Rise Above The River Able Muse Book Award For Poetry
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Rise Above The River Able Muse Book Award For Poetry
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Author : Kelly Rowe
language : da
Publisher: Able Muse Press
Release Date : 2023-10-20
Rise Above The River Able Muse Book Award For Poetry written by Kelly Rowe and has been published by Able Muse Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-10-20 with Poetry categories.
In Kelly Rowe’s Rise above the River, we find a sister powerless to redress her brother’s fall from grace after the trauma of his childhood sexual abuse by a female authority figure. Rise above the River interrogates in a quest for answer, meaning, reason, justice, and mercy—along the way, exploring the conceit of the fallen angel with ekphrases on artwork such as Alexandre Cabanel’s L’ange déchu and Hugo Simberg’s The Wounded Angel. This powerful and emotionally charged collection is the winner of the 2021 Able Muse Book Award. PRAISE FOR RISE ABOVE THE RIVER Lucifer, Ismene, Alexander the Great, “an obscure Civil War hero,” a Florida railroad, “the dead middle of Mississippi,” an apron swaying and twisting on a clothesline—with these figures and images, as well as with letters and visits, memories and dreams, Kelly Rowe enables us to assemble a story that can’t be told directly, to compose a picture that can’t be faced head-on. And the limpid diction and confiding tone of Rise above the River both soften and strengthen a narrative voice that finds many ways to tell the ineffable. —Rachel Hadas, author of Pandemic Almanac In this haunting book of poems, a sister remembers her younger brother, who as a child seemed always to emit a golden light to match his golden boy-soprano voice. Adventurous, imaginative, a lover of trees and water, he was more Huck Finn than angel. Then, as Randall Jarrell once observed, something went wrong. Could it have been innate or could it have been, as the poet suspects, the ill attentions of one of her brother’s teachers, a woman who was never properly called out for her abuse? The lyrical reminiscences of the older sister, as she watches her brother grow in his estrangement, his greed, his inability to feel for others, contrast painfully with these aspects of his life and character. This is a beautifully written book about a man whose fall is irredeemable. The mystery is why. This is a shattering book of poems about lost innocence and beauty. —Mark Jarman, 2021 Able Muse Book Award judge, author of The Heronry From personal recounting and reflection to rethinking classical mythology, this collection presents an eclectic, engaging contemplation throughout, underscored by a haunting and often surprising rhyme that ties us doubly to the moment we are reading. In reading these poems, we are so often starkly surprised by the strong, sure leaps—“Snow falling. / Her white feet. / Her aria.” Sometimes quietly and sometimes loudly, these poems lead us into their important mix. The several reconciliations at the end draw these poems into closing, but in their moment they gift us with a persuasive sense of greater connection to things simply and innately significant—underscored by profound feeling. —Alberto Ríos, author of The World Has Need of You ABOUT THE AUTHOR: Kelly Rowe’s chapbook Flying South on the Back of a Dove was published by the Texas Review Press in January 2019. Her second chapbook, Child Bed Fever, was selected for the 2021 Rane Arroyo Series, and published by Seven Kitchens Press in November 2022. She has recently published poems in journals including North American Review, New Ohio Review, 32 Poems, Massachusetts Review, Salamander, and New Letters. She lives in Flagstaff, Arizona, and works as a volunteer attorney, representing undocumented women.
Romance Language Able Muse Book Award For Poetry
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Author : Amy Glynn
language : en
Publisher: Able Muse Press
Release Date : 2024-01-02
Romance Language Able Muse Book Award For Poetry written by Amy Glynn and has been published by Able Muse Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-01-02 with Poetry categories.
