Romantische Ironie
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Romantic Irony
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Author : Frederick Garber
language : en
Publisher: John Benjamins Publishing
Release Date : 1988-01-01
Romantic Irony written by Frederick Garber and has been published by John Benjamins Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988-01-01 with Literary Criticism categories.
This is the first collaborative international reading of irony as a major phenomenon in Romantic art and thought. The volume identifies key predecessor moments that excited Romantic authors and the emergence of a distinctly Romantic theory and practice of irony spreading to all literary genres. Not only the influential pioneer German, British, and French varieties, but also manifestations in northern, eastern, and southern parts of Europe as well as in North America, are considered. A set of concluding “syntheses” treat the shaping power of Romantic irony in narrative modes, music, the fine arts, and theater – innovations that will deeply influence Modernism. Thus the cross-cultural and interdisciplinary approach elaborated in the twenty chapters of Romantic Irony, as lead volume in the five-volume Romanticism series, establishes a significant new range for comparative literature studies in dealing with a complex literary movement. SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series’ total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of “irony” as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism’s own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the “Old” and “New” Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.
Fictions Of Romantic Irony
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Author : Lilian R. Furst
language : en
Publisher: Cambridge, Mass. : Harvard University Press
Release Date : 1984
Fictions Of Romantic Irony written by Lilian R. Furst and has been published by Cambridge, Mass. : Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with Literary Criticism categories.
Through an analysis of six major European narratives of the mid-eighteenth to the mid-nineteenth century, this book makes a new approach to romantic irony by envisaging it in a broad European context in relation both to earlier concepts of irony and to traditional uses of irony in narration.
The Romantic Irony Of Semiotics
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Author : Marike Finlay
language : en
Publisher: Walter de Gruyter
Release Date : 2011-05-02
The Romantic Irony Of Semiotics written by Marike Finlay and has been published by Walter de Gruyter this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-05-02 with Language Arts & Disciplines categories.
The Romantic Irony of Semiotics: Friedrich Schlegel and the Crisis of Representation (Approaches to Semiotics [As]).
Romantic Irony
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Author : Frederick Garber
language : en
Publisher: John Benjamins Publishing
Release Date : 1988-01-01
Romantic Irony written by Frederick Garber and has been published by John Benjamins Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988-01-01 with Literary Criticism categories.
This is the first collaborative international reading of irony as a major phenomenon in Romantic art and thought. The volume identifies key predecessor moments that excited Romantic authors and the emergence of a distinctly Romantic theory and practice of irony spreading to all literary genres. Not only the influential pioneer German, British, and French varieties, but also manifestations in northern, eastern, and southern parts of Europe as well as in North America, are considered. A set of concluding syntheses treat the shaping power of Romantic irony in narrative modes, music, the fine arts, and theater innovations that will deeply influence Modernism. Thus the cross-cultural and interdisciplinary approach elaborated in the twenty chapters of Romantic Irony, as lead volume in the five-volume Romanticism series, establishes a significant new range for comparative literature studies in dealing with a complex literary movement. SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of irony as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the Old and New Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.
Pushkin And Romantic Fashion
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Author : Monika Greenleaf
language : en
Publisher: Stanford University Press
Release Date : 1994
Pushkin And Romantic Fashion written by Monika Greenleaf and has been published by Stanford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Literary Criticism categories.
