Split Screen

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Split Screen

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Author : David Ellis
language : en
Publisher: James Lorimer & Company
Release Date : 1992

Split Screen written by David Ellis and has been published by James Lorimer & Company this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Performing Arts categories.

Contents: Eye on the Split Screen: the fragmentary nature of the new television; the changing relationship between viewers and TV set; how broadcasting can and cannot be expected to promote national sovereignty. Back to the

Split Screen Nation

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Author : Susan Courtney
language : en
Publisher: Oxford University Press
Release Date : 2017

Split Screen Nation written by Susan Courtney and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with Art categories.

Analyzing an eclectic history of film and related media, Split Screen Nation argues that popular visions of the American West and the American South must be thought in relation to one another if we are to fully understand the marks both have left on popular ways of imagining the U.S.

Brian De Palma S Split Screen

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Author : Douglas Keesey
language : en
Publisher: Univ. Press of Mississippi
Release Date : 2015-05-20

Brian De Palma S Split Screen written by Douglas Keesey and has been published by Univ. Press of Mississippi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-05-20 with Biography & Autobiography categories.

Over the last five decades, the films of director Brian De Palma (b. 1940) have been among the biggest successes (The Untouchables; Mission: Impossible) and the most high-profile failures (The Bonfire of the Vanities) in Hollywood history. De Palma helped launch the careers of such prominent actors as Robert De Niro, John Travolta, and Sissy Spacek (who was nominated for an Academy Award as Best Actress in Carrie). Indeed, Quentin Tarantino named Blow Out as one of his top three favorite films, praising De Palma as the best living American director. Picketed by feminists protesting its depictions of violence against women, Dressed to Kill helped to create the erotic thriller genre. Scarface, with its over-the-top performance by Al Pacino, remains a cult favorite. In the twenty-first century, De Palma has continued to experiment, incorporating elements from videogames (Femme Fatale), tabloid journalism (The Black Dahlia), YouTube, and Skype (Redacted and Passion) into his latest works. What makes De Palma such a maverick even when he is making Hollywood genre films? Why do his movies often feature megalomaniacs and failed heroes? Is he merely a misogynist and an imitator of Alfred Hitchcock? To answer these questions, author Douglas Keesey takes a biographical approach to De Palma's cinema, showing how De Palma reworks events from his own life into his films. Written in an accessible style and including a chapter on every one of his films to date, this book is for anyone who wants to know more about De Palma's controversial films or who wants to better understand the man who made them.

Split Screen

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Author :
language : en
Publisher:
Release Date :

Split Screen written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.

The Split Screen Aesthetic

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Author : Peter Matthew Ingrassia
language : en
Publisher:
Release Date : 2009

The Split Screen Aesthetic written by Peter Matthew Ingrassia and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Aesthetics categories.

The split-screen is a multi-frame technique used in film, television and video. Recent advances in digital technology make it easier to incorporate the fragmented frame into visual narrative strategies. I argue that properties inherent to the split-screen technique (including simultaneity, symmetry, visual irony, omniscient view and visual style) also emerge as attributes of a split-screen aesthetic. The split-screen aesthetic transforms a technical contrivance that has long provided an alternative to parallel editing, into a powerful narrative tool that facilitates the construction of visual stories in a spatial context. I trace the history of the use of split-screen by describing its function in selected visual works, including a medieval triptych painting, a 20th Century art installation, two films and a contemporary television program. A close analysis of a dual-screen video art installation helps characterize elements of the cinematic split-screen aesthetic. I also provide an account of the application of a split-screen design in my own experimental short video. As multi-screen formats continue to evolve, they invoke the split-screen aesthetic to shape the stories emerging from new spaces.

Split Screen

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Author : Philip Mosley
language : en
Publisher: SUNY Press
Release Date : 2001-01-01

Split Screen written by Philip Mosley and has been published by SUNY Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-01-01 with Social Science categories.

Explores the historical evolution of Belgian cinema as well as its contemporary situation within the evolving contexts of global media and European unity.

Split Screen Nation

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Author : Susan Courtney
language : en
Publisher: Oxford University Press
Release Date : 2017-02-01

