Shakespeare Seven Tragedies Revisited
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Shakespeare
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Author : E. A. J. Honigmann
language : en
Publisher:
Release Date : 2002
Shakespeare written by E. A. J. Honigmann and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Reader-response criticism categories.
Shakespeare Seven Tragedies Revisited
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Author : E. Honigmann
language : en
Publisher: Springer
Release Date : 2002-06-17
Shakespeare Seven Tragedies Revisited written by E. Honigmann and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-06-17 with Literary Criticism categories.
This classic text, reprinted several times since its first publication in 1976, has been extensively revised in this new edition and includes new chapters on Henry V, As You Like It, and on 'the study of the audience and the study of response'. Both readers and actors/theatre-goers will find will find it opens up new ways of looking at the plays and at the mechanisms that underpin some of the most magical moments in Shakespeare's plays.
Shakespeare
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Author : E. Honigmann
language : en
Publisher: Palgrave Macmillan
Release Date : 1980-09-25
Shakespeare written by E. Honigmann and has been published by Palgrave Macmillan this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980-09-25 with Literary Criticism categories.
Shakespeare
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Author : E. A. J. Honigmann
language : en
Publisher:
Release Date : 1976
Shakespeare written by E. A. J. Honigmann and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1976 with categories.
Shakespeare S Domestic Tragedies
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Author : Emma Whipday
language : en
Publisher: Cambridge University Press
Release Date : 2019-01-03
Shakespeare S Domestic Tragedies written by Emma Whipday and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-01-03 with Drama categories.
Reassess the relationship between Shakespeare's Hamlet, Othello, Macbeth, and the emerging genre of domestic tragedy by other early modern playwrights.
Shakespeare And The Culture Of Paradox
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Author : Peter G. Platt
language : en
Publisher: Routledge
Release Date : 2016-04-01
Shakespeare And The Culture Of Paradox written by Peter G. Platt and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-01 with Literary Criticism categories.
Exploring Shakespeare's intellectual interest in placing both characters and audiences in a state of uncertainty, mystery, and doubt, this book interrogates the use of paradox in Shakespeare's plays and in performance. By adopting this discourse-one in which opposites can co-exist and perspectives can be altered, and one that asks accepted opinions, beliefs, and truths to be reconsidered-Shakespeare used paradox to question love, gender, knowledge, and truth from multiple perspectives. Committed to situating literature within the larger culture, Peter Platt begins by examining the Renaissance culture of paradox in both the classical and Christian traditions. He then looks at selected plays in terms of paradox, including the geographical site of Venice in Othello and The Merchant of Venice, and equity law in The Comedy of Errors, Merchant, and Measure for Measure. Platt also considers the paradoxes of theater and live performance that were central to Shakespearean drama, such as the duality of the player, the boy-actor and gender, and the play/audience relationship in the Henriad, Hamlet, As You Like It, Twelfth Night, Antony and Cleopatra, The Winter's Tale, and The Tempest. In showing that Shakespeare's plays create and are created by a culture of paradox, Platt offers an exciting and innovative investigation of Shakespeare's cognitive and affective power over his audience.
Shakespeare S Dramatic Persons
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Author : Travis Curtright
language : en
Publisher: Rowman & Littlefield
Release Date : 2016-12-05
Shakespeare S Dramatic Persons written by Travis Curtright and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-05 with Literary Criticism categories.
In Shakespeare’s Dramatic Persons, Travis Curtright examines the influence of the classical rhetorical tradition on early modern theories of acting in a careful study of and selection from Shakespeare’s most famous characters and successful plays. Curtright demonstrates that “personation”—the early modern term for playing a role—is a rhetorical acting style that could provide audiences with lifelike characters and action, including the theatrical illusion that dramatic persons possess interiority or inwardness. Shakespeare’s Dramatic Persons focuses on major characters such as Richard III, Katherina, Benedick, and Iago and ranges from Shakespeare’s early to late work, exploring particular rhetorical forms and how they function in five different plays. At the end of this study, Curtright envisions how Richard Burbage, Shakespeare’s best actor, might have employed the theatrical convention of directly addressing audience members. Though personation clearly differs from the realism aspired to in modern approaches to the stage, Curtright reveals how Shakespeare’s sophisticated use and development of persuasion’s arts would have provided early modern actors with their own means and sense of performing lifelike dramatic persons.
