Seventeenth Century Instrumental Dance Music In Uppsala University Library Instr Mus Hs 409
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Seventeenth Century Instrumental Dance Music In Uppsala University Library Instr Mus Hs 409
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Author : Uppsala universitetsbibliotek
language : en
Publisher:
Release Date : 1976
Seventeenth Century Instrumental Dance Music In Uppsala University Library Instr Mus Hs 409 written by Uppsala universitetsbibliotek and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1976 with Chamber music categories.
Seventeenth Century Instrumental Dance Music In Uppsala University Library Instr Mus Hs 409
DOWNLOAD
Author : Uppsala universitetsbibliotek
language : en
Publisher:
Release Date : 1976
Seventeenth Century Instrumental Dance Music In Uppsala University Library Instr Mus Hs 409 written by Uppsala universitetsbibliotek and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1976 with Chamber music categories.
Seventeenth Century Instrumental Dances In Uppsala University Library Imhs 409
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Author : Jaroslav J. S. Mráček
language : en
Publisher:
Release Date : 1965
Seventeenth Century Instrumental Dances In Uppsala University Library Imhs 409 written by Jaroslav J. S. Mráček and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1965 with Dance music categories.
Seventeenth Century Instrumental Dances In Uppsala University Library Imhs 409 Commentary
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Author : Jaroslav J. S. Mráček
language : en
Publisher:
Release Date : 1965
Seventeenth Century Instrumental Dances In Uppsala University Library Imhs 409 Commentary written by Jaroslav J. S. Mráček and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1965 with categories.
Seventeenth Century Instrumental Dances In Uppsala University Library Imhs 409
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Author : Jaroslav J. S. Mráček
language : en
Publisher:
Release Date : 1965
Seventeenth Century Instrumental Dances In Uppsala University Library Imhs 409 written by Jaroslav J. S. Mráček and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1965 with Dance music categories.
The Allemande And The Tanz
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Author : Richard Hudson
language : en
Publisher: Cambridge University Press
Release Date : 1986
The Allemande And The Tanz written by Richard Hudson and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986 with Music categories.
The first of two volumes devoted to the evolution of the Allemande, the Balletto, and the Tanz from 1540 to 1750.
The Courtly Consort Suite In German Speaking Europe 1650 1706
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Author : Michael Robertson
language : en
Publisher: Routledge
Release Date : 2017-07-05
The Courtly Consort Suite In German Speaking Europe 1650 1706 written by Michael Robertson and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
Dance music at the courts of seventeenth-century Germany is a genre that is still largely unknown. Dr Michael Robertson sets out to redress the balance and study the ensemble dance suites that were played at the German courts between the end of the Thirty Years War and the early years of the eighteenth century. At many German courts during this time, it was fashionable to emulate everything that was French. As part of this process, German musicians visited Paris throughout the second half of the seventeenth century, and brought French courtly music back with them on their return. For the last two decades of the century, this meant the works of Jean-Baptiste Lully, and his music and its influence spread rapidly through the courts of Europe. Extracts from Lully's dramatic stage works were circulated in both published editions and manuscript. These extracts are considered in some detail, especially in terms of their relationship to the suite. The nobility also played their part in this process: French musicians and German players with specialist knowledge were often hired to coach their German colleagues in the art of playing in the French manner, the franzsischer Art. The book examines the dissemination of dance music, instrumentation and performance practice, and the differences between the French and Italian styles. It also studies the courtly suites before the advent of Lullism and the differences between the suites of court composers and town musicians. With the possible exception of Georg Muffat's two Florilegium collections of suites, much of the dance music of the German Lullists is largely unknown; court composers such as Cousser, Erlebach, Johann Fischer and Johann Caspar Ferdinand Fischer all wrote fine collections of ensemble suites, and these are examined in detail. Examples from these suites, some published for the first time, are given throughout the book in order to demonstrate the music's quality and show that its neglect is completely unjustifi
From Renaissance To Baroque
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Author : Jonathan Wainwright
language : en
Publisher: Routledge
Release Date : 2017-07-05
From Renaissance To Baroque written by Jonathan Wainwright and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations? For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.
The Courtly Consort Suite In German Speaking Europe 1650 706
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Author : Michael Robertson
language : en
Publisher: Routledge
Release Date : 2017-07-05
The Courtly Consort Suite In German Speaking Europe 1650 706 written by Michael Robertson and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
Dance music at the courts of seventeenth-century Germany is a genre that is still largely unknown. Dr Michael Robertson sets out to redress the balance and study the ensemble dance suites that were played at the German courts between the end of the Thirty Years War and the early years of the eighteenth century. At many German courts during this time, it was fashionable to emulate everything that was French. As part of this process, German musicians visited Paris throughout the second half of the seventeenth century, and brought French courtly music back with them on their return. For the last two decades of the century, this meant the works of Jean-Baptiste Lully, and his music and its influence spread rapidly through the courts of Europe. Extracts from Lully's dramatic stage works were circulated in both published editions and manuscript. These extracts are considered in some detail, especially in terms of their relationship to the suite. The nobility also played their part in this process: French musicians and German players with specialist knowledge were often hired to coach their German colleagues in the art of playing in the French manner, the franz?sischer Art. The book examines the dissemination of dance music, instrumentation and performance practice, and the differences between the French and Italian styles. It also studies the courtly suites before the advent of Lullism and the differences between the suites of court composers and town musicians. With the possible exception of Georg Muffat's two Florilegium collections of suites, much of the dance music of the German Lullists is largely unknown; court composers such as Cousser, Erlebach, Johann Fischer and Johann Caspar Ferdinand Fischer all wrote fine collections of ensemble suites, and these are examined in detail. Examples from these suites, some published for the first time, are given throughout the book in order to demonstrate the music's quality and show that its neglect is completely unjustifi
The Birth Of The Orchestra
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Author : John Spitzer
language : en
Publisher: OUP Oxford
Release Date : 2004-04-29
The Birth Of The Orchestra written by John Spitzer and has been published by OUP Oxford this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-04-29 with Music categories.
This book traces the emergence of the orchestra from 16th-century string bands to the 'classical' orchestra of Haydn, Mozart, Beethoven, and their contemporaries. Ensembles of bowed stringed instruments, several players per part plus continuo and wind instruments, were organized in France in the mid-17th century and then in Rome at the end of the century. The prestige of these ensembles and of the music and performing styles of their leaders, Jean-Baptiste Lully and Arcangelo Corelli, caused them to be imitated elsewhere, until by the late 18th century, the orchestra had become a pan-European phenomenon. Spitzer and Zaslaw review previous accounts of these developments, then proceed to a thoroughgoing documentation and discussion of orchestral organization, instrumentation, and social roles in France, Italy, Germany, England, and the American colonies. They also examine the emergence of orchestra musicians, idiomatic music for orchestras, orchestral performance practices, and the awareness of the orchestra as a central institution in European life.