Rock Et Production De Soi
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Rock Et Production De Soi
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Author : Damien Tassin
language : fr
Publisher: Editions L'Harmattan
Release Date : 2005-01-01
Rock Et Production De Soi written by Damien Tassin and has been published by Editions L'Harmattan this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-01-01 with Music categories.
L'ouvrage s'intéresse à l'ordinaire de la pratique, celle des musiciens et des groupes qui jouent dans l'ombre de l'industrie musicale et des médias. Le rock est une expérience spécifique, à la fois artistique, culturelle, esthétique et existentielle. L'expérience du rock exprime la tentative d'inventer une nouvelle société pour échapper aux finalités rationalistes, aux classifications et au primat du "produire". La "production de soi" en tant que processus sociologique intervient dans la façon dont les musiciens et les groupes participent à la construction d'une réalité sociale qu'ils tentent de faire advenir.
Rock Et Production De Soi
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Author : Damien Tassin
language : fr
Publisher:
Release Date : 2004
Rock Et Production De Soi written by Damien Tassin and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Rock music categories.
Décrit le rock comme un phénomène complexe et un fait social relativement segmenté. Développe également les caractéristiques essentielles de l'expérience du rock à travers l'étude de la structuration sociologique, ainsi que la nature du lien existant entre les groupes. Interroge enfin la nature de cet engagement à travers des typologies spécifiques qui précisent l'expérience du rock.
Stereo Comparative Perspectives On The Sociological Study Of Popular Music In France And Britain
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Author : Philippe Le Guern
language : en
Publisher: Routledge
Release Date : 2016-04-01
Stereo Comparative Perspectives On The Sociological Study Of Popular Music In France And Britain written by Philippe Le Guern and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-01 with Music categories.
The term 'Popular Music' has traditionally denoted different things in France and Britain. In France, the very concept of 'popular' music has been fiercely debated and contested, whereas in Britain and more largely throughout what the French describe as the 'Anglo-saxon' world 'popular music' has been more readily accepted as a description of what people do as leisure or consume as part of the music industry, and as something that academics are legitimately entitled to study. French researchers have for some decades been keenly interested in reading British and American studies of popular culture and popular music and have often imported key concepts and methodologies into their own work on French music, but apart from the widespread use of elements of 'French theory' in British and American research, the 'Anglo-saxon' world has remained largely ignorant of particular traditions of the study of popular music in France and specific theoretical debates or organizational principles of the making and consuming of French musics. French, British and American research into popular music has thus coexisted - with considerable cross-fertilization - for many years, but the barriers of language and different academic traditions have made it hard for French and anglophone researchers to fully appreciate the ways in which popular music has developed in their respective countries and the perspectives on its study adopted by their colleagues. This volume provides a comparative and contrastive perspective on popular music and its study in France and the UK.
Popular Music Technology And The Changing Media Ecosystem
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Author : Tamas Tofalvy
language : en
Publisher: Springer Nature
Release Date : 2020-05-02
Popular Music Technology And The Changing Media Ecosystem written by Tamas Tofalvy and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-05-02 with Social Science categories.
This book explores the relationships between popular music, technology, and the changing media ecosystem. More precisely, it looks at infrastructures and practices of music making and consuming primarily in the post-Napster era of digitization – with some chapters looking back on the technological precursors to digital culture – marked by the emergence of digital tools and platforms such as YouTube or Spotify. The first section provides a critical overview of theories addressing popular music and digital technology, while the second section offers an analysis of the relationship between musical cultures, taste, constructions of authenticity, and technology. The third section offers case studies on the materialities of music consumption from outside the western core of popular music production. The final section reflects on music scenes and the uses and discourses of social media.
Les H Ros Obscurs De L Historicit
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Author : Damien Tassin
language : fr
Publisher:
Release Date : 2002
Les H Ros Obscurs De L Historicit written by Damien Tassin and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with categories.