Amy Glynn's Romance Language is a wellspring of culture, nature, natural phenomena, myths, esoterica. A kaleidoscope of sciences and disciplines—spanning archeology, acoustics, botany, zoology, psychology, cosmology, meteorology, mythology—are freely juxtaposed with the bliss of romance gained to longing for the one lost, the celebration of nature and the teeming creatures therein to hope for their enduring sustenance. A logophilic showcase and worthy winner of the 2022 Able Muse Book Award, Romance Language transports the reader into a sensory and cerebral world of the real and imagined, ever reaching for stimulus, wisdom, understanding, and enlightenment. PRAISE FOR ROMANCE LANGUAGE Romance Language thrills to the natural world in all its boggling multiplicity, while reserving a barrage of tart ironies for the fallen humans who inhabit it—the lovers who fail us and those, long gone, we can never let go of. Glynn understands that science is no check to mystery, that we subsist in “an ocean of cadence” that was here before us: “The beginning was music. There was music first.” Her songs channel that original music “of tide, chaos, and rhythm” with such fierceness and sorrow that we are compelled to listen. Their effect is revelatory. —David Yezzi, author of More Things in Heaven and Late Romance: Anthony Hecht The poems in Romance Language consistently, and seemingly without effort, manage a remarkable feat: they’re unfailingly attentive to the situational subtext that underlies each foray, whether into nature, art, or mythology. With their rueful irony and wit, their candor and self-awareness, these poems are not only technically flawless but also insistently, and sometimes tetchily, human. —Rachel Hadas, 2022 Able Muse Book Award judge, author of Love and Dread Amy Glynn has built upon her naturalist’s precision, her musician’s ear, and her talent for unexpected but apt metaphor, with a heightened attention to what we learn in love. Romance Language is as much about language, though, as it is about romance. Glynn is a dazzling word-hoarder and -shaper. With serious wit, she entwines autobiography with the life of other creatures (most beautifully, birds) and knows our own scale in the landscape and seascape. For all her artifice, her plainest truths are the most moving, as when she hopes for a “gift // for seeing as a gift whatever happens / to us.” These poems “happen” to the reader as a great gift, too. —Mary Jo Salter, author of Zoom Rooms and The Surveyors Glynn brings a polymathic sensibility to her writing, conversant in both high and vernacular diction on subjects ranging widely from science and classical literature to current politics and pop culture. The poems—bold, vibrant, mercurial, mysterious, sometimes wickedly funny, and always highly musical—remind me that form is a living, breathing part of our contemporary canon. Whether fixed like the sonnet or ghazal, or nonce, or free verse—these poems are constructed with great passion and precision, and the result is a luminous, powerful, and utterly original outpouring. —Rebecca Foust, author of Paradise Drive and Only ABOUT THE AUTHOR: Amy Glynn is a poet and essayist whose work appears widely in journals and anthologies including The Best American Poetry. She is the author of A Modern Herbal (Measure Press, 2013). She has received the Troubadour Prize, The SPUR Award of the Academy of Western Writers, Poetry Northwest’s Carolyn Kizer Award, and two James Merrill House fellowships, among other honors. She lives in the San Francisco Bay Area.
Frida Kahlo In Fort Lauderdale
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Author : Stephen Gibson
language : en
Publisher: Able Muse Press
Release Date : 2024-02-16
Frida Kahlo In Fort Lauderdale written by Stephen Gibson and has been published by Able Muse Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-02-16 with Poetry categories.
Reimagining the iconic Mexican artist's life and relationships, Stephen Gibson's Frida Kahlo in Fort Lauderdale explores Kahlo's passions and pains through vivid persona poems. Realized entirely in a modified triolet form, the collection is essentially an ekphrastic epic inspired by the paintings, photos, and personal effects on display in a 2015 Fort Lauderdale exhibition. Gibson probes the artist’s inner world, giving voice to Kahlo's desires, anguish, and defiant spirit. He conjures her crippling injuries from a bus accident, her tumultuous marriage to Diego Rivera, and her affairs with Leon Trotsky and others, all filtered through her fervent art. This innovative collection brings Frida Kahlo’s singular vision to life in visceral contemporary verse. PRAISE FOR FRIDA KAHLO IN FORT LAUDERDALE: In this book of incantations Stephen Gibson says, “What one loathes and desires can be the same thing,” and those two strands weave through these poems like a double helix of beauty and repulsion. The trolley accident that impaled Kahlo comes up over and over, and each time there is a new layer added to the story in much the same way a painter adds layers to a portrait. These are poems, but they are also music and paintings that give the lucky reader a luminous vision of this woman who forged a life of beauty out of the wreck of her pain. — Barbara Hamby, author of Holoholo Frida Kahlo in Fort Lauderdale is composed entirely