Split Screen Nation traces an oppositional dynamic between the screen West and the screen South that was unstable and dramatically shifting in the decades after WWII, and has marked popular ways of imagining the U.S. ever since. If this dynamic became vivid in Quentin Tarantino's Django Unchained (2012), itself arguably a belated response to Easy Rider (1969), this book helps us understand those films, and much more, through an eclectic history of U.S. screen media from the postwar era. It deftly analyzes not only Hollywood films and television, but also educational and corporate films, amateur films (aka "home movies"), and military and civil defense films featuring "tests" of the atomic bomb in the desert. Attentive to sometimes profoundly different contexts of production and consumption shaping its varied examples, Split Screen Nation argues that in the face of the Cold War and the civil rights struggle an implicit, sometimes explicit, opposition between the screen West and the screen South nonetheless mediated the nation's most paradoxical narratives--namely, "land of the free"/land of slavery, conquest, and segregation. Whereas confronting such contradictions head-on could capsize cohesive conceptions of the U.S., by now familiar screen forms of the West and the South split them apart to offer convenient, discrete, and consequential imaginary places upon which to collectively project avowed aspirations and dump troubling forms of national waste. Pinpointing some of the most severe yet understudied postwar trends fueling this dynamic--including non-theatrical film road trips, feature films adapted from Tennessee Williams, and atomic test films--and mining their potential for more complex ways of thinking and feeling the nation, Split Screen Nation considers how the vernacular screen forms at issue have helped shape how we imagine not only America's past, but also the limits and possibilities of its present and future.

The Power Of Inquiry

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Author : Kath Murdoch
language : en
Publisher:
Release Date : 2015

The Power Of Inquiry written by Kath Murdoch and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with Active learning categories.

Split Screen Korea

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Author : Steven Chung
language : en
Publisher: U of Minnesota Press
Release Date : 2014-03-01

Split Screen Korea written by Steven Chung and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-03-01 with Art categories.

Shin Sang-ok (1926–2006) was arguably the most important Korean filmmaker of the postwar era. Over seven decades, he directed or produced nearly 200 films, including A Flower in Hell (1958) and Pulgasari (1985), and his career took him from late-colonial Korea to postwar South and North Korea to Hollywood. Notoriously crossing over to the North in 1978, Shin made a series of popular films under Kim Jong-il before seeking asylum in 1986 and resuming his career in South Korea and Hollywood. In Split Screen Korea, Steven Chung illuminates the story of postwar Korean film and popular culture through the first in-depth account in English of Shin’s remarkable career. Shin’s films were shaped by national division and Cold War politics, but Split Screen Korea finds surprising aesthetic and political continuities across not only distinct phases in modern South Korean history but also between South and North Korea. These are unveiled most dramatically in analysis of the films Shin made on opposite sides of the DMZ. Chung explains how a filmmaking sensibility rooted in the South Korean market and the global style of Hollywood could have been viable in the North. Combining close readings of a broad range of films with research on the industrial and political conditions of Korean film production, Split Screen Korea shows how cinematic styles, popular culture, and intellectual discourse bridged the divisions of postwar Korea, raising new questions about the implications of political partition.

Du Split Screen Au Multi Screen From Split Screen To Multi Screen

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Author : Marcin Sobieszczanski
language : en
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
Release Date : 2010-09

Du Split Screen Au Multi Screen From Split Screen To Multi Screen written by Marcin Sobieszczanski and has been published by Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-09 with Art categories.

Selon la perspective suivie dans cet ouvrage, le spectateur est actuellement en train d'acquérir de nouvelles capacités de suivi et d'absorption de l'image en mouvement. Depuis une quinzaine d'années, les créateurs de l'iconosphère avancent sur le chemin de la complexification et de la multiplication des moyens narratifs visuels. Cette démarche est préparée non seulement par des expérimentations artistiques historiques mais avant tout par l'accoutumance des populations urbanisées à l'immersion dans l'iconographie dynamique, par la prolifération des sources d'information imagée, par les pratiques interactives tels le zapping télévisuel, la consultation d'Internet, l'imagerie de la téléphonie mobile, ainsi que par la médiatisation iconique de la conduite de véhicules et d'engins. Ces nouvelles manières de consommer l'image et le son dynamisent les nouvelles créations multi-supports et feront bientôt disparaître la salle obscure à projection plate et unique ainsi que les appareils mono-écraniques. Nous proposons dans cet ouvrage une étude bilingue franco-anglaise quasi-exhaustive du phénomène, ancrée dans l'épistémologie des sciences cognitives, apportant des éclaircissements théoriques conjugués aux analyses des oeuvres récentes et anciennes, et étayée par les considérations et les témoignages d'artistes. According to this study, the spectator is currently acquiring new capacities to follow and to assimilate the moving image. In the last fifteen years, designers in the iconosphere have continued to make progress with the development and expansion of the media of visual narration. This advance is not only the result of past artistic experiments, but is above all rooted in such phenomena as the adaptation of urban populations to dynamic iconography, the proliferation of visual information, the emergence of interactive practices, such as channel surfing, the Internet search, mobile phone interfaces, as well as the visual interfaces for operating vehicles and other machines. These new ways of consuming images and sounds have fueled an expansion of new multi-screen designs that will gradually make the dark theater projection and the single-screen device obsolete. This bilingual French-English study offers a semi-comprehensive investigation of these phenomena, anchored in the epistemology of cognitive science, providing theoretical explanations combined with analyses of recent and historical works and accompanied by the reflections and testimonies of artists.

Split Screen

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