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Sonata Op 11 No 5

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Sonata Op 11 No 5

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Author : Paul Hindemith
language : en
Publisher:
Release Date : 1983-06

Sonata Op 11 No 5 written by Paul Hindemith and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1983-06 with Sonatas (Viola) categories.

Schott

Sonata No 11 In E Major Op 5 No 11 Violin

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Author : Corelli
language : en
Publisher:
Release Date : 2002

Sonata No 11 In E Major Op 5 No 11 Violin written by Corelli and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with categories.

Sonata Op 11 No 3 Violoncello Piano Vxnt Hin

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Author : P. Hindemith
language : en
Publisher:
Release Date :

Sonata Op 11 No 3 Violoncello Piano Vxnt Hin written by P. Hindemith and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.

Sonata Opus 11 No 5

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Author : Paul Hindemith
language : en
Publisher:
Release Date : 1923

Sonata Opus 11 No 5 written by Paul Hindemith and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1923 with Sonatas (Viola) categories.

The Performing Style Of Alexander Scriabin

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Author : Anatole Leikin
language : en
Publisher: Routledge
Release Date : 2016-02-24

The Performing Style Of Alexander Scriabin written by Anatole Leikin and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-02-24 with Music categories.

When Alexander Nikolayevich Scriabin's music was performed during his lifetime, it always elicited ecstatic responses from the listeners. Wilhelm Gericke, conductor of the Vienna opera, rushed backstage after one of Scriabin's concerts and fell on his knees crying, 'It's genius, it's genius...'. After the composer’s death in 1915, however, his music steadily lost the captivating appeal it once held. The main reason for this drastic change in the listeners’ attitude is an enormous gap existing between the printed scores of Scriabin’s music and the way the composer himself played his works. Apparently, what Scriabin's audiences heard at the time was significantly different from, and vastly superior to, modern performances that are based primarily on published scores. Scriabin recorded nineteen of his compositions on the Hupfeld and Welte-Mignon reproducing pianos in 1908 and 1910, respectively. Full score transcriptions of the piano rolls, which are included in the book, provide many substantial features of Scriabin's performance: exact pitches and their timing against each other, rhythms, tempo fluctuations, articulation, dynamics and essential pedal application. Using these transcriptions and other historical documents as the groundwork for his research, Anatole Leikin explores Scriabin's performing style within the broader context of Romantic performance practice.

Notes For Violists

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Author : David M. Bynog
language : en
Publisher: Oxford University Press
Release Date : 2020-11-19

Notes For Violists written by David M. Bynog and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-19 with Music categories.

Notes for Violists: A Guide to the Repertoire offers historical and analytical information about thirty-five of the best-known pieces for the instrument, making it an essential resource for professional, amateur, and student violists alike. With engaging prose supported by fact-filled analytical charts, the book offers rich biographical information and insightful analyses that help violists gain a more complete understanding of pieces like Béla Bartók's Concerto for Viola and Orchestra, Rebecca Clarke's Sonata for Viola and Piano, Robert Schumann's Märchenbilder for Viola and Piano, op. 113, Carl Stamitz's Concerto for Viola and Orchestra in D Major, Igor Stravinsky's Élégie for Viola or Violin Unaccompanied, and thirty other masterpieces. This comprehensive guide to key pieces from the viola repertoire from the eighteenth through the twentieth century covers concertos, chamber pieces, and works for solo viola by a wide range of composers, including Bach, Telemann, Mozart, Hoffmeister, Walton, and Hindemith. Author David M. Bynog not only offers clear structural analyses of these compositions but also situates them in their historical contexts as he highlights crucial biographical information on composers and explores the circumstances of the development and performance of each work. By connecting performance studies with scholarship, this indispensable handbook for students and professionals allows readers to gain a more complete picture of each work and encourages them to approach other compositions in a similarly analytical manner.