with Music categories.


Music represents one of humanity's most vivid contemplations on the nature of time itself. The ways that music can modify, intensify, and even dismantle our understanding of time's passing is at the foundation of musical experience, and is common to listeners, composers, and performers alike. The Oxford Handbook of Time in Music provides a range of compelling new scholarship that examines the making of musical time, its effects and structures. Bringing together philosophical, psychological, and socio-cultural understandings of time in music, the chapters highlight the act of 'making' not just as cultural construction but also in terms of the perceptual, cognitive underpinnings that allow us to 'make' sense of time in music. Thus, the Handbook is a unique synthesis of divergent perspectives on the nature of time in music. With its focus on contemporary music (while paying attention to some of the generative temporalities of the nineteenth century), the volume establishes the richness and complexity of so much current music-making and in the process overcomes historic demarcations between art and popular musics.



Polyrhythmicity In Language Music And Society


Polyrhythmicity In Language Music And Society
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Author : Richard Andrews
language : en
Publisher:
Release Date : 2021

Polyrhythmicity In Language Music And Society written by Richard Andrews and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with categories.


This book addresses the complex time relations that occur in some types of jazz and classical music, as well as in the novel, plays and poetry. It discusses these multiple levels of rhythm from a social science as well as an arts and humanities perspective. Building on his ground-breaking work in Re-framing Literacy, A Prosody of Free Verse and Multimodality, Poetry and Poetics, the author explores the world of multiple- or poly-rhythms in music, literature and the social sciences. He reveals that multi-layered rhythms are uncommon and little researched. Nevertheless, they are important to the experience of art and social situations, not least because they link physicality to feeling and to decision-making (timing), as well as to aesthetic experience. Whereas most poly-rhythmic relations are felt unconsciously, this book reveals the complex patterning that underpins the structures of feeling and of experience. "As the title suggests, this book offers a compelling account of how rhythm works, in both regular and irregular contexts. Building on A Prosody of Free Verse (2018), which for many readers "cracked the code" in its explanation of non-metrical verse, this book expands and redefines the field, in both an interdisciplinary and intercultural sense. It is essential reading for anyone with an interest in rhythm." - Terry Locke, Emeritus Professor of Arts and Language Education, University of Waikato .



Groove An Aesthetic Of Measured Time


Groove An Aesthetic Of Measured Time
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Author : Mark Abel
language : en
Publisher: BRILL
Release Date : 2014-09-18

Groove An Aesthetic Of Measured Time written by Mark Abel and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-09-18 with Political Science categories.


What is the relationship between music and time? How does musical rhythm express our social experience of time? In Groove: An Aesthetic of Measured Time, Mark Abel explains the rise to prominence in Western music of a new way of organising rhythm: groove. He provides a historical account of its emergence around the turn of the twentieth century, and analyses the musical components which make it work. Tracing the influence of key philosophical arguments about the nature of time on musical aesthetics, Mark Abel draws on materialist interpretations of art and culture to challenge those, like Adorno, who criticise popular music’s metrical regularity. He concludes that groove does not simply reflect the temporality of contemporary society, but, by incorporating abstract time into its very structure, is capable of effecting a critique of it.



Beating Time Measuring Music In The Early Modern Era


Beating Time Measuring Music In The Early Modern Era
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Author : Roger Mathew Grant
language : en
Publisher: Oxford University Press
Release Date : 2014-10-21

Beating Time Measuring Music In The Early Modern Era written by Roger Mathew Grant and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-10-21 with Music categories.


Beating Time & Measuring Music in the Early Modern Era chronicles the shifting relationships between ideas about time in music and science from the sixteenth through the early nineteenth centuries. Centered on theories of musical meter, the book investigates the interdependence between theories of meter and conceptualizations of time from the age of Zarlino to the invention of the metronome. These formulations have evolved throughout the history of Western music, reflecting fundamental reevaluations not only of music but also of time itself. Drawing on paradigms from the history of science and technology and the history of philosophy, author Roger Mathew Grant illustrates ways in which theories of meter and time, informed by one another, have manifested themselves in the field of music. During the long eighteenth century, treatises on subjects such as aesthetics, music theory, mathematics, and natural philosophy began to reflect an understanding of time as an absolute quantity, independent of events. This gradual but conclusive change had a profound impact on the network of ideas connecting time, meter, character, and tempo. Investigating the impacts of this change, Grant explores the timekeeping techniques - musical and otherwise - that implemented this conceptual shift, both technologically and materially. Bringing together diverse strands of thought in a broader intellectual history of temporality, Grant's study fills an unexpected yet conspicuous gap in the history of music theory, and is essential reading for music theorists and composers as well as historical musicologists and practitioners of historically informed performance.



