Roberto Il Diavolo Complete Arrangement For The Pianoforte By M Saladino
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Roberto Il Diavolo Complete Arrangement For The Pianoforte By M Saladino
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Author : Giacomo Meyerbeer
language : en
Publisher:
Release Date : 1876
Roberto Il Diavolo Complete Arrangement For The Pianoforte By M Saladino written by Giacomo Meyerbeer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1876 with categories.
Meyerbeer S Robert Le Diable
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Author : Robert Ignatius Letellier
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2014-03-17
Meyerbeer S Robert Le Diable written by Robert Ignatius Letellier and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-03-17 with Music categories.
Robert le Diable by Giacomo Meyerbeer is regarded as a musical milestone, a definitive statement in the 19th-century development of French grand opéra from the tragédie lyrique of Lully, Rameau, Gluck and Spontini. The libretto by Eugène Scribe and Germain Delavigne was derived from the medieval legend of “Robert the Devil”. First performed on 21 November 1831 at the Paris Opéra, the work brought Meyerbeer international celebrity. Robert le Diable remains a legend in the annals of opera. The fascinating story reveals a complex imagery and symbolism that touches on the deepest intuitions of human experience and personal development, and exercises an archetypal unconscious appeal akin to the nature of fairy tales. The musical language, richly melodic and theatrically powerful, looks back to Rossini and the traditions of bel canto, and yet forges a new formal pliancy and dramatic urgency. The harmony and orchestration, the melodramatic plot, and overwhelming stage effects (especially the famous act 3 Ballet of the Nuns, a touchstone of dark Romanticism) confirmed Meyerbeer as the leading opera composer of his age. His style fuses German counterpoint, Italian melody, French grandeur, and unprecedented orchestral riches in a unique and overwhelming artistic blend. Robert became one of the greatest successes in the history of opera. In the first two years of its history it was given in 69 different theatres, and was performed 754 times at the Paris Opéra until 1893. This huge success was reflected in more than 160 transcriptions, arrangements, paraphrases and fantasias for the orchestra, military band, dance band, piano and other solo instruments written between 1832 and 1955. After many years of neglect, there is a resurgence of interest in this work with its fascinating appeal. This book is devoted to the story of this exceptional opera. It traces the origins, the première, the performance history, and also considers the special characteristics of both the libretto and the music. One of the most intriguing aspects of Robert le Diable was the nature of the iconography generated by its most famous scenes. Artists and illustrators responded in many different ways to the Gambling Scene, the Scene at the Cross, the Cloister Scene for the legendary Ballet of the Nuns, and the great trio in act 5. All of these are examined in terms of the the many different pictorial and plastic responses they inspired over some 60 years.
Giacomo Meyerbeer
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Author : Marco Clemente Pellegrini
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2008-10-01
Giacomo Meyerbeer written by Marco Clemente Pellegrini and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-10-01 with Music categories.
This Guide has resulted from years of research on the papers and music of Giacomo Meyerbeer, and aims to provide a bibliographical aid and point of reference for further research. The first part presents the private papers connected to the composer and his principal librettist, Eugène Scribe—both archival and printed, with working papers and correspondence, as found in Berlin, Paris and some of the famous libraries of the world. The body of Part 2 draws together all the known resources on Meyerbeer's life and historical reputation—from full scale biographies and entries in reference books, through critical discussions to website resources to records of symposia. The third part provides material about his background with its unique mixture of Jewish and Prussian elements, the powerful role of the city of Berlin in his life and work. The fourth part lists bibliographic material for Meyerbeer's music, looking at his operas, grouped as German, Italian and French, with each individual entry providing a record of the scores available, both modern and historical, the various arrangements made from the operas during the heyday of their popularity, reviews of modern performances, discography, and bibliography of studies and publications pertinent to the wider cultural and historical contexts of the works. The next two sections constitute an extended record of material pertinent to the contemporaries of Meyerbeer. In the fifth section are select bibliographies of composers, authors, artists, performers, politicians, those who played some part in the composer's life, or anyone of significance in his wider contemporary circumstances. This is continued in the sixth part where the cultural and aesthetic elements of the composer's milieu, or life in the theatre during seventy years of the nineteenth century, are listed. The seventh part adds a bibliography of social and historical background, where the incidental issues of Judaism in nineteenth-century Europe, and the wider political, historical and geographical circumstances of Meyerbeer's life, his relentless travelling, and closely recorded experiences in Germany, France, Italy, Belgium, England, and Austria. The eighth section provides a thematic key to this extensive material. Part 9 provides an extended tripartite series of lists of the published scores, arrangements and some special studies of Meyerbeer over the period 1820 to 2005—in alphabetical, chronological and thematic ordering. The last two sections furnish the modern equivalent of this record of Meyerbeer and his compositions, showing in Part 11 the list of performances of his operas since the Second World War, and in Part 12, listing the recordings of the operas, both commercial and private, for the same period. The thirteenth and last section is iconographical, pictures that represent an interesting survey of the popular response to Meyerbeer in the 19th century.