La recherche analyse le support social des pratiques musicales des groupes et des musiciens qui jouent du "rock" (musique populaire non traditionnelle) depuis plusieurs années. Ces pratiques ne sont pas réductibles à une forme de loisir ou d'occupation pour la jeunesse ; paradoxalement, elles s'organisent selon une relative segmentation et une indétermination sociale révélant toute la complexité de ce fait social qui échappe aux catégorisations sociologiques. Son appréhension repose alors sur une sociologie compréhensive afin de saisir la nature et la forme de cet engagement étroitement lié aux caractéristiques du rock et à sa sociabilité. La production de soi est un processus inscrit dans l'épaisseur d'un social organisé par l'imaginaire, elle révèle la résistance des individus et des groupes à toutes formes de classification sociale et participe, sous les traits d'un "social-historique", à l'instauration d'une figuration sociologique d'un "être-ensemble" et d'un agir collectif spécifiques.
Lives In Music
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Author : Sara Le Menestrel
language : en
Publisher: Routledge
Release Date : 2020-03-05
Lives In Music written by Sara Le Menestrel and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-03-05 with Music categories.
Lives in Music analyses interwoven patterns of mobility, change, and power in music and dance practices. It challenges some commonly accepted conceptual tools that are ubiquitous in anthropology today, including cultural hybridity, transnational networks, and globalization. Based on seven “itineraries” that are the result of extensive ethnographic long-term field research efforts, the processes of geographic and social mobility, transformation, and power relative to music and dance practices are explored in different parts of the world. Seven writers provide life stories constructed through ethnographic techniques and life histories and supported by a deep knowledge of local customs.
Made In France
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Author : Gérôme Guibert
language : en
Publisher: Routledge
Release Date : 2017-11-06
Made In France written by Gérôme Guibert and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-11-06 with Music categories.
Made in France: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music, and covers the major figures, styles, and social contexts of pop music in France. The book first presents a general description of the history and background of popular music in France, followed by essays that are organized into thematic sections: The Mutations of French Popular Music During the "Trente Glorieuses"; Politicising Popular Music; Assimilation, Appropriation, French Specificity; and From Digital Stakes to Cultural Heritage: French Contemporary Topics. Contributors: Christian Béthune Juliette Dalbavie Gérôme Guibert Fabien Hein Olivier Julien Marc Kaiser Barbara Lebrun David Looseley Stéphanie Molinero Anne Petiau Cécile Prévost-Thomas Vincent Rouzé Catherine Rudent Matthieu Saladin Jedediah Sklower Raphaël Suire Florence Tamagne
Cma
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Author :
language : en
Publisher:
Release Date : 1987
Cma written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987 with Accounting categories.
Vers Une D Mocratisation De L Op Ra
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Author : Sylvie Saint-Cyr
language : fr
Publisher: Editions L'Harmattan
Release Date : 2006-01-01
Vers Une D Mocratisation De L Op Ra written by Sylvie Saint-Cyr and has been published by Editions L'Harmattan this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-01-01 with Art categories.
Au cours de la décennie 1980, les théâtres d'opéra subissent une double crise: l'abandon de leurs salles et le vieillissement de leurs publics. Constitué majoritairement d'abonnés, consommateur et amateur des oeuvres du grand répertoire, le public de l'opéra refuse les tentatives de renouvellement du genre et l'arrivée des mises en scène modernes. L'avènement des services de la communication et la recherche d'un nouveau public, l'introduction des réductions tarifaires ne suffisent pas à combler ces espoirs. L'éducation artistique servira de solution à ces contradictions.
Les Musiques Particularistes
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Author : Elisabeth Cestor
language : fr
Publisher: Editions L'Harmattan
Release Date : 2006-02-01
Les Musiques Particularistes written by Elisabeth Cestor and has been published by Editions L'Harmattan this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-02-01 with Music categories.
Quelle est la place des chanteurs s'exprimant dans l'une des différentes langues autochtones de France, et notamment celle des Provençaux ? Si les Corses, les Bretons et les Basques semblent être mieux parvenus à s'imposer dans le paysage musical que leurs voisins du Midi, nombreux sont ceux qui chantent la langue d'Oc, vivent de leur art et stimulent un espace créatif. Régulièrement plébiscités par la presse, les musiciens d'expression occitane sont pourtant difficilement diffusés et leur parcours est semé d'embûches. D'où provient alors ce décalage entre acteurs, productions artistiques et public ?