Pushkin and Romantic Fashion is about the interpenetration of culture and personality, specifically Alexander I's Russian Empire, a latecomer in post-Napoleonic European history, and Aleksandr Pushkin, virtuoso improvisor yet prisoner of the Golden Age discourses that now bear his name. It focuses on Pushkin's use of the Romantic fragment, especially the link between the fragment and Romantic irony's fundamental and modern questioning of the sources and intentionality of language. In the view of such irony's most eloquent formulator, Friedrich Schlegel, "identity" does not precede speech, but is forged in each improvisational interaction with interlocutor or reader. One finds out who one is by speaking, and all utterances and texts stand in a fragmentary, contingent relation to an accumulating life-text. Pushkin may actually come closest of all major European poets to realizing what Schlegel prescribed, or diagnosed, as the poetics of modernity, not because of any direct links, but because as common latecomers on the European cultural scene, Russian and German writers shared a fascination with European fashions and an ironic talent for conflating or stepping outside them. Thus Pushkin's kaleidoscopic explorations of fashionable European genres, from "Augustan" erotic elegy to the archaic Greek lyric fragment, from the Byronic Oriental poetic tale to Shakespearean chronicle drama, from the modern "society tale" to the Walter Scott historical novel, can be seen as ever more dramatic rewritings of and meditations on a previous life-text. This fragmentary and ironic self-presentation has ensured that every generation of Pushkin readers, no matter how gilded with cultural authority the poetbecame, "talked back." The author is deeply concerned to embed Pushkin in a larger European context in a way critically consonant with the best in Western Romantic studies. She locates Pushkin's penchant for fragmentary structures in a European discourse of fragmentation, reveali
Die Romantische Ironie In Theorie Und Gestaltung
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Author : Ingrid Strohschneider-Kohrs
language : de
Publisher: Walter de Gruyter
Release Date : 2012-10-24
Die Romantische Ironie In Theorie Und Gestaltung written by Ingrid Strohschneider-Kohrs and has been published by Walter de Gruyter this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-10-24 with Literary Criticism categories.
Textorientierte Darlegungen über die Kunsttheorie der Romantik sind wie eh und je ein Desiderat literaturwissenschaftlicher Forschung. Die vorliegende Untersuchung - als Studienausgabe unverändert nach der 2. Auflage von 1977 gedruckt - zeigt in genauer Begriffsklärung die Genese der Theorie der romantischen Ironie auf und behandelt deren Relevanz und differenzierende Weiterführung von Friedrich Schlegel über Adam Müller bis hin zu Solger. Damit wird eine durchgehende Problemintention der Romantik-Epoche sichtbar, wie denn auch spätzeitliche Rezeptionen in der Kritik von Hegel und Kierkegaard zu Worte kommen. Die thesenhaft zusammenfassende Formulierung: die romantische Ironie sei als ein "Mittel der Selbstrepräsentation von Kunst" zu verstehen, findet im Aufweis von Strukturbesonderheiten ausgewählter Werke von Novalis, Tieck und E.T.A. Hoffmann Anschaubarkeit und deutliche Bestätigung. Als Postulat und Gestaltungsprinzip erscheint diese Ironie somit in ihren verschiedenen Ausprägungen als signifikantes Beispiel intellektueller Produktivität. Demnach ist ihr unter den Möglichkeiten künstlerischer Gestaltung in der Romantik und auch über diese Epoche hinaus als dem Prinzip intellektuell-produktiver, poetischer Reflexion ein exzeptioneller Anspruch und eine nicht geringe Bedeutung zuerkannt worden.
Tieck S Romantic Irony With Special Emphasis Upon The Influence Of Cervantes Sterne And Goethe
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Author : Alfred Edwin Lussky
language : en
Publisher:
Release Date : 1932
Tieck S Romantic Irony With Special Emphasis Upon The Influence Of Cervantes Sterne And Goethe written by Alfred Edwin Lussky and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1932 with Irony in literature categories.
Die Romantische Ironie
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Author : Annett Rischbieter
language : de
Publisher: GRIN Verlag
Release Date : 2002-03-27
Die Romantische Ironie written by Annett Rischbieter and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-03-27 with Fiction categories.
