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Shot Countershot


Shot Countershot
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Shot Countershot


Shot Countershot
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Author : Lucy Fischer
language : en
Publisher: Princeton University Press
Release Date : 2014-07-14

Shot Countershot written by Lucy Fischer and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-14 with Performing Arts categories.


Do films made by women comprise a "counter-cinema" radically different from the dominant tradition? Feminist film critics contend that women filmmakers do present from a distinctive vision, or "countershot," and Lucy Fischer argues persuasively for this view. In rich detail this book relates the idea of a counter-cinema to theories of intertextuality and locates it in the broad context of recent feminist film, literary, and art criticism. Fischer also employs an original critical model of the dialogue between women's cinema and film tradition in the very organization of the book. Each chapter discusses a theme or genre (such as the musical, the "double," the myth of womanhood, and the figure of the actress), counterposing two or more works--from the feminist and from the dominant cinema. What emerges is a fascinating picture of a women's film tradition that not only addresses but reworks and remakes the mainstream cinema. Fischer successfully combines two main strains of feminist criticism: the deconstructive critique of the dominant culture from a feminist standpoint and the study of a feminist counterculture. Examining films from Persona and The Lady from Shanghai to Girlfriends and Sisters, or the Balance of Happiness, the book offers fresh interpretations of individual works and can, incidentally, serve as an introduction to the field of feminist film criticism. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.



Cinematography


Cinematography
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Author : Source Wikipedia
language : en
Publisher: University-Press.org
Release Date : 2013-09

Cinematography written by Source Wikipedia and has been published by University-Press.org this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09 with categories.


Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 69. Chapters: Film genre, Tracking shot, Shot reverse shot, Cinematographer, L cut, Cutaway, Insert, Follow focus, List of film formats, Panavision, Black Magic Tim, Combat in film, Deep focus, Alfred John West, Camera magazine, JA Prestwich Industries, Video assist, Visions of Light, Long take, Shaky camera, Color gel, Focus puller, Match cut, Parabolic aluminized reflector light, Cinematic techniques, Electronovision, Dolly zoom, Kinopanorama, Home movies, Negative cutting, No Subtitles Necessary: Laszlo & Vilmos, Bipack, Steadicam, ASC CDL, Color correction, Clapper loader, Film gate, Panning, American Society of Cinematographers, Ciociaria in cinematography, Three-point lighting, Showscan, Short end, Eclair, Key light, Iso-elastic, Trunk shot, Cross-cutting, Armored Trunk Manufacturing Company, Camera operator, Original camera negative, High-key lighting, Available light, Axial cut, Cutting on action, Interpositive, Skypan, Cinematography Mailing List, Jib, Shallow focus, British Society of Cinematographers, ASC Technology Committee, Society of Operating Cameramen, Stereographer, Eyeline match, Flashing, Low-key lighting, Digital imaging technician, Re-can, Lumapanel, Camera shoulder support, Keller-Dorian cinematography, Racking focus, Stalker vision, Background light, Heligimbal, Behind the Camera, Filipino Society of Cinematographers, JVC HD100, Follow shot, Wickmania, International Cinematographers Guild, Buffer shot, Tilt, One-light, Whip pan, Unchained camera technique, Camera stabilizer, Eye-level camera angle.



Film Techniques


Film Techniques
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Author : Source Wikipedia
language : en
Publisher: University-Press.org
Release Date : 2013-09

Film Techniques written by Source Wikipedia and has been published by University-Press.org this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09 with categories.


Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 100. Chapters: Film editing, Sound effect, Tracking shot, Shot reverse shot, Establishing shot, L cut, Point of view shot, Medium shot, Crane shot, Split screen, Master shot, Cutaway, Stop trick, Miniature effect, Wipe, Screenplay, Storyboard, Insert, Long shot, American shot, Improvisation, Scenario, Fast cutting, Slow cutting, Post-production, Stunt, Cinematography, Time-lapse, Scriptment, Filmmaking, Sound editor, Soviet montage theory, Multiple-camera setup, Outline, Film transition, Slow motion, Long take, Ken Burns effect, Shaky camera, Hand-held camera, Match cut, Found footage, Cinematic techniques, Single-camera setup, Walk and talk, Dolly zoom, Stock footage, Shooting script, Acousmatic sound, Production assistant, Distancing effect, Act structure, Go motion, Jump cut, 180 degree rule, Dutch angle, Money shot, Bleach bypass, Visual effects, Photoanimation, Close-up, Pitch, Spec script, Film Location Services, Documentary film techniques, Kuleshov Effect, Walla, Trunk shot, Fxguide, Sodium vapor process, Venus effect, Homage, Screen direction, Cross-cutting, Film treatment, POV Videography and VholdR, Redress, Mexican standoff, Pakistan New Cinema Movement, Aesthetic distance, Axial cut, Cutting on action, Beat, Smash cut, Low-angle shot, Freeze frame shot, Setpiece, Hardcore insert, Creative geography, Mickey Mousing, Reaction shot, Stereographer, Camera angle, Eyeline match, Dissolve, Pace, Hook, Dry for wet, Day for night, Narrativity, Documentary swarm, Sugar glass, Location shooting, Over the shoulder shot, Digital video effect, 30 degree rule, Leica reel, Culture note, High-angle shot, Bird's eye shot, Piece to camera, Air ram, Seamlessly loopable, Step outline, Aerial shot, Fade, Shooting in the round.



Cinematic Hypertext


Cinematic Hypertext
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Author : Clara Mancini
language : en
Publisher: IOS Press
Release Date : 2005

Cinematic Hypertext written by Clara Mancini and has been published by IOS Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Computers categories.


Hypertext was going to revolutionize the very way in which we read and write. However, while hypertext's non-linearity has been embraced by enthusiasts keen to experiment with interactive literary genres, to date, the non-linear medium has made little impact on scholarly discourse and argumentation, which have traditionally heavily relied on linearity. Is this because hypertextual narrative is simply incompatible with the requirements of certain genres? Or could it be that hypertext's essential characteristics have yet to be fully understood and exploited? Cinematic Hypertext is for theorists and designers ready to consider a new paradigm for framing the medium and its characteristics: film. Clara Mancini guides the reader through an eclectic mix of ideas from technology, psycholinguistics, visual design, narratology and film theory. En route, Cinematic Hypertext offers an intellectual workout for media theorists and coherence relations scholars, with analyses of cinematic grammars, film clips, hypertexts, and hypertext systems, grounded in an underlying theory of Cognitive Coherence Relations.Those ready to build experimental systems will find design principles and guidelines, and the evidence reported will be of particular interest to those wondering if the theory behind cinematic hypertext is valid empirically. The result is a novel way of thinking about hypertext which complements existing hypertext paradigms, with Mancini inviting the reader to design hypertexts capable of communicating through a visual language inspired by the power of cinema.



Transcultural Cinema


Transcultural Cinema
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Author : David MacDougall
language : en
Publisher: Princeton University Press
Release Date : 1998-12-27

Transcultural Cinema written by David MacDougall and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998-12-27 with Performing Arts categories.


David MacDougall is a pivotal figure in the development of ethnographic cinema and visual anthropology. As a filmmaker, he has directed in Africa, Australia, India, and Europe. His prize-winning films (many made jointly with his wife, Judith MacDougall) include The Wedding Camels, Lorang's Way, To Live with Herds, A Wife among Wives, Takeover, PhotoWallahs, and Tempus de Baristas. As a theorist, he articulates central issues in the relation of film to anthropology, and is one of the few documentary filmmakers who writes extensively on these concerns. The essays collected here address, for instance, the difference between films and written texts and between the position of the filmmaker and that of the anthropological writer. In fact, these works provide an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Refreshingly free of jargon, each piece belongs very much to the tradition of the essay in its personal engagement with exploring difficult issues. The author ultimately disputes the view that ethnographic filmmaking is merely a visual form of anthropology, maintaining instead that it is a radical anthropological practice, which challenges many of the basic assumptions of the discipline of anthropology itself. Although influential among filmmakers and critics, some of these essays were published in small journals and have been until now difficult to find. The three longest pieces, including the title essay, are new.



Roll Over Adorno


Roll Over Adorno
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Author : Robert Miklitsch
language : en
Publisher: State University of New York Press
Release Date : 2012-02-01

Roll Over Adorno written by Robert Miklitsch and has been published by State University of New York Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-02-01 with Social Science categories.


What happens when Theodor Adorno, the champion of high, classical artists such as Beethoven, comes into contact with the music of Chuck Berry, the de facto king of rock 'n' roll? In a series of readings and meditations, Robert Miklitsch investigates the postmodern nexus between elite and popular culture as it occurs in the audiovisual fields of film, music, and television—ranging from Gershwin to gangsta rap, Tarantino to Tongues Untied, Tony Soprano to Buffy the Vampire Slayer, Miklitsch argues that the aim of critical theory in the new century will be to describe and explain these commodities in ever greater phenomenological detail without losing touch with those evaluative criteria that have historically sustained both Kulturkritik and classical aesthetics.