The Rhythm Or Times Of Musical Compositions Explained And Reduced To Order And Consistency By Means Of A Pendulum With A Geometrical Scale In Opposition To The Supposed Time Marks Used By The Doctors And Composers Of Music Which Were Invented By J De Muris In 1330 By Professors Mason And Freeman


The Rhythm Or Times Of Musical Compositions Explained And Reduced To Order And Consistency By Means Of A Pendulum With A Geometrical Scale In Opposition To The Supposed Time Marks Used By The Doctors And Composers Of Music Which Were Invented By J De Muris In 1330 By Professors Mason And Freeman
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Author : Charles MASON (Dancing Master, and FREEMAN ( ))
language : en
Publisher:
Release Date : 1828

The Rhythm Or Times Of Musical Compositions Explained And Reduced To Order And Consistency By Means Of A Pendulum With A Geometrical Scale In Opposition To The Supposed Time Marks Used By The Doctors And Composers Of Music Which Were Invented By J De Muris In 1330 By Professors Mason And Freeman written by Charles MASON (Dancing Master, and FREEMAN ( )) and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1828 with categories.




Meter As Rhythm


Meter As Rhythm
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Author : Christopher Hasty
language : en
Publisher: Oxford University Press, USA
Release Date : 2020

Meter As Rhythm written by Christopher Hasty and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Music categories.


""In thinking about music it is difficult to avoid representing any concrete instance as if it were a stable and essentially pre-formed entity composed of fully determinate and ultimately static objects or relations. Certainly, in the actual performance of music there is no escaping the contingency and indeterminacy that inhere in every temporal act. When we attempt to analyze the musical event, however, it is most convenient to imagine that the intricate web of relationships that comes into play on such an occasion has already been woven in a prior compositional act or in a determinate and determining order of values and beliefs. We can, for example, point to the score as a fixed set of instructions for the recreation of an essentially self-same work or as a repository wherein the traces of a composer's thought lie encoded awaiting faithful decoding by a receptive performer/listener. Or, with even greater abstraction, we can point to the presence of an underlying tonal system, the governing rules of a style or "common practice," the reflection of a set of existing social relations, or the role of hardened ideologies in music's production and reception. It must be said that there is some truth in the variety of determinacies that intellectual analysis would ascribe to music (if little truth in the claims of any one perspective to speak for the whole). But it must also be said that, to the extent the abstractions of analysis deny or suppress the creativity, spontaneity, and novelty of actual musical experience, analysis will have misrepresented music's inescapably temporal nature. The challenge of taking this temporal nature into account lies in finding ways of speaking of music's very evanescence and thus of developing concepts that would capture both the determinacy and the indeterminacy of events in passage. Stated in this way, such an enterprise appears to be loaded with paradox. However, much of the paradox disappears if we can shift our attention from objects or products to process and from static being to dynamic becoming. Indeed, such a shift might provide a perspective from which the great variety of determinacies we ascribe to music could be seen as inseparable components of musical communication. ""--



The Routledge Handbook Of Henri Lefebvre The City And Urban Society


The Routledge Handbook Of Henri Lefebvre The City And Urban Society
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Author : Michael E. Leary-Owhin
language : en
Publisher: Routledge
Release Date : 2019-11-21

The Routledge Handbook Of Henri Lefebvre The City And Urban Society written by Michael E. Leary-Owhin and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-11-21 with Science categories.