of triolets about the artist and her paintings. The overall effect is akin to pointillism: the collection’s fifty-seven triolets blend in the reader’s consciousness much as the tiny dots of various colors in a pointillist painting blend in a viewer’s eye to form a coherent image. In this case, the image is of Frida Kahlo, the renowned Mexican painter known for her many portraits and self-portraits. Gibson—brilliant as always in his mastery of formal poetic structures—has crafted a portrait of Kahlo that reads as a single long poem, and yet resonates in the mind as something painterly, a shimmering, vibrant portrait of an artist. — Edward Falco, author of Wolf Moon Blood Moon These punchy little poems rat-a-tat the reader like a boxer’s jab-cross-uppercut. The immediate subject is Frida Kahlo and Diego Rivera’s bughouse marriage, but this is really a book for everyone. Even the happiest of married couples will react with some version of been there, done that. Divorce lawyers will get dollar signs in their eyes. Young singles will find Frida Kahlo in Fort Lauderdale a useful road map through the minefield of conjugal bliss. Mainly, though, these poems are for poetry lovers. They’re smart, they’re funny, and they sting like hell—they sting you in a way that makes you say, sting me again. — David Kirby, author of Help Me, Information ABOUT THE AUTHOR: Stephen Gibson’s seventh poetry collection Self-Portrait in a Door-Length Mirror won the Miller Williams Poetry Prize, selected by Billy Collins. Earlier collections have won the Donald Justice Prize, Idaho Prize for Poetry, and the MARGIE Book Prize. His poems have appeared in such journals as Able Muse, American Arts Quarterly, the American Journal of Poetry, Boulevard, Cimarron Review, Copper Nickel, Court Green, the Evansville Review, EPOCH, Field, the Gettysburg Review, the Hudson Review, the Iowa Review, J Journal, Measure, New England Review, Notre Dame Review, the Paris Review, Pleiades, Ploughshares, Poetry, Prairie Schooner, Quiddity, Raleigh Review, Salamander, the Sewanee Review, Shenandoah, Southern Poetry Review, the Southern Review, Southwest Review, Upstreet, the Yale Review, and elsewhere.
How To Cut A Woman In Half
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Author : Janis Harrington
language : en
Publisher: Able Muse Press
Release Date : 2022-11-25
How To Cut A Woman In Half written by Janis Harrington and has been published by Able Muse Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-11-25 with Poetry categories.
Janis Harrington’s How to Cut a Woman in Half is a testament to resiliency in the throes of mounting family tragedies and trials “beyond human comprehension.” This odyssey from loss toward recovery and hope celebrates the boundless love and support between siblings. Using an adapted sonnet form, Harrington has wrought a taut and spellbinding tale in this finalist for the 2020 Able Muse Book Award. PRAISE FOR HOW TO CUT A WOMAN IN HALF: In this stunning sequence of sonnets—a sequence that reads like a novel, in which each sonnet is so masterfully crafted that its form disappears into the story it tells—Janis Harrington spins a larger narrative of intergenerational family tragedy, but also of sisterly devotion and resilience. The whole sweep of it is so compelling that once I started reading, I couldn’t stop. How to Cut a Woman in Half takes the reader through shock and grief and then, very subtly and tenderly, back from the edge of an abyss. —Cecilia Woloch, author of Tsigan: The Gypsy Poem and Earth These deft narrative sonnets beautifully contain painful restraint and the breaking of sorrow; the slant and partial rhymes refuse to meet expectations for grieving an intentional death: “We look at each other, still / as the motionless hands on the clock’s face, / marooned in this spotless, silent house, / nothing on the horizon to save us.” The sisters save each other, learning to appreciate “the ordinary miracle of dawn.” —April Ossmann, author of Anxious Music and Event Boundaries These carefully wrought sonnets take readers on a journey “to grief’s center” as the speaker supports her sister through new widowhood and, in the process, rediscovers and explores her own submerged grief. Many poems take place in the liminal space between “living and not,” bardo moments that contain “all my life’s partings.” It is striking how fully present the speaker is in the experience of mourning, and how well suited the sonnet form is for containing such deeply personal wells of human sorrow. A beautiful and healing read. —Rebecca Foust, author of Paradise Drive and Only ABOUT THE AUTHOR: Janis Harrington’s first book, Waiting for the Hurricane, won the Lena M. Shull Book Award from the North Carolina Poetry Society. Her poems have appeared in journals and anthologies, including: Tar River Poetry, Journal of the American Medical Association, North Carolina Literary Review, and Beyond Forgetting: Poetry and Prose about Alzheimer’s Disease. She was the runner-up for the White Pine Press Poetry Prize 2020 and a finalist for the 2021 James Applewhite Poetry Prize and the 2022 Randall Jarrell Poetry Competition. After living in Switzerland for many years, she and her husband returned to Chapel Hill, North Carolina. How to Cut a Woman in Half was a finalist for the 2020 Able Muse Book Award.
