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Shaw S Music 1876 1890


Shaw S Music 1876 1890
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1876 1890


1876 1890
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Author : Bernard Shaw
language : en
Publisher:
Release Date : 1981

1876 1890 written by Bernard Shaw and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with Music categories.




Shaw S Music 1876 1890


Shaw S Music 1876 1890
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Author : Bernard Shaw
language : en
Publisher:
Release Date : 1981

Shaw S Music 1876 1890 written by Bernard Shaw and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with Music categories.




Music And Sentimentalism In The Nineteenth And Twentieth Centuries


Music And Sentimentalism In The Nineteenth And Twentieth Centuries
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Author : Stephen Downes
language : en
Publisher: Routledge
Release Date : 2021-05-30

Music And Sentimentalism In The Nineteenth And Twentieth Centuries written by Stephen Downes and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-05-30 with Music categories.


In a wide-ranging study of sentimentalism’s significance for styles, practices and meanings of music in the nineteenth and twentieth centuries, a series of interpretations scrutinizes musical expressions of sympathetic responses to suffering and the longing to belong. The book challenges hierarchies of artistic value and the associated denigration of sentimental feeling in gendered discourses. Fresh insights are thereby developed into sentimentalism’s place in musical constructions of emotion, taste, genre, gender, desire, and authenticity. The contexts encompass diverse musical communities, performing spaces, and listening practices, including the nineteenth-century salon and concert hall, the cinema, the intimate stage persona of the singer-songwriter, and the homely ambiguities of ‘easy’ listening. Interdisciplinary insights inform discussions of musical form, affect, appropriation, nationalisms, psychologies, eco-sentimentalism, humanitarianism, consumerism, and subject positions, with a particular emphasis on masculine sentimentalities. Music is drawn from violin repertory associated with Joseph Joachim, the piano music of Chopin, Schumann, and Liszt, sentimental waltzes from Schubert to Ravel, concert music by Bartók, Szymanowski and Górecki, the Merchant-Ivory adaptation of The Remains of the Day, Antônio Carlos Jobim’s bossa nova, and songs by Duke Ellington, Burt Bacharach, Carole King, Barry Manilow and Jimmy Webb. The book will attract readers interested in both the role of music in the history of emotion and the persistence and diversity of sentimental arts after their flowering in the eighteenth-century age of sensibility.



Shaw


Shaw
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Author : Gale K. Larson
language : en
Publisher: Penn State Press
Release Date : 2002

Shaw written by Gale K. Larson and has been published by Penn State Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Literary Criticism categories.


Shaw, now in its twenty-second year, publishes general articles on Shaw and his milieu, reviews, notes, and the authoritative Continuing Checklist of Shaviana, the bibliography of Shaw studies.



Shaw S Music


Shaw S Music
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Author : Bernard Shaw
language : en
Publisher:
Release Date : 1981

Shaw S Music written by Bernard Shaw and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with Music categories.




Shaw S Music 1876 1890


Shaw S Music 1876 1890
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Author : Bernard Shaw
language : en
Publisher: Bodley Head
Release Date : 1989-01

Shaw S Music 1876 1890 written by Bernard Shaw and has been published by Bodley Head this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989-01 with Music categories.


This is the first of three volumes of musical criticisms by Bernard Shaw reflecting his great breadth of knowledge of the works of Wagner, Bach and Mozart to more contemporary British composers such as Walton, Tippett and Britten.



The Trombone


The Trombone
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Author : Trevor Herbert
language : en
Publisher: Yale University Press
Release Date : 2006-01-01

The Trombone written by Trevor Herbert and has been published by Yale University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-01-01 with Music categories.


This is the first comprehensive study of the trombone in English. It covers the instrument, its repertoire, the way it has been played, and the social, cultural, and aesthetic contexts within which it has developed. The book explores the origins of the instrument, its invention in the fifteenth century, and its story up to modern times, also revealing hidden aspects of the trombone in different eras and countries. The book looks not only at the trombone within classical music but also at its place in jazz, popular music, popular religion, and light music. Trevor Herbert examines each century of the trombone's development and details the fundamental impact of jazz on the modern trombone. By the late twentieth century, he shows, jazz techniques had filtered into the performance idioms of almost all styles of music and transformed ideas about virtuosity and lyricism in trombone playing.