The Operas Of Giacomo Meyerbeer
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Author : Robert Ignatius Letellier
language : en
Publisher: Fairleigh Dickinson Univ Press
Release Date : 2006
The Operas Of Giacomo Meyerbeer written by Robert Ignatius Letellier and has been published by Fairleigh Dickinson Univ Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Music categories.
But these operas are far more than imitations: they show an apprehension of convention and genre that is nothing less than a dismantling of accepted formulas, and a highly original reconstruction of them."--Jacket.
The Catalogue Of Printed Music In The British Library To 1980
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Author : British Library. Department of Printed Books
language : en
Publisher:
Release Date : 1986
The Catalogue Of Printed Music In The British Library To 1980 written by British Library. Department of Printed Books and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986 with Music categories.
The Art Of Music A Comprehensive Library Of Information For Music Lovers And Musicians 3
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Author : Daniel Gregory Mason
language : en
Publisher: Legare Street Press
Release Date : 2023-07-18
The Art Of Music A Comprehensive Library Of Information For Music Lovers And Musicians 3 written by Daniel Gregory Mason and has been published by Legare Street Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-07-18 with History categories.
Mason presents a thorough and engaging overview of the history, theory, and practice of music. From the basics of rhythm and melody to the complexities of orchestration and composition, he provides a wealth of information and insights that will enrich the understanding of both casual listeners and serious musicians. With numerous illustrations and examples, this book is an invaluable resource for anyone interested in the art of music. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Bibliografia Nazionale Italiana
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Author :
language : it
Publisher:
Release Date : 1988
Bibliografia Nazionale Italiana written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with Bibliography categories.
Goethe S Faust Part Ii
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Author : Johann Wolfgang von Goethe
language : en
Publisher:
Release Date : 1839
Goethe S Faust Part Ii written by Johann Wolfgang von Goethe and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1839 with English poetry categories.
The Oxford Handbook Of Faust In Music
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Author : Lorna Fitzsimmons
language : en
Publisher: Oxford University Press
Release Date : 2019-07-08
The Oxford Handbook Of Faust In Music written by Lorna Fitzsimmons and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-08 with Music categories.
Since its emergence in sixteenth-century Germany, the magician Faust's quest has become one of the most profound themes in Western history. Though variants are found across all media, few adaptations have met with greater acclaim than in music. Bringing together more than two dozen authors in a foundational volume, The Oxford Handbook of Faust in Music testifies to the spectacular impact the Faust theme has exerted over the centuries. The Handbook's three-part organization enables readers to follow the evolution of Faust in music across time and stylistic periods. Part I explores symphonic, choral, chamber, and solo Faust works by composers from Beethoven to Schnittke. Part II discusses the range of Faustian operas, and Part III examines Faust's presence in ballet and musical theater. Illustrating the interdisciplinary relationships between music and literature and the fascinating tapestry of intertextual relationships among the works of Faustian music themselves, the volume suggests that rather than merely retelling the story of Faust, these musical compositions contribute significant insights on the tale and its unrivalled cultural impact.
Anima Allegra
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Author : Franco Vittadini
language : it
Publisher:
Release Date : 1922
Anima Allegra written by Franco Vittadini and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1922 with Operas categories.