Sublime
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The Sublime
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Author : Philip Shaw
language : en
Publisher: Psychology Press
Release Date : 2006
The Sublime written by Philip Shaw and has been published by Psychology Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Literary Criticism categories.
Usually related to feelings of overwhelming grandeur, irresistible power, lofty emotion or simple awe, the sublime is a term impossible to define. If it has any definition, it is that which exceeds description. In exploring this complex yet crucial concept, Philip Shaw looks in turn at: - the legacy of classical theories of the sublime - Edmund Burke's and Immanuel Kant's eighteenth-century contributions to debates around the term - romantic notions of sublimity - the postmodern and avant-garde sublime - politicisation of the concept by contemporary critical theorists. A remarkably clear study of what is in its essence a term near-impossible to pin down, this guide is essential reading for students of literature, critical and cultural theory.
The Sublime
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Author : Andrew Ashfield
language : en
Publisher: Cambridge University Press
Release Date : 1996-08-15
The Sublime written by Andrew Ashfield and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996-08-15 with Fiction categories.
This collection of texts on the Sublime provides the historical context for the foundation and discussion of one of the most important aesthetic debates of the Enlightenment. The significance of the Sublime in the eighteenth century ranged across a number of fields - literary criticism, empirical psychology, political economy, connoisseurship, landscape design and aesthetics, painting and the fine arts, and moral philosophy - and has continued to animate aesthetic and theoretical debates to this day. However, the unavailability of many of the crucial texts of the founding tradition has resulted in a conception of the Sublime often limited to the definitions of its most famous theorist Edmund Burke. Andrew Ashfield and Peter de Bolla's anthology, which includes an introduction and notes to each entry, offers students and scholars ready access to a much deeper and more complex tradition of writings on the Sublime, many of them never before printed in modern editions.
The Imperial Sublime
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Author : Harsha Ram
language : en
Publisher: Univ of Wisconsin Press
Release Date : 2006-03-31
The Imperial Sublime written by Harsha Ram and has been published by Univ of Wisconsin Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-03-31 with Literary Criticism categories.
The Imperial Sublime examines the rise of the Russian empire as a literary theme simultaneous with the evolution of Russian poetry between the 1730s and 1840—the century during which poets defined the main questions facing Russian literature and society. Harsha Ram shows how imperial ideology became implicated in an unexpectedly wide range of issues, from formal problems of genre, style, and lyric voice to the vexed relationship between the poet and the ruling monarch.
The Sublime
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Author : Lap-Chuen Tsang
language : en
Publisher: University Rochester Press
Release Date : 1998
The Sublime written by Lap-Chuen Tsang and has been published by University Rochester Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with History categories.
An important work offering a viable theory for the concept of "Sublime" in philosophy. This is a work of quite unusual philosophical interest, original and deeply insightful. Dr. Tsang argues on the one hand that sublimity is not a property of objects regarded as sublime, but belongs to our construal of objects, while on the other he also argues that when we so construe an object we are giving expression to some limit to our life, not an external barrier, but a limit internal to it. But what lies at the limit cannot be represented. So the sublime can be evoked by language, but not represented in it. This leads Dr. Tsang on to a philosophical analysis of evocation and of the evocative possibilities of a sublime object. What he says about evocation presupposes and requires for its completion an account of how affective elements are involved in the experience of the sublime and what he claims here is that there is no one feeling or type of feeling involved in the experience of the sublime, but that a wide range of different feelings may be involved on different occasions. The quality of the feeling is closely bound up with the character of the experience of the sublime as a limit-experience. Finally Dr. Tsang considers the cultural and social context of experiences of the sublime, both what is universally recognized as sublime, because bound up with the general conditions of human life, and what is specific to particular cultural and social contexts. He then moves to the conclusion to examine the relationship of the sublime to human willing. As a postscript there is an excellent treatment of Kant's theory of the sublime.
The Textual Sublime
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Author : International Association for Philosophy and Literature. Meeting
language : en
Publisher: SUNY Press
Release Date : 1990-01-01
The Textual Sublime written by International Association for Philosophy and Literature. Meeting and has been published by SUNY Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990-01-01 with Literary Criticism categories.
