Socialist Realism And Music
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Socialist Realism And Music
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Author : Mikuláš Bek
language : en
Publisher:
Release Date : 2004
Socialist Realism And Music written by Mikuláš Bek and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Music categories.
Jazz From Socialist Realism To Postmodernism
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Author : Yvetta Kajanová
language : en
Publisher: Jazz under State Socialism
Release Date : 2016
Jazz From Socialist Realism To Postmodernism written by Yvetta Kajanová and has been published by Jazz under State Socialism this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Communism and music categories.
Jazz brought challenges in the areas of racial issues, the politics of the Cold War between East and West, and in the exploration of boundaries of artistic freedom. This volume deals with the impact of these changes on the career development of jazz musicians - even beyond 1989 - in terms of various phenomena.
Theory And Practice Of Socialist Realism In Soviet Music To 1949
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Author : Martine Nathalie Del Giudice
language : en
Publisher: 1975 [c1976]
Release Date : 1975
Theory And Practice Of Socialist Realism In Soviet Music To 1949 written by Martine Nathalie Del Giudice and has been published by 1975 [c1976] this book supported file pdf, txt, epub, kindle and other format this book has been release on 1975 with Music categories.
Symphonic Stalinism
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Author : Jiří Smrž
language : en
Publisher: LIT Verlag Münster
Release Date : 2011
Symphonic Stalinism written by Jiří Smrž and has been published by LIT Verlag Münster this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with History categories.
The Soviet system of rule that developed under Stalin featured management of the arts by political authorities, and the main doctrine inspiring and justifying this activity was "socialist realism." The definition of socialist realism emerged through a fluid process, marked by twists and turns and at times even contestation, in which critics, scholars, and creators alike gave the doctrine practical meaning. Symphonic Stalinism tells this story for music, and author Jiri Smrz examines it in much greater detail than any other scholar before him. In the process, Smrz emphasizes the crucial role played by musicologists, which was probably unique in the history of that discipline internationally. (Series: Osteuropa - Vol. 4)
Music And Musical Life In Soviet Russia
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Author : Boris Schwarz
language : en
Publisher:
Release Date : 1983
Music And Musical Life In Soviet Russia written by Boris Schwarz and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1983 with Music categories.
Socialist Realism And Music
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Author : Lenora Jean Cecilia DeCarlo
language : en
Publisher:
Release Date : 1992
Socialist Realism And Music written by Lenora Jean Cecilia DeCarlo and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Music categories.
On The Music Front Socialist Realist Discourse On Music In Poland 1948 To 1955
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Author : Slawomir Wieczorek
language : en
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
Release Date : 2020-03-16
On The Music Front Socialist Realist Discourse On Music In Poland 1948 To 1955 written by Slawomir Wieczorek and has been published by Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-03-16 with categories.
The Struggle For Control Of Soviet Music From 1932 To 1948
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Author : Meri Elisabet Herrala
language : en
Publisher:
Release Date : 2012
The Struggle For Control Of Soviet Music From 1932 To 1948 written by Meri Elisabet Herrala and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Communism and music categories.
A historical study of the political/cultural conflict concerning musical style in Russia from 1932 to 1948. Composers discussed include Prokofiev, Shostakovich, Asaf'yev and Khrennikov as well as institutions such as The Union of Soviet Composers.
Realism In Nineteenth Century Music
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Author : Carl Dahlhaus
language : en
Publisher: CUP Archive
Release Date : 1985-06-13
Realism In Nineteenth Century Music written by Carl Dahlhaus and has been published by CUP Archive this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985-06-13 with Music categories.
The music of the nineteenth century was - and still is - thought of as a 'romantic' art, whereas the main current of the literature and fine arts of the age was 'realist' from about 1830. Yet some works are consistently described as 'realistic': Nusorgsky's Boris and Bizet's Carmen are only the most frequently cited examples. Professor Dahlhaus sets out the criteria of realism, with particular reference to French and German theorists and examines the extent to which they apply to music too. While his findings do not reverse the verdict that the music of the age was in general romantic, he demonstrates that musical realism consists in much more than imitation of natural sounds or tone-painting. The notes are revised here for the English-speaking reader.
Modernism Socialist Realism And Identity In The Early Film Music Of Dmitry Shostakovich 1929 1932
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Author : Joan Marie Titus
language : en
Publisher:
Release Date : 2006
Modernism Socialist Realism And Identity In The Early Film Music Of Dmitry Shostakovich 1929 1932 written by Joan Marie Titus and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Modernism (Music) categories.
Abstract: Since the publication of Testimony (1979), a book that portrayed the thoroughly politicized Russian composer Dmitry Shostakovich (1906-1975) as a closet dissident, interpretations of his political status have become intertwined with interpretations of his music. Shostakovich has been labeled a "high-art" symphonist, a "light" music composer, a dissident, and a Communist. His eclecticism and the changing political environment in which he lived are in part responsible for these controversial interpretations of his music and character. Recent scholars have challenged the assumed historical narrative that perpetuates these politicized interpretations: the narrative that describes modernist and experimental composers of the 1920s as tragically having been converted to conservative and propagandistic socialist realist trend of the 1930s. My work seeks to continue the recent reevaluation of the modernist/socialist realist narrative, focusing on Shostakovich's early film music. By analyzing of his early film scores and discussing their reception, I reveal the aesthetic and political motivations for his negotiation of modernism and socialist realism. In so doing, I redefine Shostakovich as a more nuanced and heterogeneous composer of both film and art music. My dissertation examines the process of Shostakovich's renegotiation of his musical identity in his first four film scores as he made the so-called transition from the modernist silent cinema of the 1920s to the socialist realist sound cinema of the 1930s. The analyses of each film score, including The New Babylon (1928-1929), Alone (1929-1931), The Golden Mountains (1931) and The Counterplan (1932) are informed by approaches from film theory and musicology and contextualized through the use of Russian archival materials about the production and reception of film music. Through a detailed examination of narrative device, musical and semantic codes, reception, and a thorough discussion of the concepts of modernism and socialist realism outlined in earlier chapters, my analyses show how the variety of modernist and socialist realist traits allowed for diverse categorizations of these films. Nuanced and contextualized analyses of his early film music contribute to the current debates about the politics of "reading" messages in Shostakovich's instrumental music, challenging efforts to place his music into simplistic categories