Studienarbeit aus dem Jahr 1996 im Fachbereich Literaturwissenschaft - Literatur der Romantik, Note: 1,3, Universität Leipzig (Kulturwissenschaften), Veranstaltung: Ästhetik im 19.Jahrhundert - Wahrnehmungen der modernen Welt und ästhetische Reflexionen, Sprache: Deutsch, Abstract: I. VORBEMERKUNG Auf den nachfolgenden Seiten werde ich versuchen, eine Theorie der romantischen Ironie zu entwerfen, indem ich verschiedene Schriften heranziehe, unter anderem von Friedrich von Schlegel, Karl Wilhelm Ferdinand Solger und von Jean Paul Friedrich Richter, um aus diesen einen Zusammenhang zur Ironie feststellen und genauer erläutern zu können. Damit man sieht, in welcher Zeit eine solche Konzeption zustande kommen kann, soll gleich als erstes die Romantik als Epoche betrachtet, und eine Begriffsklärung dieser Epoche vollzo-gen werden. Anschließend kommt die Ironie ins Spiel. Vorerst aber nur, um im Vergleich mit nahestehenden Begriffen eine erste Klärung vornehmen zu können, bevor die Entwicklung des Ironie-Begriffs bis zur Romantik beschrieben werden kann. Im angrenzenden Hauptteil der Arbeit komme ich dann zum eigentlichen Thema, nämlich zur romantischen Ironie. So werden von mir darin, verschiedene synonyme Begriffe, wie Schle-gels romantischer Ironie-Begriff, Solgers künstlerischer Ironie-Begriff und Jean Pauls Humor-Begriff aus ihren Schriften her bestimmt und vorgestellt, um sie in einer kurzen Zusammen-fassung miteinander zu vergleichen. Es gab jedoch auch Zeitgenossen und Nachfolger, welche die Romantik und speziell die uns hier interessierende romantische Ironie heftigst ablehnten. Damit die romantische Ironie voll-ständig in die Geschichte der eigentlichen Ironie eingeordnet werden kann, möchte ich auch diesen Kritikern in einem abschließenden Absatz Platz in meiner Arbeit einräumen. [...]
The Comedy Of Romantic Irony
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Author : Morton Gurewitch
language : en
Publisher:
Release Date : 2002
The Comedy Of Romantic Irony written by Morton Gurewitch and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Literary Criticism categories.
Few literary concepts evoke the kind of perplexity engendered by a more than passing acquaintanceship with romantic irony.
Back And Forth
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Author : Siddhartha Bose
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2015-02-27
Back And Forth written by Siddhartha Bose and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-02-27 with Literary Criticism categories.
This seminal book examines the dramatic implications of the grotesque in Romantic aesthetics. There are currently no book-length studies exploring the drama of the Romantic grotesque, a category that accentuates multiplicity and hybridity. The post-Kantian philosophy backing Friedrich Schlegel’s Romantic irony provides the most decisive rationalisation of this plurality through theatrical play, and forms the theoretical framework for this study. Poetry and philosophy are merged in Schlegel’s attempt to create Romantic modernity out of this self-conscious blurring of inherited perspectives and genres – a mixing and transgressing of past demarcations that simultaneously create the condition of the Romantic grotesque. The other writers examined in this book include A. W. Schlegel, Stendhal, Victor Hugo, and Baudelaire. The primary question is: how is the grotesque used to re-evaluate notions of aesthetic beauty? An answer emerges from a study of those thinkers in Schlegel’s tradition who evolve a modern, ironic regard for conventional literary proprieties. Furthermore, how does the grotesque rewrite ideas of poetic subjectivity and expression? Here, Back and Forth foregrounds the enormous importance of Shakespeare as the literary example supporting the new theories. Shakespearean drama, which crosses aesthetic borders, legitimises the grotesque while reflecting the blood and gore of a post-Revolutionary Europe. Consequently, in reviewing hybrid texts like the Schlegelian fragments, Stendhal’s Racine et Shakespeare, Hugo’s Préface de Cromwell, and Baudelaire’s De L’Essence du Rire, this book uses theories of continental Romanticism to reposition the significance of a vitally radical English aesthetic. Through this, Back and Forth claims that the Romantic revisioning of the Shakespearean grotesque helps create the ideas of post-Revolutionary modernity that are crucial to the larger projects of European Romanticism, and the ideas of modernity emerging from them.