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Tang Shi Jing Xuan 1

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Tang Shi Jing Xuan 1

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language : zh-CN
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Tang Shi Jing Xuan 2

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language : zh-CN
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Tang Shi Xuan Xi

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Author : Yanjin Zhang
language : zh-CN
Publisher:
Release Date : 1981

Tang Shi Xuan Xi written by Yanjin Zhang and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with categories.

Tang Shi He Xuan Xiang Jie

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Author : Baojun Liu
language : zh-CN
Publisher:
Release Date : 1831

Tang Shi He Xuan Xiang Jie written by Baojun Liu and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1831 with categories.

Tang Shi Jing

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language : zh-CN
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Release Date : 1976

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Painting And Private Life In Eleventh Century China

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Author : Robert E. Harrist
language : en
Publisher: Princeton University Press
Release Date : 1998

Painting And Private Life In Eleventh Century China written by Robert E. Harrist and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Art categories.

In the eleventh century, the focus of Chinese painting shifted dramatically. The subject matter of most earlier works of art was drawn from a broadly shared heritage of political, religious, and literary themes. Late in the century, however, a group of scholar-artists began to make paintings that reflected the private experiences of their own lives. Robert Harrist argues here that no work illuminates this development more vividly than Mountain Villa, a handscroll by the renowned artist Li Gonglin (ca. 1041-1106). Through a detailed reading of the painting and an analysis of its place in the visual culture of Li's time, the author offers a new explanation for the emergence of autobiographic content in Chinese art. Harrist proposes that the subject of Li's painting--his garden in the Longmian Mountains--was itself a form of self-representation, since a garden was then considered a reflection of its owner's character and values. He demonstrates also that Li's turn toward the imagery of private life was inspired by the conventions of Chinese lyric poetry, in which poets recorded and responded to the experiences of their lives. The book draws the reader into the artistic, scholarly, and political world of Li Gonglin and shows the profound influence of Buddhism on Chinese painting and poetry. It offers important insights not just into Chinese art, but also into Chinese literature and intellectual history.