Brechtian Cinemas


Brechtian Cinemas
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Author : Nenad Jovanovic
language : en
Publisher: State University of New York Press
Release Date : 2017-01-30

Brechtian Cinemas written by Nenad Jovanovic and has been published by State University of New York Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-01-30 with Performing Arts categories.


In Brechtian Cinemas, Nenad Jovanovic uses examples from select major filmmakers to delineate the variety of ways in which Bertolt Brecht's concept of epic/dialectic theatre has been adopted and deployed in international cinema. Jovanovic critically engages Brecht's ideas and their most influential interpretations in film studies, from apparatus theory in the 1970s to the presently dominant cognitivist approach. He then examines a broad body of films, including Brecht's own Mysteries of a Hairdressing Salon (1923) and Kuhle Wampe (1932), Jean-Marie Straub and Danièle Huillet's History Lessons (1972), Peter Watkins's La Commune (2000), and Lars von Trier's Nymphomaniac (2013). Jovanovic argues that the role of montage—a principal source of artistic estrangement (Verfremdung) in earlier Brechtian films—has diminished as a result of the technique's conventionalization by today's Hollywood and related industries. Operating as primary agents of Verfremdung in contemporary films inspired by Brecht's view of the world and the arts, Jovanovic claims, are conventions borrowed from the main medium of his expression, theatre. Drawing upon a vast number of sources and disciplines that include cultural, film, literature, and theatre studies, Brechtian Cinemas demonstrates a continued and broad relevance of Brecht for the practice and understanding of cinema.



A Cinema Of Obsession


A Cinema Of Obsession
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Author : Mariah Larsson
language : en
Publisher: University of Wisconsin Press
Release Date : 2020-01-14

A Cinema Of Obsession written by Mariah Larsson and has been published by University of Wisconsin Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-01-14 with Performing Arts categories.




Robert Bresson


Robert Bresson
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Author : Joseph Cunneen
language : en
Publisher: A&C Black
Release Date : 2004-04-19

Robert Bresson written by Joseph Cunneen and has been published by A&C Black this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-04-19 with Social Science categories.


Although Robert Bresson is widely regarded by movie critics and students of the cinema as one of the greatest directors of the twentieth century, his films are largely unknown and are rarely shown in the English-speaking world. Nonetheless, Susan Sontag has called Bresson "the master of the reflective mode in film."Martin Scorsese suggested that a young filmmaker should ask: "Is it as tough as Bresson?... Is Ýmeaning ̈ as ruthlessly pared down, as direct, as unflinching in its gaze at aspects of life I might feel more comfortable ignoring?" Questions that every reader of this book and every viewer of Bresson's films will also ask.Joseph Cunneen's book, now in paperback, introduces Bresson's movies to a broader audience, assesses thirteen of his most significant films in the context of detailed plot summaries, vivid descriptions of characters and settings, and perceptive, jargon-free insights into the director's execution, intention, and technique. Each of these films in its own way illustrates what Joseph Cunneen calls Bresson's "spiritual style." Though not necessarily focused on the explicitly religious, they illustrate two complementary principles: on the negative side, the rejection of what the director called "photographed theater" with its artificiality and dependence on celebrity performers. On the more positive side, as Bresson himself expressed it, the conviction that, "The supernatural is only the real rendered more precise; real things seen close up."



Harun Farocki


Harun Farocki
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Author : Thomas Elsaesser
language : en
Publisher: Amsterdam University Press
Release Date : 2004

Harun Farocki written by Thomas Elsaesser and has been published by Amsterdam University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Performing Arts categories.


Filmmaker, film essayist, installation artist, writer: the Berlin artist Harun Farocki has devoted his life to the power of images. Over the thirty-plus years of his career, Farocki has explored not the images of life but rather the life of images that surrounds us in newspapers, cinema, books, television, and advertising. Harun Farocki examines, from different critical perspectives, his vast oeuvre, which includes three feature films, critical media pieces, children’s television features, “learning films” in the tradition of Brecht, and installation pieces. Interviews, a selection of Farocki’s own writings, and an annotated filmography complete a valuable biography of this pioneering artist and his legendary career.