Double Parked With Tosca
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Author : Ellen Kaufman
language : en
Publisher: Able Muse Press
Release Date : 2021-05-14
Double Parked With Tosca written by Ellen Kaufman and has been published by Able Muse Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-05-14 with Poetry categories.
Ellen Kaufman's Double-Parked, with Tosca navigates the natural and the manmade-often with an eye on their strained juxtaposition-or unravels the complex dynamics of the physical, social, and political. Kaufman can go from elegizing an Elizabethan old dress past to the environmentally conscious "now [when] the polar caps / undress themselves." She weaves the history of early settlements and their challenges and triumphs over the sometime inhospitable land; or negotiates the melding and mismatch of cultures in her native New York City. Kaufman's poems assert their claim inside violence, indifference, and exclusion. This surefooted second collection is a fitting special honoree for the 2019 Able Muse Book Award. PRAISE FOR DOUBLE-PARKED, WITH TOSCA Ellen Kaufman's poems pierce the reader the way a needle pierces fabric. With a stunningly precise apprehension of the real, she stitches immigration histories and the intimacies of family life, cityscapes and suburban developments, the recent past and the perilous future. She has the power to shapeshift, too, so that we experience, as if from inside, the hidden life of a retired battleship, an algae bloom, a bird nesting in a traffic light. Marked by grief, endurance, and the truths of beauty made manifest, these are essential poems. - Jennifer Barber, author of Works on Paper Ellen Kaufman's absolutely terrific second book can fearlessly slash through pretext, but also cohere unlikely pairs through the X-ray delicacy of an ace metaphorist. She can use "he wanted to get laid" as a refrain in a satisfyingly avenging villanelle, and also see how a beret looks like a "fluffy flounder," and a chandelier handed down through generations "rattles like a skeleton." A tick can alternate stanzas with its host, and an orchestra can create a landscape from its instruments. Kaufman uses form-including a masterful crown of sonnets about her father's end of life-and the speaker herself takes form in persona poems of NYC landmarks; of the USS Intrepid, she writes, "the old moon / shuttle Discovery perches / like an aphid on a rose leaf." I bet you never heard that before! And so you will feel about this whole body of poems. Kaufman's wit, her craft, her vision-this book celebrates their collaboration. - Jessica Greenbaum, author of Spilled and Gone As a young person, the best poem I ever read in my life was a Petrarchan sonnet by Ellen Kaufman-before I even knew what a Petrarchan sonnet was. Now, in reading Ellen Kaufman's newest book, Double-Parked, with Tosca, I immediately see everything I want poetry to be: imaginative, evocative, observant, musical, filled with sound and living breath, and brilliant. I can't recommend this book and this author enough. - Nicholas Samaras, author of American Psalm, World Psalm ABOUT THE AUTHOR: Ellen Kaufman's first collection, House Music, was a finalist for the Able Muse Book Award (Able Muse, 2013). A poem from that book won the Morton Marr Poetry Prize awarded by Southwest Review, where it also appeared. Her poems have also been published by Beloit Poetry Journal, Carolina Quarterly, Epoch, Hampden-Sydney Poetry Review, the New Yorker, Poetry Northwest, Salamander, Shenandoah, the Yale Review, and other literary magazines. Twice a MacDowell Fellow (2009 and 2013), she holds an AB from Cornell, and MFA and MSLS degrees from Columbia University. Formerly a poetry reviewer for Library Journal, she now reviews for Publishers Weekly. She lives near Straus Park in upper Manhattan.
