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Rostros Del Nacionalismo En La M Sica Mexicana


Rostros Del Nacionalismo En La M Sica Mexicana
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Rostros Del Nacionalismo En La M Sica Mexicana


Rostros Del Nacionalismo En La M Sica Mexicana
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Author : Yolanda Moreno Rivas
language : es
Publisher: Fondo de Cultura Economica, Mexico
Release Date : 1989

Rostros Del Nacionalismo En La M Sica Mexicana written by Yolanda Moreno Rivas and has been published by Fondo de Cultura Economica, Mexico this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with Music categories.


El prop sito de este trabajo de investigaci n es el de ofrecer una visi n de conjunto de los aspectos m s significativos de la llamada m sica nacionalista, as como analizar sus proposiciones est ticas e ideol gicas dentro del contexto socio-cultural en que se dieron.



Rostros Del Nacionalismo En La M Sica Mexicana


Rostros Del Nacionalismo En La M Sica Mexicana
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Author : Yolanda Moreno Rivas
language : es
Publisher:
Release Date : 1995

Rostros Del Nacionalismo En La M Sica Mexicana written by Yolanda Moreno Rivas and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Music categories.




El Nacionalismo Musical Mexicano


El Nacionalismo Musical Mexicano
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Author : Pedro Michaca
language : es
Publisher:
Release Date : 1931

El Nacionalismo Musical Mexicano written by Pedro Michaca and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1931 with Folk songs, Mexican categories.




Carlos Ch Vez And His World


Carlos Ch Vez And His World
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Author : Leonora Saavedra
language : en
Publisher: Princeton University Press
Release Date : 2015-08-25

Carlos Ch Vez And His World written by Leonora Saavedra and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-25 with Music categories.


Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts administrator, founder of major Mexican cultural institutions, and conductor and founder of the Orquesta Sinfónica de México. Carlos Chávez and His World brings together an international roster of leading scholars to delve into not only Chávez’s music but also the history, art, and politics surrounding his life and work. Contributors explore Chávez’s vast body of compositions, including his piano music, symphonies, violin concerto, late compositions, and Indianist music. They look at his connections with such artistic greats as Aaron Copland, Miguel Covarrubias, Henry Cowell, Silvestre Revueltas, and Paul Strand. The essays examine New York’s modernist scene, Mexican symphonic music, portraits of Chávez by major Mexican artists of the period, including Diego Rivera and Rufino Tamayo, and Chávez’s impact on El Colegio Nacional. A quantum leap in understanding Carlos Chávez and his milieu, this collection will stimulate further work in Latin American music and culture. The contributors are Ana R. Alonso-Minutti, Amy Bauer, Leon Botstein, David Brodbeck, Helen Delpar, Christina Taylor Gibson, Susana González Aktories, Anna Indych-López, Roberto Kolb-Neuhaus, James Krippner, Rebecca Levi, Ricardo Miranda, Julián Orbón, Howard Pollack, Leonora Saavedra, Antonio Saborit, Stephanie Stallings, and Luisa Vilar Payá. Bard Music Festival 2015: Carlos Chávez and His World Bard College August 7-9 and August 14-16, 2015



Carlos Chavez


Carlos Chavez
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Author : Robert L. Parker
language : en
Publisher: Routledge
Release Date : 2021-10-28

Carlos Chavez written by Robert L. Parker and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-10-28 with Music categories.


First Published in 1998.The purpose of this volume is to list as completely as possible Chávez’s compositions, which number close to two hundred works, and to present a digest of selected literature germane to his multi-faceted professional activity. This literature, which began in the 1920s and continues to grow, is almost entirely in Spanish and English, reflecting the main arenas in which he worked—Mexico, other Hispanic language countries, the United States, and England. Each research guide offers a selective, annotated list of writings, in all European languages, about one or more composers. There are also lists of works by the composer, unless these are available elsewhere. Biographical sketches and guides to library resources, organizations, and specialists are presented. As appropriate to the individual composer, there are maps, photographs, or other illustrative matter, glossaries, and indexes.



El Nacionalismo Musical En M Xico


El Nacionalismo Musical En M Xico
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Author : Pablo Castellanos
language : es
Publisher:
Release Date : 1969

El Nacionalismo Musical En M Xico written by Pablo Castellanos and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1969 with categories.




Historia De La M Sica Norte A Mexicana


Historia De La M Sica Norte A Mexicana
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Author : Luis Díaz-Santana Garza
language : es
Publisher: Plaza y Valdes
Release Date : 2016-09-12

Historia De La M Sica Norte A Mexicana written by Luis Díaz-Santana Garza and has been published by Plaza y Valdes this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-09-12 with Music categories.


