Storia Del Cinema Italiano 1929 1945
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Storia Del Cinema Italiano
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Author : Gian Piero Brunetta
language : it
Publisher:
Release Date : 2001
Storia Del Cinema Italiano written by Gian Piero Brunetta and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with categories.
Storia Del Cinema Italiano Il Cinema Del Regime 1929 1945
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Author : Gian Piero Brunetta
language : it
Publisher:
Release Date :
Storia Del Cinema Italiano Il Cinema Del Regime 1929 1945 written by Gian Piero Brunetta and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with Motion pictures categories.
Storia Del Cinema Italiano 1929 1945
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Author : Gian Piero Brunetta
language : it
Publisher:
Release Date : 2001
Storia Del Cinema Italiano 1929 1945 written by Gian Piero Brunetta and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Motion pictures categories.
A History Of Italian Cinema
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Author : Peter Bondanella
language : en
Publisher: A&C Black
Release Date : 2009-10-12
A History Of Italian Cinema written by Peter Bondanella and has been published by A&C Black this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-10-12 with Social Science categories.
A History of Italian Cinema is the only comprehensive and up-to-date book on the subject available anywhere, in any language >
Storia Del Cinema Italiano
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Author : Gian Piero Brunetta
language : en
Publisher:
Release Date : 1998
Storia Del Cinema Italiano written by Gian Piero Brunetta and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Motion pictures categories.
The Italian Cinema Book
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Author : Peter Bondanella
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-07-25
The Italian Cinema Book written by Peter Bondanella and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-25 with Performing Arts categories.
THE ITALIAN CINEMA BOOK is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections: THE SILENT ERA (1895–22) THE BIRTH OF THE TALKIES AND THE FASCIST ERA (1922–45) POSTWAR CINEMATIC CULTURE (1945–59) THE GOLDEN AGE OF ITALIAN CINEMA (1960–80) AN AGE OF CRISIS, TRANSITION AND CONSOLIDATION (1981 TO THE PRESENT) NEW DIRECTIONS IN CRITICAL APPROACHES TO ITALIAN CINEMA Acutely aware of the contemporary 'rethinking' of Italian cinema history, Peter Bondanella has brought together a diverse range of essays which represent the cutting edge of Italian film theory and criticism. This provocative collection will provide the film student, scholar or enthusiast with a comprehensive understanding of the major developments in what might be called twentieth-century Italy's greatest and most original art form.
Historical Dictionary Of Italian Cinema
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Author : Gino Moliterno
language : en
Publisher: Rowman & Littlefield
Release Date : 2020-12-08
Historical Dictionary Of Italian Cinema written by Gino Moliterno and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-12-08 with Performing Arts categories.
Italian cinema is now regarded as one of the great cinemas of the world. Historically, however, its fortunes have varied. Following a brief moment of glory in the early silent era, Italian cinema appeared to descend almost into irrelevance in the early1920s. A strong revival of the industry which gathered pace during the 1930s was abruptly truncated by the advent of World War II. The end of the war, however, initiated a renewal as films such as Roma città aperta (Rome Open City), Sciuscià (Shoeshine, 1946), and Ladri di biciclette (Bicycle Thieves, 1948), flagbearers of what soon came to be known as Neorealism, attracted unprecedented international acclaim and a reputation that only continued to grow in the following years as Italian films were feted worldwide. Ironically, they were celebrated nowhere more than in the United States, where Italian films consistently garnered the lion's share of the Oscars, with Lina Wertmüller becoming the first woman to ever be nominated for the Best Director award. This second edition of Historical Dictionary of Italian Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on major movements, directors, actors, actresses, film genres, producers, industry organizations and key films. This book is an excellent resource for students, researchers, and anyone wanting to know more about Italian Cinema.
Italian Gothic Horror Films 1957 1969
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Author : Roberto Curti
language : en
Publisher: McFarland
Release Date : 2015-04-16
Italian Gothic Horror Films 1957 1969 written by Roberto Curti and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-04-16 with Performing Arts categories.
The "Gothic" style was a key trend in Italian cinema of the 1950s and 1960s because of its peculiar, often strikingly original approach to the horror genre. These films portrayed Gothic staples in a stylish and idiosyncratic way, and took a daring approach to the supernatural and to eroticism, with the presence of menacing yet seductive female witches, vampires and ghosts. Thanks to such filmmakers as Mario Bava (Black Sunday), Riccardo Freda (The Horrible Dr. Hichcock), and Antonio Margheriti (Castle of Blood), as well the iconic presence of actress Barbara Steele, Italian Gothic horror went overseas and reached cult status. The book examines the Italian Gothic horror of the period, with an abundance of previously unpublished production information drawn from official papers and original scripts. Entries include a complete cast and crew list, home video releases, plot summary and the author's analysis. Excerpts from interviews with filmmakers, scriptwriters and actors are included. The foreword is by film director and scriptwriter Ernesto Gastaldi.
Italian Crime Filmography 1968 1980
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Author : Roberto Curti
language : en
Publisher: McFarland
Release Date : 2013-09-28
Italian Crime Filmography 1968 1980 written by Roberto Curti and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09-28 with Performing Arts categories.
In 1970s Italy, after the decline of the Spaghetti Western, crime films became the most popular, profitable and controversial genre. In a country plagued with violence, political tensions and armed struggle, these films managed to capture the anxiety and anger of the times in their tales of tough cops, ruthless criminals and urban paranoia. Recent years have seen renewed critical interest in the genre, thanks in part to such illustrious fans as Quentin Tarantino. This book examines all of the 220+ crime films produced in Italy between 1968 and 1980, the period when the genre first appeared and grew to its peak. Entries include a complete cast and crew list, home video releases, a plot summary and the author's own analysis. Excerpts from a variety of sources are included: academic texts, contemporary reviews, and interviews with filmmakers, scriptwriters and actors. There are many onset stills and film posters.
Italian Neorealist Cinema
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Author : Christopher Wagstaff
language : en
Publisher: University of Toronto Press
Release Date : 2007-12-29
Italian Neorealist Cinema written by Christopher Wagstaff and has been published by University of Toronto Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-12-29 with Performing Arts categories.
The end of the Second World War saw the emergence of neorealist film in Italy. In Italian Neorealist Cinema, Christopher Wagstaff analyses three neorealist films that have had significant influence on filmmakers around the world. Wagstaff treats these films as assemblies of sounds and images rather than as representations of historical reality. If Roberto Rossellini's Roma città aperta and Paisà, and Vittorio De Sica's Ladri di biciclette are still, half a century after they were made, among the most highly valued artefacts in the history of cinema, Wagstaff suggests that this could be due to the aesthetic and rhetorical qualities of their assembled narratives, performances, locations, lighting, sound, mise en scène, and montage. This volume begins by situating neorealist cinema in its historical, industrial, commercial and cultural context, and makes available for the first time a large amount of data on post-war Italian cinema. Wagstaff offers a theoretical discussion of what it means to treat realist films as aesthetic artefacts before moving on to the core of the book, which consists of three studies of the films under discussion. Italian Neorealist Cinema not only offers readers in Film Studies and Italian Studies a radically new perspective on neorealist cinema and the Italian art cinema that followed it, but theorises and applies a method of close analysis of film texts for those interested in aesthetics and rhetoric, as well as cinema in general.