Remembering Lethe
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Author : Brian Culhane
language : ar
Publisher: Able Muse Press
Release Date : 2021-12-17
Remembering Lethe written by Brian Culhane and has been published by Able Muse Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-12-17 with Poetry categories.
With remarkable erudition, Brian Culhane’s Remembering Lethe provides apropos morals and metaphors for our own times through its clear-eyed exposition of history, myths, and legends from Latin, Sumerian, Saxon, and Greek among others. The character and might of the word, even in the midst of repression and censorship, is a pervading theme. This insightful and masterfully crafted collection is a worthy finalist for the 2020 Able Muse Book Award. PRAISE FOR REMEMBERING LETHE Brian Culhane is a poet whose work leaps across classical myths and World War II history; across poetic forms that shimmer with innovation; across loss and love and the deep river of Lethe, the river in Hades that causes forgetfulness. In our culture, in this time, we forget a lot of things. “You’ll perhaps cross the abyss / Between words, though no margin of safety’s promised us,” Culhane writes, and the journey of Remembering Lethe is one into a language and imagination so alive and generous that it beckons to, and then surprises and engages, every reader. This book is a consolation and an inspiration. —Frances McCue, author of The Bled Brian Culhane’s poetry is a form of knowledge, and its truth and beauty as art would be recognizable at any time, in any era. The title Remembering Lethe presents us with the riddle of poetry itself. Lethe, the classical river of forgetfulness, may erase the memory of everything except the very poetry that created it. Reflecting a lifetime of reading, teaching, and writing, the poems in this book merge with their subjects in classical proportions, formed by a lyric impulse the poet calls in one poem “two parts darkness, one part song.” Darkness may sometimes shadow these poems, but joy illuminates each of them in the end. —Mark Jarman, author of The Heronry In “A Crack in the Amphora,” just one of the many formally masterful, richly probing, and movingly resonant poems in Remembering Lethe, Brian Culhane enjoins the reader to “squeeze your eyes through / Past the dry outer world of painted clay,” to find “a corridor leading away / From light,” into the interior the sculptor’s “palm knew / As wet, before any votive oil splashed in.” Here, in a manner exemplary of this poet’s ingenious imaginative powers, the poem opens to a world vital with allusion and pervasively attuned both to “the core of darkness” and to the world at hand with which, as he says elsewhere, “the longhand of thought” also must contend. Culhane’s poems are unapologetically literate, inclusive in their pursuit of emotional and intellectual truth, and rare in their responsiveness to what is most necessary for the art. —Daniel Tobin, author of Blood Labors ABOUT THE AUTHOR: Brian Culhane’s The King’s Question (Graywolf Press, 2008) won the Poetry Foundation’s Emily Dickinson Award for a first book by an author over fifty. His poems have appeared widely in such journals as the Hudson Review, the New Criterion, the New Republic, and the Paris Review. After getting his MFA at Columbia University, he received a PhD in English literature from the University of Washington, where he focused on epic literature and the history of criticism. The recipient of fellowships from Washington State’s Artist Trust, MacDowell, and the Virginia Center for the Creative Arts, he now divides his time between New York’s Catskills and Seattle.
A Vertical Mile Poems
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Author : Richard Wakefield
language : en
Publisher: Able Muse Press
Release Date : 2012-05-01
A Vertical Mile Poems written by Richard Wakefield and has been published by Able Muse Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-05-01 with Poetry categories.