This book addresses the question of deconstruction by asking what it is and discussing its alternatives. To what extent does deconstruction derive from a philosophical stance, and to what extent does it depend upon a set of strategies, moves, and rhetorical practices that result in criticism? Special attention is given to the formulations offered by Jacques Derrida (in relation to Heidegger's philosophy) and by Paul de Man (in relation to Kant's theory of the sublime and its implications for criticism). And what, in deconstructive terms, does it mean to translate from one textual corpus into another? Is it a matter of different theories of translation or of different practices? And what of difference itself? Does not difference already invoke the possibility of deconstruction's "others"? Althusser, Adorno, and Deleuze are offered as exemplary cases. The essays in this volume examine in detail these differences and alternatives. The Textual Sublime is particularly concerned with how a text (philosophical or literary) sets its own limits, borders, and margins, how it delimits what constitutes the text per se and how it invokes at the same time what is not determinately in the text. The textual sublime is that aspect of a text that deconstruction shows to be both an element of the text and what surpasses the text, what takes it outside itself (in view of alternatives and alterities) and what ties it to differing philosophical, rhetorical, historical, and critical practices.
The Gothic Sublime
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Author : Vijay Mishra
language : en
Publisher: SUNY Press
Release Date : 1994-01-01
The Gothic Sublime written by Vijay Mishra and has been published by SUNY Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994-01-01 with Literary Criticism categories.
This book reads the Gothic corpus with a thoroughly postmodern critical apparatus, pointing out that the Gothic Sublime anticipates our own doomed desire to pass beyond the hyperreal. A highly sophisticated theoretical reading of key texts of the Gothic, this book allows the reader to re-live the Gothic, not simply as a nostalgic relic or a pre-romantic aberration, but as a living presence that has strong resonances with the postmodern condition.
Sublime Understanding
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Author : Kirk Pillow
language : en
Publisher: MIT Press
Release Date : 2003-01-24
Sublime Understanding written by Kirk Pillow and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-01-24 with Philosophy categories.
The topic of the sublime is making a return to contemporary discourse on aesthetics and cognition. In Sublime Understanding, Kirk Pillow makes sublimity the center of an alternative conception of aesthetic response and interpretation. He draws an aesthetics of sublimity from Kant's Critique of Judgment, bolsters it with help from Hegel, and establishes its place in a broadened conception of human understanding (thus differing from the many scholars who use Hegel to dismiss Kant or vice versa). He argues that sublime reflection provides a model for an interpretive response to the uncanny Other outside our conceptual grasp; it advances our sense-making pursuits but eschews unified, conceptual determination. Thus "sublime understanding" is the always partial, indeterminate grasping of contextual wholes through which we make sense of the uncanny particular in both art and the lived world. The book is divided into three parts. In the first two parts, Pillow presents insightful reinterpretations of Kant's and Hegel's aesthetics. In the third part he develops his own model of an aestheticized understanding, which illuminates contemporary discussions of metaphor and interpretation, while bridging Anglo-American and continental treatments of these issues. The presentation is a model of clear and well-crafted exposition, exemplifying the practice of aesthetically reflective sublime understanding that it articulates.
The Feminine Sublime
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Author : Barbara Claire Freeman
language : en
Publisher: Univ of California Press
Release Date : 1995
The Feminine Sublime written by Barbara Claire Freeman and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Language Arts & Disciplines categories.
The Feminine Sublime provides the first comprehensive feminist critique of the theory of the sublime. Barbara Claire Freeman argues that traditional theorizations of the sublime depend on unexamined assumptions about femininity and sexual difference, and that the sublime could not exist without misogynistic constructions of "the feminine". Taking this as her starting point, Freeman suggests that the "other sublime" that comes into view from this new perspective not only offers a crucial way to approach representations of excess in women's fiction but allows us to envision other modes of writing the sublime. Freeman reconsiders Longinus, Burke, Kant, Weiskel, Hertz, and Derrida and at the same time engages a wide range of women's fiction, including novels by Chopin, Morrison, Rhys, Shelley, and Wharton. Locating her project in the coincident rise of the novel and concept of the sublime in eighteenth-century European culture, Freeman allies the articulation of sublime experience with questions of agency, passion, and alterity in modern and contemporary women's fiction. She argues that the theoretical discourses that have seemed merely to explain the sublime also function to evaluate, domesticate, and ultimately exclude an otherness that, almost without exception, is gendered as feminine. Just as important, she explores the ways in which fiction by American and British women, mainly of the twentieth century, responds to and redefines what the tradition has called "the sublime".