El presente trabajo analiza el origen, evolución y difusión de la música del conjunto norteño, representante histórico de una identidad local, que se transforma en una identidad del noreste, para luego dar paso al norte de México, y más tarde ser asimilada nacional e internacionalmente. Esta visión de largo aliento en torno al conjunto y las formas musicales que emplea, como la polca, el corrido, la canción y el bolero, así como sus transformaciones y aportaciones a otras culturas sonoras, es analizado en términos de cómo puede articular significados, organizar nuestro sentido del tiempo y la memoria, y contribuir a la construcción social de las identidades individuales en la frontera. La música popular puede proporcionar un sistema para la presentación y la negociación pública de la identidad, así como para construir fuentes de poder y significado alternativas. A pesar de no haber sido impulsada directamente por ninguno de los dos estados-nación donde prolifera, la música regional de acordeón y bajo sexto es uno de los principales referentes de la identidad mexicana y chicana desde mediados del siglo XX, desplazando hoy incluso al mariachi, gracias a que los migrantes mexicanos reclamaban su música, mientras que al sur, el poder económico del noreste del país ha tratado de imponer una hegemonía cultural y económica por medio de los sonidos armónicos. "Sin duda el trabajo de Luís Diaz Santana es de las contribuciones que la etnomusicología mexicana ha esperado por mucho tiempo y que tiene que ver con las músicas urbanas. El autor ofrece importantes avances en la investigación histórica sobre aspectos fundamentales como la identidad en un ámbito fronterizo, migración, cultura y cultura popular, música popular mexicana, industrias norteñas como factor de cambio sociocultural, los músicos y sus conjuntos como actores de la gestación de una nueva tradición”. Dr. Arturo Chamorro Escalante, UDG. "Bajo un enfoque multidisciplinario —que combina la nueva historia cultural, el análisis musicológico y los estudios de música popular, con aportes de la sociología y antropología— Luis Díaz Santana ofrece una perspectiva binacional de las condiciones históricas que generan el surgimiento de esta música y que, al menos en parte, ayudan a explicar el fenómeno de la norteñización cultural que vive actualmente el país. Es destacable el rigor en la selección de las fuentes: orales, impresas, grabadas, así como la claridad y solidez de los argumentos con que las discute para construir historia de las representaciones alrededor de estas culturas musicales". Dr. José Juan Olvera Gudiño, CIESAS Noreste.



El Nacionalismo Musical Mexicano


El Nacionalismo Musical Mexicano
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Author : Pedro Michaca Valenzuela
language : es
Publisher:
Release Date : 1931

El Nacionalismo Musical Mexicano written by Pedro Michaca Valenzuela and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1931 with Folk songs, Spanish categories.




Cinesonidos


Cinesonidos
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Author : Jacqueline Avila
language : en
Publisher: Oxford University Press
Release Date : 2019-09-16

Cinesonidos written by Jacqueline Avila and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-09-16 with Music categories.


During Mexico's silent (1896-1930) and early sound (1931-52) periods, cinema saw the development of five significant genres: the prostitute melodrama (including the cabaretera subgenre), the indigenista film (on indigenous themes or topics), the cine de añoranza porfiriana (films of Porfirian nostalgia), the Revolution film, and the comedia ranchera (ranch comedy). In this book, author Jacqueline Avila looks at examples from all genres, exploring the ways that the popular, regional, and orchestral music in these films contributed to the creation of tropes and archetypes now central to Mexican cultural nationalism. Integrating primary source material--including newspaper articles, advertisements, films--with film music studies, sound studies, and Mexican film and cultural history, Avila examines how these tropes and archetypes mirrored changing perceptions of mexicanidad manufactured by the State and popular and transnational culture. As she shows, several social and political agencies were heavily invested in creating a unified national identity in an attempt to merge the previously fragmented populace as a result of the Revolution. The commercial medium of film became an important tool to acquaint a diverse urban audience with the nuances of Mexican national identity, and music played an essential and persuasive role in the process. In this heterogeneous environment, cinema and its music continuously reshaped the contested, fluctuating space of Mexican identity, functioning both as a sign and symptom of social and political change.



The Cambridge History Of Latin America


The Cambridge History Of Latin America
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Author : Leslie Bethell
language : en
Publisher: Cambridge University Press
Release Date : 1984

The Cambridge History Of Latin America written by Leslie Bethell and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with History categories.


This volume discusses trends in twentieth-century Latin American literature, philosophy, art, music, and popular culture.