A Vertical Mile from Richard Wakefield is a finalist in the 2011 Able Muse Book Award. Keenly observed themes about people and the land they live in show a profound sense of awe before natural beauty and a love of country life, while recognizing the effect of indifference and inexorable technological advancement. Included are poems about childhood, seasonal changes, mountain climbing, religion and its questions and doubts, life and death, human origins. These poems of stunning artistry show Wakefield in complete command of his craft. This a memorable collection whose insights and pleasures are not to be missed. PRAISE FOR A VERTICAL MILE: Deeply rooted in the human history and natural order of his native state, Richard Wakefield’s A Vertical Mile depicts life in rural Washington—people, animals, plants, geological formations, the weather and the seasons. Building on his powerful and impressive first collection East of Early Winters, Wakefield, in A Vertical Mile, has now firmly established himself as one of America’s foremost formal poets. In their memorable presentation by way of deftly employed narrative, meter, rhyme, metaphor, symbol, and diction, the poems in this new collection, once read, cannot be easily dislodged from the mind. That, in itself, is evidence that Wakefield’s best poems are a permanent addition to American letters. – David Middleton Richard Wakefield crafts his verse to exacting standards yet keeps it uncontrived. Throughout A Vertical Mile, Wakefield shows us much about ourselves and the various worlds we inhabit, often of our own making. What he reveals may be sobering or amusing, uplifting or distressing. But, carried by a voice as versatile as the intelligence behind it, it is sure to surprise and delight us as well. – David Sanders (from the “Foreword”) Richard Wakefield writes with a rare metrical skill that calls to mind the poetry of Robert Frost, and like Frost he tells intricate and compelling stories about ordinary people living close to the land. But there’s nothing nostalgic here. There’s compassion, and decency, but never an easy answer. Wakefield’s choice of conventional form is a wry and subtle comment on the contemporary moment, and his mastery of that form raises his work above all the chaos and fads. No, these poems are not nostalgic. They are timeless. – Chris Anderson The arc of discovery is what one traverses in Richard Wakefield’s poetry. It may be a remembered seascape made new by the dust of familial ashes or a lost town, covered by a century of a forest’s reclaiming growth. As a poet of the outdoors—one who sees and, seeing, makes new what he has seen—Wakefield is unsurpassed. – R.S. Gwynn
Above The River
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Author : James Wright
language : en
Publisher: Macmillan
Release Date : 1990
Above The River written by James Wright and has been published by Macmillan this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with Poetry categories.
Poems deal with love, travel, myth, friendship, the past, the seasons, mortality, and language.
Motherland
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Author : Sally Thomas
language : en
Publisher: Able Muse Press
Release Date : 2020-05-29
Motherland written by Sally Thomas and has been published by Able Muse Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-05-29 with Poetry categories.
In Sally Thomas’s Motherland, the poet keenly observes the ephemeral and the everlasting in the lens of time-the daily into seasonal transformations, the gifts and wonders of nature and people. Motherland by turns hails and interrogates in matters of flesh, of faith and spirituality-especially so in the “Richeldis of Walsingham” poem sequence. This finalist in the Able Muse Book Award is a collection abounding in insight, hope, grace, surprises, and yes, love. PRAISE FOR MOTHERLAND: A core of spiritual knowledge resides in the poems of Sally Thomas’s Motherland- knowledge that might seem strange to the poet herself, in fact, though it definitely resides in her, and radiates throughout this collection. Motherland is the perfect title, since the poet, herself a mother, regards all her human occupations as native and yet mysterious, occurring in a place which is both foreign and familiar. The final sequence, on Richeldis of Walsingham, includes lines that describe the expression of that knowledge, as “the eloquence/ Of the small river moving always forward to the unseen/ Sea.” Motherland is a book of the presence-radiant, benevolent, challenging-for which there is often no word, except as we find in poetry, like the poetry of Sally Thomas.” -Mark Jarman, author of The Heronry The poems of Sally Thomas are poems in which the act of looking at the world in all its depth and complexity is just about as close as possible to being fully realized in the corresponding “world” of poetic language and form. And the verses are compelling because in every line something is at stake: our very understanding of creation, the human condition, and the mystery of thought and its language that link us, however imperfectly, to what may be called the given world. As Thomas says in “Frost,” “Tricky winter light and my own eye/ Bend the world, if not to beauty, then/ To strangeness.” -David Middleton (from the foreword), author of The Fiddler of Driskill Hill In her most recent collection of poems, Motherland, Sally Thomas gives us a world we live in but, alas, too often don’t seem to see. So much is lost, these poems tell us, even as they manage to reinstate and re-imagine these losses for us. All poetry is elegiac, even as it can, in the hands of a serious poet, celebrate the very world which for all of us keeps slipping away in the great wheel of time. Then too there is her mastery of poetic form-among these the sonnet, the villanelle, the couplet, and her unparalleled command of rhyme and slant rhyme. What a delight to discover a poet who has found a way to allow the sacred and the sacramental inform her poems in a surprising range of contemporary idioms. -Paul Mariani, author of Epitaphs for the Journey ABOUT THE AUTHOR: Sally Thomas was born in Memphis, Tennessee, in 1964, and was educated at Vanderbilt University, the University of Memphis, and the University of Utah. She spent some years living in the American West and in Great Britain before settling in North Carolina, her current home. She is the author of two poetry chapbooks, Fallen Water (2015) and Richeldis of Walsingham (2016), both from Finishing Line Press. Over the last two decades, her poetry and fiction have appeared in Dappled Things, First Things, Relief: A Journal of Art and Faith, Southern Poetry Review, the New Yorker, the Rialto, and other journals in the United States and Great Britain.