Romanticism And The Androgynous Sublime
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Author : Warren Stevenson
language : en
Publisher: Fairleigh Dickinson Univ Press
Release Date : 1996
Romanticism And The Androgynous Sublime written by Warren Stevenson and has been published by Fairleigh Dickinson Univ Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996 with Literary Criticism categories.
This book studies and articulates the emergence from the poetical subtext of six major English romantics of "the androgynous sublime", a mode that conflates the motif of psychic androgyny (traceable as far back as the Book of Genesis and Plato's Symposium) with the mode of sublimity, first discussed by Longinus and much debated from the eighteenth century onward. Frequently echoed by the romantic poets, Milton's description of the Holy Spirit's role in the creation of the world is androgynous. Since humane creativity mirrors divine creativity, it follows that the artist qua artist muct also be androgynous - that is, endowed with what Lyrical Ballads, calls "a more comprehensive soul" than is "supposed to be common among mankind". Characterized by a flexuous, limber style and an association with androgynous subject matter, the androgynous sublime subverts conventional notions of sublimity while offering a more comprehensive model with which to supplement, of non supplant, them. The methodology of this study is to present a "counter-deconstructive" reading of the text and, where applicable, designs of Blake, as well as the poetry of Wordsworth, Coleridge, Byron, Shelley, and Keats, seen from this somewhat novel but not ignoble perspective.
Musically Sublime
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Author : Kiene Brillenburg Wurth
language : en
Publisher: Fordham Univ Press
Release Date : 2009-08-25
Musically Sublime written by Kiene Brillenburg Wurth and has been published by Fordham Univ Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-08-25 with Philosophy categories.
Musically Sublime rewrites musically the history and philosophy of the sublime. Music enables us to reconsider the traditional course of sublime feeling on a track from pain to pleasure. Resisting the notion that there is a single format for sublime feeling, Wurth shows how, from the mid eighteenth century onward, sublime feeling is, instead, constantly rearticulated in a complex interaction with musicality. Wurth takes as her point of departure Immanuel Kant's Critique of Judgment and Jean-François Lyotard's aesthetic writings of the 1980s and 1990s. Kant framed the sublime narratively as an epic of self-transcendence. By contrast, Lyotard sought to substitute open immanence for Kantian transcendence, yet he failed to deconstruct the Kantian epic. The book performs this deconstruction by juxtaposing eighteenth- and nineteenth-century conceptions of the infinite, Sehnsucht, the divided self, and unconscious drives with contemporary readings of instrumental music. Critically assessing Edmund Burke, James Usher, E.T.A. Hoffmann, Novalis, Friedrich Hölderlin, Arthur Schopenhauer, Richard Wagner, and Friedrich Nietzsche, this book re-presents the sublime as a feeling that defers resolution and hangs suspended between pain and pleasure. Musically Sublime rewrites the mathematical sublime as différance, while it redresses the dynamical sublime as trauma: unending, undetermined, unresolved. Whereas most musicological studies in this area have focused on traces of the Kantian sublime in Handel, Haydn, and Beethoven, this book calls on the nineteenth-century theorist Arthur Seidl to analyze the sublime of, rather than in, music. It does so by invoking Seidl's concept of formwidrigkeit ("form-contrariness") in juxtaposition with Romantic piano music, (post)modernist musical minimalisms, and Lyotard's postmodern sublime. It presents a sublime of matter, rather than form-performative rather than representational. In doing so, Musically Sublime shows that the binary distinction Lyotard posits between the postmodern and romantic sublime is finally untenable.