Character And The Individual Personality In English Renaissance Drama
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Author : John E. Curran
language : en
Publisher: Rutgers University Press
Release Date : 2014-08-20
Character And The Individual Personality In English Renaissance Drama written by John E. Curran and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-08-20 with Literary Criticism categories.
Character and the Individual Personality in English Renaissance Drama: Tragedy, History, Tragicomedy studies instantiations of the individualistic character in drama, Shakespearean and non-Shakespearean, and some of the Renaissance ideas allowing for and informing them. Setting aside such fraught questions as the history of Renaissance subjectivity and individualism on the one hand and Shakespearean exceptionalism on the other, we can find that in some plays, by a range of different authors and collaborators, a conception has been evidenced of who a particular person is, and has been used to drive the action. This evidence can take into account a number of internal and external factors that might differentiate a person, and can do so drawing on the intellectual context in a number of ways. Ideas with potential to emphasize the special over the general in envisioning the person might come from training in dialectic (thesis vs hypothesis) or in rhetoric (ethopoeia), from psychological frameworks (casuistry, humor theory, and their interpenetration), or from historiography (exemplarity). But though they depicted what we would call personality only intermittently, and with assumptions different from our own about personhood, dramatists sometimes made a priority of representing the workings of a specific mind: the patterns of thought and feeling that set a person off as that person and define that person singularly rather than categorically. Some individualistic characters can be shown to emerge where we do not expect, such as with Fletcherian personae like Amintor, Arbaces, and Montaigne of The Honest Man’s Fortune; some are drawn by playwrights often uninterested in character, such as Chapman’s Bussy D’Ambois, Jonson’s Cicero, and Ford’s Perkin Warbeck; and some appear in being constructed differently from others by the same author, as when Webster’s Bosola is set in contrast to Flamineo, and Marlowe’s Faustus is set against Barabas. But Shakespearean characters are also examined for the particular manner in which each troubles the categorical and exhibits a personality: Othello, Good Duke Humphrey, and Marc Antony. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Hamlet
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Author : John Russell-Brown
language : en
Publisher: Bloomsbury Publishing
Release Date : 2006-03-29
Hamlet written by John Russell-Brown and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-03-29 with Literary Criticism categories.
The commentary at the centre of this groundbreaking introduction alerts the reader to what happens on stage during a performance by showing what the text requires from actors and the choices they are offered. By this means, the Handbook demonstrates how an audience responds to plot and dramatic structure, what conflicts and issues are involved as the action unfolds, and the effects of developing expectation and variations of tension and pace. Chapters complementing this core feature provide an account of the three original texts, the theatrical conditions of early performances, and the play's social, political and cultural contexts. Generous quotations are given from books that influenced the writing of the play, and notable productions and performances are described to illustrate a wide range of interpretations. A concluding chapter quotes from recent critics and offers a number of different ways in which to understand the significance of this tragedy which has proved its enduring appeal.
A New Variorium Edition Of Shakespeare Coriolanus Volume Ii
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Author : David George
language : en
Publisher: Lulu.com
Release Date : 2019-05-03
A New Variorium Edition Of Shakespeare Coriolanus Volume Ii written by David George and has been published by Lulu.com this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-05-03 with Fiction categories.
Irregular, Doubtful, and Emended Accidentals in F1 In the Textual Notes, the lemma is the reading of this edition's text. In these notes, for emendations to F1, the lemma is followed by the siglum or sigla of the edition(s) from which the emendation is taken, and then by the rejected F1 reading and the siglum or sigla of the 17th-c. editions reading differently from the lemma. Where no source is given for the emendation, the adopted reading is not in any of the folios. Doubtful and irregular readings are merely listed. (