Terminal Park
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Author : Richard Wakefield
language : en
Publisher: Able Muse Press
Release Date : 2022-04-22
Terminal Park written by Richard Wakefield and has been published by Able Muse Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-04-22 with Poetry categories.
Richard Wakefield’s third collection of poetry, Terminal Park, bears truthful and often wryly humorous witness to a wide range of human experience. His portraits of life in rural Washington State are particularly compelling, in a way that evokes the best of Frost without sacrificing Wakefield's own distinctive voice. A showcase of given and nonce forms, Terminal Park is the work of a master craftsman, delivered with wit, empathy, and grace. PRAISE FOR TERMINAL PARK Richard Wakefield's Terminal Park is a triumph from a master of formal poetry with a bit of a Zen streak. Alternately wistful, wry, and joyous, Wakefield takes on a wide range of subjects without anger or rhetoric. My favorites were the many elegiac landscape poems, which reminded me of the some of the best poems of Robert Frost. —A.M. Juster, author of Wonder and Wrath This new volume reveals a poet whose mastery of form will amaze readers. Richard Wakefield lives deeply in his world, past and present, touching and feeling everything that surrounds him, alert to every texture, “the grain of wood, the grit of sand.” He scans memory, repossessing luminous and sometimes uncanny moments from his past. A poem is, of course, a system of linked sounds, and Wakefield’s ear never misses the chance for a linking echo. In fact, I love the internal and external rhyming here, done without flash, with a kind of holy decorum. The seasons course through these poems, in literal and figurative flight, but the poet asserts with good reason that “an old man at his kitchen window sees / by winter light.” And it’s the clarity of winter light that makes these poems shimmer. I will return to the pages of Terminal Park again to revel in their wisdom and grace notes. —Jay Parini, author of New and Collected Poems: 1975–2015 Terminal Park ranges widely and dives deep. The book’s opening lines, where bleak subject matter is conveyed by lilting verse, tell us a lot about what will follow: “‘Terminal Park’ reads the vine-covered sign / where junkies and drunks reach the end of the line.” The poet’s mastery is evident throughout, whether depicting desolate rural vignettes, or vividly rendered moments of Biblical, literary, or personal history. Though many poems seem haunted by entropy, decay, suffering, and loss—“The Work of Darkness”—they are leavened by stoicism and humor. Beautifully organized and reflecting a lifetime’s hard-won wisdom, the collection as a whole is not merely enjoyable. It is exhilarating. —Bruce Bennett, author of Just Another Day in Just Our Town ABOUT THE AUTHOR: Richard Wakefield earned his PhD in American literature from the University of Washington and has taught college humanities for forty-two years, thirty-five of them at Tacoma Community College. For over twenty-five years he reviewed poetry, fiction, and literary biography for the Seattle Times. His first book, Robert Frost and the Opposing Lights of the Hour (Peter Lang Publishing), was a study of Frost’s poetry in the context of his life and times. His first collection of poems, East of Early Winters (University of Evansville Press), won the Richard Wilbur Award. His second collection, A Vertical Mile (Able Muse Press), was short-listed for the Poet’s Prize. His poem “Petrarch” won the Howard Nemerov Sonnet Award. He and his wife, Catherine, have been married forty-eight years and have two daughters, two sons-in-law, and two grandchildren.