The Routledge Handbook of Henri Lefebvre,The City and Urban Society is the first edited book to focus on Lefebvre's urban theories and ideas from a global perspective, making use of recent theoretical and empirical developments, with contributions from eminent as well as emergent global scholars. The book provides international comparison of Lefebvrian research and theoretical conjecture and aims; to engage with and critique Lefebvre's ideas in the context of contemporary urban, social and environmental upheavals; to use Lefebvre's spatial triad as a research tool as well as a point of departure for the adoption of ideas such as differential space; to reassess Lefebvre's ideas in relation to nature and global environmental sustainability; and to highlight how a Lefebvrian approach might assist in mobilising resistance to the excesses of globalised neoliberal urbanism. The volume draws inspiration from Lefebvre's key texts (The Production of Space; Critique of Everyday Life; and The Urban Revolution) and includes a comprehensive introduction and concluding chapter by the editors. The conclusions highlight implications in relation to increasing spatial inequalities; increasing diversity of needs including those of migrants; more authoritarian approaches; and asymmetries of access to urban space. Above all, the book illustrates the continuing relevance of Levebvre's ideas for contemporary urban issues and shows – via global case studies – how resistance to spatial domination by powerful interests might be achieved. The Handbook helps the reader navigate the complex terrain of spatial research inspired by Lefebvre. In particular the Handbook focuses on: the series of struggles globally for the 'right to the city' and the collision of debates around the urban age, 'cityism' and planetary urbanisation. It will be a guide for graduate and advanced undergraduate teaching, and a key reference for academics in the fields of Human Geography, Sociology, Political Science, Applied Philosophy, Planning, Urban Theory and Urban Studies. Practitioners and activists in the field will also find the book of relevance.



Polyrhythmicity In Language Music And Society


Polyrhythmicity In Language Music And Society
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Author : Richard Andrews
language : en
Publisher: Springer Nature
Release Date : 2021-06-14

Polyrhythmicity In Language Music And Society written by Richard Andrews and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-06-14 with Performing Arts categories.


This book addresses the complex time relations that occur in some types of jazz and classical music, as well as in the novel, plays and poetry. It discusses these multiple levels of rhythm from a social science as well as an arts and humanities perspective. Building on his ground-breaking work in Re-framing Literacy, A Prosody of Free Verse and Multimodality, Poetry and Poetics, the author explores the world of multiple- or poly-rhythms in music, literature and the social sciences. He reveals that multi-layered rhythms are uncommon and little researched. Nevertheless, they are important to the experience of art and social situations, not least because they link physicality to feeling and to decision-making (timing), as well as to aesthetic experience. Whereas most poly-rhythmic relations are felt unconsciously, this book reveals the complex patterning that underpins the structures of feeling and of experience.



The Evolution Of Rhythm Cognition Timing In Music And Speech


The Evolution Of Rhythm Cognition Timing In Music And Speech
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Author : Andrea Ravignani
language : en
Publisher: Frontiers Media SA
Release Date : 2018-07-24

The Evolution Of Rhythm Cognition Timing In Music And Speech written by Andrea Ravignani and has been published by Frontiers Media SA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-07-24 with categories.


Human speech and music share a number of similarities and differences. One of the closest similarities is their temporal nature as both (i) develop over time, (ii) form sequences of temporal intervals, possibly differing in duration and acoustical marking by different spectral properties, which are perceived as a rhythm, and (iii) generate metrical expectations. Human brains are particularly efficient in perceiving, producing, and processing fine rhythmic information in music and speech. However a number of critical questions remain to be answered: Where does this human sensitivity for rhythm arise? How did rhythm cognition develop in human evolution? How did environmental rhythms affect the evolution of brain rhythms? Which rhythm-specific neural circuits are shared between speech and music, or even with other domains? Evolutionary processes’ long time scales often prevent direct observation: understanding the psychology of rhythm and its evolution requires a close-fitting integration of different perspectives. First, empirical observations of music and speech in the field are contrasted and generate testable hypotheses. Experiments exploring linguistic and musical rhythm are performed across sensory modalities, ages, and animal species to address questions about domain-specificity, development, and an evolutionary path of rhythm. Finally, experimental insights are integrated via synthetic modeling, generating testable predictions about brain oscillations underlying rhythm cognition and its evolution. Our understanding of the cognitive, neurobiological, and evolutionary bases of rhythm is rapidly increasing. However, researchers in different fields often work on parallel, potentially converging strands with little mutual awareness. This research topic builds a bridge across several disciplines, focusing on the cognitive neuroscience of rhythm as an evolutionary process. It includes contributions encompassing, although not limited to: (1) developmental and comparative studies of rhythm (e.g. critical acquisition periods, innateness); (2) evidence of rhythmic behavior in other species, both spontaneous and in controlled experiments; (3) comparisons of rhythm processing in music and speech (e.g. behavioral experiments, systems neuroscience perspectives on music-speech networks); (4) evidence on rhythm processing across modalities and domains; (5) studies on rhythm in interaction and context (social, affective, etc.); (6) mathematical and computational (e.g. connectionist, symbolic) models of “rhythmicity” as an evolved behavior.