Bernard Shaw On Music


Bernard Shaw On Music
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Author : George Bernard Shaw
language : en
Publisher: Rosetta Books
Release Date : 2016-02-29

Bernard Shaw On Music written by George Bernard Shaw and has been published by Rosetta Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-02-29 with Literary Collections categories.


A collection of critical writings on music from the Nobel Prize–winning playwright behind Saint Joan and Man and Superman. The Critical Shaw: On Music is a comprehensive selection of renowned Irish playwright and Nobel Laureate Bernard Shaw’s extensive writings on a wide range of musical topics. Still recognized as one of Great Britain’s most important music critics, Shaw enriched London’s musical scene for some twenty years with his provocative, original, and penetrating reviews, before giving up music criticism to concentrate his talents on playwriting. His vast critical output encompassed opera, operetta, vocal and orchestral performance, musical theater, and oratorios, and took in major composers and performers as well as many long since forgotten names. Frequently embellished by his controversial political and social opinions, and delving as well into the nature of music criticism itself, Shaw’s reviews continue to stimulate and surprise, their depth and range setting standards that are rarely, if ever, matched today. Included in this edition is a previously unpublished draft on voice training prepared by Shaw for Vandeleur Lee, his mother’s singing teacher. The Critical Shaw series brings together, in five volumes and from a wide range of sources, selections from Bernard Shaw’s voluminous writings on topics that exercised him for the whole of his professional career: Literature, Music, Politics, Religion, and Theater. The volumes are edited by leading Shaw scholars, and all include an introduction, a chronology of Shaw’s life and works, annotated texts, and a bibliography. The series editor is L.W. Conolly, literary adviser to the Shaw Estate and former president of the International Shaw Society.



Sounds Of The Metropolis


Sounds Of The Metropolis
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Author : Derek B. Scott
language : en
Publisher: Oxford University Press
Release Date : 2008-07-31

Sounds Of The Metropolis written by Derek B. Scott and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-07-31 with Music categories.


The phrase "popular music revolution" may instantly bring to mind such twentieth-century musical movements as jazz and rock 'n' roll. In Sounds of the Metropolis, however, Derek Scott argues that the first popular music revolution actually occurred in the nineteenth century, illustrating how a distinct group of popular styles first began to assert their independence and values. He explains the popular music revolution as driven by social changes and the incorporation of music into a system of capitalist enterprise, which ultimately resulted in a polarization between musical entertainment (or "commercial" music) and "serious" art. He focuses on the key genres and styles that precipitated musical change at that time, and that continued to have an impact upon popular music in the next century. By the end of the nineteenth century, popular music could no longer be viewed as watered down or more easily assimilated art music; it had its own characteristic techniques, forms, and devices. As Scott shows, "popular" refers here, for the first time, not only to the music's reception, but also to the presence of these specific features of style. The shift in meaning of "popular" provided critics with tools to condemn music that bore the signs of the popular-which they regarded as fashionable and facile, rather than progressive and serious. A fresh and persuasive consideration of the genesis of popular music on its own terms, Sounds of the Metropolis breaks new ground in the study of music, cultural sociology, and history.



The Bible In Music


The Bible In Music
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Author : Robert Ignatius Letellier
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2017-06-23

The Bible In Music written by Robert Ignatius Letellier and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-06-23 with Music categories.


This book explores the relationship between the Bible and the world of music, an association that is recorded from ancient times in the Old Testament, and one that has continued to characterize the cultural self-expression of Western Civilization ever since. The study surveys the emergence of this close relationship in the era following the end of the Roman Empire and through the Middle Ages, taking particular note of the role of Gregorian chant, folk music and the popularity of mystery, morality and passion plays in reflection of the Sacred Scripture and its themes during those times. With the emergence of polyphony and the advent of the Reformation in the sixteenth century, the interaction between the Bible and music increased dramatically, culminating in the evolution of opera and oratorio as specific genres during the Renaissance and the Early Baroque period. Both these genres have proved essential to the interplay between sacred revelation and the various types of music that have come to determine cultural expression in the history of Europe. The book initially provides an overview of how the various themes and types of Biblical literature have been explored in the story of Western music. It then looks closely at the role of oratorio and opera over four centuries, considering the most famous and striking examples and considering how the music has responded in different ages to the sacred text and narrative. The last chapter examines how biblical theology has been used to dramatic purpose in a particular operatic genre – that of French Grand Opera. The academic apparatus includes an iconography, a detailed bibliography and an index of biblical and musical references, themes and subjects.